Vertical Figurative Prints

Contributors to Gerlach & Schenk’s publications valued design and innovation in the graphic arts just as much as they examined allegories as subject matter for exploration. Here, Gus...

Silver Sprinters - Olympia 1974 Serigraph Edition: 200 Signed by the Artist Size: 100 x 64 cm (25 x 40 inches) COA provided John Paul Jones (November 18, 1924 – 1999) was an America...

This artwork titled "Kabalat Shabbat" c.1990 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-200. It is hand signed and numbered 170/300 in pencil by the artist. The image size is 27.5 x 19.5 inches, framed size is 43.5 x 34 inches. Custom framed in a wooden gold frame, with gold color bevel and black fabric matting. It is in excellent condition. About the artist: Zamy Steynovitz was born in Liegnitz, Poland in 1951 and at a very early age he aspired to be a painter. He won first prize in an art competition for children before immigrating to Israel in 1957. Formally educated at the Art School in Tel-Aviv and the Royal Academy in London, he completed his studies and began artistic pursuits in earnest. Zamy established his place in the art world after displaying his work in one-man exhibitions around the world. His art subjects has been strongly influenced by Jewish tradition and folklore. Additionally, his work presents general themes such as Paris cafes, still lives, flowers, circuses and landscapes. In the early stages of his work, he used rich pastels and light brush strokes. When he visited South America in the early 1980’s, his work reflected his new surroundings and were further enhanced by local brightness and colorfulness. His paintings are a reflection of his Eastern-European Jewish heritage, and they are enhanced by a rich choice of warm tones and colors He became known in the circles of the Nobel Institute for Peace in Norway, and consequently was acquainted with many Nobel prize winners, such as Anwar Sadat, Menahem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu, Oscar Arias Sanchez, as well as many of the world’s greatest leaders and artists. He tragically passed away in September of 2000. The work of Zamy Steynovitz is held in numerous collections worldwide. Selected exhibitions 1970 – Museum – Ramat – Gan 1973 – Brussels – gallery L’Angle Aigu 1974 – London – International Gallery 1974 – Paris – Grand Palais Gallery 1975 – Milan – Brera Gallery 1976 – N.Y. Valentino Gallery – N.Y. Hilton 1977 – N.Y. Valentino Gallery – N.Y. Hilton 1978 – Basel - Aactual Gallery 1978 – Geneva – Bohren Gallery 1978 – Oslo – Nobel Peace Prize Exhibit 1979 – London – Hamilton Gallery 1979 – N.Y. – Canty Art Gallery 1979 – Amsterdam – Schipper Gallery 1979 – Washington – International Art Fair 1980 – Cleveland – Jewish Museum 1980 – Tel-Aviv – Habima National Art Fair 1981 – Abraham – Goodman House N.Y. 1981 – San Lucas Gallery – Bogotá 1981 – Petach-Tikva – Israel – Shelanu Gallery 1982 – Pedro Gerson Gallery – Mexico City 1983 – Simon Bolivar...

This Edition is one of the Summer Bloom series Shizico Yi started in 2022. Veronica and Hydrangea (in the painting) are the summer elements in her garden, Shizico cultivated these de...

Original 1919 Vintage "Americans All!" Victory Liberty Loan Poster by Howard Chandler Christy. Archival linen backed in A- condition, ready to frame. This iconic 1919 "American...

David Hockney Hockney's Alphabet, 1991 26 color lithographs in Fine Art Cartridge paper bound in quarter vellum with handmade Fabriano Roma paper sides, housed in matching box; signed by David Hockney and most contributors in ink and numbered 178 in black ink on the justification page Numbered 178/250 Hand signed by 24 of the contributors, including David Hockney and Steven Spender 12 5/8 x 9 5/8 inches Bound in book and held in slipcase This portfolio features 26 color lithographs in Fine Art Cartridge paper with full margins, bound as issued, in quarter vellum with handmade Fabriano Roma paper sides, in original grey slipcase. It is signed by David Hockney (the artist) and most contributors in ink and numbered 178 in black ink on the justification page, from the edition of 250, with full text and title page, published by Faber & Faber, London, text edits by Stephen Spender, who also signed. It is illustrated by David Hockney, hand signed by David Hockney and Stephen Spender and also signed by the following contributors: Douglas Adams, Martin Amis, Julian Barnes, William Boyd, Margaret Drabble, Patrick Leigh Fermor, William Golding, Seamus Heaney...

Lithograph on vélin d’Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good Condition. Notes: From the folio, Maravillas con variaciones acrósticas en el Jar...

Original lithograph by the master Salvador Aulestia executed in 99 copies H.C. (out of commerce) numbered and signed by the Author, and in 10 copies P.A.H.C. (author's proof out of c...

Self Portrait in a Ski Hat (in color) first state 1974 Etching from one 29.8 x 32.4 cm (11¾ x 12¾ inch) copper plate Printed in black on sheet of 66.0 x 50.8 cm (26 x 20 inch) Apta 5...

Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi" (Revenge at the Denka Teahouse), by Shigeharu, Ryusai (also called Kuniyoshi) Tokyo: Horie Ichiba Wataki, 1835. Woodcut on la...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Classic Jim Dine tool iconography from Ten Winter Tools, 1973, this black and white lithograph pictures an adjustable spanner wrench sketched in outline...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

ARTIST: Salvador Dali TITLE: Faust Chevalier a Genou MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 9/95 MEASUREMENTS: 15.3" x 11.4" YEAR: 1969 FRAMED: No CONDITION: Ex...

Avant-garde female nude lithograph on paper by Danish artist Wilhelm Freddie. Number 80 from an edition of 170. Signed, dated and titled in pencil bottom left, numbered in pencil bot...

This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Pablo Ruiz Picasso (Spain, 1881-1973) 'Museo Picasso. Palacio Aguilar.', 1966 Four-color offset printing on paper 30 x 21.5 in. (76 x 54.5 cm.) Unframed Ref: PIC2001-P010 Conservatio...

Marc Chagall "Le Nu" Lithograph in colors on Arches paper 21.25 x 14 in. (image size) 25.5 x 18.38 in (sheet size) ​​​​​​​Edition of 50 + Épreuve d'artiste Signed in pencil lower rig...

Helios Gomez, 'El Dictador (The Dictator)', letterpress, 1929-1930. Signed in the matrix, lower right and numbered '3', upper left corner. Letterpress relief print after the original drawing, with text in black ink on buff, wove paper; the full sheet with margins. Slight toning at the sheet edges, otherwise in very good condition. From the vintage suite of 23 numbered prints, titled in five languages with Spanish verses in linotype. Matted to museum standards, unframed. As published in 'Días de Ira' (Days of Wrath), a portfolio of 23 drawings and poems on the “Spanish White Terror” by Spanish artist Helios Gómez, his first publication. Accompanied by an introduction by the 'Socialist International' and with a foreword by Romain Rolland. Printed in Berlín in 1930. Image size 7 3/4 x 5 5/8 inches; sheet size 12 7/8 x 9 3/8 inches. ABOUT THE ARTIST "Free art from representational conventions and make it live from its own dynamism; make the spectator feel the emotion of an idea thanks to pure abstract plastic art: that is, in short, my artistic aspiration... I wanted to touch the people through art". — Helios Gómez. Helios Gómez (1905–1956) was born in Triana, Seville, into a working-class Calé (gypsy) family. He received his training at the Seville Industrial Arts and Crafts School and the Cartuja factory as a painter and decorator of ceramics. His initial works were published in the anarchist Páginas Libres, and he illustrated books by local authors like Rafael Laffon and Felipe Alaiz. In 1925, he showcased his work for the first time at the Kursaal in Seville, followed by exhibitions in Madrid at the Ateneo and in Barcelona at the Dalmau Gallery the subsequent year. Gómez became increasingly aware of the need for political change, aligning himself with anarchist groups and committing to express his political beliefs through his art, writing, and speeches. His artistic career allowed him some acceptance in broader Spanish society, which still primarily viewed Romani identity as acceptable only through creative expression. Unfortunately, anti-Romani sentiment persisted, reflected in critical reviews and media coverage. His early illustrations for anarchist writer Felipe Alaiz and exhibitions at radical spaces like Café Kursaal marked the beginning of his activism. In 1927, due to his political involvement, he had to flee Spain and travel across Western Europe, connecting with avant-garde art movements and the labor movement. This experience significantly influenced his work, which incorporated elements of cubism, expressionism, and futurism. Upon returning to Spain in 1930, he settled in Barcelona and collaborated as a printmaker with the Confederación Nacional del Trabajo. Gómez later renounced anarchism and joined the Communist Party of Spain (PCE), believing that the international communist movement was the most effectively organized force opposing the rise of fascism. He participated in communist rallies and was imprisoned in Barcelona's Model prison. During the Spanish Civil War, he fought with the Communist Party. He gave an interview to the leftist magazine Crónica, where he spoke about the anti-fascist cause and praised the Soviet Union for its integration of Romani people. By 1938, he had rejoined the anarchist movement and worked on the design of the newspaper El Frente. After fleeing the country during the Nationalists' Catalonia Offensive, he was interned in French concentration camps. In the aftermath of the war, as details of the Romani Holocaust started to emerge, he embraced his Romani identity more openly, especially after his imprisonment under the Franco dictatorship. He spent time in Model prison from 1945 to 1946 and again from 1948 to 1954, during which he focused on writing. He produced two essays, including one on Romani art...

Ben Allen Mickey 3D-construction on Hahnemühle Velvet Year: 2022 Signed by hand and inscribed Edition: E.A. Size: 23.6 × 20.3 on 24.0 × 20.7 inches COA provided Ref.: 924802-1557 Born in 1979 in the UK, Ben Allen is a contemporary artist known for his fresh and exciting take on Pop Art. Armed with a range of complex collage techniques, Ben creates eclectic artworks that bring together the best bits of pop culture. Ben uses a bold colour palette to create Collages dripping with both paint and energy, drawing upon some of the most ubiquitous images in the modern world, from Disney characters to dollar signs. Ben Allen’s Career The standout style of Ben’s artwork has earned him spots in galleries in the UK, across the pond and even further afield. He has exhibited in countless galleries and festivals, in locations ranging from his hometown Brighton to more exotic locales like Miami, Hong Kong, Sydney and Seoul. He was also shortlisted for our Rise Art Prize in the Street Art category back in 2018. Clients and Collections Ben Allen’s wide appeal has made him a popular choice for commercial clients and private collectors alike. He has worked with big name brands...

Edouard MANET The Absinthe Drinker, 1860 Original etching Printed signature in the plate On Japan paper 45 x 40 cm (c. 18 x 16 inch) REFERENCES : Catalog raisonnes Guerin n°9 and F...

Pulled from the "L'Atelier Mourlot" exhibition catalog, published by The Redfern Gallery, London, 1965 By Joan Miró Joan Miró was a pioneering Spanish artist celebrated for his whi...

Screenprint on paper , edited in 1975 Limited edition of 150 copies Current copy numbered: 143/150 on the verso Initialed in pencil by artist lower right Blindstamp on the verso: spe...

Ed Ruscha America Needs Hart (Hand Signed), 1983 Offset lithograph (Hand signed by Ed Ruscha) 36 inches (vertical) x 24 inches (horizontal) Boldly signed in marker by Ed Ruscha on th...

Lynd Ward, 'Judges' from the series 'Moriae Encomium (In Praise of Folly),' mezzotint, 1943, no edition, proofs only. Signed, dated, and titled in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (1 1/4 to 2 inches) in excellent condition. Scarce. Matted to museum standards, unframed. Image size 7 13/16 x 4 7/8 inches (198 x 124 mm); sheet size 10 3/4 x 8 1/8 inches (273 x 206 mm). Created by the artist for 'Erasmus's Moriae Encomium,' or 'In Praise of Folly,' published by the Limited Editions Club, 1943. A rare, signed, proof impression apart from the Limited Editions Club publication. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage,’ 1932, ‘Prelude to a Million Years,’ 1933, ‘Song Without Words,' 1936, ‘Vertigo,’ 1937; and ‘Last Unfinished Wordless Novel’ (created in the 1960s and published in 2001) were comprised solely of Ward's wood engravings. Ward designed each graphic image to occupy an entire page, the sequence of which conveys the story's narrative. In 1937, Ward was named Director of the Graphic Arts Division of the Federal Art Project, a division of the Works Progress Administration (WPA). In the following years, Ward went on to illustrate more than one hundred books (some of which he wrote), including classics for the Limited Editions Club Goethe’s ‘Faust,’ Faulkner’s ‘A Green Bough,’ and Mary Shelley’s ‘Frankenstein,’ and several children’s books. He also produced single-subject wood engravings, paintings, and drawings. His print ‘Sanctuary,’ 1939, was shown at the 1939 New York World’s Fair, and ‘Clouded Over,’ 1948, received the 1948 Library of Congress Award and was included in ‘American Prize Prints of the 20th Century’ by Albert Reese. He received the National Academy of Design Print Award (1949), the New York Times Best Illustrated Award (1973), and the Regina Award (Catholic Library Association, 1975). ‘The Biggest Bear,’ a children’s book with illustrations by Ward, was the recipient of the esteemed 1952 Caldecott Medal of the American Library Association. An Honorary Fellow of the Royal Society of Painter-Etchers and Engravers, Ward was a member and board member of the National Academy of Design and the Artists’ League of America. He served several terms as president of the Society of American Graphic Artists and was a member of the American Artists Congress and the Society of Illustrators. Ward exhibited at the American Artists Congress; the National Academy of Design; the John Herron Art Institute; and the Library of Congress. He had a one-person show at Associated American Artists, NY, on the publication of his monograph 'Storyteller Without Words,' 1974; AAA mounted a memorial exhibition in 1986. The May 1976 issue of 'Bibliognost,' a book collector’s publication, was dedicated to Ward. ‘Lynd Ward, His Bookplate Designs,’ an article by Dan Burne Jones, was published in the American Society of Bookplate Collectors and Designers Yearbook, 1981/82. In 2001, sixteen years after his death, Rutgers University Libraries published ’Lynd Ward’s Last Unfinished Wordless Novel.’ The blocks were intended to be part of a novel in woodcuts, the first since Vertigo, but Ward did not live to complete the project. Master printer and book designer Barbara Henry collated and printed the twenty-six finished blocks out of the forty-four initially planned for the still unnamed narrative. In 2010 the Library of America honored Ward’s achievements with the meticulous production of a collection of Ward’s woodcut novels—the first time the Library had gone wordless. The publication replicated his original editions with a single full-size image printed on the right page of each double-page spread. In his introduction to the books, renowned cartoonist/illustrator Art...

Hand signed and numbered by the artist. Artwork is in excellent condition. Image size: 32 x 24 inches. Sheet size: 35 x 27. Certificate of Authenticity is included. Of 300. All reas...

Only Elvis Gold by B A T I K signed limited edition print pop art print of the infamous mock arrest mugshot of Elvis Presley. Archival pigment print paper size 40x30 inches / 1...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

'Melancholic Muses III', one of a poignant set of six signed artist proof lithographs by the celebrated Spanish artist from Barcelona, Vicenç Caraltó (circa 1960s). This collection o...

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...

Ken Steacy 1994 Signed Limited Edition Star Wars Galaxy Darth Vader "Galaxy" 1994 Artist: Ken Steacy Medium: Lithograph Arches Paper Paper Size: 23½" x 30" inches Image Size: 17½" x...

Lithograph on vélin d’Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good Condition. Notes: From the folio, Maravillas con variaciones acrósticas en el Jar...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...

Jean Marais (1913 - 1998) Christmas Tree and Horses Original lithograph Signed with the stamp of the artist (Also bears printed signature in the plate) Numbered / 100 copies On vell...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable p...

This artwork titled "Sophia Relaxes" c.1990 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed in black ink and numbered 52/125 in...

Vintage offset lithograph postcard published by Art Unlimited Amsterdam. Printed in Holland. The postcard is framed in a black wood frame with a front profile of 1 inch and a side pr...

Society of Iconophiles, 1898. Lithograph on brown wove paper, 10 x 7 1/2 inches (253 x 190 mm), full margins. In good condition with some age tone and the lower left corner dog-eare...

This delicate composition in black and tan features layers of sheer brushwork, inky daubs, and thin lines. Mark Tobey, one of the founders of the American Mystical school of painting...

FATHER & SON is a hand drawn, limited edition lithograph by the African American artist JONATHAN GREEN printed using hand lithography techniques on archival Arches paper, 100% acid free. FATHER & SON is a beautifully simple composition depicting a refreshing Lowcountry South Carolina landscape...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer and...

Marc Chagall (1887-1985) was a Belarusian-French artist. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic format...

Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...

Snipe is a modern artwork realized in 1870. Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name of the bird printed in plate. This work is part of a print su...

Purgatory Canto 25 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame. Cataloging:...

Wading Out, 2019 Archival print on heavy matt stock 44.5 x 30.5 cm Edition 188 of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician, and w...

Salvador Dali American Trotting Horses no.1 poster for Tokyo Exhibit 1974. This image is from the The Currier and Ives Suite of six litho...

The final plate from Marc Chagall's renowned Circus suite brings the sweeping and energetic series to a close with a musician's serenade. Untitled (M.527) is a lithograph on paper wi...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°9, 1957. Published and printed under the direction of Gualti...

Bernard Brussel-Smith, 'City Scene II', wood engraving, 1949, artist's proof, edition 100. Signed, titled, and annotated 'A.P.' in pencil. A superb, richly-inked impression, on whit...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 198. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Original 1940 Loterie Nationale Vintage Poster. Tranche de l”Historie de France. Linen-backed in very good condition – excellent, ready to frame. The team of Eddgard Derouet and C...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with bifold, as issued. Notes: From volume, Derrière le miroir, N° 125-126, 1961. Publishe...

Medium: original woodcut. This bold and striking Expressionist woodcut was printed in 1920 for Genius. Image size: 9 1/2 x 7 inches (240 x 180 mm). This original Rouveyre print is fr...