Large Abstract Prints

Artist: Peter Phillips (1939 - ) Title: Olympische Spiele Muenchen Year: 1972 Medium: Lithograph Poster mounted on linen Edition: 3000 Size:...

Canoe is a lithograph realized by Alberto Di Fabio in 2008 in occasion of the Olympic Games in Beijing. Limited edition of 260. Hand signed and numbered in pencil. This artwork is ...

Artist: Robert Indiana Title: The Santa Fe Opera Year: 1976 Medium: Screenprint, signed and numbered in pencil Edition: 250 Paper Size: 38 in. x 24 in...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

This angular print by William Schwedler is indicative of his geometric, abstract manner of composing forms and shapes in his compositions. Come to the Light ]Artist: William Schwe...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Fiery Furnace Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 35 x 26 inc...

Artist: Arman, French (1929 - 2005) Title: Violents Violin II Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (76.2 cm x 5...

Harold Cohen # 091208.4 2009 Digital print on paper, Edition of 25 53.3 x 91.2 cms (21 x 35 7/8 ins) HC12025

Untitled From: Gates to Times Square (20 screenprints, two with additional lithography) Silkscreen, c. 1978 Signed in pencil (see photo) Edition 100 (90/100) (see photo) Publisher: P...

30" x 40" Unframed Giclee Artist Proof Hand Signed by Billy Dee Williams

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Justin Pollmann "A Light in the Attic" 2022 Inkjet Transfer Collage, Monotype 33"X24" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the pap...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Face Minerale (Diptych) by James Coignard, French (1925–2008) Date: 1991 Carborundum Etching, Signed and numbered in pencil Edition of HC 2/10 Image Size: 25.5 x 20 in. (64.77 x 50.8...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with an iridescent quality. Circles with light outlines overlap one another in varying blue, green, white shades to create a larger blue circular form at the center of the composition. The painting, which is 36" x 36" (37.5" x 37.5" framed), transforms and shimmers in changing light due to hand-applied metal-leaf under-layer. It is framed in a gold-hued floater frame. It is wired and ready to hang. The focus of Roger Mudre’s work is the circle. This Connecticut-based artist finds inspiration in the colors and patterns of nature. Painting in jewel toned acrylics, he builds sheer layers of color on a subtly reflective metal leaf surface to create a picture plane that changes with the viewer’s perspective. Roger's work is part of many corporate and private collections including Hotel Zero Degrees in Norwalk, Connecticut, Frontier Communications, and the Energizer Corporation in Shelton, Connecticut. Roger is influenced by Joesph Albers...

Artist: Gregory Amenoff, American (1948 - ) Title: Final Hours Year: 1986 Medium: Lithograph, Signed and numbered in Pencil Edition: 40 Paper Size: 37 x 38 inches (93.98 x 96.52 cm)

Artist: Peter Klasen, German (1935 - ) Title: Nu Manette M1 Year: 2002 Medium: Lithograph, signed and numbered in pencil Edition: 150 Image Size: 22.5 x 19 inches Size: 30 x 23 in. (...

Carlos Garcia de la Nuez (Cuba, 1959) 'Desde una Isla', 2005 engraving on paper Velin Arches 300 g. 28 x 39.8 in. (71 x 101 cm.) Edition of 99 Unframed ID: GAC-111 Hand-signed by author ___________________________________________________________ Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta, José Franco and Moses Finalé.  In 1979 García de la Nuez entered the San Alejandro Academy of Arts and in 1983 completed his studies at the Instituto Superior de Arte in Havana. He received his Masters of Arts in 1988 from the Massachusetts College of Art and Design in Boston, upon receiving a scholarship from the Rockefeller Foundation. He spent a decade working and living in Paris, where he exhibited across Europe and was selected to participate in a silkscreen portfolio, Kinderstem, published by Domberger-Edition in Germany that featured García de la Nuez along with Max Bill, Sol LeWitt, Keith Haring, Christo, among others. In the early 1990’s García de la Nuez relocated in Mexico City, where he currently works and lives.  The artist’s works have been exhibited in various museums around the world including Boston, New York, Miami, Buenos Aires, Sao Paulo, Rio de Janeiro, Bogota, Mexico City, San Jose, Panama City, Canada, Paris, Berlin, Stuttgart, London, Madrid, Moscow and Havana.  His work has been awarded the Painting Award 13 de Marzo...

Ross Bleckner (American, b. 1949), "Cluster", Etching and Aquatint in Colors on Paper, 2002, marked "AP4" lower left, signed in pencil and dated lower right, unframed. Image: 26.75" ...

Jeremy Gilbert-Rolfe, British (1945) Date: 1983 Screenprint, signed and numbered in pencil Edition of 144 Image Size: 34 x 29 inches Size: 38.5 x 33 in. (97.79 x 83.82 cm)

Digital+Diasec Plexi Plexi Ed. 1/3 89 x 63 cm / 35 x 25 in

Harriet Hoult A. Delis by Harriet Hoult is an interesting piece with a lot of light colours which stand out significantly. This is a signed, Limited Edition Giclée print of the origi...

This abstract portrait limited edition print by Ned Martin is part of the artist's Spirits Through Time series. It features a warm and earthy palette. It depicts a portrait of a woma...

"Fig Trees-Antibes" is a signed (lower right) color lithograph by Paul Guiramand. It depicts leaves in light green covering most of the surface as well as two...

An original assembled collagraphic monoprint with drypoint by American contemporary artist Kathleen Sherin. Kathleen began to explore printmaking as a MFA painting student at the ...

Artist: Arman, French (1929 - 2005) Title: Intermission Year: 1978 Medium: Serigraph, Signed and Numbered in Pencil Edition: 150 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)...

Lithograph realized by Giuseppe Gallo in 2008 in occasion of the Olympic Games in Beijing. Limited edition of 260. Hand signed and numbered in pencil. Excellent condition. This artwo...

Etching and aquatint Edition : 130/150 85.00 cm. x 70.00 cm. 33.46 in. x 27.56 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (image) Handsigned by the artist in pencil L...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Titled: After the Beginning, one of his most desirable large serigraph silkscreen works. It depicts inter galactic outer space with planets, orbs of bright day glo, neon color in a sci fi landscape. Born in New York City and living in St. Louis, Missouri, Stan Solomon...

Victor Brauner Exhibition Poster Framed C.1972 Poster dimensions 19.5" wide x 33.5" high The frame measures 21.5" wide x 35.5" high The poster shows minor staining at the extreme lower edge. See images. Good vintage condition. Victor Brauner (June 15, 1903 - March 12, 1966) was a Romanian Jewish...

M353 (Abstract Print) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biom...

Canoe is a lithograph realized by Alberto Di Fabio in 2008 in occasion of the Olympic Games in Beijing. Limited edition of 260. Hand signed and numbered in pencil. This artwork is ...

This abstract composition by William Schwedler includes several geometric forms and shapes that are placed alongside straight, angled lines. Divided Loyalties Artist: William Schwe...

This lithograph was created by Catalan artist Antoni Tapies. Tàpies started as a surrealist painter, and his early works were influenced by Paul Klee and Joan Miró. However, he soon ...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

FLORA ODYSSEY N°5 by Allan Forsyth [2020] limited_edition and hand signed by the artist Archival Chromagenic Photographic Print Edition number 12] Image size: H:100 cm x W:77 cm Com...

UNTITLED, 1994, triptych, three etchings on three sheets, each signed and dated and numbered 11/12 on verso, each sheet 11 ½ x 8 ½”, Israeli blind stamp lower right, all in one frame...

Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and biomorphic worlds, Perea co...

Artist: Kazuhide Yamazaki (Japanese-American, 1951-2023) Title: "House with Fence" *Signed and dated by Yamazaki in pencil lower right Year: 1983 Medium: Original Monotype on Arches ...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Neue Nationalgalerie (Compositions I)" Year: 1969 Medium: Original Linocut, Exhibition Poster on light wove paper Limited edition: Unknown Printer: likely Linol-Druck Berek, Berlin, Germany Publisher: Neue Nationalgalerie, Berlin, Germany Framing: Recently framed in a contemporary dark brown wood moulding Framed size: 34.25" x 24.75" Sheet size: 33.07" x 23.5" Condition: Some light edge wear with a few minor tears at upper right edge. Some light foxmarks visible in white center. In otherwise very good condition with strong colors and full margins. As one of our gallery specialties, this is the rarest original vintage Lichtenstein poster we have ever acquired in nearly 50 years. Extremely rare. An important poster of Pop Art history Notes: Provenance: private collection - San Francisco, CA. Printed in two colors: green and black. Poster produced for a special exhibition of various artists' work "Sammlung 1968 Karl Ströher" at the Neue Nationalgalerie, Berlin, Germany from February 29 - April 14, 1969. The image featured on this poster is a variation with added green color of Lichtenstein's 1964, 68.13" x 56.25", magna on canvas painting "Compositions I". This painting "Compositions I" was part of Karl Ströher's collection exhibited at the show. Within a sleeve lower center on verso, this artwork comes with its rare original accompanying exhibition catalog: over 200 pages with pictures of all of the 176 works of art exhibited at the show including "Compositions I", (No. 32). This monumental exhibition included the work by such artists as Jean Dubuffet, Yves Klein, Morris Louis, Piero Manzoni, Robert Matta...

Fine Art Screen Print on Ilford 310 gsm cotton paper. 36 × 36 in 91.4 × 91.4 cm Edition of 27/100 Materials Fine Art Screen Print on Ilford 310 gsm cotton paper Size 36 × 36 in 9...

Modern figurative abstract of a woman with fruit and wine on a table in front of her. The work is in brown and blue tones. Signed and editioned by the...

Artist: John Urbain, Belgian/American (1920 - 2009) Title: Windmill Year: circa 1980 Medium: Silkscreen with Collage, signed and numbered in pencil Edition: AP Size: 36.5 x 26 in. (9...

This lithograph was created by New York-born artist Jay Rosenblum. In his art, he seeks to correlate his great love for chamber music sonatas with freely evolving blocks of color whi...

A very good impression of this color screenprint on heavy black wove paper. Signed, dated and numbered 6/120 in pencil. Published by Bergen Kunsthall, Bergen, Norway.

Artist: Donald Newman Title: Expulsion Year: 1982 Medium: Etching, Signed and Numbered in Pencil Edition: 3/25 Paper Size: 38 x 29.25 Inches [96.52 x 74.92 cm]

Artist: Joe Tilson, British (1924 - ) Title: Conjunction, Wood Tiger, Cardo Year: 1996 Medium: Woodcut with Screenprint, signed and numbered in pencil Edition: AP 1/10 Size: 21 x 29...

Georg Baselitz (German, b. 1938) Untitled #4 (from Farewell Bill), 2013 Medium: Aquatint and line etching on wove paper Dimensions: 85.1 x 64.9 cm Edition of 15: Hand-signed and numb...

Justin Pollmann "Garden Trick" 2024 Inkjet Transfer Collage, Monotype 36"x26" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s sur...

17M5G-2017 (Abstract print) Aquatinte on paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an...

17M4G-2017 (Abstract print) Aquatinte on paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an...

Worldscape Domenick Turturro, American (1936–2002) Date: 1978 Screenprint, signed and numbered in pencil Edition of AP 18/30 Image Size: 30 inch diameter Size: 3...

M252 (Abstract Drawing) Digital creation, printed on Hahnemühle Photo Rag de 308 gr - Unframed. Fluctuating between illustration and expressionism, connecting the geometric and bi...

Artist: Patrick Hughes, British (1939 - ) Title: Sunscrapers Year: 1980 Medium: Aquatint, signed and numbered in pencil Edition: 24/90 Size: 36 x 29.25 inches

Artist: Louise Nevelson, American (1899 - 1988) Title: Paris Review Medium: Silkscreen, signed and numbered in pencil Edition: 70/100 Image Size: 28.5 x 21 inches Size: 40 x 26 in. (...

Artist: Clayton Pond, American (1941 - ) Title: Capital Ideas Portfolio Year: 1974 Medium: Suite of Seven Serigraphs, each signed and numbered in pencil Edititon: 150 Size: 37 x 29 i...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel, signed and numbered in pencil. Date: 1978 Medium: Screenprint, signed, ...

This serigraph has never been framed. Chicago born Modernist. Showed at Andrew Crispo Gallery and Tibor de Nagy Gallery. Schwedler could not help but be influenced by the local artistic milieu particularly with those contemporaries and friends who formed the Hairy Who in the Mid - 1960's Schwedler's Paintings from the beginning to his young end were ripe with a surreal, abstract poetry filled with references to landscapes, architecture, texture (cracked), line (broken,chopped, and Pulled to pieces), and delicate, but voluptuous color. Studying at the Art institute of Chicago with his friends Cynthia Carlson, Jim Nutt...

An abstract work based on a waterfront :: Digital :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Ye...