Horizontal Figurative Prints

Robert Riggs, 'Children's Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 11, Bassham 76. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A su...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

"La Lecon Du Professor Tulp" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition (ETAT) in the lower left. This piece depicts ...

This artwork titled " Paris, Le Chatelet" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered 175/250 i...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (201...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018)....

Edition of 30 & hand signed by the artist

"Les Emigrants" is an original roller engraving by Auguste Brouet. The artist signed the piece lower right and wrote the edition number (30/50) lower left. This engraving depicts a f...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 12.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (20...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 10.5 x 13 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018)...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 6.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018...

The present unique collagraph is an excellent example of Joseph Rozman's pictographic style. The composition is organized like a tiled floor, each square containing an abstracted ima...

Linocut on vélin paper. Paper Size: 12.5 x 14.5 inches; image size: 6.5 x 8.75 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Orozco, M. (2018...

Les Pelerins d'Emmaus (The Pilgrims of Emmaus) After a 1894 painting by Denis in the Van Gogh Museum (see photo) Color lithograph, 1895 Signed in pencil ...

Etching realized by Louis Bouquet after Hamboldt. not signed. Very good condition.

Taevernier No. 102 - Etching is in very good condition and of very good quality. Although the plate was deleted in the presence of a bailiff in 1950 or 1951, this print was made afte...

In this untitled serigraph, Vincent DiMattio combines the aesthetics of the space age with Pop Art sensibilities and techniques. In the postwar era of the 1950s and 1960s, the United States was in the midst of a period of economic growth for the middle class, and so the trappings and imagery of middle class life became the subjects of a number of artists. While figures like Andy Warhol focused on images of celebrities and soup cans, here DiMattio looks to robots and rockets. At the far left, a figure appears with a round green head and a small clamping arm. To the right, a form like a tank with phallic protrusions, one with a head like the form of a space ship. These signs all alight with the space age toys...

Beautiful offset lithography by Jacques Monory. Numbered and signed by the artist in pencil. Issue 31/79 Size of the work 52 x 80 cm Size with white margin: 73 x 100 cm Perfect cond...

Digital print on paper, edition 1/30, 60 x 80 x 0,1 cm, 2018 Jane Ward is a British artist born in 1960 who lives & works in Lake District National Park around Keswick and Grasmere,...

Peter Saul Shicago Justus lithograph 1971 (from Conspiracy: The Artist as Witness): Bold, bright hand-signed Peter Saul lithograph from 1971 pict...

Artist: Itzchak Tarkay (1935-2012) Title: Sisters Year: Circa 2000 Medium: Silkscreen on wove paper Size: 11.25 x 11.75 inches Edition: 219/750, plus 100 Remarques Condition: Excelle...

Jean Cocteau and Raymond Moretti A Memory Original lithograph Printed signature in the plate, handsigned by Raymond Moretti Numbered 1/79 - Very look for proof bearing n°1 On Arches...

“War Chronicles of Osaka” (Osaka gunki no uchi). Okubo Hikozaemon, raising his sword, protects the hidden Tokugawa shogun from the spear of Gorô Matabei Mototsugu in a moonlit fores...

The present color collagraph, from the portfolio 'Los Animales,' is an excellent example of Joseph Rozman's pictographic style. Rozman's work often looks to ancient and non-western a...

LYONEL FEININGER 1871-1956 1871 - New York - 1956 (American/German) Title: Steamboat Odin Dampfer Odin, 1918 Technique: Original Hand Signed and Inscribed Woodcut on Laid Japan Pa...

"Rappel" is an original lithograph poster designed by Jules Cheret. This poster depicts a young man drumming. There is a small stain in the upper left corner. This poster was publish...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 13.75 x 19 inches. Inscription: Signed in the p...

“Inside Out 1” Black & White Photography 24" x 36" in Ed. of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Park Drive" series Brian Ziff is a mult...

Pablo PICASSO (1881-1973), Nude Woman and Servant, 1954 Original lithography (Mourlot workshop) Unsigned Printed date in the plate On paper 26 .5 x 35.5 cm (c. 10,2 x 13.7 in) INF...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

20th century monochromatic brown print with embossed ornaments (intaglio) by Ukrainian artist Bogdan Pikulicki. Artwork depicts a rural landscape with a cottage. Artwork is signed by...

Joseph Beuys (German, 1921-1986) Title: Aufbau, 1977 Medium: Offset on grey cardboard, stamped Dimensions: 30.5 x 43 cm Edition of 100: Hand-signed and numbered in pencil Publisher: ...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

Red Grooms Ruckus Manhattan (Hand signed), 1981 Historic Offset lithograph poster (hand signed by Red Grooms) 11 × 28 inches Hand signed by Red Grooms on the front Unframed The artis...

Trois Hommes se Disputant une Femme Devant un Emir is an original artwork realized by Spanish artist Pablo Picasso in 1966. Black and white etching on wove paper. Fine proof edited...

"Dalila" is an original color lithograph by Andre Masson. This piece, which features an abstract, surreal woman, is from Masson's "Je Reve (I Dream)" por...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Paul Gauguin Titre pour "Le Sourire" 1899 Woodcut Paper size 13.8 x 21.9 cms (5 1/2 x 8 5/8 ins) Image size 10.5 x 20.8 cms (4 1/8 x 8 1/8 ins) Kornfeld 61 Signed in lower left corn...

22" x 32" Unframed Limited Edition Giclee with Hand Embellishment of 195 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

Gerhard Richter (German, b. 1932) Kerze I (Poster Mönchehaus-Museum), 1988 Medium: Offset print on paper Dimensions: 89.5 x 95 cm Markings: Hand-signed in black chalk Edition size: U...

"Beautiful Lies" Photography 24" x 36" inch Edition of 7 by Brendan North Available sizes: Edition of 15: 16" x 24" inch Edition of 7: 24" x 36" inch Edition of 3: 40" x 60" inch ...

Screen print, hand-finished with spray paint on hand-torn archival art paper. Each print is unique. Hand signed and numbered on front, thumb print on verso by the artist. Edition 5...

Jacques Villon, American (1875-1963), Sous la Tente, Sur la Plage, Bionville, circa 1905. Ginestet Pouillon 137. Trial proof in color outside of the edition of 50. With blindstamp in...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

Artist: Muhammad Ali, American (1942 - ) Title: Under the Sun Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 500 Size: 22 x 30 in. (55.88 x 76.2 cm) Frame: 36 ...

Artist: Andy Warhol Title: Untitled (Plate 1) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Sheet Size: 8 1/2" x 11" Signatu...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 28.25 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné refere...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

"Censored" Black & White Photography 18" x 24" inch Ed. of 15 by Brendan North Other sizes available. From “Painted Poetry” series: “Painted Poetry” is a collection of 40 photogr...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 10.25 x 14 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, La Comédie Humaine, Suite d...

An original 18th century engraving after Jacques Stella (1596-1657). Unsigned. Well presented in a gilt frame with a beaded inner. On paper.

Héliogravure on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: Fr...