Miniature Figurative Prints

Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...

This lithograph from the portfolio "Egon Schiele" is a reproduction of " Kirche von Bozen ", an original artwork realized by Egon Schiele in 1907. The portfolio, that includes 10 lit...

Original “Mercurey Kina” vintage lithographic poster. Linen backed in B condition but ready to frame. Artist: Paul Mohr. Printer: Edia Paris. Signatur...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects. OSSI CZINNER - Central European artist, graphic designer an...

Bull is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) Lithograph print, mid-20th century. Very good conditions. Jean L...

Life in Technicolor by Anne Storno Limited edition print and hand signed by the artist Edition of 12 Screenprint on Paper Image size: H:30cm x W:40cm Complete size of unframed work: H:30cm x W:40cm x D:0.1cm Please note that insitu images are purely an indication of how a piece may look A Bengale cat printed in fluorescent pink and blue on a bright orange background. This background provides a modern and pop touch. This a very colourful artwork with bright and shiny colours that gives energy, happiness and brings life in a room. The title makes a reference to a song by Coldplay, one of my favorite music group...

Pablo Picasso - Original Lithograph La Petite Corrida (The Small Bullfight) 1958 Edition of 2000, unsigned Published in the journal XXe Siecle Dimens...

Bold modernist self portrait in blue, a lithograph by California artist I. Colon (20th Century). Numbered, titled, and signed along the bottom edge ("2/6 "Altered States of an Aut...

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit. His face is obscured by a mass of hair, tangles of which seem to grow from the sleeves, pant legs, and from beneath the jacket. Dine's notes are written on the image: at his feet reading "WHITE BOOTS" and "White Vinyl Suit" alongside the jacket. On the left edge of the image handwritten text reads "DORIAN GRAY AT OPIUM DEN". In Oscar Wilde's novel Dorian Gray keeps opium in an ornate box in his home, and frequents sites of consumption on the East side of London: “There were opium dens where one could buy oblivion, dens of horror where the memory of old sins could be destroyed by the madness of sins that were new”. An opium den is where Sybil's brother James discovers Dorian. The brother attempts to capture the man he believes is responsible for the death of his sister. Dorian flees to his home, ultimately slashing the portrait that has kept him young for so long. Etching by Jim Dine from one of his most important artist’s books – completely designed and illustrated by Dine. Study for the Rings on Dorian Gray’s Hand from “The Picture of Dorian Gray...

Revenge is an original Lithograph realized in mid-20th Century by Valentine Hugo (1887-1968). In good condition. The artwork is depicted skillfully t...

Walt Kuhn Kuhn Family Holiday Card Lithograph on paper 5 1/2 x 4 inches Walter Kuhn was born on October 27, 1877 in Brooklyn, NY. His father, Francis Kuhn, was the owner of a ship ...

Clare Grossman Overture 1 Limited edition of 70 solar plate etchings hand printed by the artist on 300gsm Somerset paper. Actual image/plate size 13x10cm. One example from a portfoli...

Etching and drypoint realized to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 specimen on Arches ...

Dawn of Glory is an Original Woodcut Print on paper realized by Ettore di Giorgio in the Early 20th Century Good Conditions. The artwork is depicted through strong strokes in well-...

Etching realized by Chagall in 1929, and printed by Tériade in 1952. It belongs to the Series "Les Fables de La Fontaine". Edition of 200. Hand signed and numbered in pencil. Pri...

Raimundo Orozco (Cuba, 1949) 'Untitled', 2000 engraving on paper Guarro Biblos 250g. 10.1 x 6.6 in. (25.6 x 16.6 cm.) Edition of 60 ID: ORO-312-054 Hand-signed by author

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

La Monaca is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fo...

The Lady is a Drawing realized by the artist Willette (Adolphe Léon). Good condition included a white cardboard passpartout 34.5x26 cm. Signature on the lower right margin. Adolphe Léon Willette (30 July 1857, Châlons-sur-Marne – 4 February 1926, Paris) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Ballet, 1954. Published by Librairie Hachette, Paris, and Arts du Monde, Par...

Nude is an original lithograph on greenish paper realized in 1946 by the italian artist Oscar Gallo (1909 - 1994). Signed on the lower left and dated. The state of preservation is ...

Oriental Warrior is an original print realized in the first half of the XIX century by Utagawa Kunisada. Beautiful colored woodblock print. This wonderful woodcut by Utagawa Kunisa...

Lithograph on vélin vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Résurrection de l'oiseau, Georges Braque, 1958. Publ...

XXe Siecle, No. 34, Mai 1970 Color lithograph, 1970 Unsigned (as usual for XXeme Siecle edition) From: XXe Siecle, Volume 34, 1970 Published by G. di San Lazzaro for A. Maeght, Paris...

Louis Icart Dreaming Girl Original etching and stencil Printed signature in the plate On vellum 19 x 29 cm (c. 8 x 12 in) Excellent condition

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

Blue Nude IV realized in 1952, is a photolithograph realized in 1993 after Henri Matisse. Dated and signed on the plate. On Milano handmade paper.

Kampfende Faune is an artwork realized by Franz von Stuck in the early 20th Century. Etching.

Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...

Artist: Peter Max (1937) Title: Liberty Head X Year: 2004 Edition: 679/700, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7 x 6.87 inches Condition: Excellent Inscripti...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle: N°7, 1956. Published and printed under the...

The work comes directly from the artist, is numbered, signed and made on sealed paper. Limited edition of 20. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Archite...

Amusing original colored lithograph with pouchoir details. Beautiful satiric illustration by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier, 1804- 1866), from...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Sujets d’histoire et de Mythologie is an etching made by the French draftsman and engraver Philippe-Louis Parizeau (Paris, 1740 – 1801), also known for realizing the first prints au ...

Original etching on archival laid paper of Claude Renoir the son of Pierre August Renoir. Pierre Auguste Renoir (French 1841-1919) "Claude Renoir Fils ...

Braun G. and Hogenberg F., Brema, from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image dimensions: 10.5 x 23.5 cm. Dimensions: 15 x 26 cm. Very f...

Polo Players is a print realized by an anonymous in the mid-20th century. Woodcut print on paper. Good conditions.

Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...

Fritz Eichenberg, 'A Visit to the King of the Waters' from the suite 'The Adventurous Simplicissimus', wood engraving, 1977, artist's proof apart from the edition of 50. Signed in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 inches), in excellent condition. Image size 14 x 12 inches (356 x 305 mm); sheet size 17 1/2 x 15 inches (445 x 381 mm). Archivally sleeved, unmatted. ABOUT THIS WORK 'Simplicius Simplicissimus' (German: Der abenteuerliche Simplicissimus Teutsch) is a picaresque novel of the lower Baroque style, written in five books by Hans Jakob Christoffel von Grimmelshausen published in 1668, with the sequel Continuatio appearing in 1669. The novel is told from the perspective of its protagonist Simplicius, a rogue or picaro typical of the picaresque novel, as he traverses the tumultuous world of the Holy Roman Empire during the Thirty Years' War. Raised by a peasant family, he is separated from his home by foraging dragoons. He is adopted by a hermit living in the forest, who teaches him to read and introduces him to religion. The hermit also gives Simplicius his name because he is so simple that he does not know his own name. After the death of the hermit, Simplicius must fend for himself. He is conscripted at a young age into service and, from there, embarks on years of foraging, military triumph, wealth, prostitution, disease, bourgeois domestic life, and travels to Russia, France, and an alternate world inhabited by mermen. The novel ends with Simplicius turning to a life of hermitage, denouncing the world as corrupt. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

Fritz Eichenberg, 'The Wolf and the Little Kids' from the suite 'Fables with a Twist', wood engraving, 1975-76, artist's proof apart from the edition of c. 50. Signed, titled, and annotated 'Artist’s Proof' in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (7/8 to 1 1/2 inches), in excellent condition. Complete with vellum folder with descriptive text in red and black linotype. Printed by master printer Harold McGrath at The Gehenna Press, Northampton, MA. Image size 13 15/16 x 12 1/8 inches (354 x 308 mm); sheet size 16 1/2 x 14 inches (419 x 356 mm). Archivally sleeved, unmatted. Collection: Harvard Museums. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...

Lithograph and stencil on papier vélin des Manufactures d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Les Biches, 1924. Published by Édi...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Plafond de l'Opéra de Paris, par Marc Chagall, 1965. Published ...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

Actualités is an amusing satirical illustration by the French illustrator and caricaturist, Cham (alias Count Amédée de Noé, 1818-1879) realized in 1840. Beautiful Hand-colored lith...

Irving Place Burlesque Etching, 1930 Unsigned (as usual for the Whitney edition) Numbered in pencil lower left Blind stamp of the Whitney Museum (WM) lower right From: Reginald Marsh...

Rigoberto Mena (Cuba, 1961) 'El Jueves puede ser un gran día' (Thusday could be a great day), 2010 engraving, mixed media, chine colle on paper Guarro Super Alpha 250g. 15.8 x 15.8 i...

"EROTIC DREAM" (1976) by Norbert Matzdorf Woodcut print on paper Limited Edition, numbered (10.3), dated and hand-signed by the artist 27,9 x 38,3 cm Norbert Matzdorf (1951 – 2013) ...

Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Executed in 1949 and issued as the frontispiece of the Picasso Lithograph...

In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and acquatint and 1 e...

Ryoanji Temple in the Snow at Sunset is an original artwork realized in 1850 by Hasegawa Sadanobu (1809-1979). Chuban yokoe. From the series "Miyako meisho no uchi", Famous Viws o...

Alexander Calder Lithographic cover c. 1968 from Derrière le miroir: Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of unknown with crisp bright colors. Published by: Galerie Maeght, Paris, c. 1968. Unsigned from an edition of unknown. Looks fantastic framed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Related Categories: Mid century modern. Alexander Calder prints. Calder orange. Calder red...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.84 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

As We Were Mezzotint printed on Hannemuelle Copperplate paper, 2014 Signed and dated in pencil lower right (see photo) Titled lower left (see photo) Chop stamp of the publisher, The ...