Anni Albers Art
German, 1899-1994
As mesmerizing as Anni Albers’ weavings and prints are, her art represents only a fraction of her achievement. In addition to being one of the most important textile artists of the 20th century, she was a designer, writer and teacher.
Albers was born Annelise Fleischmann in 1899 to a well-to-do Jewish family in Berlin. She studied at the School of Applied Art in Hamburg and then attended the Bauhaus, the utopian workshop founded in Weimar in 1919 by architect Walter Gropius.
The school envisioned a unity of art and design, with the goal of training designers and artisans who could create objects both functional and artistic for mass production. At the Bauhaus, where women’s choices for study were limited, the aspiring Albers ended up in the weaving workshop. Although she initially perceived the discipline as unserious, once she had a thread in hand, she was obsessed.
“I heard Paul Klee speak, and he said to take a line for a walk, and I thought, ‘I will take thread everywhere I can,’” she once told Nicholas Fox Weber, executive director of the Albers Foundation.
At the Bauhaus, Anni met and married fellow student Josef Albers, who would later become a celebrated color theorist and painter. His “Homage to the Square” paintings, which explored the relationships between colors, are now considered modernist masterpieces, and his treatment of color was crucial to the development of the Op art movement.
After graduating in 1930, Anni and Josef both became teachers at the Bauhaus, but when the Nazis came to power, the school was shut down. In 1933, fleeing the Nazis, the couple emigrated to the U.S., where they both became teachers at Black Mountain College, in North Carolina.
Black Mountain, which rejected educational norms and was known for its free-spirited atmosphere, produced many luminaries of modern American art — among them Robert Rauschenberg and Cy Twombly, both students of the Alberses’. In addition to teaching, Anni continued her own artistic practice, making what she called “pictorial weavings”: abstract wallhangings having the same formal qualities as a painting.
The Alberses were fascinated by Latin America even before they crossed the Atlantic, so from North Carolina, they made numerous road trips to Mexico and Peru to collect pre-Columbian art. The influence of the ceramics and textiles the couple discovered in their travels is clear in Anni’s work yet her approach to weaving was unorthodox.
Albers incorporated unusual materials such as cellophane and metallic thread. She intertwined linked threads in innovative ways and added knots as artistic elements, as in “Dotted” Weaving (1959). She created studies using corn kernels, grass, twisted paper, lines made with a typewriter and pin pricks.
In addition to her art pieces, Anni designed many functional textiles for mass production. In 1949, Gropius commissioned her to create fabrics for the Harvard dormitories he designed. Shortly afterward, she was commissioned to design fabrics for the furniture company Knoll. In the late ’50s, Anni began publishing books: On Designing, in 1959, and On Weaving, in 1965.
In her 60s, when it became difficult for her to operate a loom, Anni turned her energies to making prints. Beyond the increased recognition of weaving as an art form, another reason for the renewed interest in Anni’s work is that art history has now turned its lens on women artists who were previously overlooked.
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Artist: Anni Albers
Anni Albers, ST - Original Screen Print from 1971, Geometric Abstraction
By Anni Albers
Located in Hamburg, DE
Anni Albers (1899-1994)
ST, 1971
Medium: Screenprint on cardboard
Dimensions: 83 × 62 cm (32 7/10 × 24 2/5 in)
Edition: Not signed, not numbered outside the edition of 150.
Condition...
Category
20th Century Abstract Anni Albers Art
Materials
Screen
Anni Albers ( 1899 – 1994 ) – Double Weave – hand-signed Screenprint – 1985
By Anni Albers
Located in Varese, IT
Screenprint on Fabriano paper , edited in 1985
Limited edition of 125 copies
signed in pencil by artist and numbered as: 46/125
paper size: 68 x 68 cm ( 26 5/8 x 26 5/8 inch )
very good conditions
Published by Fausta Squatriti, Milan
A regular certificate of authenticity will be included
Fast and Tracked shipping with express currier DHL
Bibliography: The prints on Anni Albers Ref 95
Anni Albers ( 1899 – 1994 ) – Double Weave...
Category
1980s Abstract Geometric Anni Albers Art
Materials
Paper, Screen
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1949 The University of Pennsylvania — Philadelphia, PA
1948 The Academie de la Grand Chaumiere — Paris, France
1947 The Barnes Foundation — Merion, PA
1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club)
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Triangulated Intaglios, 1972 from Connections 1925-1983
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Berlin, Germany, b. June 12, 1899, d. May 9, 1994
Anni Albers was a German-American artist who worked primarily in textiles and, late in life, as a printmaker. She is considered the preeminent textile artist of the 20th century.
Albers was born Annelise Else Frieda Fleischmann on June 12, 1899 in Berlin, Germany. Of Jewish descent, her mother was from an aristocratic family in the publishing industry and her father was a furnituremaker. Her interest in art and the visual world was seeded in her childhood and she began painting early on. While studying under an Impressionist from 1916 to 1919, she received harsh criticism from the artist Oskar Kokoschka who viewed her work and bluntly asked, why do you paint?
Shortly thereafter, she left the comfort of her affluent lifestyle to attend art school, an environment that contrasted sharply with that of her upper class upbringing. In 1920, she attended the Kunstgewerbeschule in Hamburg for only two months but eventually arrived at the Bauhaus at Weimar in April of 1922.
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Berlin, Germany, b. June 12, 1899, d. May 9, 1994
Anni Albers was a German-American artist who worked primarily in textiles and, late in life, as a printmaker. She is considered the preeminent textile artist of the 20th century.
Albers was born Annelise Else Frieda Fleischmann on June 12, 1899 in Berlin, Germany. Of Jewish descent, her mother was from an aristocratic family in the publishing industry and her father was a furnituremaker. Her interest in art and the visual world was seeded in her childhood and she began painting early on. While studying under an Impressionist from 1916 to 1919, she received harsh criticism from the artist Oskar Kokoschka who viewed her work and bluntly asked, why do you paint?
Shortly thereafter, she left the comfort of her affluent lifestyle to attend art school, an environment that contrasted sharply with that of her upper class upbringing. In 1920, she attended the Kunstgewerbeschule in Hamburg for only two months but eventually arrived at the Bauhaus at Weimar in April of 1922.
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Anni Albers art for sale on 1stDibs.
Find a wide variety of authentic Anni Albers art available for sale on 1stDibs. You can also browse by medium to find art by Anni Albers in screen print, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Anni Albers art, so small editions measuring 25 inches across are available. Customers who are interested in this artist might also find the work of Georg Karl Pfahler, Gunter Fruhtrunk, and Jozsef Jakovits. Anni Albers art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,221 and tops out at $7,787, while the average work can sell for $4,504.