Horizontal Prints and Multiples

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

Exhibition Poster from the Shane Russeck Pop up gallery in Los Angeles. Printed on acid-free archival paper Dimensions: 24" x 36" sheet. Photograph © Shane Russeck Excelle...

This piece is pencil signed by the artist, it is a very limited editions in very good condition. It is part of my private collection.( Guilde De La Gravure).

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

An expressive, jubilant abstract composition in vibrant scarlet red, with Mark Tobey’s calligraphy-inspired mark-making creating a textured matrix of lines that seems to wave and swi...

Arnulf Rainer (1929) Paris : Louvre Museum with Blue Scratch Original etching On vellum 40 x 50 cm (c. 16 x 20 in) Authenticated with the blind stamp of the editor Chalcographie of ...

Pigment Print All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While ...

Artist Name: Fran Bull Title: Sky Day Sailboat Year: 1979  Medium Type: Lithograph on Arches Archival Paper Size-Width Size-Height: 20.25'' x 29.75'' inches Signed Edition Size: si...

Medium: mezzotin Year: 2022 Edition: 50 Image Size: 17.75 x 23.5 inches Signed, titled and numbered in pencil by the artist Dramatic image of the streets of New York from the air. ....

Arnulf Rainer (1929) Paris : Tribute to Louvre Museum with Orange Scratch Original etching On vellum 40 x 50 cm (c. 16 x 20 in) Authenticated with the blind stamp of the editor Cha...

Jean HUGO ( 1894 - 1984 ) " Le miroir Magique " . PARIS .Jeanne Buchet .1927. Musée FABRE . Montpellier . portefeuille de 20 lithographies coloriées sur pochoir par Jean saudé d'ap...

John Cowey (1786-1833) Christ Church Cathedral, Oxford, 1816, from the Dean's gardens  Engraving  23 x 32 cm Early nineteenth-century view of Christ Church Cathedral from the Dean's...

The 1896 original poster by Henri de Toulouse-Lautrec for La Chaîne Simpson L.B. Spoke is a celebrated piece of 19th-century advertising art. Commissioned to promote the Simpson bicy...

Pablo PICASSO (1881-1973), Knight, Nude Woman and Man Wearing a Mask , 1954 Lithograph (Mourlot workshop) Unsigned Printed date in the plate On paper 26 .5 x 35.5 cm (c. 10,2 x 13....

Pablo PICASSO (1881-1973) Comédie Humaine, The Costumed Artist and his Model, , 1954 Original lithograph (Mourlot workshop) Unsigned On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) INFORMATION : Created for portfolio Verve n°29-30 "La comédie humaine, suite de 180 dessins de Picasso...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* RESTORED, numbered and RARE Vintage Textured Print After The Famo...

Artist: Joan Miro Title: Joan Miro Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in the pla...

Around each corner of the print, a brilliant stripe of green outlines the image field, as if the viewer were looking through an eye, or peering through a frame. The back of a figure’...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...

Artist: Keith Haring Title: Untitled Year: 1990 Dimensions: 8.75in. by 10.25in. Framed: 18.75in. x 20.25in. Edition: From the rare limited edition of 500 Publisher: Bebert Publishing...

Jim Dine 8 Hearts / Look, Off-set Lithograph with metallic paper collage overlay Galerie Thomas exhibition print, 1970 Color lithograph and offset lithograph on wove paper Plate sign...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always being more obsessed with aesthetics than with simulacrum. If he worships more than one of these predecessors who poured into more outrage, it is freely that he suggests to the imagination to imagine without capturing the fantasy of the viewer. The choice had been made of very high quality prints: cotton fiber base baryta paper without chlorine and high grammage (310 gr / m²), pigment inks. They carry on the back an authentication label signed by Eric Ceccarini The enhancement of this limited edition of 100 copies is ensured by the use of a unique high-quality box to keep the 12 fine art prints This is edition #1/100 Eric is a Belgian artist born in 1965. He gained a Degree in Photography from INFAC, Brussels in 1987. Since then he has been a fashion photographer working with many of the top houses. Elle, Marie-Claire, L'Oréal, Levi's, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are some of his clients. Among other distinctions, his photography for the Saab cabrio 9-3 campaign was awarded the Silver Lion at the Cannes International Advertising Festival. Eric is set apart from many of his colleagues by his way of shunning technical artifice and working in natural light. This results in soft, velvety, almost painterly images. Nowadays in his artistic works, he captures women's essence and soul, transcending mere physical representation. Eric's "AMNIOS" series of soul portraits- the model appear in suspended animation, as if they were about to born, and full of hidden secrets. This represents a new conceptual departure for Eric, who began as a fashion photographer, moving on to classic artistic nudes...

For Sale: Andy Warhol "Ten Marilyns II" This vibrant offset lithograph, based on the 1967 original, is printed on heavyweight quality paper and measures 80.5 × 140.0 cm. Published i...

This is a contemporary photograph of an African Lion. Printed on archival paper using archival inks. 40x60 Unsigned Print Printed on archival paper and using archival inks Framing ...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

90 Minutes A Side, artwork from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 246. Published by Aimé Maeght, Éditeur...

Etching, 1920 Signed in pencil Edition: 110 examples Very fine condition Provenance: Colnaghi, London (stock numbers on reverse) The artist'w widow, Dorette, 19...

Artist: Pablo Picasso Title: Le Picador (II) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Frame Size: 17 1/4" x 19 3/4" Sheet Size: 9 1/2" x 12 1/2" Ima...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue, green, and yellow palette and captures a landscape scene with lu...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Joan Miro und Katalonien Year: 1969 Medium: Lithograph on Arches, signed in the plate Size: 20 in. x 26 in. (50.8 cm x 66.04 cm) Frame...

Artist: Pablo Picasso Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Frame Size: 17 1/4" x 19 3/4" Sheet Size: 9 1/2" x 12 1/2" Image ...

This exhibition poster by Roy Lichtenstein was created for a show held at the Juan March Foundation in Madrid, Spain. It captures Lichtenstein's iconic Pop Art style, making it a sta...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Woodcut shunga print attributed to Keisai Eisen and realized in the early 19th century. Good condition except for some signs of time.

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Original “Stocks Americans” vintage poster. Linen backed in very good condition, ready to frame. No paper loss, no fold marks, clean and bright. Distress on one letter “S” in A...

Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953. Limited edition of 1,000 copies, most of which lost or...

Litografia Original VII by Joan Miró, a 1972 color lithograph from Litografo (Volume I, Spanish edition), catalogued as Mourlot 863. Published by Ediciones Poligrafa, Barcelona, with...

large scale photograph of billboard sign with conceptual message in iconic landscape of the American West. A series of images capturing the unique infi...

Perfect retro kitsch pop art by Richard Heeps. The 1970's graphic wallpaper and the black and white image of pop culture icon Bruce Lee on the old school tv ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

The swamp landascape is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, p...

Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...

JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...

Juan Sebastian Barbera (Mexico, 1964) 'Transicion sepia (b/n)', 2004 engraving on paper Guarro Super Alpha 250g. 19.7 x 27.6 in. (50 x 70 cm.) Edition o...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...

Artist: Andy Warhol Title: Untitled (Plate 7) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Sheet Size: 8 1/2" x 11" Signatu...

In 2002, Jamie Wyeth created a richly detailed image titled, The Gourd Tree. Known for his realistic style, Wyeth’s work consists largely of landscapes-- like this unusual tree-- and portraiture. Although closely associated with the rural landscape of Chadds Ford Pennsylvania and the rugged coast of Maine, Jamie Wyeth spent part of his early career in New York City, where he was mentored by New York City Ballet founder Lincoln Kirstein...

Astrid Kirchherr ( 20 May 1938 – 12 May 2020) was a German photographer and artist known for her association with the Beatles (along with her friends Klaus Voormann...

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...

Screenprint in colours on wove paper Edition of 500 Signed and numbered on the front Mint. Sold with Pest Control COA 65.5 x 85.5 x 3.3 cm (25.8 x 33.7  x 1.3 in) Frame is in excellent condition. Float-mounted, framed in black frame using 99% UV protected glass The seller can only provide the specific edition number to buyers at the actual point of sale. Please message the seller to request this information at the point of purchase Our mission is to connect art collectors to opportunity. Whether it be figurative, abstract or landscape, we specialise in helping you find the best prints and multiples...

Theodore Waddell Osage Sheep State II Year: 1994 Color Lithograph Edition: 30 Papers: Arches Cover, Black Paper Size: 22.5 x 30 inches Image Size: Same Signed and numbered by hand CO...