Square Abstract Prints

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

This abstract landscape limited edition print by Ken Elliott is made with oil paint features a forest scene with a bold, contrasting palette of cool, deep blues that are accented by ...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

ABOUT THIS PIECE: Inspired by the warm light, open vistas, and saturated colors of her birthplace (Southern California), Julianna Goodman’s collages often distill memories of nature ...

Gorgeous lithograph in primary and secondary colors. Heavy paper with beautiful edges. Signed and dated 1988 in pencil by the artist on the front and again dated and titled on the ba...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

Culture - Fine art print. Fine art reproduction with this premium textured fine art paper, 300g/m², reminiscent of traditional watercolour pap...

Amsterdam I is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both a...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

In celebration of Lincoln Center's ultimate New York festival, Summer for the City, the Brooklyn based artist Rico Gatson created a dynamic image of bold colors radiating positive energy. Gatson's concentric circle motif and projecting lines draw inspiration from the giant disco ball shining above Lincoln Center's iconic Revson Fountain, a welcoming beacon at the heart of Josie Robertson Plaza. This colorful, archival pigment print is printed on Hahnemühle paper and is signed, dated and numbered in pencil by the artist. It is in excellent condition and comes directly from Lincoln Center Editions...

Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...

David Morris Southside Sync Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref....

This square woodcut print on paper is composed of an abstract pattern of clustered dark navy blue shapes over a silver background with a subtle metallic sheen. The monotype brings to...

This square woodcut print on paper is composed of an abstract pattern of clustered silver blue shapes over a navy blue background that complements that subtle metallic sheen of the s...

**Annual Super Sale By May 15th Only** Celebrating the universe one more time with this unique piece by Mauro Oliveira. **IMPORTANT: This is a Limited edition of 30 museum quality ...

Unique monotype, signed and numbered 1/1. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints were inspired by the landscape, climate and ligh...

This abstract landscape limited edition print by Ken Elliott features a bright palette and an impressionistic style. The forest scene is rendered with a vibrant green connecting the ...

"Orange Tondo" by Ilya Bolotowsky is a quintessential example of geometric abstraction, featuring a bold circular composition dominated by vibrant orange hues and precise geometric ...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a silver floater frame ...

Silksreen, 1973 Handsigned by the artist in pencil and numbered 69/95 Publisher : Malbotough Graphics, New York 80.00 cm. x 80.00 cm. 31.5 in. x 31.5 in. (paper) 65.00 cm. x 65.00...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. A "Certificate of Authenticity" issued by the artist is included. We are the only...

Invader Rubik Camouflage, 2023 Diasec-mounted Giclée on aluminium composite panel Hand-signed by artist 100 x 100 cm Edition 535 of 812 Invader, the pseudonymous French street artis...

Silksreen, 1981 Handsigned by the artist in pencil and numbered 83/190 Catalog : [Prent 190] 60.00 cm. x 60.00 cm. 23.62 in. x 23.62 in. (paper) 46.00 cm. x 53.00 cm. 18.11 in. x 2...

(LeWitt,Sol (illus.) FICCIONES by Jorge Luis Borges.. The Limited Editions Club, NY, 1984. Number 1191 of the edition of 1500 copies. With 22 silk-screen illusrtrations after drawing...

Nūr Jahān (H10-2) from The Empresses, 2022 From an edition of 3041 (1561 NFTs, 1480 physical prints) Laminated Giclée print on aluminium composite panel, screen printed with glitter ...

This is a monotype, a unique print with no other editions. The square print on delicate Asian paper layers geometric shapes in navy, light yellow, green and dark coral on a light blu...

Abstract Composition is an artwork realized by Agostino Bonalumi, 1973. Silkscreen on paper. Edition of 600. cm 23x23. Good conditions

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** A "Certificate of Authenticity" issued by the...

A bright yellow geometric abstract print by Japanese artist Takaaki Matsumoto. Yellow Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 89 Size: 24 x 24 in. (60....

Artist Victor Vasarely Title of the work Answers to Vasarely - Folkota edition Period 1974 Technique Silkscreen printing Signature Hand-signed Edit...

Rare Keith Haring “Life is Fresh! Crack Is Wack!” 1987 sealed/unopened in its original shrink wrapping: A highly sought-after 1980s record album featurin...

This abstract geometric limited edition print by Roger Mudre features lightly translucent concentric circles that overlap throughout the composition, creating a glowing effect of a y...

"Homage to the Square - Portfolio 2, Folder 4, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Jimi Hendrix - From the suite of 3 silkscreens, blue, red + silver - hand pulled by the artist Paper size: 28 x 28" Image size: 24 x 24" Number of colors: 3 Paper: Coventry 320gm wt. Edition number + studio (Modern Multiples) chop: Lower left Artist's signature + chop: Lower right The Edition: (Blue, Silver + Red): 120 total; 40 each color Artist Proofs: 9 (3 each) Printer Proofs: 9 (3 each) Publisher proofs: 9 (3 of each) NOTE: full suite is available at discount John Van Hamersveld (born September 1, 1941) is an American graphic artist and illustrator who designed record jackets for pop and psychedelic bands from the 1960s onward. Among the 300 albums[3] are the covers of Magical Mystery Tour by the Beatles, Crown of Creation by Jefferson Airplane, Exile on Main Street by the Rolling Stones, and Hotter Than Hell by Kiss. His first major assignment, in 1963, was designing the poster for the surf film The Endless Summer, after which he served as Capitol Records' head of design from 1965 to 1968. During that time, he worked on the artwork for albums by Capitol artists such as the Beatles and the Beach Boys.[5] He also oversaw the design of the psychedelic posters for the Pinnacle Shrine exposition.[6] The Endless Summer The Endless Summer (John Van Hamersveld illustration) In 1963, Van Hamersveld was hired by director and filmmaker Bruce Brown to design the iconic Endless Summer movie poster using a photograph taken by Bob Bagley, general manager and camera man for Bruce Brown Films. In the staged photograph originally taken at Salt Creek, Brown is positioned in the foreground with his surfboard on his head and the movie's two stars, Robert August...

Agent X Oaliv (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and numbered b...

Ed Ruscha SCIENCE IS TRUTH FOUND OUT (RED)ITION, 2022 100% Silk twill Signed in the plate and numbered 130 × 130 cm 142.5 x 141 cm (Framed) Edition of 500

In a world dominated by digital precision and instant gratification, Pia Clodi stands as a beacon of nostalgia and unpredictability, finding beauty in the fleeting moments captured t...

"The Weight" - 1975 Black and White Lithograph on Paper 1975 Black and white surrealist lithograph by Jim Crabb (American, b. 1947). Black linear figures are depicted over a white b...

Paula Valenzuela What Is Left, 2019 Giclée archival inkjet print on watercolor paper Unframed dimensions: 14 x 14 inches Framed dimensions: 17.12 x 17.12 inches Edition of 10 Limite...

Jellyfish Eyes - Black 5 is an offset lithograph on paper, 19.75 x 19.75 inches, signed and numbered 144/300 lower right. Framed in a contemporary white frame.

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

Richard Anuszkiewicz (American, 1930–2020) Spectral Cadmiums, 1968 Medium: Portfolio of 6 screenprints on card (in original blue-lettered yellow cloth case) Dimensions: 27½ h × 27½ w...

This limited edition print is an abstract landscape by Elwood Howell. It features a high, blurred horizon line - beige with muted green pink, and blue, while above it, muted pink fad...

This Limited Edition giclee print by Roger Mudre features nearly transparent light blue circles, arranged in an overlapping pattern to create a larger circle shape. The outer layer o...

Rare unopened Robert Rauschenberg designed Talking Heads Speaking in Tongues: In 1983, legendary pop artist Robert Rauschenberg designed the album cover for Talking Heads’ acclaimed...

Silver Flowers, March 3, 2011 Silkscreen with hand applied black Silica on Sauders Waterford paper, 410gm hot press 38 x 38 inches edition of 75 Print also available in Gold...

Cropped and double exposed images of ski lift chairs, mountain terrain, pine trees and a rustic wood walkway are represented on 12 x 12 inch Red River photo p...

"Homage to the Square - Portfolio 2, Folder 24, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...

**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** **IMPORTANT: This is Limited edition of 30 mu...

David Morris Morning Dance Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

Close Finish is an original linocut print on paper by John Scott Martin. Having cut a series of lino blocks, I prepare collage backgrounds. I handprint onto the collages, which are m...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* **THIS IS A LIMITED EDITION PRINT ON CANVAS** You will receive it...

This abstract limited edition print by Roger Mudre features a light, warm palette. It is part of Mudre's Venezia series, which is inspired by his recent trip to the Northern Italian ...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year -Take Advantage Of It* Limited edition of 30 museum quality Giclee prints on...

Damien Hirst H13-8 Woody Bay, 2023 Laminated Giclée print on aluminium composite panel. Hand-signed on the label and numbered. This artwork can be hung any way up. 90 x 90 xm Edition...