Square Abstract Prints

This is an Archival Pigment Print on Ply. Ply Size: 30 in x 30 in Artwork comes unframed. About the Artwork:   This is a direct to ply print, router cut at 30 in. It is circular floral piece with vivid colors. About the Artist: Rin Lack...

Geometric shapes in yellow, red, green and blue on a soft gray background. Available unframed, please inquire with the gallery for framing costs. Signed on recto, titled on verso. ...

ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

From the Evolution Series by Thomas Benton, this bold red screenprint resembles an eye with the iris descending down into it. Benton drew upon his career as an architect, the strong ...

ABOUT THIS PIECE: Color is the foundation of this Canadian artist's work. Her circles start as a mood or idea that eventually evolve into a colored circle. She is curious how differe...

ABOUT THIS ARTIST: Project: "Look Up" In 2019, ArtStar proposed to ET Projects an opportunity to create fine art, limited edition prints which would capture the memory of our events. We are excited by the prospect of printed imagery keeping alive the joy, camaraderie, and hope experienced under our umbrellas. ET Projects, a 501(c)3, was created in 2018 with the vision to bring communities together through the magic of art and nature. Shoreline Project was the first large scale immersive art experience launched in partnership with the Laguna Art Museum, in Laguna Beach, CA. The second venue was to be Vientienne, Laos, along the edge of the Mekong. Postponed by Covid-19, ET Projects reinvented and in 2020 and launched Project: “Look Up” in partnership with Mt. San Antonio Gardens. The images are of bold, resilient plants, each with a unique story of nature overcoming adversity. Spearheaded by Elizabeth Turk, an artist known primarily as a sculptor of marble, she expanded her portfolio to include public art experiences through ET Projects. A native to Southern California, she is a MacArthur Fellow, an Annalee & Barnett Newman Foundation and Joan Mitchell recipient. Her work has been represented by Hirschl and Adler...

The abstract print "BISOUS 03122018 1125pm" is a digital artwork, created with the Brushes Redux iPhone app, and output at 36x36" on museum-quality Canson Platine Fibre Rag 310gsm archival paper. As the title indicates, the artwork was created on March 12, 2018 at 11:25pm. While Justin Neely...

Artist: Kenny Scharf Title: Jungleyea Year: 2022 Medium: Archival print on 290 gsm Cotton Entrada Rag Paper with hand-deckled edge Sheet: 22 3/4 x 22 3/4 in (57.8 × 57.8 cm) Edition:...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

Victor Vasarely Majus II, 1974 is a screenprint on polyester on metal that is hand-signed by Victor Vasarely (Hungary, 1906 – France, 1997) in pen and ink the lower right margin and...

large scale photography of mesmerizing muted color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Flow' Flow I...

Small silver hearts in a precise geometric design on a black ground create an optical pattern of concentric squares. This square serigraph (silkscreen) is an elegant yet playful cele...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

ABOUT THIS PIECE: In her process-based studio practice, Anderson draws inspiration from the language of her materials, dripping and pouring on her surfaces before drawing and painting shapes overtop. She uses a variety of methods and materials to create her work, including ink, acrylic, cutting and pasting, airbrushing, digital methods, drawing, and projection. Sometimes her layers obscure her process, but often they’re evident through and between forms. Her work often evokes figures, landscapes and narrative through her explorations of form and colour. Together, these create an inventory of her visual vocabulary and memory. ABOUT THIS ARTIST: Lesley Anderson...

Myril Adler "Reconstruction" c.1960s Collagraph ink on paper 2.25"x2.25" ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 ...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

This abstract limited edition print by Roger Mudre has a cool blue, green, and silvery grey palette. It features small, overlapping circles that almost appear to glow, assembled in a...

Richard Anuszkiewicz Soft Satellite Red, 1981 Silkscreen on wove paper Signed, dated and numbered 53 from the edition of 100 in pencil by the artist on the front. Bears label from Me...

This is a striking, surrealist work by Italian-Mexican artist Pedro Friedeberg, blending architectural drawing, Op Art, and whimsy. Its uniqueness lies in the impossible perspective,...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

This square woodcut print on paper is composed of an abstract pattern of clustered dark navy blue shapes over a silver background with a subtle metallic sheen. The monotype brings to...

David Morris Stratus Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

This is a monotype, a unique print with no other editions. The square print on delicate Asian paper layers geometric shapes in navy, light yellow, green and dark coral on a light blu...

Karl W. Wierspecker Opening Nr. 21 (Abstract, Modern, Minimalism, Square, Albers) Folding Object on Paper 1969 11.8 x 11.8 inches (30 x 30 cm) Edition: 200 Signed, numbered and dated...

This limited edition print is an abstract landscape by Elwood Howell. It features a high, blurred horizon line - beige with muted green pink, and blue, while above it, muted pink fad...

Alfredo Ramos (Cuba, 1964) 'F.E. (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-248 Hand-signed by author

Juan Rivero (Cuba, 1976) 'Inmersión (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-252 Hand-signed by author

This abstract geometric limited edition print by Roger Mudre features lightly translucent concentric circles that overlap throughout the com...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Jean Paul Riopelle The Face Lithograph (plate signed) printed in Atelier Arte Vellum paper 10 x 10" 1974 INFORMATION : This lithograph was created for the invitation card t...

Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on Hahnemühle Velvet Year: 20...

Pedro Trueba (Mexico, 1967) 'Cúpula transformación I', 2015 silkscreen on paper Guarro Biblos 250g. 25.6 x 25.6 in. (65 x 65 cm.) Edition of 500 ID: TRE-101 Unframed

David Morris Dance With Me Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be atta...

This limited edition print is an abstract landscape by Elwood Howell. Below a high horizon line, a blend of earth colors are layered together with specks of colorful shapes throughou...

Jesus Rafael Soto “Untitled” Serigraph Ed. 7 of 200 24 ½ x 24 ½ in Provenance: Roland Auction, New York. Estates sale. 27 March 2021, lot #0515.

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

Luis Feito (Spain, 1929-2021) '10 Feitos Portfolio', 2017 lithograph on paper Conqueror Connoisseur 300 g/m2 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition 40. Original 54, 40 of the regula...

Cosmic Flowers is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival Arches paper, 100% aci...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

This abstract limited edition print by Roger Mudre is inspired by his recent trip to the Northern Italian city. In it, Mudre weaves his exploration of the circle together with a geom...

20th century figurative drypoint print by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska pr...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

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Signed, titled and numbered in pencil, #2 from the edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics,...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

Printer’s ink from rubber stamp on vélin Buckeye paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by ...

Christine Ravaux created this mezzotint which translates to the phase "against sense". This impression is #7 of 20 Shades of blacks and grays on a fallen branch create a pleasing p...

Myril Adler "Jerusalem" c.1960s Collagraph ink on paper 2.75"x2.75 ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 in Vi...

Agent X Oaliv (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and numbered b...

Monoprint with water based ink and graphite

Untitled 2015 Color serigraph 15.75 x 15.75 inches Framed: 21 x 21 inches

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...

Printer’s ink from rubber stamp on vélin Kilmurray paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published b...

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This abstract landscape limited edition print by Ken Elliott is made with oil paint features a forest scene with a bold, contrasting palette of cool, deep blues that are accented by ...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Printer’s ink from rubber stamp on vélin Buckeye paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by ...

Agent X Stritutis (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and number...