Conceptual Photography

A masterpiece of Baroque symmetry and intellectual grandeur, Reinhard Görner’s Wren Library, Cambridge captures the timeless elegance of one of Brita...

City Hall Law Library Philadelphia signed and numbered on label, verso Paper is trimmed to the image: actual image size listed 50 x 63 inches ed of 10 ...

Library of Congress I Washington DC 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.4 inches ed. of 5 $11,000 signed...

Reinhard Görner Open Space, City Library Stuttgart, Germany 2014 Contemporary Interior Architecture Photograph A vision of contemporary minimalism and infinite knowledge, Reinhard ...

40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 7 $9,000 60 x 90 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogr...

Edition of 10 C-Print 17.875 x 17.875 Framed in natural wood Michelle Buhler has a BFA from the University of Utah. She has studied photography at the International Center of Photography and cinematography at New York University. She currently lives in Idaho. Education: New York University, Cinematography, New York, New York, 2011 International Center of Photography, Advanced Color Photorgraphy with Liz Deschenes, New York City, 2007 University of Utah, BFA Photography, Salt Lake City, Utah, 2003 Articles and Awards 2012 Honorable Mention in the 2012 First Edition of Hey Hot Shot, Jen Bekman Gallery, NYC 2012 The Stone Mind, Open House: Art on Iowa by Justin Roth 2003 Red Magazine...

A breathtaking homage to the grandeur of knowledge, Reinhard Görner’s Shining Wall of Books captures the luminous beauty of one of the world’s most rever...

Reinhard Görner 'Study Center' Duchess Anna Amalia Library Weimar, Germany 2017 A luminous ode to architectural grandeur and intellectual heritage, Reinhard Görner’s masterful phot...

'Great Minds' Duchess Anna Amalia Library Weimar, Germany 2017 55 x 50 inches ed. of 10 $6,000 66 x 60 inches ed. of 7 $9,000 77 x 70 inches ed. of 5...

40 x 80 inches ed. of 5 $8,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, ga...

50 x 62.5 inches ed. of 7 $6,000 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format pho...

Reinhard Görner 'Study Center' Duchess Anna Amalia Library Weimar, Germany 2017 A luminous ode to architectural grandeur and intellectual heritage, Reinhard Görner’s masterful phot...

Reinhard Görner Menendez y Pelayo Biblioteca Nacional, Madrid 2017 40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 7 $9,000 signed and numbere...

Reinhard Görner Biblioteca Nacional, Madrid 2017 55 x 50 inches ed. of 10 $6,000 66 x 60 inches ed. of 7 $9,000 77 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Madrid, Spain, Large-Scale Photography, Large-scale German photography, Spanish Libraries...

Morgan Library II New York 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trim...

Reinhard Görner Law Library Zurich, Switzerland Contemporary large scale photograph 50" x 62.5" Edition of 10 $6,000 60" x 75" Edition of 7 $9,000 70" ...

Reinhard Görner Hôtel de Ville II Library Paris, France 59.8" x 50" Edition of 10 $6,000 71.8" x 60" Edition of 7 $9,000 83.7" x 70" Edition of 5 $11...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

Reinhard Görner Château de Fontainbleue III Library France 50" x 50" Edition of 25 $6,000 60" x 60" Edition of 15 $9,000 70" x 70" Edition of 10 $11,000 signed and numbered on la...

Shimon Attie (American, b. 1957), Untitled Memory (Projection of Marsha A.) Ektacolor photograph, 1998, from the Untitled Memory series, Gallery label to verso, Jack Shainman Gallery, New York matted and framed. Frame dimensions 27 3/4 x 32 1/4 in, photo 25 X 31 Provenance: from the Estate of the late Ron and Anne Dees, Fayetteville, North Carolina Ron and Anne Dees were longtime collectors, lovers, and patrons of art. Starting in the late 1990s, they began their art acquisition and collection, focusing substantially on contemporary art. Their affinity for art went far beyond simply collecting and displaying. Ron served as a docent at the esteemed Corcoran Gallery of Art in Washington, DC, from the late 1990s into the 2000s. In the series "Untitled Memory," Attie revisited his former (and then-deserted) apartment in San Francisco, projecting black-and-white snapshots of his friends and family in spaces that they previously occupied. The desaturated figures have a specter-like appearance and are often depicted in repose or rest, as if in a perpetual state of waiting. The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

Reinhard Görner Sainte Geneviève II Library Paris, France 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm...

Reinhard Görner Sainte Geneviève II Library Paris, France 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered on l...

Reinhard Görner Law Library Zurich, Switzerland 50" x 62.5" Edition of 10 $6,000 60" x 75" Edition of 7 $9,000 70" x 87.5" Edition of 5 $11,000 signed ...

Reinhard Görner Schussenried Abbey Library Germany 50" x 59.9" Edition of 10 $6,000 60" x 71.9" Edition of 7 $9,000 70" x 83.8" Edition of 5 $11,000...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 Signed and numbered on label, verso This artwork is...

Phillips Exeter Academy Library 60 x 50 inches ed. of 10 $6000 70 x 58.5 inches ed. of 7 $9000 80 x 66.8 inches ed. of 5 $11000 signed and ...

Rimma Gerlovina and Valeriy Gerlovin Compass, 1988 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 12.5 h × 12.5w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

Bapst Library Boston 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.4 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to...

Bode-Museum, Berlin 62 1/2 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 1/2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, ...

Morgan Library II New York 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on lab...

Castle Piano by Gina Sodden [2013] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 6 Image size: H:70.0...

Athenæum, Boston 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image...

Rose Main Reading Room, 2014 Public Library New York 70 x 88.9 inches Ed. of 5 $11,000 60 x 76.2 inches Ed. of 7 $9,000 50 x 63.5 Ed. of 10 $6,000 signed and numbered on label, v...

Riggs Library Washington DC 50 x 56.7 inches ed. of 10 $6,000 60 x 68 inches ed. of 7 $9,000 70 x 79.4 inches ed. of 5 $11,000 signed and numbered on...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. It is a proof print and is not signed or numbered. Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed. Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015), Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019). Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone and Leland Bell were both among her teachers as well as Elaine de Kooning. Selected solo exhibitions Ille Arts, Amagansett, New York, Shenzhen Art Museum, Shenzhen, China, (2015) Hanart T.Z. Gallery, Hong Kong, Zane Bennett Contemporary, Santa Fe, New Mexico, (2013) Museum of Contemporary Art (MOCA) Taipei , Taiwan (2011) Louis Vuitton Maison, Kowloon, Hong Kong, (2010) Ayala Museum Makati, Philippines, (2006) Plum Blossom Gallery, New York, NY, (2004) Schmidt/Dean Gallery, Philadelphia, PA Byron Cohen Gallery, Kansas City, MO (2001) Metropolitan Museum of Manila , Philippines (1997) John Post Lee Gallery, New York, NY, Projects Room (1997) Contemporary Arts Center , Cincinnati, Ohio, 1994 David Beitzel Gallery, New York, NY, (1992) Lang & O'Hara Gallery, New York, NY, The Bronx Museum of the Arts , Bronx, NY, (1989) White Columns , New York, NY, (1985) Selected group exhibitions Art Basel Hong Kong , (Hanart Gallery) , Hong Kong, 2017 China Institute, New York, NY, 2014 Beijing Art Fair, Beijing, China, 2013 Museum of Chinese in America New York, NY, 2010 Kidspace, MASS MoCA , Williamstown, MA, 2010, 2005 Museum of Contemporary Art , Shanghai, China, 2009 Guangzhou Triennial, Guangdong, China, 2009 Museum of Art, Guangzhou, China, 2008 Contrast Gallery, Shanghai and Beijing, China, 2008 University of South Florida Contemporary Art Museum , Tampa, Florida, 2006 Hong Kong Arts Centre , Hong Kong, 2004 American Academy of Art , New York, New York, 2004 Longmarch Project, Beijing, China, 2002 Sotheby’s , New York, NY, 2001 Newhouse Center, Snug Harbor Cultural Center, Staten Island, NY, 2000 Katonah Museum of Art , Katonah, NY, 2000 National Academy and Museum, NY, 2000 Municipal Museum of Gyor, Hungary, 1999 New Museum of Contemporary Art , New York, NY, 1998 De Cordova Museum and the Computer Museum , Boston, MA, 1994 International Graphic Biennial, Muveszeti Museum, Hungary, 1995 Yerba Buena Center for the Arts , San Francisco, CA, 1994 Drawing Center, NY; traveled to Corcoran, Washington D.C., Santa Monica Museum of Art, Santa Monica CA; The Contemporary Art Museum St. Louis, St. Louis MO; American Center, Paris, France, Cone Editions Gallery, New York 1990 Anina Nosei Gallery, New York, 1988 Greenville County Museum of Art , South Carolina, 1988 North Carolina Museum of Art , Hallwalls , Buffalo, NY, 1988 Grace Borgenicht Gallery , New York, 1986 Tibor de Nagy, New York, 1985 Asian American...

Arches, Bode Museum, Berlin 40 x 50 inches ed. of 10 $5,000 50 x 62.5 inches ed. of 5 $6,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

An exquisite meditation on knowledge and architectural splendor, Reinhard Görner’s The Blue Books invites the viewer into the hallowed halls of Oxford’s Upper Library. The interplay ...

Athenæum, Boston 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image...

A breathtaking homage to the grandeur of knowledge, Reinhard Görner’s Shining Wall of Books captures the luminous beauty of one of the world’s most rever...

signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An act...

Atrium by Gina Soden [2016] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 1 Image size: H:87.5 cm x W:70 cm Complete Size of Un...

Isolamento by Gina Soden [2020] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 3 Image size: H:70.02 cm x W:105 cm Complete Size of Unframed Work: H:74.2 cm x W:109 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look "On my 4th attempt I finally got inside here. Always overlooked by neighbours and a police station right next door, it always seemed tricky as it was hard not to get spotted. This was a grand villa...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

50 x 52 inches ed. of 10 $6,000 60 x 62.4 inches ed. of 7 $9,000 70 x 72.8 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format pho...

New Museum, Berlin 3 sizes 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 5 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso An active arch...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. it is marked proof NFS and is not signed or numbered. Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed. Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015), Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019). Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone...

Genre: Contemporary Subject: Landscape Medium: Photograph Country: France 16 X 22.5 without frame Animalia, Insect Butterfly Photograph Élisabe...

Venus (detail), Sandro Botticelli Workshop, Painting Gallery, Berlin, Photograph 53.4 x 40 inches ed. of 7 $4400 66.7 x 50 ed. of 5 $6800 signed and numbered on label, verso Rein...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

Rose Main Reading Room, 2014 Public Library New York 70 x 88.9 inches Ed. of 5 60 x 76.2 inches Ed. of 7 50 x 63.5 Ed. of 10 signed and numbered on label, verso Reinhard Görner,...

60 x 90 inches ed. of 10 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architec...

DETAIL FROM: SELFPORTRAIT WITH VELVET CAP AND GOWN WITH FUR COLLAR, 2008 REMBRANDT VAN RIJN, 1634 PAINTING GALLERY BERLIN A masterful reinterpretation by renowned photographer Reinh...

This portfolio of eight prints by the art duo, Ligorano/Reese portrays leaders from the Bush administration, photographed in a mug shot style. The date on the placard they hold is the date the artists feel they betrayed the public trust. This work is a bold statement on politicians and their duty to the public, and the ramifications of abusing their power. Three of the prints are already framed in black frames that measure 16 x 22 inches. Artist: LigoranoResse (a.k.a. Nora Ligorano and Marshall Reese) Title: Line Up Date: 2005 Medium: Eight Archival Pigment Prints, each signed and numbered in pencil Edition: 18/50 Image Size: 9 x 14.75 inches Paper Size: 11 x 17...

In 1971, Central Park was a hub for Vietnam War Protests. In this work, Mitchell Funk captures a packed protest scene with emphasis on the graphic nature of the banners and flags. Th...