Animal Prints

This is a contemporary black and white photograph of North American Wild Horses Photography by Shane Russeck Printed on archival luster paper Framing available. Inquire for rates. ...

Clare Halifax M is for Monkey Limited Edition 3 colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin pa...

Clare Halifax I is for Iguana Limited Edition 3colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin pap...

William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...

Original Lithograph by Jean Cocteau Title: Artaban 1961 signed in the stone/printed signature Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" ...

Adam and Eve hiding from the Lord (and hiding their nudity with branches) after being successfully tempted by the serpent that lays nearby watching the scene. Signed, titled and num...

This Blue Dog work consists of a black background with 3 dogs, 1 each white, blue and red. All the dogs have soulful yellow eyes. This pop art animal original silkscreen print on p...

Grundy 36, published by R. Acherman. Inscribed in stone lower left: 'James Ward R.A. Pinxt et Delt. / Dogs of the Dalmation breed-from an original picture in the possession of Sir Jo...

Two adult Purple Martins are feeding their two fledglings at the nest. This chromolithograph is from The Birds of America by John James Audubon and is ...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

David Shrigley (British, 1968) I’ve Heard About Freedom + Do Not Eat Him, 2022 Medium: Set of two digital prints on paper Dimensions: 70 x 50 cm (27 3/5 × 19 7/10 in) Edition of 250:...

This Blue Dog work consists of a blue dog in the center of a red circle on a black background. The dog has soulful yellow eyes. This pop art animal original silkscreen print on pap...

This is a contemporary black and white photograph of American Wild Mustangs. "They represent the ultimate expression of American freedom" - Wild Horses 36x48 Edition of 12. Printed...

This is a mixed lithograph and serigraph silkscreen as per descriptions i read. this is not signed or numbered and is marked sample. it is a rare artists or printers proof print. David Sharir was born in 1938 in Tel Aviv, Israel and currently resides there. David Sharir, the son of Russian immigrants, was born in Israel. Beginning his study of art in Tel Aviv and continuing in Florence and Rome, where he studied architecture and theater design. The brightly colored costumes and intricate stage designs he created for these productions have profoundly influenced his art. When Sharir moved to Jaffa in 1966, his hallmark style was truly developed. Studio, family, and spiritual devotion all serve as inspiration for the imagery in his work. His evolving style combines personal experience, Biblical symbolism, and fantasy. David Sharir, born 1938, Tel Aviv. Was among the first artists to settle in Old Jaffa in 1966. He depicted biblical subjects with a touch of humour and designed sets and costumes for the theatre and opera. Graphic Art in Israel Today Tel Aviv Museum, Tel Aviv 1973 Israel 1948-1958: Watercolors, Drawings, Graphics The Bezalel National Museum, Jerusalem 1958 Jean David, Yosl Bergner, Menachem Shemi, Zvi Mairovich, Ruth Schloss, Nahum Gutman, Moshe Elazar Castel...

This is a contemporary black and white photograph of wild horses. "They represent the ultimate expression of American freedom" 36x48 Edition of 12 Printed on archival paper using a...

This Blue Dog work consists of 3 dogs crowded together: one blue, one red and one black & white on a black and gray background with a black & gray moon behind them in the right corner. All 3 dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Three’s a Crowd...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Ebony in White Year: 1982 Medium: Lithograph on wove paper Size: 33 x 24 inches Condition: Excellent Inscription: Signed by the art...

This plate is unique both for the unmistakable beauty of the bird species and for the great scientific and artistic skill of Elisabeth and Jhon Gould to have rendered it. The price ...

This Blue Dog work consists of a solid magenta background. There is a single dog wearing a yellow and orange polka dot tie. The dog has soulful yellow eyes. This pop art animal origi...

Serigraph on paper Page Size: 12 x 12 in. Gold Leaf Frame Size: 21 x 21 in. Hand Signed, bottom right in black marker Hand Numbered, bottom left in black marker "180/300" This strik...

'Ours malais, Ursus malayanus, Raffles'' French engraving with original hand-colourimg, circa 1840.

This artwork "titled "Horses #III" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand si...

This Blue Dog work consists of a background of an American flag of 13 red and white stripes and a square block of 50 stars. Patriotic Print. The blue dog...

Two Mid 18th century hand coloured copper plate engravings of equestrian subjects by Johann Elias Ridinger. Initial signed 'in the plate' bottom right. Presented in fine gilt wood fr...

Neck and Neck is a lithograph on paper, 9.5 x 6.75" image size. From the edition of 395, numbered XCII/C (there were also 275 arabic and 20 AP). Robert Deyber’s lithographs were crea...

Classical bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Set of 3 Colored Bird Prints each unframed, 10.5 x 14.5 inches condition: very good A beautiful set of 3 colored prints of classical birds in landscape settings. As a set, they make...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Les cygnes by Georges Manzana Pissarro (1871-1961) Watercolour monotype 49 x 63 cm (19 ¹/₄ x 24 ³/₄ inches) Signed lower left, manzana Executed circa 1920 Provenance: Private collec...

This is a contemporary photograph of an North American Bison shot by Shane Russeck Color edition - 1stDis Exclusive 64x48 Printed on Archival Luster paper. Shane Russeck has bu...

"Bronx Zoo" lithograph and silk screen by Larry Rivers from "New York, New York" portfolio published by New York Graphic Society. Numbered 5/250, signed Larry Rivers and dated '83 lo...

"Two Rams Looking Down, One Quarter View, One Straight Ahead" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of ram...

Colorful Lithograph of Horse Race – Jockey on Norse No. 6 by Serge Medjisky, original poster: Linen-backed printer's proof without text of the horse race. In the lower right are the ...

This Blue Dog work consists of 3 dogs each framed in black with multiple backgrounds. One dog is sitting on a purple moon with a black background, 1 dog is sitting behind an olive colored orb with a darker green tree and a light green background, and 1 dog is dressed in a red cape sitting atop 3 orange...

Dentol is a rare colored lithograph, printed by G. Ricordi and C. Milano, Milan in 1906 in occasion of the "La Figlia di Iorio" theatrical spectacle, text by Gabriele D'Annunzio and music by Alberto Franchetti. A very beautiful vintage and advertising poster, in excellent condition except for a minor rip on the right margin at the bottom. This defect does not affect the image. This original poster representing a woman red dressed in a golden wheat field, has the dignity of an object of art, carries the signature on plate on the lower right margin of Adolfo de Karolis...

Sommets d'Auvergnelaure is a black and white etching realized by Jules Laurens (1825–1901) in 1870s. Titled in the lower. Image size: 23cmx30.5cm. Very Good condition. Signed in ...

This is a contemporary photograph of an North American Bison shot by Shane Russeck Unsigned Edition Printed on Archival Luster paper. Shane Russeck has built a reputation for cap...

This is a contemporary black and white photograph of a Costal Wolf. Printed on archival paper using only archival ink. Edition of 50 Singed and numbered Framing available. Inquire ...

This is a black and white photograph of an African Lion by Shane Russeck. Printed on Archival Paper Using Archival ink 40x50 Edition of 12 Singed by Shane Shane Russeck has buil...

This is a contemporary photograph of a North American Cougar. 60x40 Edition of 10. Signed by Shane. Printed using only archival papers and inks. UV Coated Framing available. Inquir...

This is a contemporary photograph of an North American Bison shot by Shane Russeck Signed and numbered Edition of 12 Printed on Archival Luster paper. Shane Russeck has built a r...

The original Stone Garden vintage psychedelic 1960s poster is in excellent condition. The artist is Wilfred Satty (1939 – 1982). German-born collage artist and graphic designer ...

This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...

This Blue Dog work consists of a silver background with a thin purple border and yellow flowers scattered throughout with a red and purple open laptop and 2 dogs and a red flower on ...

This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it. The price quoted h...

Includes a Certificate of Authenticity

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Original serigraph silkscreen prints by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscre...

'Hochzeitskleider I' (Birds) German chromolithograph, circa 1895. 240mm by 155mm (sheet)

BURRO EXPRESS by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% a...

This is an original John James Audubon hand-colored lithograph entitled "White Weasel Slout, No. 12, Plate LIX" from John James Audubon's Quadrupeds of North America, published in Ph...