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Horizontal Prints and Multiples

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Orientation: Horizontal
RECLINING FIGURE (GREGORY EVANS)
Located in Portland, ME
Hockney, David. RECLINING FIGURE. Etching and sugarlift aquatint in black, 1974. Edition of 75 published by Petersburg Press, London and printed on Inveresk paper. Signed, dated and ...
Category

1970s Figurative Prints

Materials

Etching, Aquatint

30x40 "Jaws" VHS Photo Photography Pop Art Exhibition Archival Poster
Located in Los Angeles, CA
"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...
Category

21st Century and Contemporary American Modern Color Photography

Materials

Archival Pigment

The Bride And Groom Cats On the Roof - Lithograph by J.J. Grandville - 1852
Located in Roma, IT
The Bride And Groom Cats On the Roof is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Publishe...
Category

1850s Modern Figurative Prints

Materials

Lithograph

17th century etching Rembrandt landscape house trees field sky cow
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
Category

17th Century Renaissance Landscape Prints

Materials

Etching

Woman From Paris
Located in San Francisco, CA
This artwork, "Woman From Paris" 1979 (State I) is an original lithograph on creme Arches paper by renowned Navajo artist Rudolph Carl (R.C.) Gorman, 1932-2005. It is signed, dated and numbered 129/150 in pencil by the artist. The sheet size is 21.75 x 29 inches. It is in excellent condition, has never been framed, the colors are fresh and bright. About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...
Category

Late 20th Century Realist Figurative Prints

Materials

Paper, Lithograph

Galactic System
Located in New York, NY
Galactic System, 1974 Signed and numbered Color lithograph on Arches paper, full sheet 20.375 x 28.25 inches Edition 75 of 100
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Le Diamant Magnétiseur - Lithograph by Honoré Daumier - 1859
Located in Roma, IT
Lithograph realized by Daumier in 1859. Belongs to the Series "Actualités". Ref. Delteil 3227 Very good condition.
Category

1850s Modern Figurative Prints

Materials

Lithograph

Liberty, Signed Pop Art Screenprint by Loretta Bozung
Located in Long Island City, NY
A colorful abstract incorporating successive portraits of the Statue of Liberty by American artist, Loretta Bozung. A signed and numbered silkscreen from the Liberty portfolio. Libe...
Category

1980s Pop Art Figurative Prints

Materials

Screen

Black Spaniel , French hound, dog chromolithograph, 1930s
Located in Melbourne, Victoria
French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...
Category

1930s Art Deco Animal Prints

Materials

Lithograph

Edward Hopper 'Sun on Prospect Street' 2010- Offset Lithograph
By Edward Hopper
Located in Brooklyn, NY
Paper Size: 13 x 17 inches ( 33.02 x 43.18 cm ) Image Size: 13 x 17 inches ( 33.02 x 43.18 cm ) Framed: Yes Frame Size: H: 14 x W: 18 x D: .75 in. Condition: A: Mint Additiona...
Category

2010s Prints and Multiples

Materials

Offset

Pulse, Geometric Op Art Screenprint by Kyohei Inukai
Located in Long Island City, NY
Artist: Kyohei Inukai, American (1913 - 1985) Title: Pulse Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 37/100 Image Size: 21.75 x 25.5 inches Size: 23...
Category

1970s Op Art Abstract Prints

Materials

Screen

Blue Rose - Etching by Giacomo Porzano - 1970s
Located in Roma, IT
Blue Rose is an original contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching. Hand-signed on the lower right. Numbered on the lower left. Edition 25/50 G...
Category

1970s Contemporary Figurative Prints

Materials

Etching

Henri Matisse 'Spray of Leaves' 2010- Serigraph
Located in Brooklyn, NY
Henri Matisse created Spray of Leaves as part of his iconic Cut-Outs series during the later years of his life, specifically in the early 1950s. The Cut-Outs emerged as a revolutiona...
Category

2010s Prints and Multiples

Materials

Screen

The Mythology The Milky Way
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: The Mythology The Milky Way MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 30/150 MEASUREMENTS: 22" x 30"...
Category

1960s Surrealist Figurative Prints

Materials

Etching

Massimo Listri - Hermitage Museum, St. Petersburg (Portrait of Interiors)
Located in New York City, NY
MASSIMO LISTRI Massimo Listri - Hermitage Museum, St. Petersburg (Portrait of Interiors), 2018 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic ...
Category

2010s Post-Modern Color Photography

Materials

Photographic Paper, C Print

Red Poppies, Donald Sultan
Located in Fairfield, CT
Artist: Donald Sultan (1951) Title: Red Poppies Year: 2012 Medium: Silkscreen with Tar & Flocking on Museum Board Edition: 10/75, plus proofs Size: 23 x 39 inches Condition: Excellen...
Category

2010s Pop Art Still-life Prints

Materials

Tar, Screen

Artist and Model, Folk Art Lithograph on Japon paper by Charles Bragg
Located in Long Island City, NY
Charles Bragg, American (1931 - 2017) - Artist and Model, Medium: Lithograph on Japon paper, signed and numbered in pencil, Edition: AP XXV, Image Size: 8 x 13.75 inches, Frame Siz...
Category

1970s Folk Art Nude Prints

Materials

Lithograph

TIE Fighter Beatles Large Oversize Pop Art Print Signed Limited Edition
Located in London, GB
TIE Fighter Beatles by B A T I K Pop art work featuring the Fab Four Paul McCartney , George Harrison, Ringo Starr and John Lennon running away from Star Wars TIE fighters chasing...
Category

2010s Surrealist Figurative Photography

Materials

Black and White, Archival Pigment

Black Broadway Street Dancers
Located in Wilton Manors, FL
Beautiful WPA era NYC street scene by American artist, Albert Sway (b.1913). Jiggers on Broadway, ca. 1935. Lithograph on paper, image measures 9 x 13 inches. Full sheet measuring 11...
Category

1930s American Realist Figurative Prints

Materials

Paper, Ink

Leon Bakst Three Costume designs from Le Dieu Bleu Ballet 1911
Located in Paonia, CO
Three iconic Leon Bakst costume designs for Le Dieu Bleu ( The Blue God ) a ballet choreographed by Michel Fokine and written by Cocteau. The ballet premiered in Paris in 1912. It tells the story of a girl who tries to dissuade her fiancé from becoming a priest and is thereafter tormented by demons; but she is eventually saved by the Blue God, a part performed by Vaslaw Nijinsky, the greatest male dancer of his time. Fokine’s choreography and Bakst’s costumes drew upon Siamese dance and Hindu sculpture. These three prints are vintage reproductions quite unlike the reproductions of today. They each have the look of original watercolors and are backed on heavy grey rag paper with a hand painted gold border. Properly framed they will definitely look like the original drawing. The size of the actual prints varies slightly but the background paper size is consistently 10.5 x 15.5. Born in Russia in 1866, Léon Bakst belonged to a young generation of European artists who rebelled against 19th-century stage realism, sparking a revolution in theatre design. His fame lay in the sets and costumes he designed for Serge Diaghilev’s (1872 – 1929) legendary dance company the Ballets Russes, and his huge pageant spectaculars for the dancer and patron of the performing arts, Ida Rubinstein...
Category

20th Century Art Nouveau Figurative Prints

Materials

Color

Indian Mother and Child
Located in San Francisco, CA
This color etching is titled "Indian Mother and Child" (c. 1950) by Czech/American artist Max Pollak (1886 - 1970) is an original etching on wove paper. It is hand signed and numbered 37/100 in pencil by the artist. It is framed in its original frame and is in excellent condition. Image (plate mark) size is 5.65 in. x 5.25 in. Max Pollak, painter and printmaker, was born in Prague, Czechoslovakia on February 2, 1886, but his family moved to Vienna, Austria. He was raised in Vienna and, in 1902, he entered the Vienna Academy of Art. He studied painting and printmaking under William Unger and Ferdinand Schmutzer. In 1912, he traveled to Italy, France, and Holland to study and paint. During the First World War, he was appointed painter of the Austrian Army. He immigrated to the U.S. in 1927. His first exhibition at the 57th Street Art Gallery in New York was a commercial success and he was commissioned by Theodore Dreiser...
Category

Mid-20th Century Realist Figurative Prints

Materials

Etching

STRONG MAN
Located in New York, NY
Edition of 30 circus ballerina
Category

1990s Contemporary Figurative Prints

Materials

Screen

Dufy, Ascot, Raoul Dufy, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 41.3 inches, with bifold, as issued Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Moonlight Magnolia Triptych (Set of three 8.5 x 11" hand-printed cyanotypes)
Located in Oakland, CA
These are three 11 x 8.5 inch (45 x 60 cm) original hand-printed original cyanotype photographs sold together. Cyanotypes are an antique photographic process dating back to the nine...
Category

2010s Contemporary Landscape Photography

Materials

Paper, Archival Paper, Rag Paper, Photogram

Untitled
Located in Summit, NJ
Gorgeous aquatint in reds and oranges by Piero Dorazio (Italian 1927-2005). This aquatint is on heavy "Umbria" Fabriano paper. It is signed and dated 1964 in the lower margin in penc...
Category

1960s Abstract Abstract Prints

Materials

Aquatint

Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148), Joan Miró
Located in Fairfield, CT
Artist: Joan Miro (1893-1983) Title: Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148) Year: 1971 Edition: H.C.; 195, plus proofs Inscription: Signed and inscribed ‘H.C.’ ...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

19th century woodcut engraving print figurative American forest trees scene
Located in Milwaukee, WI
The present woodcut engraving is an original print designed by Winslow Homer, originally published in Harper's Weekly on April 30, 1859. It is an excellent example of the many prints Homer produced of fashionable people engaged in leisurely activities, in this case along a picturesque countryside lane. The sign reading 'Belmont' on the left indicates this is probably near his home in Belmont Massachusetts. The image presents multiple figures, both men and women, riding horseback: Some in the distance gallop away, toward a town marked by a church steeple beyond. Three others in the foreground, including two equestrian women, gather around a group of children who have been gathering flowers and trapping birds...
Category

1850s Victorian Figurative Prints

Materials

Woodcut, Engraving

Fat Lady Sings Giclee Painting Print on Canvas Rowdy Tavern Bar Scene
Located in Surfside, FL
Barry Leighton-Jones was born in London, England in 1932 and is a direct descendant of the Victorian artist and President of the Royal Academy, Lord Fre...
Category

20th Century Contemporary Figurative Prints

Materials

Canvas, Giclée

"Paricutin (Volcano in Michoacan, Mexico)" Woodcut & Monotype signed by Summers
Located in Milwaukee, WI
"Paricutin (Volcano in Michoacan, Mexico)" is a woodcut and monotype signed by Carol Summers. In the image, an abstracted volcano erupts in a joyous burst of purples and oranges. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. Art: 8 x 11 in Frame: 17 x 19 in Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MoMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and non-western as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...
Category

Early 2000s Contemporary Landscape Prints

Materials

Monotype, Woodcut

Pond, screen print, 2004 by Joseph Raffael (red & yellow koi in pond)
Located in New York, NY
This signed and numbered print is in excellent condition and comes directly from Lincoln Center, publisher of the edition. b. 1933, Brooklyn, NY Joseph Raffael’s paintings are infl...
Category

Early 2000s American Realist Animal Prints

Materials

Screen

Jose by Luis Jimenez
Located in Phoenix, AZ
Jose 1986 Color lithograph 23/30 23 × 34 in 58.4 × 86.4 cm. SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Luis Jimenez 1940 - 2006 Luis Jiménez was born in El Paso, Te...
Category

1980s Contemporary Animal Prints

Materials

Lithograph

La Perruch et la Sirene
Located in Washington, DC
Artist: Henri Matisse (after) Title: La Perruch et la Sirene Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Siz...
Category

1950s Modern Abstract Prints

Materials

Lithograph

"Landlocked (Swim with the Fish)", Contemporary Landscape, Mixed Media Print
Located in Natick, MA
Patty deGrandpre’s “Landlocked (Swim with the Fish)” is a 11 x 16.5 inch unique mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and creative...
Category

2010s Contemporary Mixed Media

Materials

Ink, Mixed Media, Gouache, Bamboo Paper, Digital

Coming Home
Located in New York, NY
ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...
Category

Early 2000s Landscape Prints

Materials

Photographic Paper

A Sunday in Avocadoland
Located in Ciudad de México, MX
A Sunday in Avocado Land by celebrated Mexican surrealist Pedro Friedeberg is a visually arresting work that encapsulates the artist’s iconic blend of symbolism, architecture, and dr...
Category

2010s Surrealist Figurative Prints

Materials

Screen

Milkshakes, Welkom, the Free State - Pop Art Colour Food Photography
Located in Cambridge, GB
The seductive blue sky and the seductive milkshakes make you feel as if you are sitting in the car at this "Americana style" Roadhouse in Welkom, South Africa. It is typical of Richa...
Category

Early 2000s Pop Art Color Photography

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Joe Raedle 'Barack Obama: Yes We Can (Crowd)' 2008- Offset Lithograph
Located in Brooklyn, NY
Paper Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Image Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...
Category

Early 2000s Prints and Multiples

Materials

Offset

Pool Patterns, Nautical Abstract Seascape Triptych, Blue Cyanotype Print
Located in Barcelona, ES
This is an exclusive handprinted limited edition of a cyanotype. This beautiful triptych is called "Fresh California Pool patterns", which shows the semi-abstract movements of light reflecting in a California swimming pool. Details: + Edition Size: only 20 + Medium: Cyanotype Print on Watercolor Paper + Stamped and Certificate of Authenticity provided. + Measurements : 100x210 cm (40 x 84 in.) Each paper measures 100cm x 70cm (about 40 in. x 28 in.) each. , a standard frame size. + All cyanotype prints...
Category

2010s Modern Abstract Prints

Materials

Lithograph

Takashi Murakami Kanye West 2007 (Takashi Murakami Louis Vuitton)
Located in NEW YORK, NY
Takashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...
Category

21st Century and Contemporary Pop Art Abstract Prints

Materials

Offset, Paper

Modèle Contemplant un Groupe Sculpté /// Picasso La Suite Vollard Marie-Thérèse
Located in Saint Augustine, FL
Artist: Pablo Picasso (Spanish, 1881-1973) Title: "Modèle Contemplant un Groupe Sculpté (Model Contemplating a Sculpted Group)" (Plate 66) Portfolio: La Suite Vollard *Signed by Pica...
Category

1930s Cubist Nude Prints

Materials

Etching, Intaglio, Laid Paper

Grape Flavor 1979 Signed Limited Edition Lithograph
Located in Rochester Hills, MI
Artist: Walasse Ting Title: Grape Flavor Year: 1979 Print - Lithograph on Somerset paper   21'' x 28.75'' Edition: Signed in pencil and marked 198/200 Image size: 17.5" x 26" inches ...
Category

1970s Nude Prints

Materials

Lithograph

Les baigneuses
Located in Belgrade, MT
This lithograph Les baigneuses ( The bathers) by Andre Marchand is part of my private collection since the 1970's. It is in very good condition, artist pencil signed in the lower lef...
Category

Mid-20th Century Surrealist Abstract Prints

Materials

Lithograph

Piramide - Porta S.Paolo - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Piramide - Porta S.Paolo is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corl...
Category

18th Century Modern Figurative Prints

Materials

Etching

DJ Hasebe Old Nick Radio Show (Japan Exclusive CD)
By KAWS
Located in Englishtown, NJ
Super clever and rare cd featuring artwork by Kaws. Early example of Kaws art released in 2002. Exclusive Japan only release. Cleverly makes the cd case look like a turntable. Also f...
Category

21st Century and Contemporary Contemporary More Art

Materials

Plastic, Color

Miró, Composition (Mourlot 238; Cramer 39) (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...
Category

1950s Surrealist Figurative Prints

Materials

Lithograph

Book 1, line 192: Satan on the Burning Lake
Located in Fairlawn, OH
Book 1, line 192: Satan on the Burning Lake Mezzotint, 1825 Engraved signature below the image (see photo) From John Milton's "Paradise Lost" Published by Septimus Prowett Printed by...
Category

1820s Romantic Figurative Prints

Materials

Mezzotint

Landscape - Original Etching by Paulette Humbert - Mid-20th Century
Located in Roma, IT
Landscape is an original etching on paper realized by Paulette Humbert. Hand-signed on the lower right in pencil. Numbered, edition of 8/25 prints. on the lower left in pencil. The...
Category

20th Century Modern Landscape Prints

Materials

Etching

Dance of the Giraffes
Located in New York City, NY
Available sizes: 32x47in ed.20 40x60in ed.15 47x71in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...
Category

2010s Contemporary Black and White Photography

Materials

Black and White, Inkjet, Archival Pigment

Chevalier en Armure, Page et Femme Nue - Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
In this dynamic print, Pablo Picasso depicts a scene of bustling movement and overlapping subjects. The artist's use of perspective and use of layering deeply exaggerates the emotion...
Category

Late 20th Century Cubist Abstract Prints

Materials

Lithograph

'Chicago Harbor' — Urban Realism
Located in Myrtle Beach, SC
Anton Schutz, 'Chicago Harbor', etching, edition 100, c. 1927. Signed and numbered '87/100' in pencil. Annotated '580 Chicago Harbor', in another hand, in the bottom left margin. A f...
Category

1920s American Realist Landscape Prints

Materials

Etching

Banana Republic (Limited Edition Print)
Located in LOS ANGELES, CA
Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is incl...
Category

21st Century and Contemporary Abstract Geometric More Prints

Materials

Giclée

KAWS, Lost Time, 2018, Screenprint in colours on wove paper, Edition of 100
By KAWS
Located in Bristol, GB
Screenprint in colours on wove paper Edition 55 of 100 81.3 x 135.3 cm (32 x 53.2 in) Signed and numbered on the front Mint Published by Pace Prints Our mission is to connect art co...
Category

2010s Contemporary Abstract Prints

Materials

Screen

"Masturbating Woman" by Gustav Klimt - Original Print from Courtesans Folio
Located in Chicago, IL
Plate #9 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

Kandinsky, Composition, Derrière le miroir (after)
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 118, 1960. Published by Aim...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Novissima et Accuratissima Totius.. - Etching by Frederick de Wit - 1680ca
Located in Roma, IT
This double-page etching with contemporary coloring, entitled Novissima et Accuratissima totius Italiae, Corsicae et Sardiniae, was realized by the cartographer Frederick de Wit for ...
Category

1680s Modern Figurative Prints

Materials

Etching

III from the Aquarius Suite, Abstract Screenprint by Stanley William Hayter
Located in Long Island City, NY
Artist: Stanley Hayter, British (1901 - 1988) Title: III from the Aquarius Suite Year: 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 150; AP XXX Paper Size: 27 x 23...
Category

1970s Abstract Abstract Prints

Materials

Screen

'Japanese Woodblock Print', By Unknown, Color Woodblock Print on Paper
Located in Oklahoma City, OK
This 21.25" x 37.5" framed Japanese woodblock print, depicts a busy scene that includes many figures within, and upon a large boat. The boat takes up the majority of the horizontal c...
Category

19th Century Edo More Prints

Materials

Paper, Woodcut

"Bleu Osieau Courge" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...
Category

1960s Prints and Multiples

Materials

Lithograph, Stencil

"Under the skin I" Original Large Mixed Media Woodcut Etching Serigraph Mexican
Located in Miami, FL
Amador Montes (Mexico, 1975) 'Debajo de la piel I', 2021 Mixed media, etching, aquatint woodcut on paper 49 x 118 in. (124 x 300 cm.) Edition of 30 Ref:...
Category

2010s Contemporary Figurative Prints

Materials

Etching, Woodcut, Ink, Aquatint

Mono distraído (Distracted Monkey) (28/100)
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. Edition 28 of 100. Certificate of authenticity included.
Category

Late 20th Century Contemporary Portrait Prints

Materials

Screen

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