Etching Abstract Prints

Spiral is an original, splendid etching and drypoint realized by Edo Janich in 1990. The state of preservation of the artwork is excellent. hand-signed n...

Torsos. VIII / XII. Etching on paper, 23x14 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professional training: Janis ...

Image dimensions: 20x15 cm. Abstract composition is a colored etching and chalcography on paper, realized in the Seventy of XX century by the German artist, Hans Richter, published...

Akio Wakasa Miyakawa - Primitive Lineage, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 11.75 x 19.5 inches, Size: 15 x ...

Mary Anne Watson, American - Net, Year: 1967, Medium: Etching and Aquatint, signed, titled, numbered and dated, Edition: 3/25, Image Size: 12 x 12 inches, Size: 18.5 x 18 in. (46.9...

Nude is an original modern artwork realized by Franco Bellardi in 1978. Etching on paper. Hand signed and dated on the lower right margin. Numbered on the lower left. Edition of 7...

Untitled is an etching and collage on paper realized by Hans Richter in 1973. Published by La Nuova Foglio, a publishing house of Macerata. Monogrammed by Frida Richter and number...

Abstrahierte Landschaft is an original hand-watercolored etching on paper, realized by the artist Christa Pyroth (1937) in 1971. Signed and dated in pencil on lower margin. Hand-num...

Colored Etching on Lithograph. Hand signed and numbered. Artist's Proof. In Good condition except some light stains on margins. Image Dimensions : 40 x 30 cm

Artist: Patrick Hughes, British (1939 - ) Title: Black Stars Year: 1980 Medium: Aquatint, signed and numbered in pencil Edition: 30/90 Size: 36 x 29.25 inches

Akio Wakasa Miyakawa - The Primitive Toy C, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 12.75 x 17.75 inches, Size: 15...

Segnali (Signals) is an artwork realized in 1984 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower left in ...

Original print realized by Lucio del Pezzo in 1976, it is from the "Decalogue", a portfolio of ten sheets, variously numbered from the total of 105 pieces (75 in Arabic Numerals Edit...

Medium: intaglio Year: 2015 Signed Artist Proof from the edition of 25 Image Size: 7.5 x 6 inches Paper Size: 15 x 11 inches Signed and numbered by the artist. Seiko Tachibana's...

Untitled is an original etching artwork on paper realized by Sante Monachesi. Hand-signed on the lower right by pencil. it is an artist's proofs edition on the lower left. Very go...

A ton Tour is an excellent Contemporary artwork realized by Renée Lubarow (b.1923) in 1978. Original colored etching on paper. Image Dimensions: 17 x 17 cm Hand-signed in pencil on...

Merenda in campagna is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in 1943. Etching and watercolor. Hand-signed, and dated in pencil on the lower...

Artist: Agustin Fernandez, Cuban (1928 - 2006) Title: From L.A. Year: 1970 Medium: Etching, signed and numbered in pencil Edition: 100 Size: 30 x 22 inches (76.2 x 55.88 cm)

Image dimensions: 27 x 34 cm. A Surrealist Composition is an original artwork realized by Henry Goetz in the 1970s. Colored etching on paper. The print i...

S Dawson - Landscape, Year: 1966, Medium: Etching and Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 14.5 x 21 inches, Size: 22.25 x 28....

The deeply etched lines and vibrant color of this print are common to Alliand's new "haubans" prints. Haubans is french for a guy line - a tensioned cable designed to add stability t...

Paroles Peintes II Jean Arp (After), French (1886–1966) Date: 1965 Restrike Etching Image Size: 10.25 x 8.75 inches Size: 20 x 14 in. (50.8 x 35.56 cm) Publisher: Collector's Guild, ...

20J1G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 30. Image size: 35.2 x 124.5 cm / 13.8 x 49 in Paper size: 46 x 135 cm / 18.1 x 53.1 in Clément's wo...

Black and white composition is a beautiful artwork realized by Margherita Benetti in 1972. Hand signed and dated in the lower right margin of the plate. The state of preservation i...

Mark Tobey, American (1890 - 1976) - Liberation, Year: 1973, Medium: Color Etching on Richard de Bas, Image Size: 10.75 x 9.25 inches, Size: 26.25 x 20 in. (66.68 x 50.8 cm)

Marjorie Tomchuk, Canadian/American - Apple (2nd Edition), Year: 1967, Medium: Etching, signed, titled and numbered in pencil, Edition: 13/100, Imag...

Figure and Arch is an original etching artwork on paper realized by Sante Monachesi. Hand-signed on the lower right by pencil. it is an artist's proofs edition on the lower left. ...

"Untitled I" is a work that displays Bert Yarborough's experimentation with emotion and monotype in his abstract and expressive style. This print made ...

Oval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...

Composition is a Contemporary artwork realized in the 1978 by the Italian artist Guido Strazza (Santa Fiora, 21 December 1922). Original B/W Etching on paper. Hand-signed and date...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Composition is a beautiful etching aquatint and drypoint on paper, realized by the artist Isaac Celnikier. Titled, numbered and signed in pencil on the lower margin. Edition of 40 ...

Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...

This bold and graphic black-and-white etching, titled "Big O", is an original work by noted 20th-century artist Mary Chenoweth. Created in 1982, the composition features minimalist a...

ARTIST: Salvador Dali TITLE: The Hippies The Pagoda MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: XLV/C MEASUREMENTS: 20" x 26.5" YEAR: 1969 FRAMED: No CONDITION: Exce...

Abstract Composition is an etching print realized in 1960s by Pierre Dmitrienko. Hand-signed on the lower. Numbered. Rare Edition, 2/20. Good Cond...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. Edition of ...

Abstract composition is a colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. Edition of ...

Oval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...

Hourglass is an original etching artwork on paper realized by Sante Monachesi. Hand-signed on the lower right by pencil. Artist Proof. it is an artist's proofs edition on the lower...

Figure is an original etching on paper realized by Edgard Chahine. Signed on the plate. Good conditions. The artwork is on the cover of a menu. The artwork is depicted with confid...

Jim McCormick, American - Heated Diamond, Year: 1969, Medium: Etching on Rives, signed, titled, numbered and dated in pencil, Edition: 2/8, Image Size: 16.75 x 9.75 inches, Size: 1...

Segnali (Signals) is anartwork realized in 1984 by the Italian Contemporary artist Leo Guida (1992 - 2017). Screen print on cardboard Hand-signed on the lower left in pencil and ...

Untitled Plate 8 from Paroles Peintes Suite is an etching and aquatint on Japon paper. Hand-signed and hand-numbered in pencil on the lower margin. Edition of 85 prints. Perfect con...

Image dimensions: 32 x 24 cm. Plate I from Suns/Landscapes is an original artwork realized beetween 1971 and 1972 by Roberto Crippa. Mixed oclored etching. Signed on plate on the lower margin. Numbere on the lower left. Edition 23/100. The artwork is from the portfolio Sun/Landscape, edited by Graphis Arte Livorno. Colorful and power artwork with a mixed composition of geometrical shapes and with different contrasting colors. Gaetano Crippa known as Roberto Crippa (Monza, 1921 - Bresso, 1972) was an Italian painter, sculptor and aviator. He started painting in 1945, with a figurative style and cubist influence close to Picasso's style. He joined the spatial movement with Lucio Fontana, Gian Carozzi...

Hand signed and numbered. Edition of 150 prints (75 green copies, 75 brown copies). Image Dimensions : 44 x 64 cm

Etching, 1974 Handsigned by the artist in pencil and annotated ea 14/15 Publisher : Georges Visat (Paris) 60.50 cm. x 45.00 cm. 23.82 in. x 17.72 in. (paper) 35.50 cm. x 26.50 cm. ...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Untitled is an etching and collage on paper realized by Hans Richter in 1973. published by La Nuova Foglio, a publishing house of Macerata. Monogrammed by Frida Richter and numbered in pencil on the lower margin. Edition of 99 prints. Good conditions. On the lower left margin of the back, there are a dry-stamp of the publishing house and a black-ink stamp " Estate Hans Richter ". From a portfolio of seven etchings published by The New Sheet under the supervision of Hans Richer, who signed for each " bon à tirer " before his death, which took place in Locarno on 1 February 1976...

Untitled (Abstract), Aquatint Painting by Johnny Friedlaender, 1960 Additional information: Medium: 76.2 x 57.1 cm 30 x 22 1/2 in Signed and numbered 92/95 in pencil

Incavo Blu is an original Contemporary Artwork realized by Giuseppe Santomaso (Venice, 1907 - Venice, 1990) in 1970. Original etching and aquatint on copper plate printed in 4 colors on Fabriano Rosaspina paper. Hand-signed on the lower right margin. Numbered on the lower left corner: 36/90. Edition of 90 and XV artist proofs Printed by 2RC. Mint conditions. Giuseppe Santomaso (Venice, 1907 - Venice, 1990), an Italian painter. In Paris he visits the great international exhibitions: in front of the works of Matisse, Braque, Pierre Bonnard and Picasso exhibited in the artistic capital of France he remains both admired and irritated. The first solo show of him takes place in Paris in 1939 (Galerie Rive Gauche).

Hand signed. Edition of 75 prints. This etching is from the portfolio "Marino to Stravinsky" published in 1972. Marino Marino is an Italian painter, engr...

Abstract Composition is an original print in etching and drypoint on white paper realized by an Anonymous artist of the mid-20th Century. In very good conditions. The artwork create...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

The artist hand signed, numbered and dated this etching on its lower right margin. This is an edition of 100 prints. Good conditions. Giò Pomodoro (1930-2002) was an Italian sculpt...

Blue Jays Martin Barooshian, American (1929–2022) Date: circa 1981 Intaglio Etching and Aquatint, signed and numbered in pencil Edition of 175, AP 25 Image S...

Hand Signed. Original color etching and aquantint. Edition of 63/100. Very good condition.

Untitled (SFE-072) is an original contemporary artwork realized by Sam Francis in 1989. Etching and Aquatint Monotype with color variant on Rives BFK. Editor The Litho Shop santa Monica Jacob...