Horizontal Figurative Prints

Yugiri is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Chapter 39 of the story Genji Monogatari. Color woodcut around 1851. Signed: Ichiyossai Toyokun...

Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 10.25 X 16.5 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and u...

Subject : Ancient Greek vase-painting depicting a warrior, seated young man, and young woman. Technique : Copper-line engraving with original hand-colouring Background informatio...

New Bridge, Glasgow is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautif...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Victor Hugo Nuñez (Chile, 1943) 'Los Enamorados III', 2013 silkscreen on paper Guarro Biblos 250g. 17.8 x 23.7 in. (45 x 60 cm.) Edition of 40 Unframed ID: HUV-108 Hand-signed by author

Le Grand prêtre Coresus is an artwork realized by Jérôme Danzel in the second half of the XVIII Century. Burin after Fragonard's artwork "Coresus et ...

Ting Shao Kuang (b. 1939) Chinese American) "Emerald Valley" (S.49), 1987, color screenprint, signed and numbered 118/275 in pencil, pu...

Lithograph after a drawing by Jean Cocteau Title: Europe Our Country Signed in the plate Dimensions: 33 x 46 cm Edition: 600 Luxury print edition from the portfolio of Sciaky 1961

The Piazza della Rotonda, with the Pantheon and Obelisk. Etching on fine watermarked paper. Signed on plate on lower-left margin "Piranesi del. Sc." and with the address of Bouchard...

This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins and Foxings. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...

Star Wars: The Empire Strikes Back 1980 Vintage Lobby Card #10 Original Star Wars lobby card of Darth Vader walking through Hoth base Framing options available: Black, brown, whit...

Raiders Of The Lost Ark - Original 1981 Lobby Card #2 Vintage 1981 Indiana Jones Raiders of the Lost Ark lobby card showing Harrison ford and Karen Allen staring at each other Fram...

Luciano Pavarotti & Frank Sinatra in Concert Music Legends Grammys Litho Al Hirschfeld (1903-2003) Luciano Pavarotti and Frank Sinatra in Concert Limited Edition Etching Sight: ...

Miquel Barcelo Vanity with Three Skulls, 2005 Original etching with aquatint Unsigned On ivory vellum 50 x 65 cm (c. 20 x 26 in) Authenticated with the...

The proposed print is a screenprint made on fine paper with collage inserts and a print run of 30 artist's proof copies, in excellent condition. The screenprint has the print number...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

Serigraph in colors on paper. Hand signed and numbered by Linda Le Kinff. From the edition of 350. Sheet size 12 x 15.5 inches. Image size 9.5 x 13 inches. Artwork is in excellent c...

Signed color lithograph by French artist André Masson (1896-1987). Title of work is Judith and Holofernes. Work is signed and numbered 74/150 in ...

Tim Southall A Game of Chess Limited Edition Screen print Edition of 75 Size: H 40cm x W 60cm Sold Unframed (Please note that in situ images are purely an indication of how a piece m...

"De Haan Kiss" from "A Portfolio of Landscapes and Figures" offset lithograph. Image of swimmers in pool under dome. Massimo Vitali Steidl Verlag, Götting...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice" Table no. 13 of the Series. Hand monogrammed in the plate. Very good condition. Ref. Delteil...

Aliosky Garcia (Cuba, 1979) 'Ser y permanecer', 2013 woodcut on Guarro paper 29.5 x 38.8 in. (74.8 x 98.5 cm.) Edition of 10 ID: GAK-303 Hand-signed by author

Ana Luiza Tostes Alegria (Brazil, 1947) 'Modelo para armar II', 2003 silkscreen on canvas 28.8 x 39.4 in. (73 x 100 cm.) Edition of 99 ID: TOS1005-004-099 Unframed Hand-signed by author

This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Edition of 4/13. Good conditions. Hand-Signed. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prine...

"Tilted Tree, Mendocino, California" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey...

The Garden of Love (after Peter Paul Rubens [1577-1640]) Woodcut diptych, c. 1633-1636 Each of the two sheets is signed in the plate lower right A posthumous impression with tiny wor...

Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...

Mr. Monkey Drowning Himself is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Mane...

A screen print on arches paper. Produced in 1990. Edition of 33 + 5 Artist Proofs. This being number 27/33. Littmann P.182. Signed and numbered in pencil by the artist. This work wa...

Denon, Baron Dominique Vivant. View of Arona. Paris: 1788. Etching on light cream wove paper, 5 1/2 x 8 1/2 inches (140 x 215 mm), full margins. Some...

Figurative ink drawing by Polish artist Leszek Rozga. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier i...

2001: A Space Odyssey - Original 1968 Lobby Card #7 Vintage 2001: A Space Odyssey Lobby Card: After uncovering a mysterious artifact buried beneath the Lunar surface, a spacecraft ...

Dennis Oppenheim A Device for Converting a Chilling Underground Wind into Memory, 1986 Lithograph Hand signed, numbered 3/100 and dated on lower front 38 1/5 × 50 inches Unframed P...

Subject : Ancient Greek vase-painting depicting a toilet scene with three women from an Attic hydria, now in the British Museum. Technique : Copper-line engraving with original han...

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

SHOUT by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniques on archival Rives BFK paper, 100% acid free. ...

Screenprint on museum board. Hand signed and numbered by the artist. Edition of 100. Published by International Images, Putney, Vermont. Sheet size 59 x 68 inches. Artwork is in e...

Coloured engraving with mixed technique of etching and aquatint, on copper plate, on Magnani-Pescia paper. Paper size 50cm x70cm Enrico Benaglia was born in 1938 in Rome, where he l...

A vibrant art deco, hand coloured pochoir (stencil print) by the esteemed French fashion illustrator, Pierre Bissaud. The hand colouring is wonderfully vibrant gouache. The colorful ...

20th century figurative drypoint print by Polish artist Leszek Rozga. Print depicts a cat and dog. This piece is signed by the artist. LESZEK RÓZGA (1924-2015) He studied painting a...

THREE FACES is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1991 in an edition of 100, using tradition...

Salvador Dali - Serenade - Original Handsigned Lithograph Dimensions: 51 x 71 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8

After Georges Braque (French, 1882-1963) "L'Oiseau d'Or," embossed cast-paper intaglio with 18K gold paint after Braque's Oiseau brooch design, unsigned, edition number 169/250, Siz...

Luis Serrano Martínez (Spain, 1900-1970) 'Grutesco de Villa Bonelli', 2001 silkscreen on canvas 9.9 x 32.7 in. (25 x 83 cm.) Edition of 75 ID: SE...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Les Signes du zodiaque, 1959. Published by Édit...

Lithograph on vélin d'Arches paper. Paper Size: 10.5 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Moore, Henry, et al. Henry Moore, Ca...

The horse "Lampo" is a modern artwork realized by Giorgio De Chirico in 1971. Mixed colored lithograph. Hand signed, titled and numbered on the lower margin. Edition of 30/48 inc...

Etching on zinc plate, realized in 1904 on japan paper. It is signed in plate in small letters at the bottom right. On the lower right margin, it is signed also in pencil. Not dated...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Sybil Andrews, 'Hostellerie des Chiens du Guet', color monotype, c. 1925; edition 2, proof 1. Signed 'Sybil Andrews pinx et imp' and titled in pencil. A superb, painterly impression, with fresh colors, on heavy cream wove paper; the full sheet with margins (5/8 to 1 3/4 inches). Printed by the artist. The artist’s original archival mounting tape remains in the four sheet corners, recto (well away from the image), in excellent condition. Matted to museum standards, unframed. A unique impression. Image size 8 15/16 x 11 15/16 inches (227 x 303 mm); sheet size 12 1/4 x 15 1/2 inches (311 x 394 mm). ABOUT THIS WORK In addition to her almost 80 celebrated modernist color linocuts, Sybil Andrews also worked in the monotype technique. She typically produced two or three impressions (or pulls) from each hand-painted plate, each proof unique in its qualities of color values and vibrancy. In 1933, Sybil Andrews and Cyril Power had an exhibition of their color monotypes and linocuts at the Redfern Gallery. Most of Andrews' monotypes were destroyed by a fire in an Ottawa gallery in 1959, and they now rarely come to the market. ABOUT THE IMAGE The Hostellerie des Chiens du Guet is a small hotel at the edge of...

Disparate alegre - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 12 ...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the reverse. Artwork size 27 x 33 i...

Ethiopian Churches is a modern artwork realized by Lino Bianchi Barriviera in 1948. Black and white etching. Signed and dated on plate. Plate n.59 (as reported in the higher margi...

Abstract figurative lithograph with a lively jumble of abstracted animal and figurative forms by Michael William Eggleston (American, 20th Century). Titled (illegible), numbered ("5/...

Noel Daggett, American (1925 - 2005) - A Helping Nose, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 19 inches x 25.5 inch...