Horse Animal Prints

Slickly was a world champion miler and leading French sire. Series: Studio Portraits, Slickly - 'Mane', 2009 by John Reardon Archival Pigment Print on Ha...

Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...

Horse Head by Leon Danchin... 1887-1938... is a handsome portrait of a thoroughbred turning his head to look behind him. Born in Lille, France Danchin began his career as an artist a...

Pablo Picasso Fantasie & Vision This image was used for a poster printed to promote an exhibition of Pablo Picasso's drawings, gouaches and watercolors, at the Musée Reattu in Arle...

Richard Berner, Solitude & Liberty (Signed Print) Classic Version: Signed Giclee Print on 330gsm Somerset Paper 110 x 100 cm (43.31 x 39.37 in) Signed by the artist Edition of...

Salvador Dalí (Spanish, 1904-1989) La Chimère d'Horace (Field 72-6H; M&L 1270a), 1970/2 Lithograph printed in colours Signed and numbered in pencil`189/250 Dali’ (lower edge) 24 x 1...

"Carefree Country", Black White Photography, White Black Photography, Rodeo Art, 2022 “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it fo...

"Herd of Honor", Rodeo Photography Print, Black and White Photography, 2022 “I heard about the rodeo in my friend's small Colorado county, I knew I had to go and see it for myself. ...

Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...

From Celebrated Horses, Grundy 24. A fine chine applique impression in fine condition with full margins. A proof before letters. Exhibited at the Marietta/Cobb Museum in the "Celebr...

Luis Jimenez Study of a Classical Horse and a Modern Horse Year: 1994 4 Color Lithograph Edition: 40 Paper: Rives BFK, White Paper Size: 41.75 x 29.5 inches Image Size: 37 x 22.75 inches Signed and numbered by hand COA provided --------------- Luis Alfonso Jiménez...

Luis Jimenez Study of Two Classical Greek Horse Heads and a Modern Horse Year: 1994 2 Color Lithograph Edition: 28 Paper: Rives BFK, White Paper Size: 29.5 x 41 inches Image Size: 16 x 33 inches (irregular) Signed and numbered by hand COA provided --------------- Luis Alfonso Jiménez...

"Mop Head 8120", Black and White Horse Photograph, Horseshoes, Iceland ABOUT THIS PIECE: "Mop Head 8120" was part of a Black and White Photography landscape series featuring horses...

Horse Race - Hand Colored Lithograph in Gouache Dynamic hand-colored lithograph by Eugene Pechaubes (French, 1890-1967). Five horses and their riders are racing directly towards the...

Two Horses Under a Tree by Félix Pissarro (1874-1897) Etching and aquatint 11 x 17 cm (4 ³/₈ x 6 ³/₄ inches) Exhibition: London, Stern Pissarro Gallery, Camille Pissarro & his Desce...

ALEXANDER CALDER (1898-1976) Credited with the invention of the mobile, Alexander Calder revolutionized twentieth-century art with his innovative use of subtle air currents to animat...

Johann Elias RIDINGER Ulm 1698 † 1767 Le Rhinocéros "Miss Clara". Nashorn Rhinoceros. "Anno 1748 im Monath May und Junio ist dises Nashorn Rhinoceros". 1748. Eau-forte d'après un des...

Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...

David Shrigley Witness My Joy, 2022 16 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edition of 125

Artist: John Baldessari Title: Three Colors (with Horse Ascending) Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 30 x 20 inches (76.2 x 50.8 cm) Edition: 35; s...

Candy Ass is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered LXXII/C (there were also 275 arabic and 20 AP). Robert Deyber’s lithographs were created by ...

Vienna Lipizzaner Engraving, 1962 Signed and dated lower right (see photo) Titled and numbered lower left (see photo) This impression is from the second edtition printed c. 1992 1st ...

Artist: Alexander Calder (after), American (1898 - 1976) Title: Flying Colors for Braniff Airlines Year: 1974 Medium: Lithograph, signed in the plate ...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Pa...

'Bernardini' (March 23, 2003 – July 30, 2021) was a champion American Thoroughbred racehorse who won the 2006 Preakness Stakes and Travers Stakes. Series: Studio Portraits, 'Bernardini', 2009 by John Reardon...

The Jack Ass (Playing Cards) is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 40/275 (there were also 100 Roman and 20 AP). Robert Deyber’s lithographs ...

An Old Master print from the series of 43 engravings depicting horses of different breeds from the stables of John of Austria (1547-1578), son of Emperor Charles V. Each print shows a horse in the foreground on a hilltop overlooking a distant landscape. Each bears it's title breed, centered upper edge, with two columns of brief explanatory Latin texts in the lower margins. Published by Philips Galle...

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'Dubawi' (foaled 7 February 2002) is a retired Thoroughbred racehorse and active sire. Dubawi is a bay horse with no white markings bred in Ireland by Sheikh Mohammed's Darley Stud. He was one of the only crop of foals sired by Dubai Millennium, an outstanding racehorse. His dam, Zomaradah was a top class racemare who won the Oaks d'Italia, E. P. Taylor Stakes, Premio Lydia Tesio and the Royal Whip Stakes.[2] As a descendant of the broodmare Sunbittern, Zomaradah, who also produced the Lancashire Oaks winner Emirates Queen, was closely related to In the Wings, High-Rise and Virginia Waters.[3] The colt raced in the blue colours of Godolphin and was trained by Saeed bin Suroor. He was ridden in all but one of his races by Frankie Dettori...

Available sizes: 18” x 33.25” - Edition of 8 28” x 51.72” - Edition of 8 38” x 70.19” - Edition of 8 "Drawn Swords is an image I have been dreaming of making for several years. Even...

Holy Bull (January 24, 1991 – June 7, 2017) was a champion Thoroughbred racehorse.Holy Bull (January 24, 1991 – June 7, 2017) was a champion Thoroughbred racehorse. Holy Bull was ran...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Payne (1884 - 1967) "Oh! To Be In England Now That April's There" Lithograph 51 x 67 cm Signed in pencil lower left. Snaffles was one of the foremost sporting artists of his era, publishing many popular prints such as these: hunting pictures...

"Corralled Horse", is an etching on paper by western artist Ethel Magafan (1916-1993) of a single dark horse standing outside in a wooden fenced corral. Presented in a custom frame, outer dimensions measure 19 x 23 inches. Image size is 10 x 14 inches. This is marked as an Artist Proof Piece is in very good condition - please contact us for a detailed condition report. Provenance: Estate of Artist, Ethel Magafan Expedited and international shipping is available - please contact us for a quote. About the Artist: Ethel Magafan Born 1916 Died 1993 The daughter of a Greek immigrant father and a Polish immigrant mother who met and married in Chicago, Ethel Magafan, her identical twin sister Jenne and their elder sister Sophie grew up in Colorado to which their father relocated the family in 1919. They initially lived in Colorado Springs where he worked as a waiter at the Antlers Hotel before moving to Denver in 1930 to be head waiter at the Albany Hotel. Two years later during the Great Depression Ethel and Jenne experienced at sixteen the tragic loss of their father who had encouraged their artistic aspirations. He was proud when Ethel, a student at Morey Junior High School, won top prizes in student poster contests sponsored by the Denver Chamber of Commerce and the Denver Post. At East High School in Denver she and Jenne contributed their art talents to the school’s and by their senior year were co-art editors of the Angelus, the 1933 yearbook. At East they studied art with Helen Perry, herself a student of André Lhote in Paris and the Art Institute of Chicago. Her decision to abandon an arts career to teach high school students served as an important example to Ethel and Jenne, who early on had decided to become artists. In a city-wide Denver competition for high school art students Ethel won an eighteenweek art course in 1932-33 to study at the Kirkland School of Art which artist Vance Kirkland had recently established in the Mile High City. Perry encouraged the Magafan twins’ talent, exposing them to the work of Matisse, Picasso and Cézanne and introducing them to local artists and architects like Frank Mechau and Jacques Benedict whom she invited to speak in her high school art classes. She paid the modest tuition for Ethel and Jenne to study composition, color, mural designing and painting at Mechau’s School of Art in downtown Denver in 1933-34. In the summer of 1934 and for a time in 1936 they apprenticed with him at his studio in Redstone, Colorado. When they returned to Denver in 1934 with no family breadwinner to support them, their mother insisted that they have real jobs so they worked as fashion artists in a Denver department store. When Jenne won the Carter Memorial Art Scholarship ($90.00) two years later, she shared it with Ethel so that both of them could enroll in the Broadmoor Art Academy (now the Colorado Springs Fine Arts Center) where they studied with Mechau. When the scholarship money ran out after two months, he hired them as his assistants. Along with Edward (Eduardo) Chavez and Polly Duncan, they helped him with his federal government mural commissions. At the Fine Arts Center Ethel also studied with Boardman Robinson and Peppino Mangravite, who hired her and Jenne in 1939 to assist him in his New York studio with two murals commissioned for the post office in Atlantic City, New Jersey. Like their Denver high school art teacher, Robinson also stressed the need to draw from nature in order to "feel" the mountains, which later become the dominant subject matter of Ethel’s mature work after World War II. Mechau trained her and her sister in the complex process of mural painting while they studied at the Colorado Springs Fine Arts Center, teaching them the compositional techniques of the European Renaissance masters. This also involved library research for historical accuracy, small scale drawing, and Page 2 of 4 the hand-making of paints and other supplies. Ethel recalled that their teacher "was a lovely man but he was a hard worker. He drove us. There was no fooling around." Her apprenticeship with Mechau prepared her to win four national government competitions, beginning at age twenty-two, for large murals in U.S. post offices: Threshing – Auburn, Nebraska (1938), Cotton Pickers – Wynne, Arkansas (1940), Prairie Fire – Madill, Oklahoma (1940), and The Horse Corral – South Denver, Colorado (1942). In preparation for their commissions Ethel and her sister made trips around the country to pending mural locations, driving their beat-up station wagon, dressed in jeans and cowboy boots with art supplies and dogs in tow. She and Jenne combined their talents in the mural, Mountains in Snow, for the Department of Health and Human Services Building in Washington, DC (1942). A year later Ethel executed her own mural, Andrew Jackson at the Battle of New Orleans, January 8, 1814, for the Recorder of Deeds Building, also in Washington, DC. Her first mural commission, Indian Dance, done in 1937 under the Treasury Department Art Project for the Senate Chamber in the United States Capitol, has since disappeared. Ethel and her sister lived and worked in Colorado Springs until 1941 when their residence became determined by the wartime military postings of Jenne’s husband, Edward Chavez. They moved briefly to Los Angeles (1941-42) and then to Cheyenne, Wyoming, while he was stationed at Fort Warren, and then back to Los Angeles for two years in 1943. While in California, Ethel and Jenne executed a floral mural for the Sun Room of the Beverly Hills Hotel and also painted scenes of the ocean which they exhibited at the Raymond and Raymond Galleries in Beverly Hills. While in Los Angeles they met novelist Irving Stone, author of Lust for Life, who told them about Woodstock, as did artists Arnold Blanch and Doris Lee (both of whom previously taught at the Colorado Springs Fine Arts Center school. In summer of 1945 Ethel, her sister and brother-in-law drove their station wagon across the country to Woodstock which became their permanent home. A year later Ethel married artist and musician, Bruce Currie, whom she met in Woodstock. In 1948 with the help of the GI Bill they purchased an old barn there that also housed their individual studios located at opposite ends of the house. The spatial arrangement mirrors the advice she gave her daughter, Jenne, also an artist: "Make sure you end up with a man who respects your work…The worst thing for an artist is to be in competition with her husband." In 1951 Ethel won a Fulbright Scholarship to Greece where she and her husband spent 1951-52. In addition to extensively traveling, sketching and painting the local landscape, she reconnected with her late father’s family in the area of Messinia on the Peloponnese peninsula in southern Greece. At the same time, her sister Jenne accompanied Chavez on his Fulbright Scholarship to Italy where they spent a productive year painting and visiting museums. Shortly after returning home, Jenne’s career was cut tragically short when she died of a cerebral hemorrhage at age thirty-six. It deeply affected Ethel whose own work took on a somber quality for several years conveyed by a darkish palette, as seen in her tempera painting, Aftermath (circa 1952). In the 1940s Ethel and her sister successfully made the important transition from government patronage to careers as independent artists. Ethel became distinguished for her modernist landscapes. Even though Ethel became a permanent Woodstock resident after World War II, from her childhood in Colorado she retained her love of the Rocky Mountains, her "earliest source of my lifelong passion for mountain landscape." She and her husband began returning to Colorado for annual summer camping trips on which they later were joined by their daughter, Jenne. Ethel did many sketches and drawings of places she found which had special meaning for her. They enabled her to recall their vital qualities which she later painted in her Woodstock studio, conveying her feeling about places remembered. She also produced a number of watercolors and prints of the Colorado landscape that constituted a departure from the American Scene style of her earlier paintings. Her postwar creative output collectively belongs to the category of landscape abstractionists as described by author Sheldon Cheney, although to a greater or lesser degree her work references Colorado’s mountainous terrain. She introduced a palette of stronger pastels in her paintings such as two temperas, Evening Mountains from the 1950s and Springtime in the Mountains from the early 1960s. In 1968 she was elected an Academician by the National Academy of Design in New York. Two years later, based on results of her many summer trips to Colorado, the U.S. Department of the Interior invited her to make on-the-spot sketches of the western United States, helping to document the water resources development and conservation efforts by the Department of the Interior. Her sketches were exhibited at the National Gallery in Washington, DC, and then sent on a national tour by the Smithsonian Institution. Similarly, her previous work as a muralist earned her a final commission at age sixty-three for a 12 by 20 foot Civil War image, Grant in the Wilderness, installed in 1979 in the Chancellorsville Visitors Center at the Fredericksburg National Military Park in Virginia. In the 1970s, too, she taught as Artist-in-Residence at Syracuse University and at the University of Georgia in Athens. Her many awards include, among others, the Stacey Scholarship (1947); Tiffany Fellowship (1949); Fulbright Grant (1951-52, in Greece with her husband); Tiffany Fellowship (1949); Benjamin Altman Landscape Prize, National Academy of Design (1955); Medal of Honor, Audubon, Artists (1962); Henry Ward Granger Fund Purchase Award, National Academy of Design (1964); Childe Hassam Fund Purchase Award, American Academy of Arts and Letters (1970); Silver Medal, Audubon Artists (1983); Champion International Corporation Award, Silvermine Guild, New Canaan, Connecticut (1984); John Taylor Award, Woodstock Artists Association, Woodstock, New York (1985); Harrison Cady...

31 × 23 1/2 in Limited Edition Silkscreen Hand Signed by Ronnie Wood

Original poster: TEXACO MOTOR OIL. Artist: Raoul Van Doren. Printer: Texaco S. A. Bale (Basel, Switzerland). Linen backed in excellent condition; re...

16 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm Edition of 125 75 x 56 cm (30.1 x 22.5 in) Signed and numbered Mint. Minor imperfections may...

Classic PDB 'Here's to the Horse' print depicting seven equine pursuits Print Sz: 19 1/2"H x 13 1/2" Frame Sz: 15"H x 19"W w/ birdseye maple frame

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man Ploughing by Paulémile Pissarro (1884 - 1972) Wood engraving 7 x 13 cm (2 ³/₄ x 5 ¹/₈ inches) Signed lower ri...

Pug, Greyhound, Terrier 1883-84 Chromolithograph 8.5 x 11 inches

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He al...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. after Dea...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Edwards (1878 - 1966) The Beaufort...

Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...

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Ex Libris - Violette Talbot is an Etching print created by Michel Fingesten. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech painter ...

Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed drawing of a snow covered hilltop with a lone, English style horseback rider and rural winter landscape details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, pencil signed by Peter Sculthorpe Edition size - 275, plus proofs Year published - 1989 Printer - JK Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...

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Manduro (March 9, 2002 – June 27, 2020) was a World Champion Thoroughbred racehorse. He was a multiple Group One winner in Germany. 'Manduro' by John Reardon...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Edwards (1878 - 1966) The South No...

Noverre - Horse Landscape I, 2003 C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass 36.5 x 94 cm / 14....

Cape Cross, 2009 by John Reardon Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) Whistlejacket - Contemporar...

Artist: Richard McLean Title: Lucky Penny Medium: Lithograph Signed: Hand Signed Edition: Edition of 250 Measurements: 22.5" x 29.75" Note: This piece is sold UNFRAMED Conditio...

Limpia Creek Crossing by Wayne Baize Limited edition print, signed and numbered Edition: #170/1500 18" x 24" 26" x 33" (framed) Born in 1943 in the heart of the Texas ranch, Wayne Baize was the son of a stock farmer, whose main crops included cotton, wheat and livestock. It was from his hard working father, a man who was more comfortable with a horse drawn plow than its mechanized counterpart, that Baize gained not only a strong work ethic but an innate love for animals and the people who cared for them. Baize paints a way of life influenced by not only his own upbringing, but also by gene...

The Horse is an original Screen Print, realized by an unknown artist in 1974. The status of preservation Good. The artwork is depicted skillfully through confident and strong lines...

Charles "Snaffles" Johnson Payne (1884–1967) was an English painter known for his humorous work and for his outstanding draughtsmanship and depiction of the horse in action. Pencil signed LL by the artist. w/ black & white remarque LR Print Sz: 19 1/2"H x 25 3/4"W Frame Sz: 26 1/2"H x 33 1/4"W circa 1950 In French mat and Hogarth frame Published by Messrs Fores Ltd., 123 New Bond St. W1 w/ The Crossroads of Sport...

Artist: Fran Bull Title: Horses of the Camargue Medium: Silkscreen Signed: Hand Signed Edition: From the edition of 250 Measurements: 22" x 29 1/4" Frame: This piece is sold UNF...