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Wassily KandinskyJusqu'a L'Abstraction' color lithograph poster Wassily Kandinskyc. 1948
c. 1948
$2,970
£2,233.20
€2,593.29
CA$4,147.54
A$4,599.93
CHF 2,415.66
MX$56,490.43
NOK 30,579.95
SEK 28,837.30
DKK 19,348.78
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About the Item
"Jusqu'a L'Abstraction" is a lithograph poster by Wassily Kandinsky. This poster depicts abstract forms in purple, pink, blue, and black and was created for the Maeght gallery in Paris. It was printed by the gallery c. 1948.
25 1/4" x 17 3/4" art
32" x 26 1/2" framed
Signed in the stone, lower right
Wassily Wassilyevich Kandinsky, born in 1866, was an influential Russian painter and art theorist. He is credited with painting the first purely abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow, studying law and economics. Successful in his profession—he was offered a professorship (chair of Roman Law) at the University of Dorpat—he began painting studies (life-drawing, sketching and anatomy) at the age of 30.
In 1896 Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Kandinsky was unsympathetic to the official theories on art in Communist Moscow, and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died at Neuilly-sur-Seine in 1944.
- Creator:Wassily Kandinsky (1866 - 1944, Russian)
- Creation Year:c. 1948
- Dimensions:Height: 32 in (81.28 cm)Width: 26.5 in (67.31 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 583d1stDibs: LU60531956733
Wassily Kandinsky
“Color is a means of exerting a direct influence upon the soul,” wrote the pioneering abstract artist Wassily Kandinsky. The Russian-born painter and theorist dedicated his life to using abstract compositions of form and color to express deep emotion as well as to depict the language of music through visuals.
Kandinsky was part of a crucial moment in art history — the early 20th century — that saw the rise of movements like Cubism. He embraced styles such as Surrealism and Fauvism and was a leading figure in bringing together Der Blaue Reiter (the name means “The Blue Rider” after one of Kandinsky’s paintings) in 1911, a group of avant-garde artists in Munich, including Paul Klee and Franz Marc, who explored spiritual concepts through their art as a response to the materialism of the time. Kandinsky also led courses on analytical drawing and color at the Bauhaus. He was appointed by founder and architect Walter Gropius to teach in Weimar in 1922. He taught at all three of the legendary school’s locations and remained with the institution until its forced closure by the Nazi party in Berlin.
The artist had the rare and unusual trait of synesthesia, the neurological ability to perceive things using multiple senses. In Kandinsky’s case, it was the gift of “seeing” music, and music appeared in every aspect of his work, including the titles of his series “Compositions,” “Improvisations” and “Impressions.” He once described the experience of painting using a musical metaphor: “I had little thought for houses and trees, drawing colored lines and blobs on the canvas with my palette knife, and making them sing just as powerfully as I knew how.”
While Kandinsky isn’t the first abstract artist — mystically inclined painter Hilma af Klint was making nonrepresentational art well before him — he certainly had the biggest impact on establishing the style. His paintings inspired the likes of Jackson Pollock, Willem de Kooning and other Abstract Expressionists. From his Untitled (First Abstract Watercolor) painted in 1910 to future works, his unique take on using color and flair for bold, experimental compositions, Kandinsky is one of the most important figures of early-20th-century art.
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The present woodcut print comes from 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. This first edition was released in an edition of 300, each book signed and numbered by the artist. The title of the album and this particular print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond.
7.5 x 5 inches, image
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Woodcut in black ink on laid paper (watermark Van Gelder Zonen)
Signed with encircled 'K' in the block, lower right
Framed to conservation standards using 100 percent acid free archival materials including silk-lined matting with 1/4 inch bevel, museum glass, and a gold-gilded moulding
Ref. Roethel 124
The Museum of Modern Art described 'Klänge (Sounds)' as follows:
Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book.
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Located in Milwaukee, WI
'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300)
Image Size: 7 1/2" x 5 inches
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Ref. Roethel 124
Artist Bio:
The Museum of Modern Art described 'Klänge (Sounds)' as follows:
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