Patricia A. Pearce

12 Panels - Abstract Etching in Ink on Paper

1980s

Delicate and layered collotype on heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype, whereas the lace and strands were painted b...

Kimono made of applique red paper by Patricia A. Pearce (American, b. 1948). The cheesecloth pattern has been printed, using a lithograph method, over the top of the red paper. This ...

Dramatic embossed collograph titled "Altered Illusions 4" by Patricia A. Pearce (American, b. 1948). Numbered, titled, and signed along the bottom edge . No frame. Image size: 28"H x...

Four layer lithograph of a reclining woman by Patricia Pearce (American, b. 1948). This piece is unsigned, but were acquired with a collection of other pieces by Pearce. Presented in...

Gorgeous teal mesh and rods collagraph by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as part of larger collection. No frame. Image size: 23.75"H x 35.75"W Patricia ...

Bold collotype by Patricia A. Pearce (American, b. 1948). Numbered, titled, and signed along the bottom edge ("2/25 Kimono 12 Patricia A Pearce"). No frame. Patricia Pearce (A...

OWL ROCK is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is currently unframed. Like Wortsman's own sculptures, the abstract components here mix the organic with roughly-hewn geometric forms. Note the dialogue between the colors umber, green and white, with the 3 perforations tying it all in – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. OWL ROCK was exhibited at Tabla Rasa Gallery, Brooklyn, New York in 2013. And at Made In Brooklyn, Hanson Gallery, Honesdale, Pennsylvania, 2015. From Harold Wortsman – "I was introduced to printmaking in the 1990s by legendary printmaker, the late Sheila Marbain. Printer to the masters of Pop Art, like Oldenberg, Lichtenstein and Warhol, she tired of conventional silkscreen and developed her own silkscreen monotype technique. Several years of work with Marbain led to etching and hand-tooled aluminum intaglio with the great printer Sheila Goloborotko. I currently work with master printer Kathy Caraccio. While working together on a difficult project, Caraccio exclaimed: “This is not a print; it’s a painting.” Printmaking is now an integral part of the work I do." From Jonathan Goodman, Art Critic – "There are certain kinds of art that endure beyond the novel effect, demonstrating an awareness of time-honored methods and even historically potent imagistic biases, and Wortsman's work belongs to this ongoing vision." – Fronterra D, October 2016. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

PROPOSITION is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in white matte wood with spacers under glass to maintain the de...

Joanne Freeman - Original Etching 2017 Limited Edition Aquatint Edition Size 20 Dimensions: 71 x 66 cm The plate size is: 45.7 x 45.7 cm Medium: Oil Based, Charbonnel Etching Ink on ...

Joanne Freeman - Original Etching 2017 Limited Edition Aquatint Edition Size 20 Dimensions: 71 x 66 cm The plate size is: 45.7 x 45.7 cm Medium: Oil Based, Charbonnel Etching Ink on ...

CYCLOPS is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in black matte wood with spacers under glass to maintain the deckle edge of paper. The print floats on museum board using archival Hayaku Japanese Hinging Paper. Like Wortsman's sculptures, the abstract components here seem to possess both organic and geometric forms. Note the four corners of black, bracing the center serpentine shape of copper and black speckled white – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CYCLOPS was exhibited at Harold Wortsman...

José Luis Bustamante (Mexico, 1955) 'Ancestral', 2004 sugar aquatint on paper Guarro Super Alpha 250g. 19.7 x 27.6 in. (50 x 70 cm.) Edition of...