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Art Subject: Plant
Two Pointers Hunting a Pheasant original etching by Leon Danchin 1938
By Leon Danchin
Located in Paonia, CO
Two Pointers Hunting a Pheasant is an original color etching by the well known sporting artist Leon Danchin. Two Pointers, one black and white and...
Category
1930s Realist Animal Prints
Materials
Etching
The Aurelian, A Natural History English Moths Butterflies Moses Harris pl. IX
By Moses Harris
Located in Paonia, CO
Moses Harris ( British 1731-1785)
The Aurelian, A Natural History of English Moths and Butterflies – Plate IX
Hand-Colored Engraving
17.88 x 11.00
very good condition
Plate IX fro...
Category
1770s Animal Prints
Materials
Engraving
Richard Berner, For The Lost Flowers (Signed)
Located in Manchester, GB
Richard Berner, For the Lost Flowers (Signed)
Giclee print on 310gsm Canson rag paper
85 x 60 cm (33.46 x 23.62 in)
Signed by the artist
Edition of 25
Category
2010s Contemporary Animal Prints
Materials
Giclée
Hunter's Moon, Art Print, Wolf, Animals, Screen print, Folk, Blue Affordable art
By Tim Southall
Located in Deddington, GB
As the Hunter’s Moon rises, the darkness of the night recedes and the landscape is illuminated. Taking advantage of this bright nocturnal light, crepuscular creatures make the most o...
Category
2010s Contemporary Animal Prints
Materials
Paper, Screen
Bears in the Woods, Art Print, Dogs, Animals, Folk, Blue Affordable art
By Tim Southall
Located in Deddington, GB
‘Bears in the Woods’ is a playful silkscreen print depicting a number bears going about their business in autumnal woods. This 6 colour silkscreen is printed on Somerset Velvet, a he...
Category
2010s Contemporary Animal Prints
Materials
Paper, Screen
Sunset Moon Bird
Located in New York, NY
Ann Craven
Sunset Moon Bird, 2023
18 color screen print on Somerset Velvet warm white 400gsm paper
Pencil signed, titled, dated and numbered 58/100 by Anne Craven on the front
29 9/1...
Category
2010s Contemporary Animal Prints
Materials
Screen
Alice Zilberberg - Walk with Me Wolf, Photography 2020, Printed After
Located in Greenwich, CT
Be Here Bison
Series: Meditations
Photo-based painting on Canson Infinity Rag Photographique
Available sizes
30 x 20 in Edition of 15
40 x 27 in Edition of 12
60 x 40 in ...
Category
2010s Contemporary Animal Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
The Natural History of Moths: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths, which is plate 4 from Moses Harris' publication "The Aurelian: or Na...
Category
Mid-19th Century Realist Landscape Prints
Materials
Engraving
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Landscape Prints
Materials
Engraving
Butterflies & Moths: A 1st Ed. Hand-colored 18th C. Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Landscape Prints
Materials
Engraving
Natural History of Moths and a Beetle: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of moths and a beetle, which is plate 22 from Moses Harris' publication "The Aurelian: or Natural History of English In...
Category
Mid-19th Century Realist Landscape Prints
Materials
Engraving
Butterflies & Moths: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Drinker Moth, the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, ...
Category
Mid-19th Century Realist Landscape Prints
Materials
Engraving
Pilze I (Mushrooms), German antique fungi botanical print
Located in Melbourne, Victoria
Chromolithograph, circa 1895.
245mm by 310mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Art Deco Animal Prints
Materials
Lithograph
Peacock Butterfly & Moth: A 1st Ed. Hand-colored 18th C. Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving of Water Betony Moths and Peacock Butterflies, which is plate 8 from Moses Harris's publication "The Aurelian: or Natura...
Category
Mid-18th Century Landscape Prints
Materials
Engraving
The Under Dog
By Craig Alan
Located in London, GB
hand embellished canvas
hand-signed and numbered by the artist
edition of 95
Craig Alan is a contemporary artist renowned for his innovative and captivating "Populus" series, where ...
Category
2010s Contemporary Animal Paintings
Materials
Canvas
Elfin Forest, by Stephen McMillan
Located in Palm Springs, CA
Medium: etching and aquatint
Edition of 200
Year: 2019
Image Size: 6 x 9 inches
Signed, titled and numbered by the artist.
The Elfin Forest is a grove of pygmy live oak trees just s...
Category
2010s Contemporary Landscape Prints
Materials
Etching, Aquatint
Sea Anemones, Antique Natural History Chromolithograph, circa 1895
Located in Melbourne, Victoria
'Seeanemonen' (Sea Anemones) - German chromolithograph, circa 1895.
155mm by 240mm (sheet)
Category
Late 19th Century Victorian Animal Prints
Materials
Lithograph
Dancing Trio Print by Annabel Pope
Located in Deddington, GB
Annabel Pope.
Dancing Trio is a beautiful limited edition print in an edition of 150 print. This print features three ostriches sprinting through the plains. Annabel Pope catches th...
Category
21st Century and Contemporary Abstract Animal Prints
Materials
Giclée
Three Colors (with Horse Ascending)
Located in Calabasas, CA
Artist: John Baldessari
Title: Three Colors (with Horse Ascending)
Year: 1986
Medium: Etching with aquatint on Rives B.F.K paper
Sheet: 30 x 20 inches (76.2 x 50.8 cm)
Edition: 35; s...
Category
1980s Contemporary Animal Prints
Materials
Etching, Aquatint
Toucans
Located in Greenwich, CT
Toucans is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered XXV/C (there were also 275 arabic and 20 AP).
Robert Deyber’s lith...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Tropical Fruit. German antique natural history botanical print
Located in Melbourne, Victoria
Chromolithograph, circa 1895.
Key to fruit below the image.
240mm by 155mm (sheet).
Category
Late 19th Century Art Deco Animal Prints
Materials
Lithograph
BIrds - Lithograph by Aldo Pagliacci - 1970s
Located in Roma, IT
Hand signed.
Edition of 130 copies (105/130).
Category
1970s Contemporary Animal Prints
Materials
Lithograph
Pushin' Up Posies
Located in Metairie, LA
Pushin' Up Posies, (1996) by George Rodrigue
An original hand pulled silkscreen by George Rodrigue, signed in paint pen "Rodrigue," and numbered in paint pen 55/90.
This piece is ...
Category
1990s Pop Art Animal Prints
Materials
Archival Paper, Screen
David Gilhooly 'Early Autumn Years of My Dog Spot' Original Signed Print
Located in San Rafael, CA
David Gilhooly (1943-2013)
Early Autumn Years of My Dog Spot, 1988
Monoprint on BFK Rives Paper
Titled on the verso in pencil
Signed and dated in pencil, lower right
Published by Ma...
Category
1980s Contemporary Animal Prints
Materials
Monoprint
Inner World
Located in Sempach, LU
The still life Inner World is dedicated to the inner world of a person. It can be hidden from our eyes, but it can be very deep, interesting, bright, fantastic, always special. It ca...
Category
2010s Art Deco Animal Prints
Materials
Digital Pigment
Waldverderber II (Spinner) I (Moths), German antique natural history print
Located in Melbourne, Victoria
Chromolithograph, circa 1895.
245mm by 300mm (sheet).
Central vertical fold as issued.
Category
Late 19th Century Art Deco Animal Prints
Materials
Lithograph
Common Scaup Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right.
This original hand-colored Common Scaup Duck lithograph...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Flamingo Engraving
Located in New York, NY
Original engraving, hand-colored at publication, after the work of Mark Catesby by Johann Michael Seligmann from "Sammlung verschneider auslandischer und seltener Vogel." Nuremberg:...
Category
Mid-18th Century Animal Prints
Materials
Laid Paper
Rocky Mountain Flycatcher: Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored 1st octavo edition lithograph entitled "Rocky Mountain Flycatcher, Male, Swamp Oak. Quecus Aquatica", No. 12, Plate 6...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Bell's Vireo: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Bell's Vireo Male", No. 97, Plate 485 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts an adult male Bell's Vireo bird perched on a branch of a flowering plant facing to the left.
This original hand-colored Bell's Vireo lithograph is in very good condition, other than a few edge chips and irregularity of the left edge where it was previously bound in the publication, all of which will be obscured by a frame mat. The image portion is in excellent condition. The sheet measures 10.25" high by 6.63" wide.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Purple Gallinule: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "4128 Audubon, Purple Gallinule, Adult Male, Spring Plumage", No. 61, Plate 303 from Audubon's "B...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
David Gilhooly 'Bugs' Artist's Proof Signed Etching Print
Located in San Rafael, CA
David Gilhooly (1943-2013).
Bugs, 2001
Etching on wove paper
Artist's Proof XV/X (6/10) numbered in pencil lower left
Signed and dated in pencil lower right
Dimensions: With Frame ...
Category
1980s Contemporary Animal Prints
Materials
Lithograph
Missouri Meadow Lark: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Missouri Meadow Lark, Male", No. 98, Plate 489 from Audubon's "Birds of America, lithographed, p...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Yellow-breasted Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307 from Audubon's "Birds of America,...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Goniostomi - Etching by Jean Francois Turpin-1831
Located in Roma, IT
This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundreds ...
Category
1830s Modern Animal Prints
Materials
Etching
Pterodibranchi...- Etching by Jean Francois Turpin - 1831
Located in Roma, IT
This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831. The work was made of 29 volumes, containing hundred...
Category
1830s Modern Animal Prints
Materials
Etching
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Ox, 1942 (Histoire Naturelle - Textes de Buffon, B.330)
Located in Greenwich, CT
The Ox is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.7 x 8.2 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
The Turkey, 1942 (Histoire Naturelle - Textes de Buffon, B.346)
Located in Greenwich, CT
The Turkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.8 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
Spanish Artist hand signed limited edition original art print drypoint n11
Located in Miami, FL
Salvador Dali (Spain, 1904-1989)
'La Cerf Malade', 1974
Serie: Le Bestiaire de La Fontaine
dry point, aquatint on japanese paper
30.6 x 22.9 in. (77.5 x 58 cm.)
Edition of 250
Unfram...
Category
1970s Surrealist Prints and Multiples
Materials
Drypoint, Paper, Aquatint
Bonaparte’s Flycatching-Warbler (Great Magnolia) /// Ornithology Bird Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Bonaparte’s Flycatching-Warbler (Great Magnolia)" (Plate 73, No. 15)
Portfolio: The Birds of America, First Royal Octavo Edit...
Category
1840s Victorian Animal Prints
Materials
Lithograph, Watercolor
High on the Hog
Located in Greenwich, CT
High on the Hog is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 9/275 (there were also 100 Roman and 20 AP).
Robert Deyber...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Etherie / Etourneau / Eueere; Pl. 154
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Animal Prints
Materials
Engraving
Jonas Wood - Plants and Animals Exhibition Poster
By Jonas Wood
Located in Central, HK
Jonas Wood
Plants and Animals Exhibition Poster, 2022
Signed Poster
24 × 28 in 61 × 71.1 cm
Category
2010s Animal Prints
Materials
Paper
The Clifton Foot Beagles on Butcombe Hill hunting lithograph by Donald Ayres
By Donald Ayres
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Donald Ay...
Category
20th Century Animal Prints
Materials
Lithograph
The Horse and the Wolf - Etching - 1974
Located in Roma, IT
The Horse and the Wolf is an artwork realized in 1974.
Etching and drypoint with stencil.
Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper.
It belongs to the suite Le ...
Category
1970s Surrealist Figurative Prints
Materials
Etching
Woodland Scene with Silkscreen Print by Tim Southall
By Tim Southall
Located in Deddington, GB
Woodland Scene is a limited edition print by Tim Southall. Early morning sunshine shimmers in a tranquil woodland scene as two deer stroll undisturbed through the undergrowth. Often ...
Category
2010s Abstract Landscape Prints
Materials
Screen
Chelidoine / Chelonee caouanne - vergete - caret; Pl. 98
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Animal Prints
Materials
Engraving
Man in the Forest 1980 Large Signed Screen Print
Located in Rochester Hills, MI
Mark Sabin
Man In The Forest - 1980
Print - 26'' x 34'' in
Edition: signed in pencil and marked 234/250
Mark Sabin is a fantasy painter, blending elements in a juxtaposition that ...
Category
1980s Folk Art Animal Prints
Materials
Screen
Linotte des Vignes / Oeuf de la Linotte des Montagnes / Lion / Liseron
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Animal Prints
Materials
Engraving
Skeleton - Etching by Louis Simon Lempereur - 1771
Located in Roma, IT
Skeleton is an etching realized by Louis-Simon Lempereur in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
Arti...
Category
1770s Modern Figurative Prints
Materials
Etching
L'Abeille - The Bee
Located in Henderson, NV
Medium: offset lithograph (after the etching). Printed on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve in 1970. This reproduces...
Category
1970s Animal Prints
Materials
Offset
Interior of Animals - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Interior of Animals is an etching realized by Antoine Defehrt in 1771.
It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi".
...
Category
1770s Modern Figurative Prints
Materials
Etching
The Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
The Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807).
Titled and Signed on the plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particul...
Category
1770s Modern Figurative Prints
Materials
Etching
The Horns - Etching by Jacques Baron - 1771
Located in Roma, IT
The Horns is an etching realized by Jacques Baron in 1771.
It belongs to the suite "Histoire Naturelle de Buffon".
The Artist's signature is engraved lower right.
Good conditions.
Category
1770s Modern Figurative Prints
Materials
Etching
Signed Jonas Wood - Plants and Animals Exhibition Poster, 2022
By Jonas Wood
Located in Central, HK
Jonas Wood
Plants and Animals Exhibition Poster (Signed), 2022
Signed Poster
24 × 28 in 61 × 71.1 cm
Category
2010s Animal Prints
Materials
Paper
Tree with moth, caterpillar..., Plate 39, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 39; Unidentified tree with moth, caterpillar and pupa.
The Netherlands: 1705....
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Watercolor, Engraving
