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Art Subject: Decor
Color Me Mustard - Signed Silkscreen Blue Dog Print
Located in Mount Laurel, NJ
This Blue Dog work consists of 2 frames; one with the head of a blue dog with a purple background lurking over a fresh cooked hot dog. The second frame has a yellow dog...
Category
Early 2000s Pop Art Animal Prints
Materials
Screen
Michael Knigin 1971 Original Screenprint "Special Bird"
Located in Larchmont, NY
Michael Knigin (American, b. 1942)
Special Bird, 1971
Screenprint
Sight: 27 1/4 x 17 1/2 in.
Framed: 31 x 20 1/4 x 1 in.
Signed, titled, numbered bottom
Edition 28/100, Printed by Ch...
Category
1970s Post-Modern Figurative Prints
Materials
Screen
Magnus Gjoen, THE MINTON SCARAB
By Magnus Gjoen
Located in Manchester, GB
Magnus Gjoen, The Minton Scarab
Archival pigment inks on 308 gsm cotton rag paper
Small:
50 x 50 cm (19.68 x 19.68 in)
Edition of 80
Large:
70 x 70 cm (27.55 x 27.55 in)
H...
Category
2010s Contemporary Animal Prints
Materials
Archival Pigment
Magnus Gjoen, Ishtar XL, 2022
By Magnus Gjoen
Located in Manchester, GB
Magnus Gjoen, Ishtar XL, 2022
Archival Pigment Inks with silkscreen varnish and 24ct gold leaf on 308 gsm cotton rag paper
110 x 110 cm (43.30 x 43.30 in)
Hand-signed and numbered...
Category
2010s Contemporary Animal Prints
Materials
Archival Pigment
Rare Vintage Large Unicorn silkscreen on glass bowl, Rosenthal Inc.
By Andy Warhol
Located in New York, NY
Andy Warhol
Vintage Large Rosenthal Bowl (Unicorn), ca. 1991
Large Silkscreen Glass bowl (authorized signature fired onto plate)
Warhol's signature is printed on the plate
21 × 21 × ...
Category
1990s Pop Art Animal Prints
Materials
Glass, Screen, Mixed Media
Climate Clash (Animals, Mascots, Climate change, Strength, Reyes, ~35% OFF)
Located in Kansas City, MO
Shepard Fairey
Climate Clash (Animals, Mascots, Climate change, Strength, Collaboration, Francisco Reyes)
Screen print on thick cream Speckletone paper
Year: 2024
Size: 24x24 inches
...
Category
2010s Contemporary Prints and Multiples
Materials
Screen
Merging Lines, Limited edition print, Animal print, Zebra, Wild life
Located in Deddington, GB
Paul Bartlett is a highly acclaimed artist who has won many awards for his original depictions of nature which inform and educate the viewer on conservation issues.
Merging lines is...
Category
2010s Contemporary Animal Prints
Materials
Paper, Giclée
Toco Toucan Tucano
Located in London, GB
Toco Toucan Toucano (2020)
Edition of 150
Nine colour lithographic print on Somerset Velvet 300 gsm.
Signed, numbered, and dated by the artist
Katherine Bernhardt is a contemporar...
Category
2010s Contemporary Animal Prints
Materials
Lithograph
The Bird, School Prints, Georges Braque
Located in Auburn Hills, MI
Original Edition Lithograph on English cartridge paper. Edition: 3,000. Inscription: Signed in the plate and unnumbered. Excellent Condition; never framed or matted. Notes: Published...
Category
1940s Modern Landscape Prints
Materials
Lithograph
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category
Late 18th Century Figurative Prints
Materials
Engraving
BIrds - Lithograph by Aldo Pagliacci - 1970s
Located in Roma, IT
Hand signed.
Edition of 130 copies (105/130).
Category
1970s Contemporary Animal Prints
Materials
Lithograph
David Shrigley - Truth, 2020
Located in Central, HK
David Shrigley
Truth, 2020
60 x 80 cm
Off-set lithography
Printed on 200g Munken Lynx paper
Category
2010s Animal Prints
Materials
Paper, Satin Paper
David Shrigley - Make Your Mark, 2020
Located in Central, HK
David Shrigley
Make Your Mark, 2020
7 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper
29 7/10 × 22 in 75.5 × 56 cm
Edition of 125
Hand-signed and numbered
Category
2010s Animal Prints
Materials
Paper
Keith Haring 1984 poster announcement (Keith Haring at Paul Maenz 1984)
By Keith Haring
Located in NEW YORK, NY
Keith Haring Galerie Paul Maenz, Cologne, Germany 1984:
Super rare, tri-fold poster booklet published to announce Haring’s 1984 solo exhibition at...
Category
1980s Pop Art Prints and Multiples
Materials
Lithograph, Offset
"Watching and Waiting, " Folk inspired Blue Linoleum Block Print of Owls
By Lisa Houck
Located in Wellesley, MA
Watching and Waiting, Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 large (this size) and 6 small (11 5/8 Inches x 11 5/8 Inches) linoleum block ...
Category
2010s Contemporary Animal Prints
Materials
Linocut
Portrait de Priscilla Le Petit Chien
Located in New York, NY
Mickalene Thomas
Portrait de Priscilla Le Petit Chien, 2012
Pigment print on 100% cotton rag paper
Edition 148/150
Frame included with official COA affixed to the back
Hand numbered from the edition of only 150 with plate signed official Certificate of Authenticity on the verso of the frame.
This exquisite print, published in 2012, is based on an original collage made by the artist of her long-haired miniature dachshund (a gift from fellow artist Kehinde Wiley), Priscilla. Highly acclaimed contemporary art star Mickalene Thomas created this collage specifically for children- though adults will appreciate it as well - as will pet lovers!
Portrait de Priscilla Petit Chien features Priscilla, Thomas' own dog who frequently attends the artist's photoshoots. This limited edition archival pigment print is printed on cotton rag paper and accompanied by a plate (facsimile) signed and uniquely hand numbered certificate of authenticity. It is matted and comes in a 1"-deep wooden frame with Plexiglas®. Wired for hanging. Edition of 150. This professionally framed limited edition pigment print on 100% cotton rag paper is based on an original collage made by the artist of her long-haired miniature dachshund (a gift from fellow artist Kehinde Wiley), Priscilla. The print is matted and comes in a white wooden frame (16" x 19" x 1") with Plexiglas, wired for hanging. Dimensions: 11" x 14" sheet, 9-1/4" x 12" image.
Mickalene Thomas Biography:
Mickalene Thomas (b. 1971, Camden, NJ; lives and works in Brooklyn, NY) makes paintings, collages, photography, video, and installations that draw on art history and popular culture to create a contemporary vision of female sexuality, beauty, and power. Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture. Rhinestones—the artist’s signature material and a symbol of femininity—serve as an added layer of meaning and a metaphor of artifice. Thomas uses rhinestones to shade and accentuate specific elements of each painting, while subtly confronting our assumptions about what is feminine and what defines women.
Thomas has drawn inspiration from multiple artistic periods and cultural influences throughout Western art history, particularly the early modernists such as Jean-Auguste-Dominique Ingres, Pablo Picasso, Henri Matisse, Edouard Manet, and Romare Bearden. She models her figures on the classic poses and abstract settings popularized by these modern masters as a way to reclaim agency for women who have been presented as objects to be desired or subjugated. Though Thomas draws from a number of time periods and genres, her use of pattern and domestic spaces often references various periods throughout the 1960s to the 1980s. This was a time of immense social and political conflict, change, and transformation—the civil rights movement, the black is beautiful movement, and the second wave of feminism—during which many women, particularly African-Americans, rejected and redefined traditional standards of beauty.
Thomas received a BFA from the Pratt Institute, Brooklyn, NY, in 2000 and an MFA from Yale University School of Art, New Haven, CT, in 2002. Solo exhibitions of her work have been organized at The Dayton Art Institute, OH (forthcoming, 2018); Henry Art Gallery, Seattle, WA (forthcoming, 2018); Pomona College Museum of Art, Claremont, CA (forthcoming, 2018); Georgia Museum of Art, Athens, GA (forthcoming, 2017); Newcomb Art Museum, Tulane University, New Orleans, LA (2017); Spelman College Museum of Fine Art, Atlanta, GA (2017); Museum of Contemporary Art, Los Angeles (2016); Aspen Art Museum, CO (2016); Aperture Foundation, New York (2016); George Eastman Museum, Rochester, NY (2014); Brooklyn Museum, New York (2012-13); Santa Monica Museum of Art (2012); Institute of Contemporary Art, Boston (2012); Hara Museum of Contemporary Art, Tokyo (2011); and La Conservera Centro de Arte Contemporaneo, Ceuti, Spain (2009). Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African-American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man’s Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011-2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010). Thomas’ work is in numerous international public and private collections, including The Museum of Modern Art, New York; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Fine Arts, Boston; Art Institute of Chicago; MoMA PS1, New York; Brooklyn Museum, New York; Studio Museum in Harlem, New York; Yale University Art Collection, New Haven, CT; and Hara Museum of Contemporary Art, Tokyo.
Thomas has been awarded multiple prizes and grants, including the USA Francie Bishop Good & David Horvitz...
Category
2010s Realist Animal Prints
Materials
Digital Pigment, Permanent Marker, Laid Paper
Booze Hound II
Located in Greenwich, CT
Booze Hound II is a lithograph on paper, 9.25 x 9 inches image size. From the edition of 395, numbered 169/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Original Holy Land Fly TWA Jets vintage travel poster 1960s Noah' Ark
By David Klein
Located in Spokane, WA
Original Holy Land TWA vintage travel poster. Artist David Klein. Size 25" x 40.5". Archival linen-backed authentic vintage TWA travel poster...
Category
1960s American Modern Animal Prints
Materials
Offset
David Shrigley - Untitled (Shit), 2012
Located in Central, HK
David Shrigley
Untitled (Shit), 2012
Silkscreen print on paper
25 3/5 × 19 7/10 in | 65 × 50 cm
Edition of 100
Category
2010s Animal Prints
Materials
Satin Paper, Paper
Inner World
Located in Sempach, LU
The still life Inner World is dedicated to the inner world of a person. It can be hidden from our eyes, but it can be very deep, interesting, bright, fantastic, always special. It ca...
Category
2010s Art Deco Animal Prints
Materials
Digital Pigment
Spanish Artist hand signed limited edition original art print drypoint n13
Located in Miami, FL
Salvador Dali (Spain, 1904-1989)
'Le Cheval et le Loup', 1974
Serie: Le Bestiaire de La Fontaine
dry point, aquatint on japanese paper
22.9 x 30.8 in. (58 x 78 cm.)
Edition of 250
Unframed
ID: DAL2001-013
Hand-signed by author
It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 L.
______________________________________________________
Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist.
He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc.
Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde.
His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist.
In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality.
In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture.
Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot.
In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts.
In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello.
However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...
Category
1970s Surrealist Prints and Multiples
Materials
Drypoint, Paper, Aquatint
"Watch for the Next Bloom", Still Life, Cat Depiction Patterns, Woodcut Print
Located in Philadelphia, PA
This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Woodcut, Ink
"Chittering and Chattering III "Folk inspired Linoleum Blue/White Print of Birds
By Lisa Houck
Located in Wellesley, MA
'Chittering and Chattering III' Linoleum Block Print, Edition 10, 11 5/8 x 11 5/8 Inches, is one of a series of 6 related prints in this size in varying shades of blue. Sold ind...
Category
2010s Contemporary Animal Prints
Materials
Linocut
Les Chats
Located in Greenwich, CT
Les Chats is a lithograph on paper with an image size of 4.75 x 3.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' moul...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Spanish Artist hand signed limited edition original art print drypoint
Located in Miami, FL
Salvador Dali (Spain, 1904-1989)
'Homage to the horse (The white stallion – Huldigrung an das Pferd)', ca.1970-1989
dry point on japanese paper
22.3 x 30.4 in. (56.5 x 77 cm.)
Editio...
Category
Late 20th Century Surrealist Prints and Multiples
Materials
Drypoint, Paper
Wubear
Located in Miami, FL
Jerkface
WuBear, 2017
Hand signed and numbered by artist
Giclee printed with U.V. ink On 100lb satin rag
24 x 36 in
Edition of 50
Artwork ships in 2-4 weeks
Category
2010s Street Art Animal Prints
Materials
Giclée
Casalinga
Located in New York, NY
ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling.
ABOUT THIS ARTIST: Helga Stentzel...
Category
2010s Animal Prints
Materials
Photographic Paper
Casa Rosa
Located in New York, NY
ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling.
ABOUT THIS ARTIST: Helga Stentzel...
Category
2010s Animal Prints
Materials
Photographic Paper
Docket and His Bird Collection plate (uniquely hand signed and inscribed)
By Tracey Emin
Located in New York, NY
Tracey Emin
Docket and His Bird Collection plate (uniquely hand signed and inscribed by Tracey Emin), 2019
Fine Bone China (Hand signed, warmly inscri...
Category
2010s Pop Art Animal Prints
Materials
Ceramic
Spring 3:05PM
Located in Toronto, ON
Image Size: 4.5" x 3" Unframed
Limited Edition Etching of 25
Hand Signed by Mariko Ando
2012
Category
2010s Animal Prints
Materials
Etching
Moon and Fish
Located in Toronto, ON
Image Size: 6" x 4" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2016
Category
2010s Animal Prints
Materials
Etching
“Morbidity & Mortality: Mouse” Humorous Photograph of a Cat Toy in Crime Scene
Located in Brooklyn, NY
"Morbidity & Mortality: Mouse" is my light-hearted and fluffy response to the current popular fascination with depictions of murder and forensics. Designed to be murdered by your dog...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Surrealist Dream : Couple of Roosters - Original lithograph (Spies #p. 438)
By Max Ernst
Located in Paris, FR
Max Ernst (1891-1976)
Surrealist Dream : Couple of Roosters, 1970
Original color lithograph
Printed signature in the plate
On Arches vellum 33.5 × 61 cm (c. 13 x 24 in)
REFERENCES...
Category
1970s Surrealist Animal Prints
Materials
Lithograph
Late September with Woodcut Print by Robert Greenhalf
Located in Deddington, GB
Late September by Robert Greenhalf [2021]
Late September is a limited edition print by artist Robert Greenhalf. Made using woodcut printing techniques and an organic earthy color sc...
Category
2010s Abstract Animal Prints
Materials
Woodcut
MEASURED ALONG THE GROUND #1
Located in Aventura, FL
Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300.
Certificate of Authenticity Included. Artwork in Excellent Conditi...
Category
Late 20th Century Contemporary Figurative Prints
Materials
Lithograph, Paper
“Morbidity & Mortality: Chipmunk” Humorous Photo of a Dog Toy in Crime Scene
Located in Brooklyn, NY
"Morbidity & Mortality: Chipmunk" is my light-hearted and fluffy response to the current popular fascination with depictions of murder and forensics. Designed to be murdered by your dog or cat, pet toys...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
'Dipping and Diving' Folk inspired linoleum block print of ducks in blue/white
By Lisa Houck
Located in Wellesley, MA
'Dipping and Diving' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually or...
Category
2010s Contemporary Animal Prints
Materials
Linocut
"The Bear", Pop Art Silkscreen by Burton Morris
Located in Long Island City, NY
Artist: Burton Morris
Title: Bear from Heard on the Street Suite
Year: 1997
Medium: Screenprint, signed and numbered in pencil
Edition: 375
Image Size: 11 x 14 inches
Paper Size: 14 ...
Category
1990s Pop Art Animal Prints
Materials
Screen
Blue Dog Cameo Glass Decorative Vase
Located in Mount Laurel, NJ
Exceedingly Rare Cameo Glass "Blue Dog" Vase, Designed by George Rodrigue (American/Louisiana, b. 1944). From 1993 to 1995, George Rodrigue worked with Kelsey Murphy and the Pilgrim Glass Company in West Virginia to recreate his "Blue Dog" designs in cameo glass. The layered glass is sandblasted revealing Rodrigue's raised patterns. He created three bowls and a vase, each in editions of thirty-five. Rodrigue's novelty items were only available in limited editions and were primarily created for his private collection and experimentation, thus very few have been offered for sale. For this reason, the bulk of these works remain in private hands.
Artist: George Rodrigue
Title: Blue Dog “Cameo...
Category
1990s Pop Art Animal Prints
Materials
Glass
I Miss You Already (Ed. 9/25)
Located in Dallas, TX
"Many of the most common flowers sold in flower shops around the world are grown in equatorial countries. Unfortunately, many of these countries have loose to no regulations on the synthetic pesticides and fertilizers used to grow the flowers. These pesticides and fertilizers find their way into waterways, and rivers and eventually make their way into our oceans, causing environmental havoc along the way.
Fertilizer runoff can trigger sudden explosions of marine algae capable of disrupting ocean ecosystems and even producing "dead zones" in the sea.
Pesticides can affect coral reproduction, growth, and other physiological processes. Herbicides, in particular, can affect the symbiotic algae (plants). This can damage their partnership with coral and result in bleaching.
This image contemplates the connection between the flowers we buy, and the effect commercial flowers have on the majestic and fragile reef systems around the world.
In keeping with one of PangeaSeed Foundation’s mottos, “As Above, So Below”, this image imagines Clownfish, an iconic reef dweller living within the flowers we consume. Their home is being threatened and altered by pesticide runoff, pictured here as a band of bleached out flowers.
You can make a difference by the choices you make on a daily basis. This Valentine’s Day, consider buying local organically grown flowers. Consider picking your own wildflowers. Consider giving flower paintings and drawings…. ( i Might know a guy). Consider doing this every time you think about gifting flowers or decorating your home.
The consumption choices we make have direct effects on our planet. Next time you buy flowers, think about our Mother Nature."
- Jet Martinez
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Giclée
Keith Haring Club DV8 (announcement)
Located in NEW YORK, NY
Keith Haring Club DV8 San Francisco 1992:
A rare, historic Keith Haring announcement card for Club DV8's pre-opening construction party, Friday December 4th, 1992; CLVB DV8, San Francisco. This party was dedicated to Keith Haring and even included a Keith Haring room.
Offset printed announcement card.
Dimensions 6 x 4 inches.
Very good vintage condition.
Unsigned from an edition of unknown; rare.
Further Background:
"Haring’s work has long been a part of San Francisco’s ocular culture. He created works for diverse venues in San Francisco during his lifetime, including murals for DV8, a club once located in the South of Market neighborhood, and a huge, multi-panel painting for the South of Market Child-care Center (also known as the Saint Patrick’s Daycare Center). Haring’s outdoor sculpture Untitled (Three Dancing Figures 1989), located at Third and Howard Streets, is a prominent feature of Moscone Convention Center, and his triptych altarpiece The Life of Christ (1990) is installed in the AIDS Chapel at Grace...
Category
1980s Pop Art Animal Prints
Materials
Lithograph, Offset
Nuthatch, bird art, leaf art, limited edition print, affordable art, nature art
By Kate Heiss
Located in Deddington, GB
Nuthatch by Kate Heiss [2022]
limited_edition
Oil based inks on 300gsm Somerset velvet Paper
Edition number 30
Image size: H:20 cm x W:15 cm
Complete Size of Unframed Work: H:30 cm x W:25 cm x D:1cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look.
This print linocut print features a nuthatch perched in an oak tree amongst the acorns and autumn Leaves. A linocut print is a relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen.
Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Ink
Bluebirds
Located in Lafayette, LA
This is a framed silkscreen print entitled Bluebirds. The image is designed by Francis Pavy and is part of the Pavy Art and Design series. It is printed on 100% rag paper 250 GSM. Th...
Category
2010s American Modern Animal Prints
Materials
Acrylic
Zebra Zambo - Screen Print by V. Vasarely - 1983
Located in Roma, IT
Zebra Zambo is a contemporary artwork realized by Victor Vasarely (1906-1997) in 1983.
Silkscreen in colors on wove paper.
Hand signed on the lower right side in pencil.
Edition ...
Category
1980s Op Art Animal Prints
Materials
Screen
Cat and the Fiddle
Located in Long Island City, NY
An illustration of a black cat in a beret playing an upright bass. Behind him is a cow gracefully leaping over a moon with a long nose and smiling face. In one corner, a plate runs hand in hand with a spoon. From the Mother Goose Portfolio, this piece is signed and numbered by the artist.
Cat and the Fiddle...
Category
1990s Folk Art Animal Prints
Materials
Screen
Smith Brothers Restaurant
Located in Milwaukee, WI
An original color silkscreen print by Ruth Grotenrath. A lovely assortment of different foods both vegetable and animal alike. The photos do not do this piece justice. The dark color...
Category
1950s American Modern Animal Prints
Materials
Ink, Printer's Ink, Screen
Edward Bawden: 'Aesop's Fables: Peacock and Magpie' 20th century linocut print
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Edward Bawden (1903 - 1989)
Aesop's Fables: Peacock and Magpie (1970)
Linocut ...
Category
1970s Modern Animal Prints
Materials
Linocut
Bluebirds 24 --- Silkscreen Print
Located in Lafayette, LA
This is a framed silkscreen print entitled BLUEBIRDS 24. The image is designed by Francis Pavy and is part of the Pavy Art and Design series. It is printed on 100% rag paper 250 GSM....
Category
2010s American Modern Animal Prints
Materials
Acrylic
'Chittering & Chattering VI' Folk bright blue/white linoleum bird block print
By Lisa Houck
Located in Wellesley, MA
This is one of a series of 6 related bird prints, identical in size and each the same shade of bright blue and white, which are as commanding individually as they are in groupings. Lisa Houck is a very established New England area artist as recognized for her public installations, paintings, watercolors, textiles and mosaics as her work with linocuts and woodblock prints. At times reminiscent of Folk and Aborigine art, inspired as well by James Audubon and Hokusai, Houck is widely known for a gorgeous and elegant sensibility which is both playful and quite serious that is uniquely her own.
Lisa Houck
'Chittering and Chattering VI'
Linoleum Block Print, Edition 10
11 1/2 x 11 1/2 Inches (Image Size)
Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are unframed.
Also available is a separate series of 8 larger linoleum block prints (editions of 10 each, 35 1/4 x 23 1/4 inches image size) of very related bird themes each in a different shade of blue.
These series are also sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8.
Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida.
LISA HOUCK
Education and Professional Affiliations:
Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989.
Rhode Island School of Design, Providence, RI: B.F.A. 1975.
Boston Printmakers
SELECTED SOLO EXHIBITIONS:
Beth Urdang Gallery, Boston, MA 2017
Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016
Beth Urdang Gallery, Wellesley, MA 2015
Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008
Bentley College: “All About the Square,” Waltham, MA 2003.
Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991.
Barbara Singer Fine Art: Cambridge, MA 1991.
Coyote Gallery: Cambridge, MA 1989.
Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986.
New England School of Art and Design: Boston, MA 1986.
Mott House: “The Comet and Other Phenomena,” Washington, DC 1986.
SELECTED GROUP EXHIBITIONS:
Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016
FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016
Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011
Fancy Plants: Bentley University, 2010
Contemporary Mosaics: Attleboro Arts Museum, 2010
Boston Children’s Museum: “I See Trees,” 2009.
Somerville Museum: “Art of Mosaic,” 2009.
Milton Academy: “Design/Build,” 2009.
Danforth Museum: Members Show, 2007
Boston Printmakers: North American Print Biennial, 2005.
Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004.
Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001.
Acacia Gallery: Gloucester, MA 2000.
Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000.
New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997.
Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996.
Albers Gallery: Memphis, TN 1994, 1992,1991.
Pritam & Eames: East Hampton, NY 1992.
Boston Center for the Arts: Boston, MA 1989.
DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989.
Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989.
St. Botolph Club: Boston, MA 1988.
Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986.
Brunnier Museum: “Images of the Universe,” Ames, IA 1986.
New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985.
Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983.
Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983.
The Boston Company
The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand
Fidelity Investments
Fogg Art Museum
Goodwin Procter
Harvard Business School Harvard Community Health Plan
SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS:
Museum of Fine Arts, Boston
Fogg Art Museum
Boston Athenaeum
The Boston Company
The Boston Public Library
Brigham and Women’s Hospital
Fidelity Investments
Goodwin Procter
Harvard Business School
Harvard Community Health Plan
Brunnier Museum, Ames, IA
Coopers & Lybrand
Herman Miller
Lahey Clinic
Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza
Neiman Marcus
New England Medical Center
State Street Bank and Trust
Valley Hospital, NJ
GRANTS/PROJECTS:
Herman Miller
Lahey Clinic
Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus
New England Medical Center
State Street Bank and Trust
Valley Hospital, NJ
“City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014.
Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005.
Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council.
John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’.
Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003.
Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003.
Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001.
”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee.
Poster and button and display banners for First Night Boston, 1998.
Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council.
Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts.
Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988.
Grant from the Cambridge Arts Council for a mural for the Cambridge River...
Category
2010s Folk Art Animal Prints
Materials
Linocut
The Parlour
Located in Llanbrynmair, GB
’The Parlour’
By Richard Bawden
Medium - Etching
Signed - Yes
Edition - 33/85
Size - 775mm x 570mm
Richard Bawden 1936
Painter and printmaker, born in Braintree, Essex, the son of...
Category
Late 20th Century Other Art Style Interior Prints
Materials
Etching
After Georges Braque - Antiborée - Lithograph
Located in Collonge Bellerive, Geneve, CH
Lithograph after Georges Braque.
Signed in the plate
Edition of 150
Dimensions: 76 x 117 cm
Bibliography:
« Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989.
In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them.
Héméra in the Mythology:
In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister.
She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child.
The father of Cubism
Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922).
Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism .
Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ).
Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...
Category
1950s Cubist Animal Prints
Materials
Lithograph
A horse! A horse! A kingdom for a horse!
Located in Deddington, GB
A horse! A horse! My kingdom for a horse! by Mychael Barratt [2021]
limited_edition
Silkscreen print on paper
Edition number 100
Image size: H:70 ...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Screen, Paper
Homage a Leonardo d'Vinci (Battle Scene I from De La Bataille Vol. I)
Located in Milwaukee, WI
Art: 17" x 23 1/4"
Frame: 27 5/8" x 33 7/8"
Original color lithograph (VIII/L)
Signed lower right.
This original Weisbuch lithograph comes from th...
Category
1970s Animal Prints
Materials
Lithograph
Sergio Hernandez, "Circus", 2011, Woodcut, 45.7x78 in
Located in Miami, FL
Sergio Hernández (Mexico, 1957)
'El Circo', 2011
woodcut on paper Velin Arches 300 g.
45.7 x 78 in. (116 x 198 cm.)
Edition of 10
Unframed
Category
2010s Contemporary Figurative Prints
Materials
Paper, Ink, Woodcut
Mexican signed limited edition orginal print woodcut 17x23 in.
Located in Miami, FL
Fernando Aceves Humana (Mexico, 1969)
'Se volvió a salir el perro', 2007
woodcut on paper
17.6 x 23.1 in. (44.5 x 58.5 cm.)
Edition of 10
ID: ACE-103
Unframed
Category
Early 2000s Contemporary Animal Prints
Materials
Paper, Woodcut
Le Picador (II)
Located in Washington, DC
Pablo Picasso Le Picador (II)
Artist: Pablo Picasso
Medium: Transfer lithograph
Title: Le Picador (II)
Portfolio: A Los Toros Avec Picasso
Year: 1961
Framed...
Category
1960s Animal Prints
Materials
Lithograph
Waterlily Pool, Elaine Marshall, Limited Edition Animal Print, Handmade Prints
Located in Deddington, GB
Waterlily pool by Elaine Marshall [2012]
Signed by the artist
Etching and aquatint
Edition of 5
Image size: H:17 cm x W:20 cm
Complete Size of Unframed...
Category
21st Century and Contemporary Modern Still-life Prints
Materials
Paper, Etching, Aquatint
The Green Woodpecker by Georges Manzana Pissarro - Animal stencil
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
The Green Woodpecker by Georges Manzana Pissarro (1871-1961)
Pochoir
31 x 47 cm (12 ¹/₄ x 18 ¹/₂ inches)
Signed w...
Category
1920s Post-Impressionist Animal Prints
Materials
Stencil