Conceptual Photography

"Untitled 2.17" Still Life Photography 35' x 24' in Ed of 10 by García De Marina García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A...

"Untitled 1.18" Still Life Photography 16' x 24' in Ed of 15 by García De Marina Not framed. Ships rolled in tube. García de Marina was born in Gijón (Spain) in 1975. He emerged t...

Library of Congress I Washington DC 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.4 inches ed. of 5 $11,000 signed...

This large-scale interior architectural photograph by German artist Reinhard Görner depicts the bust of Sir Isaac Newton in the Trinity College librar...

Biblioteca Ortopedica Bologna, Italy 2022 A view of the main table and globe of the main scientific library in the Istituto Ortopedico Rizzoli, named for Italian King Umberto I. The vista is framed between echoing frescoed arched ceilings, cases of scientific volumes, and geometric floor. These sixteenth-century rooms, where the books of the Olivetani Monks were kept, are located in the ancient complex of San Michele in Bosco. They were transformed into an orthopaedic hospital at the end of the nineteenth century. The library holds an important scientific collection...

Rose Main Reading Room, 2014 Public Library New York 70 x 88.9 inches Ed. of 5 $11,000 60 x 76.2 inches Ed. of 7 $9,000 50 x 63.5 Ed. of 10 $6,000 signed and numbered on label, v...

In Out of Nowhere, part of Reinhard Görner's Secret World of Plants series, the delicate interplay of deep purples, vibrant greens, and soft-focus backgrounds creates an evocative an...

Reinhard Görner's captivating close-up botanical photograph 'Stand By Me' invites the viewer to immerse themselves in the vibrant, sensual details of a blooming flower. The striking ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Reinhard Görner's captivating close-up botanical photograph 'Stand By Me' invites the viewer to immerse themselves in the vibrant, sensual details of a blooming flower. The striking ...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 90 x 60 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogr...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görn...

Reinhard Görner Law Library Zurich, Switzerland 50" x 62.5" Edition of 10 $6,000 60" x 75" Edition of 7 $9,000 70" x 87.5" Edition of 5 $11,000 signed ...

In Out of Nowhere, part of Reinhard Görner's Secret World of Plants series, the delicate interplay of deep purples, vibrant greens, and soft-focus backgrounds creates an evocative an...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Sl...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

C-type print/Diasec

Biblioteca Classense Ravenna, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso The...

Reinhard Görner Sainte Geneviève II Library Paris, France 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm...

In Pinball Wizard, part of Görner's Secret World of Plants series, the interplay of vibrant greens and soft-focus spheres creates a mesmerizing, otherworldly scene. This German macro...

Riggs Library I, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. T...

Riggs Library I, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. T...

Riggs Library, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. Thi...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...

Greek Temple, Pergamon-Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm...

Venus (detail), Sandro Botticelli Workshop, Painting Gallery, Berlin, Photograph 53.4 x 40 inches ed. of 7 $4400 66.7 x 50 ed. of 5 $6800 signed and numbered on label, verso Rein...

Reinhard Görner Phillips Exeter Academy Library 3 sizes available 60 x 50 inches ed. of 10 $6,000 70 x 58.5 inches ed. of 7 $9,000 80 x 66.8...

Morgan Library II New York 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trim...

In this mesmerizing macro photograph, Görner masterfully captures the delicate interplay between form and color within a flower's intimate landscape. The soft, diaphanous pink petals...

An intimate portrayal of nature’s elaborate choreography, Cosmic Dance is a fine art photograph that invites the viewer into a world of vibrant textures and earthy chromatics. With i...

Card Index Bologna, Italy 2022 A classic card index with red and white labels, below a classical religious fresco and carved ceiling. signed and numbered ...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Rimma Gerlovina and Valeriy Gerlovin Clock, 1987-94 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 13 h × 13 w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...

Morgan Library II New York 50 x 62.4 inches ed. of 10 $6000 60 x 74.9 inches ed. of 7 $9000 70 x 87.5 inches ed. of 5 $11000 signed and numbered on label, verso Paper is trimmed...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Sl...

This captivating macro photograph by German artist Reinhard Görner draws the viewer into the intricate, sensuous details of a blooming iris. The soft, velvety petals in shades of vio...

This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...

Psychiatric Observation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neurosis bring...

This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive "Hall of the Rivers" within the Ducal Palace of Mantua, a historic complex recognized as the sixth largest palace in Europe. Built between the 14th and the 17th century by the noble Gonzaga family, the Ducal Palace of Mantua serves as a testament to Italy's rich architectural heritage and royal history. The palace complex, featuring an impressive assortment of more than 500 rooms, corridors, galleries, inner courts, and extensive gardens, spans an area of approximately 34,000 m2. While the palace is widely recognized for Mantegna's frescos in the Camera degli Sposi (Wedding Room), the Sala dei Fiumi offers its unique allure. Created during the Habsburg rule in Mantua, this hall showcases distinctive wall paintings where the rivers of the Mantuan territory are anthropomorphized as giants. Reinhard Görner's photograph is more than a visual delight; it's a historical journey into Italy's cultural past. Ideal for art enthusiasts, history lovers, and those with a keen eye for architectural beauty, this piece promises to enhance any collection. Allow the grandeur of the Palazzo Ducale di Mantova and the majesty of the Sala dei Fiumi to resonate within your space with this stunning image. signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

Reinhard Görner, Ganymed, Palazzo Grimani, Venice, Italy. In this monumental photograph, a sculpture depicting the Kidnapping of Ganymed is suspended in the center of the vault, decorated by lacunae. The image combines the unique geometric abstraction of the architecture with the organic form of the sculpture and the floor. What is so unique about this artwork? Compositionally, all lines radiate to the the center of the room, where the energy is thrust upwards again by the mythical figure. The wings of Ganymed direct the eye back to the perimeter of the room, where the attention flows inwards once again. The floor radiates with an earthy ktenic energy, which compliments the vertical push of the sculpture. The result is a living, pulsing composition, set within the unusual warm classicism of this unique Venetian Palazzo. This beautiful palace was the residence of the Doge Antonio Grimani. It is one of the most unique examples of Venetian architecture in transition from Gothic, well-rooted in the local culture, to the Renaissance. German large-scale photographer Reinhard Görner is known for his stunning, monumental-scale photography, which combine a sense of grandness with intimacy. He was born in 1950 in Leipzig, Germany, and he lives and works in Berlin, Germany. He studied drama, german literature and sinology in Munich and Berlin, and has been photographing architecture, interiors, and public spaces since 1981. Condition: New. Images are crisp and sharp. Images are not shown at full resolution for the protection of the artist. 50 x 49 inches ed of 10 $6,000 60 x 59 inches ed of 7 $9,000 70 x 68.8 inches ed of 5 $11,000 signed and numbered on label, verso Reinhard Görner with his large format architectural photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Paper is trimmed to the image: actual image size listed More about the Palazzo: Newly restored, the Palazzo Grimani also includes Camerino di Callisto, with stucco by Giovanni da Udine...

This large format 20 x 24 Polaroid photograph is a self portrait of the photographer David Chack. This is a one-of-a- kind, " instant" color photograph. The process uses a multi-laye...

50 x 46.3 inches ed. of 10 $6,000 60 x 55.6 inches ed. of 7 $9,000 70 x 64.8 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format p...

A breathtaking homage to the grandeur of knowledge, Reinhard Görner’s Shining Wall of Books captures the luminous beauty of one of the world’s most revered libraries. This masterfull...

50 x 59.4 inches ed. of 10 $6000 60 x 71.3 inches ed. of 7 $9000 70 x 83.1 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format pho...

Provenance: Deaccessioned from a New York University. Condé + Beveridge Carole Condé and Karl Beveridge Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live ...

Savannah Spirit We The Nipple 30 x 30 inches Archival pigment print on Hahnemühle Photo Rag. Edition of 5 Signed by artist Erotica to save our souls. Latest press ARTSY: May 28, 2019: The Photographers Fighting Instagram’s Censorship of Nude Bodies, by Kelsey Ables. First artist featured: Savannah Spirit. In this self portrait, Savannah Spirit turns the tradition of black and white female portraiture back on itself. The muse is the artist, and the gaze is her own. Spirit believes that an image of a woman's body should not be viewed through a purely sexual lens. Her artwork asserts that a woman is her own muse. Through her artistic, social and curatorial projects, Spirit also takes on technology and social media censors, who assume that the unclothed body of a human—especially a female human—is by definition, pornography, in need of control. Press FORBES: Savannah Spirit Wants to Trigger Your Trump VICE: Erotic Art Fights Trump with Scenes of Female Pleasure BULLETT: The Art Show Fighting Fascism with Erotica HUFFINGTON POST: Artists Are Resisting Trump's Misogyny with Erotic Art DAZED: The Erotic Show Taking on Donald Trump Internal: Savannah Spirit, Black and White Photography, Black and White Nude...

Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mi...

Reinhard Görner Toreno Biblioteca del Senado, Madrid 2017 50 x 59.7 inches ed. of 10 $6,000 60 x 71.7 inches ed. of 7 $9,000 70 x 83.6 inches ed. of 5 $11,000 signed and numbered...

Biblioteca Marucelliana Florence, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso ...

Reinhard Görner Inter Arma Charitas Lisbon, Portugal 2014 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Halle, Germany, Large-Scale Photography, Large-scale German photography, German Libraries, German Monuments...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

SOREL COHEN (Canadian b. 1936 - ) Speak Silence- 1978 Ektacolor photograph and vinyl letter typography Verso with gallery label for Wynick/Tuck Gallery, Toronto, Ontario 41 inches x 53 inches edition of 3 The original receipt included with this item is only available in the digital form. I only have the copy of it, not the original. SOREL COHEN (Canadian b. 1936 - ) A graduate of Concordia University, Cohen has been a major figure on the Canadian photography scene for over thirty years. She has been invited as guest lecturer to many Canadian universities, and was awarded the Canada Council’s prestigious Duke and Duchess of York Prize in Photography (1988). Her master’s thesis examined feminist art in the 1970s, while her art practice, which is largely autobiographical, weaves original links conceptual art, photography, painting and film. Cohen creates works that directly reference the historical and social context of the artist, especially through depictions of gender and the body. She has participated in numerous group shows both in Canada and abroad (France, Germany, Mexico, the United Kingdom, etc.) and has had solo exhibitions in major Canadian cities from Halifax to Vancouver, as well as in New York, Marseilles, and Tempe, Arizona. ) She was included in the show She Photographs which presented thirty photographers, mostly Canadian, a few American, who explore the portrait or the self-portrait, nudes, still-life, landscape. Artists included Sarah Anne Johnson...

Riggs Library Washington DC 57 x 50 inches ed. of 10 $6,000 68 x 60 inches ed. of 7 $9,000 79.8 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed...

Biblioteca Archiginnasio Bologna, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. This stunning photograph captures a vista through the storied volumes, intricately painted walls, and doorways inside the Biblioteca comunale dell'Archiginnasio (Archiginnasio Municipal Library). The Biblioteca Archiginnasio is a public library located inside the Palace of the Archiginnasio in Bologna, Italy. The largest library in Emilia-Romagna, it boasts some 850,000 volumes and pamphlets, 2,500 incunabula, 15,000 16th century editions, 8,500 manuscripts and then letters, collections of autographs, prints and drawings, and 250 archives. The library has also a section of 7,500 magazines. In 1838 a section of the building was destined to preserve the books collected from Napoleon's closure of the religious orders. Fabled patrons include the cardinal Giuseppe Mezzofanti, Giovanni Gozzadini, Marco Minghetti, Giovanni Pascoli, Jacob Moleschott, Luigi Serra, Laura Bassi, Aurelio Saffi, Riccardo Bacchelli, Pelagio Palagi...

An original Inkjet prints, carbon and beeswax mounted to wood that was included in the artistic duo's exhibition at the world renowned Albright Knox Art Gallery. Virocode is compose...

Reinhard Görner’s Leda with Swan unveils an intimate and evocative perspective on Correggio’s 16th-century masterpiece, capturing the painter’s exquisite handling of light, texture, ...