Horizontal Figurative Prints

Plate #1 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Kli...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...

Amador Montes (Mexico, 1975) 'Debajo de la piel I', 2021 Mixed media, etching, aquatint woodcut on paper 49 x 118 in. (124 x 300 cm.) Edition of 30 Ref:...

Art: 17" x 23 1/4" Frame: 27 5/8" x 33 7/8" Original color lithograph (VIII/L) Signed lower right. This original Weisbuch lithograph comes from th...

Tom Wesselmann (1931-2004) Monica with Tulips (1989) Signed and numbered AP 4/12 (aside the edition of 100) signed in the lower right Screenprint in colours on Museum Board. Publ...

color lithograph on Arches paper, Edited in 1952 Limited edition of 200 copies Current copy numbered: 101/200 on the lower left corner signed in pencil by artist in lower right corne...

Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Subject : Ancient Greek vase-painting from depicting a departure scene with a young warrior between two women. Technique : Copper-line engraving with original hand-colouring Back...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 110/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Soutine, I, Collection Pierre ...

Raymond Pettibon Black Flag 1982/1984: A set of 2 rare Raymond Pettibon illustrated Black Flag punk flyers. Published on the occasion of: Black Flag & Saccharine Trust at the Whis...

This artwork, "Woman From Paris" 1979 (State I) is an original lithograph on creme Arches paper by renowned Navajo artist Rudolph Carl (R.C.) Gorman, 1932-2005. It is signed, dated and numbered 129/150 in pencil by the artist. The sheet size is 21.75 x 29 inches. It is in excellent condition, has never been framed, the colors are fresh and bright. About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...

Real Life is a Lithograph realized by Auguste Raffet (1804-1860). Good condition on a yellowed paper. Hand signed by the artist on the lower left corner. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon...

Landscape is an original etching on paper realized by Paulette Humbert. Hand-signed on the lower right in pencil. Numbered, edition of 8/25 prints. on the lower left in pencil. The...

The Godfather - Original 1972 Lobby Card #6 Vintage Godfather Lobby Card: The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluc...

A poignant and highly affecting 19th century image of an African American church congregation in Washington DC after the emancipation of slaves, published in London. London: The Ill...

Artist: Edvard Munch (Norwegian, 1863-1944) Title: "Omegas Død (Omega's Death)" Portfolio: Alfa og Omega (Alpha and Omega) *Signed by Munch in pencil lower right Year: 1908-1909 Medi...

Full Speed Ahead 1985 Ed Mell 1942-2024 Original signature lower right Stone Lithograph 22 x 30 inches MINT CONDITION. NEVER FRAMED! Biography 1942-2024 Born in Phoenix, Arizona...

Colony at Dawn, architecture photography by Richard Heeps for his 'Dream in Colour' series, this piece features the mid-century architecture of Ballantines Movie Colony, California, captured at dawn against the Palm Springs mountain landscape...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, XXe Siècle, vol. n°29, 1967. Published and printed u...

Still Life is a Photolithograph print, reproducing the original watercolor by Giorgio Morandi created in 1932. The signature by the artist is perfectly reproduced on the plate and d...

Image dimensions: 40x60 cm. The painter and the model is an original colored lithograph on paper realized by the Italian artist Mario Russo (1925-2000) A beautiful original print representing the painter portraying an elegant woman with a big hat (she has something of the Fellinian actress) and remembering the academy lesson of drawing and the Classical Greek examples of beauty, is hand-signed in pencil by the artist on the lower right margin. Realized with a fresh line and transmitting the natural fascination towards the female beauty and world, this lithograph is numbered in pencil on lower left margin, a fine specimen from an edition of 150 prints. In very good condition and demonstrating a good inking, except for a light foxing along the margins, this is a really fine contemporary artwork able to adapt to each kind of furniture! Mario Russo (1925 - 2000) The Neapolitan artist moved to Rome, Trastevere, in 1950: in these years began to exihibit in Italy and abroad. In 1953 he stays in Paris, in 1960 in London with his own exhibition. Another exhibition in Monaco of Bavaria in 1965: three years later, in 1968, held two exhibitions in New York and accepted the invitation to exhibit his works at the Royalton College in 1970 Vermont. In 1970 he is enchanted from Sardinia and then decide to live there four months every year. His master is conquered by the sense of beauty, which is synonymous of female body pervaded sensuality. In 1977, during a stay in Canada, obtains new ideas on the man-machine relationship, always inherent in his paintings. In 1979 he was invited by the Italian Institute of Culture of Toronto to exhibit his works at Sudbury University. In 1981 in Florence, he is impressed by the Riace...

Shunga, Love plays is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Good print with gold. Backed, restored wormholes and missing oarts, glued at upper ...

Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...

Although this work is titled Horses. It nice to think it could be (Horses in a Field in Woodstock, NY), but it was printed by Will Barnet at the Art Students League, about 1938, and Wilson, who visited Woodstock with Arnold Blanche...

circa 1950. Woodblock print in black and gray ink on Japon laid paper, 10 1/4 x 15 3/4 inches (260 x 398 mm), full margins. With the artist's embossed chop mark in red ink in the l...

Plate #13 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

Auguste Chabaud was born in Nimes, France and attended the Ecole des Beaux-Arts in Avignon and Paris.He lived in the area of Montmarte where he had a studio and painted various scene...

An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique. Rowlandson, Thomas (after George Murgatroyd W...

G. B. Piranesi, Veduta del Porto di Ripa Grande (View of the port of Ripa Grande) Etching, Burin and Drypoint on fine watermarked paper (with lily watermarked). Signed on plate lower-right: “G.B. Piranesi Architetto fec.”. 2nd State/ VI (Hind 27) Image Dim: cm 38.2 x 61.5, Dim: 53.3 x 77.3. Good conditions, with some normal fold of paper at the center From one of the most important series of etchings by G.B. Piranesi, ”Views of Rome drawn and etched by Giambattista Piranesi...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

Artist: George Chemeche – Iraqi/American (1934-2022) Title: Dancing Ducks in Red, Green, Blue, Purple Year: circa 1980 Medium: Screen Print Image size: 19 x 27 inches. Sheet size: 22 x 29 inches. Signature: Signed lower right Edition: 260 This one: 77/260 Condition: Very good Unframed This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube. George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful. George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist. Selected Biography 1934 Born in Basra, Iraq 1947 Fled Iraq with his family 1947-49 Lives and attends school in Tehran 1949 Immigrates to Israel 1956-59 Studies art in Avni Art School, Tel-Aviv 1959 Gets American-Israeli Culture Foundation grant to study art in Paris 1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris 1961- Gets two years grant from Lady Francis Fergusson, Scotland 1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris 1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum 1972 Travels to New York, checks in the Hotel Chelsea 1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe. 1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY 2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy 2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins 2005 Reads his poems at the Bowery Poetry Club, New York 2010 Lectures about Ibeji art and cult at Iowa University 2011 Lectures about Ibeji Art and cult at Neuberger Museum 2011 Publishes, The Horse Rider in African Art” ACC, UK INDIVIDUAL EXHIBITIONS 1978 Goldman Art Gallery, Haifa, Israel 1977 Louis K. Meisel Gallery, New York 1977 Alexandra Monett Gallery, Brussels 1977 Givon Art GaJIery, Tel Aviv 1974 South Houston Gallery, New York 1974 Ray Landis Gallery, East Brunswick, New Jersey 1973 Gala Gallery, Key Biscayne, Florida 1973 Art Asia Gallery...

This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto della Tosse su la Via Tiburtina, un miglio vicino a Tivoli" (View of the so-called Tem...

Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...

Frederic Menguy, French (1927 - 2007) - Detente, Year: 1975, Medium: Lithograph, signed in pencil, Edition: EA, Size: 15 x 22.5 in. (38.1 x 57.15 cm)

This is an unsigned and unnumbered unique trial proof (without the colored plates), aside from the edition of 1000. Printer: Rupert Jasen Smith, New York Publisher: Grosset and Dunl...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

An original early 20th century etching of Plymouth Hoe by Rowland Langmaid (1897-1956). Signed and titled in pencil to the lower margin. Presented in a narrow black frame with a cris...

Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...

Marc Chagall Original Lithograph 1969 From the revue XXe Siecle, edition of 12,000 Unsigned, as issued Dimensions: 32 x 24 Condition : Excellent Reference: Mourlot 572 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Letter Z from Alphabet series is an original lithograph realized by Rafael Alberti in 1972. Hand-signed and dated on the lower margin. Numbered on the lower margin. Edition 10/99...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Picasso 1930-1935, 1936. Published and printed by Éditions des Cahiers d'Art, Pa...

Theo Tobiasse (1927 - 2012 ) Title Des Hommes Arrivent du Fond de leur Passe Lithograph 1968 edition E. A. ( artist proof ) size 17.50 x 23.50 condition good Des Hommes Arriv...

Artist: Andy Warhol Title: Untitled (Plate 9) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Sheet Size: 8 1/2" x 11" Signatu...

Colombe volant ( à l’Arc-en-ciel ) ( Flying Dove in a Rainbow ) (Bl. 712, M. 214) color lithograph on Arches paper, Edited in 1952 Limited edition of 200 copies Current copy numbere...

Image dimensions: 22.5 x 19 cm. Editions of 50 pieces (XVIII / L). Published in the Portfolio "La Prière". Signed and numbered on bottom left in pencil.

Artist: Peter Max (1937) Title: Sage, Sailboat, and Vase II Year: 2000 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.375 x 8.25 inches Condition: Ex...

PAUL GAUGUIN (French 1848 - 1903) DEAUX FEMMES MAORIES ACCROUPIES. 1894-5 (Kornfield 26: Guerin 87 ) Zincograph (Lithograph) on smooth, cream imitation Japan paper, edition 200. Pu...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Blue Rose is an original contemporary artwork realized by Giacomo Porzano in 1970s. Colored etching. Hand-signed on the lower right. Numbered on the lower left. Edition 25/50 G...

Artist: Peter Max (1937) Title: Umbrella Man at Sunrise Year: 2001 Edition: 303/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excellent In...

Serigraph by Mexican painter Rafael Coronel. Edition 28 of 100. Certificate of authenticity included.

Color lithograph with photolithography. Hand signed lower right by Rafael Canogar. Hand numbered 62/75 lower left corner. Artwork size 22 x 29 inches. Frame size 30 x 37 inches. ...