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Art Subject: Plant
Rob Barnes, Tree Shadows, Limited Edition Print, Affordable Art, Landscape Art
Located in Deddington, GB
Rob Barnes Tree Shadows Limited Edition Linocut Print Edition of 50 Image Size H 44cm x W 33cm Sheet Size H 49cm x W 61cm Sold Unframed mounted in Antique White mountboard Free Shipp...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Paper, Linocut

Birds, Flowers IV, Folk Art Etching by Mireille Kramer
Located in Long Island City, NY
Mireille Kramer, Egyptian/American (1932 - ) - Birds, Flowers IV, Year: circa 1980, Medium: Etching, Signed, Titled and Numbered in Pencil, Edition: 300, Image Size: 17 x 14 inch...
Category

1980s Folk Art Animal Prints

Materials

Etching

John Gould - Ciconia Nigra from 'Birds of Great Britain' C. 1862
Located in BRUCE, ACT
Ciconia Nigra - John Gould lithograph with hand-coloured size 54 cm X 36 cm This remarkable ornithology lithograph with hand-finished colour is ...
Category

Early 18th Century Animal Prints

Materials

Lithograph

Butterfly on White Background (Silhouette, Nature, Floral, Baroque, ~38% OFF)
Located in Kansas City, MO
Agent X Butterfly on White Background (Silhouette, Nature, Flowers, Floral, Vibrant, Baroque) Year: 2025 Archival Pigment Print with Archival Inks on 240 gsm Hahnemuehle Paper Size: ...
Category

2010s Baroque Animal Prints

Materials

Archival Ink, Archival Paper, Digital

TROUBLE AT WALNUT RIDGE Signed Lithograph, Farm Country, Green Hills, Horses
Located in Union City, NJ
The limited edition lithograph TROUBLE AT WALNUT RIDGE is a stylized rural landscape; a visual story depicting an expanse of farm country with rolling green hills, a turquoise blue r...
Category

1980s Contemporary Landscape Prints

Materials

Lithograph

3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Two Goats, from "Daphnis & Chloe"
Located in Middletown, NY
Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...
Category

Mid-20th Century French School Animal Prints

Materials

Handmade Paper, Laid Paper, Woodcut

High on the Hog
Located in Greenwich, CT
High on the Hog is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 9/275 (there were also 100 Roman and 20 AP). Robert Deyber...
Category

Early 2000s Contemporary Prints and Multiples

Materials

Paper, Lithograph

The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Lucky Grasshoppers, Walasse Ting
Located in Fairfield, CT
Artist: Walasse Ting (1929-2010) Title: Lucky Grasshoppers Year: 1981 Edition: 155/200 Medium: Lithograph on Waterford paper Size: 21.75 x 29.5 inches Inscription: Signed and numbere...
Category

1980s Pop Art Animal Prints

Materials

Lithograph

Large Classical Bird Color Print after John James Audubon, Canada Jay
Located in Cirencester, Gloucestershire
Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...
Category

20th Century Victorian Animal Prints

Materials

Acrylic

Large Classical Bird Color Print After John James Audubon, Cat Bird
Located in Cirencester, Gloucestershire
Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...
Category

20th Century Victorian Animal Prints

Materials

Acrylic

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Barbara Hepworth's Cat, contemporary, print, silkscreen
Located in Deddington, GB
Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...
Category

2010s Contemporary Animal Prints

Materials

Paper

The Four Seasons - Winter, original, contemporary, landscape, print, silkscreen
Located in Deddington, GB
Silkscreen Image Size H 50 x 66cm Framed Size H 73 x 88cm Edition of 100 Image size: Height: 50cm (19.69 in) Width: 66cm (25.98 in) Complete size of sheet (sheet sizes may vary) He...
Category

2010s Contemporary Animal Prints

Materials

Paper

DEER IN A CLEAR CUT
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category

Late 20th Century Realist Figurative Prints

Materials

Paper, Lithograph

John Gould - Silvery-throated Tit from 'The Birds of Asia' C. 1850
Located in BRUCE, ACT
Silvery-throated Tit - John Gould lithograph with hand-coloured size 54 cm X 37 cm excellent Condition FREE SHIPPING Accompanied by the information page from 'The Birds of Asia...
Category

Late 19th Century Animal Prints

Materials

Lithograph

The Birds of America "Bell's Vireo" Plate 485
Located in Columbia, MO
Hand-colored lithograph 1st ed. Royal Octavo Master printer: J.T. Bowen John James Audubon was born in Haiti in 1785. Most of his childhood was spent in ...
Category

1840s Naturalistic Animal Prints

Materials

Lithograph

Bonaparte’s Flycatching-Warbler (Great Magnolia) /// Ornithology Bird Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Bonaparte’s Flycatching-Warbler (Great Magnolia)" (Plate 73, No. 15) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 1,200 Printer: John T. Bowen, Philadelphia, PA Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA Sheet size: 10.5" x 6.5" Image size: 7.5" x 5.63" Condition: Minor area of discoloration upper right corner. In excellent condition with strong colors Notes: Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs. Based on a composition painted on August 13, 1821. The Canada warbler is a small boreal songbird of the New World warbler family. It summers in Canada and northeastern United States and winters in northern South America. To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category

1840s Victorian Animal Prints

Materials

Watercolor, Lithograph

Blue Grosbeak original chromolithograph by J.J. Audubon Bien edition 1860
Located in Paonia, CO
Blue Grosbeak is an original chromolithograph from the rare Bien edition 1860 by J.J. Audubon and shows a male and female adult Grosbeak with a young Grosbeak perched on the edge of the nest. This group of colorful birds are seen on a Dogwood cornus florida tree. This print is in good condition. The paper is evenly age toned throughout. The ” Birds of America” by John James...
Category

1860s Other Art Style Animal Prints

Materials

Lithograph

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

Yellow-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Yellow-billed Cuckoo, 1. Male, 2, Female, Papaw Tree", No. 55, Plate 275 from Audubon's "B...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

QUIETUDE - YELLOW THROATED WARBLER
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: A wildlife painter whose work often has sparrows, Michael Dumas...
Category

Late 20th Century Realist Figurative Prints

Materials

Paper, Lithograph

Matisse's Garden, contemporary, landscape, print, silkscreen
Located in Deddington, GB
Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...
Category

2010s Contemporary Animal Prints

Materials

Paper

Bird in the Tree
Located in San Francisco, CA
This artwork "Birds in the Tree" 1976 is a color offset lithograph by American wildlife artist Thomas Quinn, born 1938. It is hand signed, inscribed Arti...
Category

Late 20th Century American Realist Animal Prints

Materials

Offset

A FINE SPRING DAY
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...
Category

Late 20th Century Realist Figurative Prints

Materials

Paper, Lithograph

A FINE SPRING DAY
$150 Sale Price
50% Off
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Engraving, Watercolor

Little Doll Portrait with Plants on Red Background. Limited Edition 25/25
Located in FISTERRA, ES
This a limited edition high-quality Dibond direct UV Original Print titled "Octombrina 25/25". This piece, like the entire "Fetiches" series, is inspired by the idea of biophilia and...
Category

2010s Surrealist Portrait Prints

Materials

Metal

Barbara Hepworth's Cat & Matisse's Dogs in Love, diptych, contemporary, print
Located in Deddington, GB
Silkscreen Image Size H 22 x 22cm Framed Size H 47 x 45cm Edition of 100 Additional information: Screen print on Paper Edition of 100 22 H x 22 W cm (8.66 x 8.66 in) Sold unframed ...
Category

2010s Contemporary Animal Prints

Materials

Paper

Floral Composition with Red and Pink Flowers. Biophilia. Limited Edition 25/25
Located in FISTERRA, ES
The original artwork, which marks the beginning of this original limited edition, is one of the early works from the series "Fetiches," created by Natasha Lelenco in 2021. The title ...
Category

2010s Contemporary Portrait Prints

Materials

Metal

Flamingo Engraving
Located in New York, NY
Original engraving, hand-colored at publication, after the work of Mark Catesby by Johann Michael Seligmann from "Sammlung verschneider auslandischer und seltener Vogel." Nuremberg:...
Category

Mid-18th Century Animal Prints

Materials

Laid Paper

4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Still-life Prints

Materials

Watercolor, Engraving

White-throated Hummingbirds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio-sized lithograph entitled "Schistes Albogularis (White-throated Wedge-bill Hummingbirds) by John Gould from his monograph " from A Monograph o...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Large Classical Bird Color Print after John James Audubon, Brown Pelican
Located in Cirencester, Gloucestershire
Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...
Category

20th Century Victorian Animal Prints

Materials

Acrylic

SEVEN SISTERS ROAD Signed Lithograph, Rural Landscape, House, Green Hills, Sheep
Located in Union City, NJ
SEVEN SISTERS ROAD is an original limited edition lithograph printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free, by the Iowa born artist Jim Buckels. SEVEN SISTERS ROAD presents a finely detailed fantasy rural landscape scene depicting a lone country road running through rolling green hills, a moonlit sky, friendly sheep and classic contemporary farmhouse with precise architectural details including a gray turret roof, veranda, arched window, light sage green siding with crisp white and light brick red trim. Verdant shades of grass greens, blue and peach twilight sky, taupe gray, Indian red, rusty orange, olive, viridian green, brown, white, gray and black create a peaceful, bucolic setting. SEVEN SISTERS ROAD is a beautifully detailed picturesque Iowa country landscape very pleasing to look at and enjoy! Print size - 27." x 27" square image, no margins, impressive hand crafted original limited edition print, pencil signed by Jim Buckels Edition size - 300, plus proofs Year published - 1988 Printer - JK Fine Art Editions Co., NY JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...
Category

1980s Contemporary Landscape Prints

Materials

Lithograph

The Five Greatest J Ever Rode
Located in New York, NY
This colorful lithograph By Reeves is in perfect condition and never was framed or hung before. It is hand signed and numbered 17/750. Richard Stone Reeves (November 6, 1919 – Octobe...
Category

1970s American Realist Animal Prints

Materials

Lithograph

Man in the Forest 1980 Large Signed Screen Print
Located in Rochester Hills, MI
Mark Sabin Man In The Forest - 1980 Print - 26'' x 34'' in Edition: signed in pencil and marked 234/250 Mark Sabin is a fantasy painter, blending elements in a juxtaposition that ...
Category

1980s Folk Art Animal Prints

Materials

Screen

Great Snipe Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Gallinago Major" (Great Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1862-1879...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Horse : The race - Original Lithograph, HANDSIGNED & Ltd /100
Located in Paris, IDF
Vincent HADDELSEY (1934-2010) Horse : The race, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition
Category

1970s Modern Animal Prints

Materials

Lithograph

Floral Portrait with Tulip on Green Background - 25 Limited Edition Dibond Print
Located in FISTERRA, ES
"Floral Portrait with Tulip on Green Background" is an original limited edition high-quality Dibond direct UV Print of the Natasha Lelenco`s artwork titled "Scatsong". This piece, like the entire "Fetishes" series, is inspired by the idea of biophilia and the belief that, according to the artist, humanity must be repositioned as just one part of nature rather than its center. Based on Natasha Lelenco's original acrylic on canvas artwork created in 2021, each print, numbered 25 of 25, captures a vibrant fusion of floral elements and anthropomorphic forms. The result is a visually striking and emotionally resonant piece. It is worth noting that the original artwork from which this limited edition print is derived is still available and can be purchased on 1stdibs. Lelenco has subtly hand-finished each print, sometimes adding small details or enhancing the background colors. The prints are varnished, signed, and numbered on the back, and come ready to hang with a simple system that gives the impression of the artwork floating on the wall. Customers also have the option to frame it if they prefer. The artwork presents a striking silhouette composed of lush green leaves, a pink tulip, and other floral elements, set against a vivid green background. This combination of vibrant colors and intricate details showcases Lelenco's talent for transforming natural elements into extraordinary compositions, inviting viewers to explore the deeper connections between nature and human identity. The high-quality Dibond direct UV Print, finished and varnished by the artist herself, ensures durability and color quality, making this piece a lasting and valuable addition to any art collection. This edition is part of the "Fetiches" series, created by Lelenco since 2021, designed to work individually or as part of multiple panels with other pieces from the same series. Natasha Lelenco's "Fetiches" series blends portraiture and anthropomorphic forms through a meticulous accumulation of elements. These components intertwine with nuanced thematic exploration, touching upon both kitsch and popular iconography, while delving into the inseparable connection between humanity and the broader living community. Drawing from her personal biography, Lelenco constructs a dialogue between memory and imagery. Through a skillful process, she resurrects fragments of her past to craft fresh narratives that challenge conventional perceptions of existence. This narrative depth, coupled with psychological complexity, echoes classical influences, seamlessly bridging the gap between Renaissance portraiture and contemporary expression. Notably, Lelenco's "Fetiches" series reflects the artistic echoes of Italian painter Giuseppe Arcimboldo. Keywords: Scatsong, Floral Portrait, Green Background, Tulip, Biophilia, Anthropomorphic Art...
Category

2010s Contemporary Portrait Prints

Materials

Metal

Doe Bow (Christmas Bow Features Santa's Reindeer, Word Play)
Located in New Orleans, LA
A series of prints was commissioned by the Met Museum in NY in a regular edition of 40 This impression is from an edition of 5 artist proofs. This impression is #4/5 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category

2010s American Modern Animal Prints

Materials

Intaglio

Cudham, Kent
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching

Cudham, Kent
Cudham, Kent
$2,800 Sale Price
20% Off
Large Classical Bird Color Print after John James Audubon - Cat Bird
Located in Cirencester, Gloucestershire
Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...
Category

20th Century Victorian Animal Prints

Materials

Color

Inner World. Print on canvas
Located in Zofingen, AG
Print on canvas The still life Inner World is dedicated to the inner world of a person. It can be hidden from our eyes, but it can be very deep, interesting, bright, fantastic, alwa...
Category

2010s Art Deco Animal Prints

Materials

Digital Pigment

Great Grey Owl, American Realist Lithograph by Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - Great Grey Owl, Year: 1975, Medium: Lithograph, signed and numbered in pencil, Edition: AP 6/10, Size: 30 x 22 in. (76.2 x 55.88 cm), Descr...
Category

1970s American Realist Animal Prints

Materials

Lithograph

Bird in Tree (14), Impressionist Lithograph by David Lee
Located in Long Island City, NY
David Lee, Chinese (1944 - ) - Bird in Tree (14), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 29 x 21 in. (73.66 x 53.34 cm), Descr...
Category

1980s Impressionist Animal Prints

Materials

Lithograph

Waldverderber II (Spinner) I (Moths), German antique natural history print
Located in Melbourne, Victoria
Chromolithograph, circa 1895. 245mm by 300mm (sheet). Central vertical fold as issued.
Category

Late 19th Century Art Deco Animal Prints

Materials

Lithograph

Plate 20 from "Formes et Couleurs"
Located in New York, NY
Plate 20 from "Formes et couleurs; vingt planches en couleurs contenant soixante-sept motifs décoratifs" by Auguste H. Thomas. Paris: A. Levy, Librarie Centrale des Beaux-Arts, circa...
Category

1930s Animal Prints

Materials

Paper

Irish Setters in the Field original etching by Leon Danchin
Located in Paonia, CO
Irish Setters in the Field is an original etching by Leon Danchin showing two adult Irish Setters in a field pointing to the right.This etching is printed on Arches paper, pencil si...
Category

1930s Other Art Style Animal Prints

Materials

Etching

Pheasant Circle
Located in Deddington, GB
Pheasant Circle by Rob Barnes [2022] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframe...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Paper, Linocut

Snipe, French antique natural history water bird art print
Located in Melbourne, Victoria
Becassine - Snipe French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illust...
Category

1930s Art Deco Animal Prints

Materials

Lithograph

Horse : Warm Up at Maison Laffite - Original Lithograph, HANDSIGNED & Ltd /100
Located in Paris, IDF
Vincent HADDELSEY (1934-2010) Horse : Warm Up at Maison Laffite, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent ...
Category

1970s Modern Animal Prints

Materials

Lithograph

Wood Duck, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Wood Duck, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Size: 29 in....
Category

1970s American Realist Animal Prints

Materials

Lithograph

La Closerie des Lilas, Denis Paul Noyer
Located in Fairfield, CT
Artist: Denis Paul Noyer (1940-) Title: La Closerie des Lilas Year: 1979 Medium: Lithograph on Arches paper Edition: E.A.;220, plus proofs Size: 29.75 x 22 inches Condition: Good Ins...
Category

1970s Impressionist Animal Prints

Materials

Lithograph

Picasso, Le Crapaud (The Toad) (Orozco p.82), Histoire naturelle (after)
Located in Southampton, NY
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Paper Size: 12.99 x 9.84 inches. Catalogue raisonné reference: Orozco, Miguel. T...
Category

1970s Cubist Animal Prints

Materials

Lithograph

Hawk Moths, English antique natural history Lepidoptera chromolithograph print
Located in Melbourne, Victoria
English hawk moth chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...
Category

Early 1900s Art Nouveau Animal Prints

Materials

Lithograph

Picasso, Le Dindon (The Turkey) (Orozco p.82), Histoire naturelle (after)
Located in Southampton, NY
Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Paper Size: 12.99 x 9.84 inches. Catalogue raisonné reference: Orozco, Miguel. T...
Category

1970s Cubist Animal Prints

Materials

Lithograph

Crustaceans - cyclops etc, antique English natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Engraving

Water Rail, French antique natural history water bird art print
Located in Melbourne, Victoria
Rale D'Eau - Water Rail French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195...
Category

1930s Art Deco Animal Prints

Materials

Lithograph

Large Classical Bird Color Print after John James Audubon - Brown Pelican
Located in Cirencester, Gloucestershire
Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...
Category

20th Century Victorian Animal Prints

Materials

Color

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