Items Similar to The First Reading of the Emancipation Proclamation Before the Cabinet
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Alexander Hay RitchieThe First Reading of the Emancipation Proclamation Before the Cabinet1866
1866
About the Item
The First Reading of the Emancipation Proclamation Before the Cabinet is a hand-colored steel engraving after a painting by Francis Bicknell Carpenter ( 1830-1900 ) and engraved by Alexander Hay Ritchie ( 1822 -1895 ) produced circa 1866 and published by Fishel, Adler & Schwartz, N. Y., N. Y. The original painting is in the collection of the United States Senate. In 1864 President Lincoln was approached by Carpenter about painting a scene related to emancipation. The President invited Carpenter into the White House to gather material to portray this historic event. For six months the painter used the White House dining room to take photos and make sketches of the cabinet.The finished print brings a true to life insight into the interior of the room and everything in it and extremely accurate portraits of the entire cabinet. Here we can see Edwin M. Stanton, Secretary of War, Salmon P. Chase, Secretary of the Treasury, Gideon Welles, Secretary of the Navy, Caleb B. Smith, Secretary of the Interior, William H. Seward, Secretary of State, Montgomery Blair, Postmaster General, and Edward Bates, Attorney General and of course President Lincoln presiding. There is also a portrait Jackson behind the chandelier. Reference: Holzer, et al., The Lincoln Image, fig. 57.
The Emancipation Proclamation publicly announced by Lincoln in September 1862 to become law on January 1, 1863, was the essential first legal step in eliminating slavery throughout the United States. This extremely accurate detailed portrait is an outstanding statement from 19th century history. This hand - colored engraving is in good condition with some wear and tear. There is a repaired tear in the upper right in to the image and there are some water marks in the lower margin. Overall it is in good condition and would improve with framing.
- Creator:Alexander Hay Ritchie (1822 - 1895)
- Creation Year:1866
- Dimensions:Height: 23.75 in (60.33 cm)Width: 32.75 in (83.19 cm)Depth: 0.07 in (1.78 mm)
- Medium:
- Period:
- Condition:
- Gallery Location:Paonia, CO
- Reference Number:1stDibs: LU78033627272
About the Seller
4.9
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1978
1stDibs seller since 2017
104 sales on 1stDibs
Typical response time: 9 hours
- ShippingRetrieving quote...Ships From: Paonia, CO
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Robert King D.D. Stained Glass Pavement by William Fowler 1808By William FowlerLocated in Paonia, COOriginal hand-coloured acquatint engraving of a stained glass window in Christ Church Cathedral, Oxford, depicting the Bishop Robert King D. D. the last Abbot of Osney and the first ...Category
Early 18th Century Medieval Portrait Prints
MaterialsEngraving
- The Yale Football Team and Groups of Spectators at the Championship Game betweenLocated in Paonia, COThe Yale Football Team and Groups of Spectators at the Championship Game between Yale and Harvard which shows the eleven member Yale football team se...Category
1880s Other Art Style Figurative Prints
MaterialsEngraving
- Lincoln and His Family, Philadalphia 1866By William SartainLocated in Paonia, COLincoln and His Family, Philadelphia 1866 is a mezzotint engraving from the painting by Samual B. Waugh and engraved by prestigious engraver William Sartain. This family portrait...Category
Mid-19th Century Other Art Style Portrait Prints
MaterialsEngraving
- Sacred to the Memory of General George Washington 1838Located in Paonia, CO" Sacred to the Memory of the Illustrious Champion of Liberty General George Washington First President of the United States of America" engraved and published by John Donlevy . The artist lists himself as an "intaglio-chromographic and Electrographic Engraver". This is a fine example of American calligraphic and stipple engraving. The face of the portrait is based on Stuart's " Antheaeum " painting surrounded by swirls and elaborate calligraphic design typical of this artist. This is the second state, according to Charles Hart's "Catalogue of the Engraved Portraits of Washington...Category
1830s Other Art Style Portrait Prints
MaterialsEngraving
- A Man of Mangea 1784 final voyage of Captain Cook by John WebberBy John WebberLocated in Paonia, COA Man of Mangea is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was the official a...Category
1780s Realist Portrait Prints
MaterialsEngraving
- A Man of Kamtschatka (Russia) 1784 Captain Cooks Final voyage by John WebberBy John WebberLocated in Paonia, COA Man of Kamtschatka (Russia) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (1752-1793) was t...Category
1780s Realist Figurative Prints
MaterialsEngraving
You May Also Like
- Argentinian Modern Art by Antonio Seguí - La Maîtresse et son ChienBy Antonio SeguíLocated in Paris, IDFLa Maîtresse et son Chien 2018 Carborundum printmaking on papier Mâché, ed. 11/30 45,5 x 31,5 cm & image with the scene 32 x 25 cm Sold with a white frame Carborundum mezzotint is a printmaking technique in which the image is created by adding light passages to a dark field. It is a relatively new process invented in the US during the 1930s by Hubert Mesibov, Michael J. Gallagher, and Dox Thrash...Category
2010s Contemporary Portrait Prints
MaterialsPapier Mâché, Mezzotint, Etching
- Three studies of Bloom Richard Hamilton James Joyce Ulysses illustration printBy Richard HamiltonLocated in New York, NYRichard Hamilton began studying James Joyce's novel Ulysses (1922) during his national service in 1947. Hamilton was inspired by the idea of illustrating Joyce’s complex, experimental novel in and began making sketches the following year, only to put the project to one side in 1950, with no publisher willing to front the exorbitant cost of resetting the novel for illustrations. It was not until 1981 that he made the decision to create one illustration for each of the novel’s eighteen chapters, and a nineteenth image – a portrait of one of the novel’s main protagonists, Leopold Bloom – destined as a frontispiece. He conceived these images as large intaglio...Category
1940s Modern Portrait Prints
MaterialsEngraving, Etching
- Self Portrait by Jim Dine (plate one from Self Portraits portfolio 1971)By Jim DineLocated in New York, NYJim Dine, Self Portrait 1971 drypoint on Hodgkinson Hand Made Tone-Weave paper Paper 18 x 14 in. / 46 x 36 cm Plate 8 x 6 in. / 20 x 15 cm plate one from Self Portraits (1971) portfo...Category
1970s Realist Portrait Prints
MaterialsDrypoint
- George Constant, When We Were Very YoungLocated in New York, NYThe Greek-American artist George Constant is known for his modernist approach to traditional subject matter. This portrait of a young woman holding a book titled "When We Were Very Young...Category
1930s American Modern Figurative Prints
MaterialsDrypoint
- Heraclitus, Ancient Greek, C18th Grand Tour Classical antique engraving printLocated in Melbourne, Victoria'Eraclito' (Heraclitus) Copper-line engraving by Silvestro Pomarede after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–176...Category
Mid-18th Century Renaissance Portrait Prints
MaterialsEngraving
- Mago of Carthage, Roman bust, C18th Grand Tour Classical antique engraving printLocated in Melbourne, Victoria'Magone Cartaginese' (Magone of Carthage) Copper-line engraving by Pazzi after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–1768) was an Italian painter and engraver from Florence, active under the patronage of the House of Medici. Illustration of an Ancient Roman marble bust from 'Musei Capitolini', a series of engravings showing the sculpture of the Capitoline Museum in Rome. Mago I, also known as Magon, was the king of the Ancient Carthage...Category
Mid-18th Century Renaissance Portrait Prints
MaterialsEngraving