Decor Animal Prints

Jose Bedia (Cuban, 1959) 'Animal and mother' (Diptych), 2019 Woodcut and serigraph on cotton paper 300 g. Limited edition of 30 Image size: 181 x 181 cm. (71.3 x 71.3 in.) Overall si...

Jose Bedia (Cuban, 1959) 'Animal Armado', 2019. Woodcut and serigraph. Limited edition of 30 Overall size: 118 x 199 cm. (46.5 x 78.3 in.). Surface: Feltmark Paper 300 g. Hand-signed...

ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...

Georges Braque, French (1882 - 1963) - Derniers Messages, Year: circa 1965, Medium: Lithograph, Image Size: 23.5 x 17 inches, Frame Size: 28 x 19.5 inches

This Blue Dog work consists of a blue dog sitting in a black background that is covered in silver blue dog heads. The dog has soulful yellow eyes. This pop art animal original silk...

In the Beginning, 2019 6-colour lithograph printed with Marinoni lithographic press, hand cut on BFK Rives 300 g paper 93 cm x 75 cm Edition of 99 Signed by the artist, numbered and ...

This Blue Dog work consists of a black background framed in white. There is a woman with dog ears and red lipstick centered between 2 dogs. The woman and dogs are painted in black ...

Cat and Canary by Will Barnet shows a black cat with yellow eyes lounging next to a canary drinking out of a water bowl on a brown, orange and grey geometrical background done in ...

This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...

Artist: Mihail Chemiakin, Russian (1943 - ) Title: Escargot Year: circa 1978 Medium: Lithograph, signed and numbered in pencil Edition: 231/300 Image Size: 23.75 x 21.5 inches Size: ...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas at Austin. Valley House began showing his multi-articulated, painted w...

Sergio Hernández (Mexico, 1957) 'El Circo' (Circus), 2010 woodcut on paper Velin Arches 300 g. 45.7 x 78 in. (116 x 198 cm.) Edition of 40 Unframed

Plate 22 from "Inspirations" by Andre Durenceau. New York: Perleberg, 1928. Original hand-colored pochoir process print.

Martin Barooshian, American (1929 - 2022) - Hippo, Year: circa 1979, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 50/60, Image Size: 9.25 x 11....

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Confetti Tiles Year: circa 1979 Medium: Screenprint, Signed in Pencil Edition: PP Size: 41 in. x 29 in. (104.14 cm x 73....

The Artist's Christmas homage to the attack on the twin towers with reindeer atop the buildings. Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

Signed silkscreen work by Noche Crist (1909- 2004). From Women Loving Woomen series. Wonderful work printed by the artist on thick paper. Catalogue of a postumous retrospective in...

Sergio Hernández (Mexico, 1957) 'Blue Butterflies', 2014 Engraving, etching, aquatint, sugarlift on paper 22.5 x 42 in. Series number: BAT (Bon a Tirer) Unframed ...

Waterlily pool by Elaine Marshall [2012] Signed by the artist Etching and aquatint Edition of 5 Image size: H:17 cm x W:20 cm Complete Size of Unframed...

Gustave Singier - Abstract Fish - Original Lithograph Conditions: excellent 32 x 24 cm 1955 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

Mario AVATI The Dover Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent condition

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...

"Rooster" is an original woodcut realized by Mino Maccari (1898-1989). In good conditions. This artwork represents a rooster while singing with the village's house in its backgroun...

A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

Jean Marais (1913 - 1998) Astrology & Zodiac : Aries "Impulses of the Heart" Original lithograph and photolithograph Signed with the stamp of the artist (Also bears printed signatu...

Martin Barooshian, American (1929 - 2022) - Elephants, Year: circa 1979, Medium: Etching and Aquatint, signed, titled and numbered in pencil, Edition: 50/60, Image Size: 12 x 1...

A rabble of butterflies Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings capture the character and spirit of his subjects. Sig...

Martin Barooshian, American (1929 - 2022) - Albatross II, Year: circa 1979, Medium: Etching, Aquatint and Intaglio, signed in pencil, Image Size: 14.5 x 14 inches, Size: 22 x 1...

Friends Yannis Amoryanos Greek Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Size: 25.5 in. x 22 in. (64.77 cm x 55.88 cm)

Martin Barooshian, American (1929 - 2022) - Green Sea Turtle, Year: circa 1979, Medium: Etching, Aquatint and Intaglio, signed, titled and numbered in pencil, Edition: 50/60, Im...

Artist/Designer; Manufacturer: Damien Hirst (British, b. 1965) Marking(s); notes: signed on labels; ed. 810/3041 (all); 2022 Materials: laminated giclee print on aluminum composite p...

Raoul Dufy, French (1877 - 1953) - La Chevre Du Thibet, Year: circa 1911, Medium: Woodblock, Image Size: 8 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Description: From the ...

Martin Barooshian, American (1929 - 2022) - Peregrine Falcon, Year: circa 1979, Medium: Etching, Aquatint and Intaglio, signed, titled and numbered in pencil, Edition: 50/60, Im...

Devastation and reconstruction is an original etching on paper, realized by Marino Marini in 1963. Mixed colored etching. Original title: Devastazione e ricostruzione. The plate ...

Nuthatch by Kate Heiss [2022] limited_edition Oil based inks on 300gsm Somerset velvet Paper Edition number 30 Image size: H:20 cm x W:15 cm Complete Size of Unframed Work: H:30 cm x W:25 cm x D:1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. This print linocut print features a nuthatch perched in an oak tree amongst the acorns and autumn Leaves. A linocut print is a relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge...

Linocut Print – A relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. This work is sold mounted but not fra...

This artwork titled "Nature Morte aux Lapins" (Still Life with Rabbits) c. 1950 is an original color lithograph on Arches paper by noted French ...

Tyger, Tyger, Burning Bright… by Kate Willows [2016] limited_edition Ink on paper. Edition number 40 Image size: H:20 cm x W:30 cm Sold Unframed Plea...

Seagulls is an original lithograph realized by Giuseppe Viviani in 1962. Hand-signed on the lower right. Condition of preservation is good except for folding which affects the colo...

Horsewoman is a woodcut print on ivory-colored, realized at the beginning of the XX century by the Italian artist Arturo Martini (Treviso, 1889 - Milan, 1947). On the lower margin, the printed inscriptions with the title and the author: "La cavallerizza / Martini de la Valle...

Allan Forsyth FADE INTO LIGHT 004 PHOTOGRAM Limited Edition Archival Chromagenic Photographic Print Edition 12 Sheet Size: H 118cm x W 84cm x D 2cm Diasec Framed Please note that in ...

Image dimensions: 11.3 x 15.2 cm. Lo Scarabeo d'oro ("The Golden Beetle") is a beautiful etching realized by Luigi Bartolini in 1936. Titled in pencil on the lower left: Lo scara...

Kettle II is a lithograph (6 colors, chine collé and gold leaf on Fabriano 50% cotton 300 g paper) by contemporary artist Marcelo Martin Burgos, dimensions are 80 × 60 cm (31.5 × 23....

This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...

Les Canards is a beautiful original xylograph on wove paper, realized by the French artist Giselle Halff in the mid 20th Century. Monogrammed "G.H" on lowe...

Artist: Guillaume Azoulay, Moroccan (1949 - ) Title: Le Cavalier Year: 1987 Medium: Serigraph, signed and numbered in pencil Edition: 175 Size: 36.5 in. x 36.5 in. (92.71 cm x 92.71 cm)

Rye spring. 1980, Paper, linocut, print size 50x65 cm; total 70x80 cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction publications. The ma...

Kate Heiss Over the Lighthouse Linocut Edition of 50 Image Size 30 x 30cm Mounted size 40x 40cm Oil based inks on 300GSM Soft white Somerset Velve...

Les Chats is a lithograph on paper with an image size of 4.75 x 3.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' moul...

An illustration of a black cat in a beret playing an upright bass. Behind him is a cow gracefully leaping over a moon with a long nose and smiling face. In one corner, a plate runs hand in hand with a spoon. From the Mother Goose Portfolio, this piece is signed and numbered by the artist. Cat and the Fiddle...

Midnight Garden By Kate Heiss [2021] Limited Edition Oil based inks on 300gsm Somerset Velvet paper Edition number 50 Image size: H:27 cm x W:27 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This circular midnight garden print features a medley of summer blooms. Echinacea, helichrysum, and cosmos are dancing in the moonlight and are visited by a beautiful striped Hawkmoth. This print is cut from 5 individual Lino blocks. Limited Edition of 50 Linocut Print – A relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

Late September by Robert Greenhalf [2021] Late September is a limited edition print by artist Robert Greenhalf. Made using woodcut printing techniques and an organic earthy color sc...

Lithograph By Cho Tai Eok Published by New York Graphic Society, 1976. Measures 39 x 15.5 in. In Good Condition

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Art: 17" x 23 1/4" Frame: 27 5/8" x 33 7/8" Original color lithograph (VIII/L) Signed lower right. This original Weisbuch lithograph comes from th...

Enrico Baj - Original Lithograph Colorful Abstraction 1962 From the art revue XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued

Max Ernst - Birds - Original Lithograph Birds, 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Printed on Dark Paper a magnificent piece. this is an etching with embossing on black wove, J Barcham Green paper Publisher Styria Studio, chopmark lower left Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied art in Petrograd (now Saint Petersburg), but from 1917 to 1919 his schooling was interrupted by military service in the Russian army. Yunkers soon left Russia for Europe and traveled extensively for the next two decades, settling for long periods in Cuba, France, and Germany. During much of his early career, Yunkers was active in political as well as artistic movements. At times his political investments even outweighed his commitment to his art, and in 1936 he moved to Spain to fight in its civil war. When the war ended in 1939, he moved to Stockholm and began to focus on art making again. He became associated with the Swedish Surrealists and published three journals devoted to art and politics. These handcrafted publications signaled a strong interest in printmaking, and in the 1940s he made many woodblock prints depicting distorted objects and figural compositions that demonstrate the influence of German Expressionism on his work. In 1947, Yunkers moved to New York and began to teach at the New School for Social Research. After four tumultuous marriages, he married one of his former students from the New School, Dore Ashton, in 1952. Ashton became an art critic for the New York Times in 1955, and through her, Yunkers was introduced to the artists who would become known as the Abstract Expressionists. He began drawing with pastel directly on canvas, resulting in large-scale works that recall Color Field painting in their emphasis on the materiality of color. Expanding on this impulse, Yunkers's later work made extensive use of negative space, collage, and monochrome. The influence of Minimalism in this more reduced aesthetic is clear, and his canvases became more object-like. Both printmaking and bookmaking were central to Yunkers's oeuvre. He founded the Rio Grande Workshop in New Mexico (where he also taught) in 1949, publishing an entirely handmade art magazine called Prints in the Desert. In 1969 he illustrated a limited-edition book by the poet Octavio Paz, a collaboration that sparked both a friendship and a number of additional illustrated books in the years to come. Yunkers also produced two large public works on commission: A Human Condition (1966), a mural for Syracuse University, and a tapestry produced for Stony Brook University (1968), both in New York. Yunkers had his first solo exhibition in 1921 at the Maria Kunde Galerie, Hamburg, Germany. Later that same year, he was part of a group show featuring Eastern European and Russian artists, including Alexander Archipenko, Marc Chagall, and Vasily Kandinsky, held in Hannover, Germany. He was included in an exhibition organized by the Print Council of America entitled American Prints Today. A snapshot of the state of American printmaking at the time of the exhibition. Among the many featured artists were Josef Albers, Leonard Baskin, Ralston Crawford, Adolf Dehn, Fritz Glarner, Grace Hartigan, Jasper Johns, Ynez Johnston, John Paul Jones, Misch Kohn...

BILLY SULLIVAN 3 CARDINALS, 9:10- 9:44 a.m., 11/26/06, 2006 - Edition 169/500 2 CARDINALS, 11:45 a.m.-12:14 p.m. - Edition 167/500 WOODPECKER & BLUEJAY, 1...

"Many of the most common flowers sold in flower shops around the world are grown in equatorial countries. Unfortunately, many of these countries have loose to no regulations on the synthetic pesticides and fertilizers used to grow the flowers. These pesticides and fertilizers find their way into waterways, and rivers and eventually make their way into our oceans, causing environmental havoc along the way. Fertilizer runoff can trigger sudden explosions of marine algae capable of disrupting ocean ecosystems and even producing "dead zones" in the sea. Pesticides can affect coral reproduction, growth, and other physiological processes. Herbicides, in particular, can affect the symbiotic algae (plants). This can damage their partnership with coral and result in bleaching. This image contemplates the connection between the flowers we buy, and the effect commercial flowers have on the majestic and fragile reef systems around the world. In keeping with one of PangeaSeed Foundation’s mottos, “As Above, So Below”, this image imagines Clownfish, an iconic reef dweller living within the flowers we consume. Their home is being threatened and altered by pesticide runoff, pictured here as a band of bleached out flowers. You can make a difference by the choices you make on a daily basis. This Valentine’s Day, consider buying local organically grown flowers. Consider picking your own wildflowers. Consider giving flower paintings and drawings…. ( i Might know a guy). Consider doing this every time you think about gifting flowers or decorating your home. The consumption choices we make have direct effects on our planet. Next time you buy flowers, think about our Mother Nature." - Jet Martinez