Small Abstract Prints

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Jim McCormick was born in Chicago in 1936. He attended the University of Tulsa where he received a bachelor’s degree in art in 1958, then a M.A. in paint...

Grooms, Red (American, born 1937). FALL OF JERICHO. Etching, 1971. Edition of 100. Signed, titled, and numbered 92/100, all in pencil. 8 3/4 x 8 3/4 inches (plate), 12 3/8 x 12 3/8 i...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: June Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: ...

Artist: Carmen Cicero, American (1926 - ) Title: Untitled 2 Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: AP Image Size: 18 x 20 inches Size: 22.5 x 24 in. (5...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Artist: Alberto Magnelli Title: Untitled Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signatu...

Artist: Josef Albers Title: Untitled from the Portfolio: Formulation: Articulation (Double Portfolio) - Portfolio 2, Folder 10, Image 2 Year: 1972 Medium: Screenprint on Mohawk Super...

This dynamic work was realized by the esteemed 20th Century modern artist Mon Levinson in 1964. The work was realized in 1964, and printed in 1965 by Chiron Press in New York- the same year that Levinson was included in the seminal Op-Art exhibition "The Responsive Eye", alongside contemporary luminaries such as Bridget Riley. An identical work from this edition resides in the permanent collection of the New York MoMA. This mixed media work consists of an translucent vinyl sheet layered over a print- part etching, part lithograph. The clear vinyl sheet is embossed with a tight pattern of sinuously curved repeating black lines and is subtly raised in places- creating a subtle three dimensionality and dynamic sense of movement. The paper is inscribed with the same recurring pattern of snaking black lines, like a fine filigree, with two weighty black geometric forms that appear to crowd the composition. Smaller geometric forms reside within creating the apparition of negative space in the bone hued paper. The juxtaposition of the delicate texture and colossal feeling forms imbues the piece with a stunning dynamism and tension, helping to explain why Levinson is among the most influential and important artist to come out of the Op Art movement. His work is in the permanent collections of important institutions around the world including the Museum of Modern Art as well as the Whitney Museum of American Art in New York. Signed by the artist and marked 18/200. The work comes presented in a custom walnut and white gilt frame...

"Title Page" and "Art Nouveau Motif" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were from "Ilsee, Princess of Tri...

Artist: Alexander Calder Title: Cover, from Derriere le Miroir #173 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Un...

Keith Purser b. 1944 Rising Water, 2007 woodcut with hand-colouring in gouache 42 x 59 cm 16 1/2 x 23 1/4 in signed, dated and titled in pencil Keith Purser lives and works on the e...

Silkscreen Handsigned by the artist in pencil and numbered 103/114 LCD4153

Artist: Josef Albers Title: untitled from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition: 1000 Paper Size: 15 x 20 inches (38.1 x ...

Praying for the world, 2020 is such a special year! During this time of so much pain and turmoil and chaos, I can't save the world but I can pray for it and make a difference in a sm...

Alive and Alien In Jerusalem Etching, signed in pencil, numbered 5/5, sheet 6 1/2" x 18 3/4" From Jerusalem print workshop. Asaf Ben Zvi, Israeli contemporary artist, was born in Kfar Yehezkel, Israel, 1953. Studied at the Bezalel Academy of Arts and Design, Jerusalem and the Pratt Institute, New York. Laureate of numerous awards, notably the Rappaport Prize for an Established Artist for 2011, Tel Aviv Museum of Art. Lives and works in Jerusalem. He did his army service in a commando unit and fought in the Yom Kippur War. After his discharge from the army he settled in Jerusalem and became interested in bird-watching. In 1981 he began to study architecture at Bezalel, but transferred to the art department. During the period of his studies, he worked primarily in sculpture, but after a period of study in New York, he began to paint as well. From the mid-1980s he made use of simple figures, so abstracted in their form that they became symbolic figures. Some of these figures were connected to biographical baggage, while others were based on trivial events. Many of his works are based on poetic texts that show his interest in esthetics and in the relationship between the painter and society. Education 1981-1985 Bezalel School of Art and Design, Jerusalem, BFA 1985 Pratt Institute, New York.City, USA Teaching 1933 Bezalel School of Art and Design, Jerusalem. Since 1989 Kalisher School, Tel Aviv. Awards And Prizes 1981-82, The America-Israel Cultural Foundation, Sharett Fund Grant 1982-83, The America-Israel Cultural Foundation, Sharett Fund Grant 1987 Beatrice Kolliner Prize for a Young Israeli Artist, Israel Museum, Jerusalem 1989 Mendel Pundik Prize for Israeli Art, Tel Aviv Museum of Art, Tel Aviv 1991 Rafael and Hadassah Klatchkin Prize, America-Israel Cultural Foundation 1992 Prize for Plastic Arts, Ministry of Education 1994 Bank Discount Prize for an Israeli Artist, Israel Museum, Jerusalem 1997 Eugene Kolb Prize for Israeli Graphic Arts, Tel Aviv Museum of Art, Tel Aviv 2011 Prize for an Established Israeli Artist, Tel Aviv Museum of Art, Tel Aviv Environmental Sculptures 1982 Tel-Haisaf Ben Zvi was involved in ornithology until the early 1990s. In 1981, he enrolled in the Art department at Israel’s Bezalel Academy of Arts and Design. During his studies, he participated in a student exchange program at the Pratt Institute in New York. From the outset, Ben Zvi’s focus has been on nature and the environment. Ecological and human disasters and natural disasters initially played an main role in his work and received expression through various fields of color, with motifs such as a cross, a water flask, a wasp, butterfly or bird, symbolizing the fragile human existence steeped in an eternal struggle. In his later work, words penetrate the space of his paintings and art, reflecting on the private, public, local and universal realms. "Ben Zvi at his best is a visual poet, one who places words with great sensitivity to their tone and sometimes relinquishes the splendor of an image in favor of text and message." The Printer's Imprint: Twenty Years with the Jerusalem Print Workshop, Jerusalem Israel Museum, Jerusalem 15 November, 1994 - 14 February, 1995 Artists: Avraham Ofek, Fima (Roytenberg, Ephraim), Michael...

Artist: Josef Albers Portfolio: Formulation: Articulation (Double Portfolio) Title: Portfolio 2, Folder 11, Image 2 Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper ...

3906 Abstract artist proof lithograph on laid paper titled Secrets &Sinai in a silver metal frame

Kit Boyd The Tree Climber Etching and Aquatint on Hahnemuhle etching paper Hand printed by the artist in Prussian Blue. Edition of 50 signed copies. Image size 45x30cm this work is s...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Luna Year: 1977 Edition: AP Medium: Serigraph, signed and numbered in pencil Image Size: 17.5 x 17.5 inches Size: 20 x 20 inches

Raul Anguiano (Mexico, 1915-2006) 'Ninfa y fauno', 2003 sugarlift on paper 19.3 x 15 in. (49 x 38 cm.) ID: ANG-107 Hand-signed by author

Anne Storno Aquarium Limited Edition Edition of 14 Image Size: 26 x 26 cm Paper Size: 50 x 50 cm Sold Unframed Please note that in situ images are purely an indication of how a piece may look. A limited edition, hand printed screen print, made in England. This work is inspired by collage and surrealist artworks. I like combining images removed from their original narrative context and reconfigured into a new scenario. Aquarium is mixing an old image of Joan Collins, the actress, with a view of the earth from space...

Manufacturer: Obey Giant Edition Details: Year: 2021 Run: 309/450 Technique: Screen Print Paper: Fine Art Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered by Both ar...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press Hand finished with Metal Leaf 15 x 25 inches framed This piece is featured in Br...

Monotype

UNDER THE SKIN 5 Surreal Nude, part of my "Under the Skin" series. Printed on Hahnemuhle art photo paper with white borders, size is 20x16in. In mat overall size 28x20in. This par...

PICTOPOETRY 3 signed #20/20 by Paula Craioveanu Photograph 20x16in in mat 28x20 Surreal Nude, part of my "Pictopoetry" series. Printed on Hahnemuhle art photo paper with white bord...

Through the Glass Monotype print Natasha Karpinskaia's paintings are characterized by their vibrant colors, bold shapes, and dynamic compositions. She uses a variety of media, inclu...

Lino Litho BR, Planche IX Linocut and lithograph, 1970 Signed lower right of central image (see photo) Edition: 99 (56/99) (see photo) Published by London Arts Group, Detroit Conditi...

Frantisek Kupka, Czech (1871 -1957) - Bílé rytmy na černém, Year: 1912, Medium: Woodcut on gray wove paper, signed in the plate and stamp signed, Image Size: 10 x 16 inches, Size:...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13 x 25 inches framed This piece is featured in Bruckner’s 2024 solo exhibition ...

Artist: Tony Bechara, Puerto Rican (1942 - ) Title: Blue City Year: circa 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 35 Size: 30 in. x 22.5 in. (76.2 cm ...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she w...

JAMES ROSENQUIST "Ten Days, from The New York Collection for Stockholm" Lithograph in colors on paper,1973 9 x 12 inches (22.9 x 30.5 cm) (sheet) Ed. 114/300 Signed, numbered, and d...

Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition Etching on Arches paper at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition of 25 (Roman Numerals), printed in black on Arches Cover White (archival paper). with chopmarks and blindstamps. published by The Lakeside Studio (chopmark lower right). THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. From 1955-57 Petersen along with Mel Strawn founded the Bay Printmakers Society. He resumed exhibiting: International Color Lithography, Cincinnati Art Museum; Gravures Americaines d’aujourd’hui, Paris; & received an MFA on the GI Bill (with Nathan Oliveira) from the California College of Arts and Crafts where Richard Diebenkorn was on the faculty. Petersen meets Kerouac, Gary Snyder, Phil Whalen, Allen Ginsberg, McClure, and Rexroth. Petersen’s now famous “Stone Garden” essay is published in Evergreen Review. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud...

Phelan, Ellen. UNTITLED. Aquatint, c. 1994. Edition of 75, from the Portfolio "Six Couples - Twelve Prints" published by Parasol Press, Portland, Oregon, 1996. Numbered 27/75, and s...

Archival Ink on Museum Quality Rag Paper Available in the following sizes: 16 x 20 inches 24 x 30 inches 30 x 40 inches Edition size: 25 Please inquire regarding framing Rick Garcia's RAG13 Collection is inspired by the observation that there has been a significant and permanent change in our public and private lives. These artworks use symbolism to illustrate how the ubiquitous presence of suspicion and the act of being a suspect have both become a way of life. Adults and children are shown as generic solid shapes with parts missing to indicate loss of identity and the relinquishing of certain rights. The watchful eye of authority is always present as a figure dressed in black with three white stripes. All of the figures have a red dot to symbolize the human heart; how we are all connected. This red dot also represents being a target or a person of interest. Overall, this latest series creates a surreal flow of images, colors, and shapes blending into a beautiful and poignant work of art. About the Artist: "Photography has been part of my creativity throughout my life and more recently has become influential in my abstract work on canvas. The magical shapes of water gracefully floating or scattering in mid-air reveals the true god-like essence of nature. I am fascinated studying these images of bright tiny mercury-like globes, silky trails, dancing droplets and crystal clear languid sheets. " Rick Garcia was born in Havana, Cuba, and very soon after, his parents relocated to Miami, Florida. He was always encouraged to follow his dream of pursuing and developing his talent in art. In later years he found a deep-rooted connection to surrealism, especially the work of Salvador Dali. Garcia had become obsessed with the unique images and amazing technique of the Spanish painter and he eventually traveled to Port Lligat, Spain to visit the home and surroundings of his mentor. After years of attending the Art Institute of Miami, where he refined his artistic vision in drawing and painting, he was soon earning an income from published illustrations. Garcia has enjoyed a rich and diverse career starting with the hit TV show "Miami Vice" commissioning him to create a mural on the side of a three story building, and used his paintings for interior shots. Apart from a growing number of private commissions, his distinctive images were commissioned by The United Nations Postal Administration in 1998 and 2003. His stamps brought awareness to the growing extinction of the rainforest and its inhabitants, and followed with the 50th Anniversary of the World Health Organization, bringing awareness to the vanishing supply of freshwater, where it earned him the prestige of the most beautiful stamp series of 2003. Garcia was chosen as an "Absolut Artist of the 90s" in the popular vodka ad campaign and with his second piece Absolut Electric, this further drew worldwide attention. 1998, 1999, and 2001 garnered him the distinction of official artist to The Grammy Awards where his creations influenced the look of the live broadcast and graced the covers of the official program book, CDs, posters, apparel, and other various items. His work included portraits of stars such as Destiny's Child, Ricky Martin, Coldplay, Santana, Celia Cruz...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

Artist: Robert Indiana, American (1928 - 2018) Title: God is a Lily of the Valley from the American Dream Portfolio Year: 1961-62 (1997) Medium: Serigraph Edition: 395 Image Size: 16...

An abstract colors print titled "Passage" by the photograph artist Patricia Wilder. The photograph made from original slide transparency and printed in...

Hand signed and numbered by the artist. Edition of 100. Sheet size 23 x 15 in. Framed. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable of...

Joan Miró Lithograph 1973 from Derriere Le Miroir: Off-set lithograph in colors circa 1973. 15x22 inches. Very good overall vintage condition; contains a light center fold-line as o...

Artist: Josef Albers, German (1888 - 1976) Title: Portfolio 1, Folder 1, Image 1 from Formulation: Articulation Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Editi...

15/30 (Not the Man I Once Was) 24 x 20 Inch, 2009-2016 Additional information: Medium: Archival Pigment Print Condition: Excellent Edition of 5 Dimensions: 24 x 20 in About artist...

At the Edge by Shirley Kirkcaldy [2018] This is a superior quality limited edition Giclee print inspired by the coastline near Cape Cornwall. Reproduced from an original mixed media...

In Breath of Beyond color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. Light tea...

Outer Edges 8 (2020) by Kristiina Lahde. Edition of 5. Inkjet print on Hahnemühle Agave.

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Coffee Time Medium: Monotype on archival paper Size: 20 x 20 by South American/Venezuelan artist Luisa Duarte is an example of geometric abstract art . Lu...

Untitled - Paper Tree Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Artist: Josef Albers Title: Variant from the Formulation: Articulation portfolio Year: 1972 Medium: Screenprint on Mohawk Superfine Bristol paper Edition Size: 1000 Image Size: 9 x 1...

Etching and Aquatint with embossing, Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarabia) Russian, Romanian region. 1948 Arrived in Israel via Cyprus, wher...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artists most important color and shape theories. A copy of the colophon bearing Albers’ hand-signature and the edition number is included with artwork. Biconjugate: Vice Versa...

Twentieth Century Untitled Abstract Limited Edition Stone Lithograph by Joan Miro. Originally in a catalogue and consequently there is slight evidence of a fold in the centre. We h...

Cathedral of Christ the Savior. 1989, paper, screen print, 60x32.5 cm

Four Bar Rhythm, 2020 Idris Khan Screenprint in colours with varnish overlay On 410gsm Somerset Satin White paper Signed and numbered from the edition of 125 Sheet: 56 × 43.5 cm (22...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Piano Player from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed an...

Artist: Robert Indiana Title: The New Glory Penny Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 14" x 9 3/4" Signature: Un...