Vertical Figurative Prints

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. XVII, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sket...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. XII, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketc...

Lithograph on vélin paper. Paper Size: 13 x 9.5 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and Fernand Mourlot. Chagall Lit...

This exquisite lithograph and pochoir by Joan Miro (1893–1983), titled Femme et oiseau dans la nuit (Woman and Bird in the Night), from the album XXe Siecle, Nouvelle serie No. 8, or...

This exquisite lithograph by Henri Matisse (1869–1954), titled La Blouse Roumaine (The Romanian Blouse), from Verve, Revue Artistique et Litteraire, Vo...

Artist: Keith Haring Title: Plate 5 from Story of Red and Blue (L. pp. 128-133) Medium: Screen print in colors on wove paper Sheet Size: 22 x 16.5 inches Frame Size: approx 28.5 x 22...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. I, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

"Young Woman in Shirt" was painted in 1905 by Pablo Picasso and depicts a standing female in his typical early blue phase style. The color lithograph offered here comes beautifully f...

The title Favor Rites for this poster references a theme or concept related to rituals, preferences, or influential practices in art or culture. Rauschenberg's use of titles often co...

PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...

Robert Indiana Numbers: Complete Portfolio of 10 Color Silkscreens (Sheehan 46-55) bound in cloth slip case (Hand Signed, inscribed and dated by Robert Indiana on the first front end...

Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling. [Björklund's second state ...

Dos Villancicos Sor Juana Inés de la Cruz (text) Artemio Rodríguez (linocut) Printed at Taller Martín Pescador, Mexico Published by El Tercer Milenio / Artes de México Signed and nu...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. VIII, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sket...

This exquisite lithograph by David Hockney (born 1937), titled Letter K, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

signed and numbered lower image edition 7/40 Catalogue raisonné 00269 Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. Over a thir...

Marc Chagall, After, Russian (1887 - 1985) - The Songs of Songs, Year: 1975, Medium: Lithograph Poster, signed in color pencil lower right, Edition: 8500, Size: 30 x 20.25 in. (7...

Allen Jones (b.1937) Shoe 1968 Etching 96/100 21.6 x 16.0 cm Frame: 50.5 x 40.5 cm Signed Allen Jones studied at Hornsey College of Art from 1955 to 1959 and the Royal College of Ar...

This exquisite lithograph by Alexander Calder (1898–1976), titled Mama Citron, originates from the historic 1975 folio Derriere le Miroir, No. 212. Published by Maeght Editeur, Paris...

LA GRANDE FAMILLE, 1963 (THE LARGE FAMILY) Date of creation: 2010 Medium: Lithograph on BFK Rives Paper Edition: 275 Size: 60 x 45 cm Observations: Lithograph on BFK Rives paper plat...

Henri BOUTET (1851 - 1919) Ballerina in the Stairs, 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION:...

Ian Hugo, 'Together', from the portfolio 'Ten Engravings'. engraving, 1946, edition 50. Signed, dated, titled, and numbered '22/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with wide margins (2 7/8 to 5 1/2 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 7/8 x 4 7/8 inches (149 x 124 mm); sheet size 15 x 11 1/8 inches (381 x 283 mm). Collection: Indianapolis Museum of Art. Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...

Color lithograph after the 1935 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 8.10.64. X, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Scarce. Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY. Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...

ARTIST: Salvador Dali TITLE: Renaissance MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 196/250 MEASUREMENTS: 21.5" x 29.5" YEAR: 1978 FRAMED: No CO...

"The Best Version Of Yourself" by Jisbar/ Jean-Baptiste Launay is a pop-art, street style UV print on cardboard Dibond (0.3 cm) created in 2023. The artwork is hand signed, dated, a...

Alphonse MUCHA (1860-1939) Belle-Epoque Woman with a Beer, 1899 Original Lithograph Printed signature in the plate Published in "Les Maîtres de l'Affiche" Authenticated by the blind...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 20.5.64. VIII, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sket...

Original screen print in colors by the well known American artist, Alex Katz. Condition is very good. 1965. Edition 63/150 in pencil lower left. Published by Paris Review, New York....

David Hockney David Hockney - 60 Years of Work - Tate Britain original poster, 2017 Offset lithograph and digital print 24 × 16 1/2 inches Unframed, unsigned and unnumbered Provenanc...

Mary Cassatt (1844-1926) Maternal Love Engraving after a pastel Signed in the plate On vellum, 50 x 38 cm (c. 20 x 15 in) INFORMATION: Copperplate engraving published by the Galer...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Matisse (Mrs. Matisse), originates from the 1954 album Portraits par Henri Matisse (Portraits by Henri Matisse), published by Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo, and printed by Mourlot Freres, Paris, December 20, 1954. In Madame Matisse, Matisse captures his wife’s tranquil poise and reflective grace through the purity of contour and a refined economy of line. The portrait reveals his unparalleled ability to merge simplicity with psychological depth, embodying the serenity and balance of his late period. Executed on velin paper, this lithograph measures 12 x 9.25 inches (30.5 x 23.5 cm), paper size; 9.45 x 7.08 inches (24 x 18 cm), image size. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Mourlot Freres atelier, underscoring Matisse’s continuing influence on twentieth-century modernism. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Madame Matisse (Mrs. Matisse), from Portraits par Henri Matisse (Portraits by Henri Matisse), 1954 Medium: Lithograph on velin paper, mounted on velin paper backing sheet, as issued Dimensions: 12 x 9.25 inches (30.5 x 23.5 cm), paper size; 9.45 x 7.08 inches (24 x 18 cm), image size Inscription: Unsigned and unnumbered, as issued Date: 1954 Publisher: Editions du livre, Monte-Carlo, under the direction of Andre Sauret, Monte-Carlo Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Portraits par Henri Matisse (Portraits by Henri Matisse), published by Editions du livre, Monte-Carlo, 1954 Notes: Excerpted from the album (translated from French), This album was composed entirely by Henri Matisse, who himself chose the works lithographed. The cover is a composition by the artist, executed especially for this work, as well as the original lithograph printed on the frontispiece. This album, directed by Andre Sauret, under the direction of Henri Matisse, was drawn to MMDCCCL examples, numbered from I to MMDCCCL, and completed printing on December 20, 1954. The original lithography, the cover and the color plates were drawn on the presses of the Mourlot Freres workshops; the phototypie is by Louis Duval; and, the typography of L'Imprimerie Union. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie's New York for Odalisque couchee aux magnolias (1923). Henri Matisse Madame Matisse, Matisse Portraits par Henri Matisse, Matisse Editions du livre Monte-Carlo, Matisse Mourlot Freres, Matisse 1954...

Ten lithographs in excellent condition, with portfolio cover. The ten artists included in the 1946 portfolio "Mexican Art: A Portfolio of Mexican People and Places" include: Ángel Bracho / Francisco Mora / Fernando Castro Pacheco / Raúl Anguiano / Alberto Beltrán...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

THE FAMILY is an original hand drawn, limited edition lithograph by the African American artist James Denmark, printed using hand lithography on Arches paper 100% acid free. Rich, vi...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Mesure hermetique (Hermetic Measure), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by J...

Lithograph realized by Lucio Rofrano in 1990s. Edition of 150, numbered and hand signed. Excellent condition.

This rare and collectible poster by David Hockney was part of a series of three billboards commissioned by the Metropolitan Opera in New York City in 1981. Designed specifically for ...

Salvador DALI Flordali : Surreal Tree (Fingers and Lips), 1969 Original Lithograph and Etching Handsigned in pencil Numbered 142/175 On Japan paper 77 x 57 cm (c. 31 x 22.4 inch) ...

Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Mother II ', 2004 dry point on paper Guarro Super Alpha 250g. 19.3 x 15.4 in. (49 x 39 cm.) Edition of 20 Unframed ID: CHO-112_1 Hand-sign...

Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...

Josh Agle (born August 31, 1962) is an American artist, better known by the nickname Shag. Agle's nickname is derived from the last two letters of his first name, and the first two ...

Hajime Namiki, 'Weeping Cherry 16 A', color woodblock print, 2012, edition 200. Signed in pencil with the artist’s red seal. Titled, dated, and numbered ...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Libra, by Deming King Harriman; collage, print, figurative, gold, tarot, horoscope, metallic gold edge, on glossy heavy card stock with pink design on reverse.

Otto Kuhler, 'The Gateway to the New World', etching (artist's proof), edition 16, 1926, Kennedy 25. Signed in pencil and annotated 'Japan Silk Paper - Trial Proof - Ltd. Ed. Del. et...

Julian Opie, Woman Taking Off Man’s Shirt, 2003 3-colour silkscreen print on woven paper 23.75 x 39.5 in (60 x 100 cm) Unknown edition...

ARTIST: Salvador Dali TITLE: Visions Surrealiste Coronation of Gala MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: EA MEASUREMENTS: 21.37" x 29.75" YEA...

Color lithograph after the 1954 oil on canvas by René Magritte, plate-signed by Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte...

Takashi Murakami - WHO'S AFRAID OF RED, YELLOW, BLUE AND DEATH Date of creation: 2011 Medium: Offset lithograph with silver and silkscreen with spot UV varnishing Edition: 300 Size:...

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...

This exquisite lithograph by Pablo Picasso (1881–1973), titled Tete d'un jeune homme en face (Head of a Young Man, Frontal View), from the folio Les Peintres mes amis (The Painters M...

This exquisite lithograph after Pablo Picasso (1881–1973), titled 29.9.64. IV, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketch...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Akira Kito (1909–1995), titled Enfant (Child), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by th...

Roy De Forest Untitled (Dog), 1981 Color lithograph with deckled edges. Floated and framed. Pencil signed and numbered from the edition of 125 Frame Included: held in original vintage white frame Wonderful whimsical rare 1981 lithograph by the incredibly popular and beloved Roy de Forest, famous for his paintings and prints of dogs...

Steve McCurry Sharbat Gula, Afghan Girl, Pakistan (Hand Signed), 1984 Offset Lithograph poster Hand signed by the photographer in black felt pen on the front 24 × 20 inches Unframed...

MARC CHAGALL (1887-1985) "Fiançailles au Cirque" lithograph in colours, 1983, on wove paper. Signed in pencil, Numbered 18/50 in pencil Image 455 x 350 mm. Sheet 650 x 478 mm. LITERA...