2010s Abstract Prints

Plate 340 from Johanna Goodman's Catalogue of Imaginary Beings Giclée print on Archival Matte Paper with Archival Pigment Ink In 2017 Goodman was awarded the New York State Council...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Classic Blue Silk Movement nº3 + Year: 2024 + Edition Size: 50 + Stamped and Certificate of Authenticit...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

Geneviève Claisse Title: Black and Green Circle (Cercle noir/vert) Medium: Giclee on hand made cotton paper Year: 2015 Signed and numbered by hand Edition: 40 Size: 20.1 × 20.1 on 31...

ABOUT THIS ARTIST: Ioannis Lassithiotakis aims for an abstract universality: He uses the simplest visual materials because he wants to broach the universal subjects he is dealing wit...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimi...

ABOUT THIS PIECE: Since 2008 fine art photographer Jonathan Chritchley has regularly been invited to attend the Classic Yacht Regattas on the legendary Cote d’Azur in France, working...

Takashi Murakami - And Then x6 (Red), 2013 Offset lithograph with silver finish on paper Edition of 300 hand-signed and numbered by the artist Size: 48.3 x 48.3 cm Published by Kaik...

Allison Gildersleeve Untitled, Yellow (2017) Etching on Rives BFK paper Image size: 12 x 12 inches Paper: 26 x 19 ½ inches Edition of 18 Published by Eminence Grise Editions Printed ...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled (B/N vertical)', 2021 collagraph on paper Guarro Biblos 250g. 27.2 x 21.1 in. (69 x 53.5 cm.) Edition of 20 ID: NAA-112 Unframed

FAILE Red Dog, 2018 Offset Print with gold foil on Lenox 100 paper. Faile studio stamp on the back Annotated and hand signed in pencil on the lower front with studio stamp on the bac...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

Rafael Canogar (Spain, 1935) 'Aire', 2003 silkscreen, collage on board 59.1 x 48.1 in. (150 x 122 cm.) Edition of 100 Unframed ID: CAN1030-099 Hand-signed by author _________________...

Chickens In The Wild - Limited Edition Print Giclee By Marc Zimmerman The original painting is in the artist's private collection. The print quality is exceptional. *Please contact...

Gabriel Macotela (Mexico, 1954) 'Untitled', 2020 woodcut on paper Guarro Super Alpha 250g. 30 x 44.1 in. (76 x 112 cm.) Edition of 20 ID: MAG-103 Unframed

Mixed Media(Watercolor and digital retouch), Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is ab...

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Tracey Emin, I Am The Last Of My Kind, 2020 Published for the Royal Academy show 2019/2020 Offset lithograph 31 1/2 × 23 3/5 in (80 × 60 cm) Tracey Emin is a notable and prolifi...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

This Limited-Edition abstract print, "Blueberry Hill," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to han...

The artwork will be sent unframed Linocut print „Murmurations” 2021 Linocut colorful print technique Linocut from 6 matrices Limited edition, print unique number 3/5 Paper Fabriano R...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

We have an owl box in the garden and have had owlets in some years. The Barn Owl will often hunt the field in the afternoon. Barn owls are silent hunters and provide drama and grace ...

Archival ink print on paper, edition of 9 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International...

Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Enginee...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Manufacturer: Under Dogs, Portugal Edition Details: Year: 2020 Class: Art Print Status: Official Released: 10/14/20 Run: 50 Technique: Screen Print Paper: Keaykolour Pure White 300 g/m2 Size: 19.7 X 19.7 Markings: Signed & Numbered Effortlessly blending two seemingly-irreconcilable visual idioms, Add Fuel...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...

ABOUT THIS PIECE: The Endless Summer film poster has long been an inspiration to the artist, evoking the question, what if summer never had to end? In these images Jessica share's th...

ANISH KAPOOR MOIRÉ 4 Date of creation: 2015 Medium: Etching on paper Edition: 39 Size: 96 x 72.4 cm Condition: In perfect conditions, brand new Etching on paper hand signed and numbe...

Peter Halley Color, Nine Times 2023 Acrylic, fluorescent acrylic on HI-RND technology print on aluminium 100 × 83.8 cm (39.4 × 33 in) Signed and numbered Edition of 35 In mint condit...

This abstract limited edition print by Elwood Howell features a cool, unique palette. Shapes that resemble thick foliage form a loose horizon line, with deep blue, violet, green, and specks of pink forming the bottom area of the piece. Above is a muted color that transitions out toward the edges to form the aesthetic of a glowing blue sky. An edition of 100, the limited edition giclee it is printed on canvas, and framed in a warm silver floater frame ready to hang. Limited Edition prints are printed with pigment ink on a Premium Fine Art Matte Canvas and designed to meet museum longevity requirements and ensure consistency. The artist's signature and edition number will be added to the giclee electronically when created. Each print comes with a Certificate of Authenticity containing all information and retail price. Also, this framed giclee ships for free. Other floater frame options are available in silver, black, gold, and walnut. For additional sizes and alternate frame options or rolled, please contact us. Artist Statement and CV: Of his work, artist Elwood Howell says, "The greater body of my work is primary landscapes and seascapes of an imaginary nature created in the studio. Most works have a generally high horizon as a focal point to lure ones eye into the simple composition. The large area below the horizon down to the base of the canvas gives the viewer's eye freedom to roam the surface. This space gives the painting life much as soil nourishes the very roots of a tree. The imagery at the horizon gives a focal point and the expanse above serves as atmosphere to set the mood. This has been a format I have used for over forty years and it still intrigues me. In the process of correlating the colors, values and markings, with the fore mentioned ink, paint, charcoal, pencil and even by sanding, a visual conversation begins between the painting and the painter. Thus, by adjusting again and again, from hints given by previously applied paint, sometimes even an abrupt and complete change over the earlier endeavors is commanded. The discourse will probably continue forward, just as communications sometimes do with people, for new thoughts can hoover about and over time a need is created for further deliberation. Thus some "completed" works have required changes years later. Sometimes discussions, of whatever nature, never seem to be finished. When painting is viewed down the road, by another person, maybe they, too, will encounter a visual voice, which probably will be of a totally different nature than has been envisioned. However, and hopefully, at that time some connection will take root and a soul will be nourished.” Awards • Honorable Mention, Guild Hall, East Hampton, NY (2003) • Best Abstract, Guild Hall, East Hampton, NY (1982) • David G. Lyon Award, New England Exhibition, Silvermine Guild, New Canaan, CT (1982) • Shared 1st prize, Parrish Art Museum Annual, Southampton, NY (1981) • Reader's Digest Award, 31"t New England Exhibition, Silvermine Guild, New Canaan, CT (1981) • 1st Prize, VII Long Island Painters, Guild Hall, East Hampton, NY (1975) • Judges Award, 22nd Annual Exhibit, Parrish Art Museum, Southampton, NY (1975) • Award of excellence, 20th Annual Exhibit, Heckscher Museum, Huntington, NY (1975) • 2nd Place, Artist Guild of Chicago & Artist Guild Purchase Award, Annual Watercolor Show (1974) • Merit Award. Illinois State Fair Professional Art Exhibition (1973) • Williams Bartels Prize, 74th Chicago and Vicinity Show, The Art Institute of Chicago, IL (1973) • Honorable Mention and Metropolitan Structure Award, New Horizons Exhibit, Chicago, IL (1973) • William Fleming Purchase Award 4th International Mat-Media Exhibition of Dickinson State College, ND (1973) • Purchase Award, Springfield Old Capital Art...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

UNDER THE SKIN 5 Surreal Nude, part of my "Under the Skin" series. Printed on Hahnemuhle art photo paper with white borders, size is 20x16in. In mat overall size 28x20in. This par...

Bob and Roberta Smith Art Makes Children Powerful, 2022 Silkscreen print on paper hand-signed and numbered by the artist 52 x 52 cm Edition of 50 Bob ...

Giclée Print on Hahnemühle Paper - Framed 25 x 20.2 in x 1.5 in, Ed. of 100 1200$ with the frame

Limited Edution 2/6, signed by artist. Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of Fine Arts, Master ...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue and green palette and captures a landscape scene with lush foliag...

This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Title: Fresh California Pool Patterns + Edition Size: only 20 + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...

Louise Bourgeois & Tracey Emin Do Not Abandon Me (Hand signed in green marker on the half title page by Tracey Emin), 2010 Cloth hardback monograph with no dust jacket as issued (Han...

Gustavo Perez Monzon (Cuba, 1956) 'Untitled', 2018 etching, aquatint on paper Velin Arches 300 g. 42.2 x 31.5 in. (107 x 80 cm.) Edition of 40 ID: MOZ-101 Unframed

Damien Hirst Forever (Large), 2020 Laminated Giclée print on aluminium composite panel digitally signed by the artist on the back 39 x 39 cm Edition of 2573 The editions titled Fru...

Untitled 1 Etching original painting number 12 of an edition of 15 engravings. Jaume Plensa Suñé (Barcelona, 1955) is a Spanish plastic artist, sculptor and engraver. Very versatile artist who has also experimented with drawing, opera sets, video projections or acoustic installations.1 He is known for his large sculptures made up of letters and numbers.2 Born in Barcelona in 1955, he studied at the Llotja School and the Sant Jordi Superior School of Fine Arts. Trajectory In a first stage, his work reflects an interest in issues related to volume, space and tension. In 1983-1984 he began to mold iron with the casting technique and developed a sculptural concept of zoomorphic forms using cuts and folds. In 1986 he started working with cast iron, and later he used glass, resin, lights and sounds. Since 1996 he has also been dedicated to creating elements and sets for opera and theater productions, mainly in collaboration with the company La Fura dels Baus. He also stands out as a draftsman and engraver. In 2008 he made the sculpture called "Alma del Ebro" in Zaragoza (Aragon) on the occasion of the International Water Exhibition held there. This sculpture is 11 meters high and is located in front of the Palacio de Congresos, on the banks of the Ebro river. The letters represent cells of the human body, which is made up of more than 60% water. Its white letters and hollow structure invite the viewer to look inside and reflect on the relationship between human beings and water. In December 2012, he was elected the winner of the 2013 National Prize for Graphic Art awarded by the National Calcography and which recognizes the artist's career in the field of graphic art.3 In 2012 he produced the poster for the Festival de la Mercè in Barcelona. Honors The main distinctions obtained by the artist have been the following: • 1993: Medaille des Chevaliers des Arts et Letres, Ministry of Culture, France. • 1996: Prize of the Fondation Atelier Calder...

This is a monotype, a unique print with no other editions. The square print on delicate Asian paper layers geometric shapes in navy, light yellow, green and dark coral on a light blu...

Damien Hirst, The Currency Unique Prints H11-907, 2022 Archival Quality Giclée Reproduction on Heavy Weight Enhanced Matte Professional Stock 100 x 1...

Unique monotype with collage. signed and numbered on the front, titled on verso. Artist Robert Roach lived in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspi...

Richard Serra Richard Serra Drawing: A Retrospective (hand signed by Richard Serra), 2011 Hardback monograph with dust jacket (hand signed by Richard Serra) Hand signed by Richard Serra on the title page 12 × 10 × 1 1/2 inches Provenance Strand bookshop New York, official signed copy (see cover) This is the official signed copy from Strand bookshop, NY. bearing the "Signed Copy" stamp on the cover. Makes a superb gift! Published on the occasion of these exhibitions: The Metropolitan Museum of Art(04/11/11-08/28/11) San Francisco Museum of Modern Art (10/15/11-01/16/12) The Menil Collection (03/02/12–06/10/12) Book information: Published by Yale University Press, CO, and The Menil Collection, Houston. English; Hardback; 232 pages with 160 quadratone illustrations Publisher's blurb: As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. More about Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

ABOUT THIS PIECE: Color is the foundation of this Canadian artist's work. Her circles start as a mood or idea that eventually evolve into a colored circle. She is curious how different colors interact when they're placed next to each other. Within a digital medium she experiments with intensity of colors and the different sensations colors evoke. Why a circle? When she explores her fascination with this shape, she discovers that the circle represents all that is familiar and comforting. It is the shape of the rising sun, of a mother's nipple, of the iris of the eye, and of a full moon. ABOUT THIS ARTIST: Ruth Adler is a Canadian artist whose mediums include paintings, works on paper, animated films and textiles. She is inspired by the city of Tel Aviv, music (she plays the harmonica) and her personal memories. Jim Kempner Fine Art...

Norman Akers Tears, 2018 Monotype on paper by renowned native American artist (Osage Indian) Signed and numbered 1/1 Frame included Monotype (unique) Pencil signed, numbered 1/1 and titled in graphite pencil on the front Published by Tamarind Institute, Albuquerque New Mexico with label from Chiaroscuro Contemorary Art, Santa Fe, NM Provenance Tamarind Institute Frame included Measurements: Frame: 18.5" vertical x 15.5" horizontal x .75 inches deth Artwork: 11.5" vertical x 8.5" horizontal Norman Akers (Native American, Osage), b. 1958 Biography Norman Akers was born and raised in Fairfax, Oklahoma. He is a member of the Osage Nation. He received a BFA in Painting from the Kansas City Art Institute in 1982, and a Certificate in Museum Studies from the Institute of American Indian Arts in 1983. In 1991, he received a MFA in Fine Arts from the University of Illinois, Urbana-Champaign. Akers had solo exhibitions at the Lawrence Arts Center, Lawrence, Kansas, Jan Cicero Gallery in Chicago, Illinois, and the Gardner Art Gallery, Oklahoma State University, Stillwater, Oklahoma. He has participated in numerous group exhibitions including, Unlimited Boundaries, The Dichotomy of Place in Contemporary Native American Art, Albuquerque Museum, Albuquerque, New Mexico, Who Stole the Tee Pee...

This abstract limited edition print by Roger Mudre features a cool palette. Imperfect, almost organic circular shapes and outlines in varying shades of blue are layered over one anot...

Yinka Shonibare Fabric-ation, 2013 Original Dutch wax print fabric chosen by the artist on Hardback cloth bound monograph with fabric covered board 12 1/2 × 11 × 1 1/2 inches Edition...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

This abstract, limited edition print by Elwood Howell features a predominantly green palette, with a muted yellow area at the top of the composition. Subtle circle shapes and long ve...

Four color process print on vélin paper. Paper size: 10.75 x 18.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George C...

This Limited-Edition abstract print, "A Summer Day in Nantucket," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and r...

Oil on paper, signed lower right corner. Artist Robert Roach lives and works in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspire...

ABOUT THIS PIECE: Since 2008 fine art photographer Jonathan Chritchley has regularly been invited to attend the Classic Yacht Regattas on the legendary Cote d’Azur in France, working...