Domenick Turturro Art

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

Created on foiled silver metallic paper, Fairchild brings an extraordinary level of craftsmanship and intimacy to both editions, incorporating hand-drawn films to add new layers of m...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...

A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...

Untitled (orange) 1980 screenprint by Richard Hunt measuring 22 by 30 inches. This example is designated 41 from an edition of 80. The work is professionally matted.

Signed and numbered in pencil

Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...

Gestural screenprint, number 12 from an edition of 20

Computer and biological networks and viruses are dominant themes found in the works of Dennis Ashbaugh. Known as one of the first artist to employ DNA marking patterns in his work, A...

Color screenprint on white wove paper, 1972. Signed by the artist dated in pencil lower left. Numbered 67/150 in pencil lower right. Printed by Kelpra Studio, London, with the ink ...

b. 1938, Lithuania Kes Zapkus has always been intrigued with analyzing and tracing thought processes. By juxtaposing images of architectural building plans conceived of by several u...