Small Figurative Prints

History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Ga...

DELAYED VD; 1946 military poster by Franz Oswald Schiffers. Delayed! VD, the 1946 U.S. World War II (WWII) health poster warning soldiers overseas of the consequences of venereal disease. He can see the bright lights big city in the distance but he is chained to the VD block... VD Almost! is a vintage 1946 public service announcement poster by Franz O. Schiffers (1902-1976). Schiffers was commissioned to create several posters warning against venereal disease for the U.S servicemen stationed overseas. The artwork is bold, clear and direct. In the post-World War II era, the piece sent a serious message to prevent contracting disease through relations with foreigners. In today's day and age, these pieces are quite humorous and decorative. Virile soldiers are shown to be up against the looming threat of venereal disease. The soldier standing on the pier watching his ship sail away would have to make a very embarrassing explanation to his wife or girlfriend as to why he was left behind. Franz Oswald Schiffers (born August 5, 1902 in Eilendorf in Aachen , February 12, 1976 in Berlin ) was a graphic artist and film poster artist . He was one of the first graphic artists of the 1930s to achieve photorealistic effects in their works. At his father's request, Schiffers initially trained as a teacher before moving to Berlin in 1925 and became a graphic designer at UFA (Universum Film AG). After designing a series of movie posters there, Schiffers became independent in 1932 as a commercial artist (now a graphic designer). In the 1930s, Schiffers specialized in advertising posters for beverage producers - especially beer advertising. The trademark of his beer posters is the meticulous design of beer glass with shiny drops of water that trickle down the misted glass. In this photorealistic context one also speaks of " veristic " graphics. After the seizure of power by the National SocialistsNazis , Schiffers temporarily worked for the Reich Propaganda Ministry. He designed u. a. the so-called "shadow man campaign" with the well-known slogan "enemy hears with!" - A German graphic artist who designed movie posters and advertisements in late-1920s and early 1930s Germany. During the Nazi era, Schiffers was commissioned by the Nazi propaganda office to create German propaganda...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Artist: Marc Chagall Title: Self-Portrait (Frontispiece) Portfolio: Mourlot Lithographe I Medium: Lithograph Date: 1960 Edition: Unnumbered Frame Size: 19 3/4" x 16 5/8" Sheet Size: ...

Artist: (after) Johann Daniel Preissler (German, 1666-1737) Title: "Aurora sive Tempus Matutinum; Der Wohl und Übel angewandte Morgen (Dawn or Morning Time; The Morning Used for Better or For Worse)" Portfolio: Die Vier Tageszeiten (The Four Times of Day) Year: 1723 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown Printer: likely Johann Balthasar Probst, Augsburg, Germany Publisher: Jeremias Wolff (Erben), Augsburg, Germany Reference: Le Blanc No. 255, 38; Nagler No. 23 Sheet size: 22.57" x 16.38" Image size: 17.75" x 14" Condition: Soft handling creases, folds, and scattered faint areas of discoloration to sheet. Three tears skillfully repaired from verso. Has been professionally stored away for decades. It is otherwise a strong impression in good condition with full margins Extremely rare Notes: Provenance: private collection - Aspen, CO. Engraved by German artist Johann Balthasar Probst (1673-1750) after a drawing by German artist Johann Daniel Preissler (1666-1737). Comes from Preissler's 1723 "Die Vier Tageszeiten (The Four Times of Day)" portfolio of four etchings and engravings. Printed from one copper plate in one color: black. Descriptions of the portrayed image are printed in Latin and German. Biography: Johann Daniel Preissler, or Preisler (1666–1737) was a German painter and director of Nuremberg's Academy of Fine Arts. He was a notable member of a German artistic family, originating in Bohemia. His children included Johann Justin Preissler (1698–1771), Georg Martin Preisler (1700–1754), Barbara Helena Preisler (1707–1758; married to Oeding), Johan Martin Preisler (1715–1794), and Valentin Daniel Preisler (1717–1765), all in their time renowned artists. Most notable for his portraits, nudes and history paintings, Johann Daniel Preissler also produced drawings and frescoes. He was particularly known beyond his native Nuremberg for his "Die durch Theorie erfundene Practic", a sequence of works on art theory – the individual works were translated into several other languages and served as textbooks for students such as the Swiss Salomon Gessner...

'Lo faro il litterato tutta la vita' Photo Lithography on rag paper hand signed lower right in pencil: Kounellis numbered 37/90. Provenance: The Collection of Ileana Sonnabend (Mrs L...

THE GREED DEPRESSION 18 inches by 24 inches Edition of 15/300 Silkscreen print Signed and Numbered by the artist in pencil, Shepard Fairey.

Artist: John Baldessari Title: Two Figures (One with Shadow) Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 20 1/2 x 20 inches (52.07 x 50.8 cm) Edition: 35; si...

1970s Alexander Calder Lithograph from Derriere le Miroir: Medium: Lithograph in colors. 1975. Dimensions: 15 x 22 inches. Center fold-line as issued; v...

after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

Artist: Henri Matisse Medium: Linocut on Arches vellum Title: Plate 14: Ténèbres de moi-meme, je m'abandonne à vous (Darkness of Myself, I Surrender to You) Portfolio: Pasiphae Year:...

Publisher GKM. Unframed. Edition of 150 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, between torment and...

Lithograph in colors on cream wove paper, 15 1/2 x 20 1/2 inches (394 x 520 mm); sheet 18 x 23 1/4 inches (457 x 590 mm), full margins. Signed and titled in pencil, lower margin. Som...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Yankel Ginzburg, Kazakastani/American (1945 - ) Genre: Modern Subject: People Medium: Lithograph Surface: Paper Dimensions w/Frame: 19 1/2" x 16" Yankel Ginzburg Yankel Ginzburg was born Yuri Zhukov in 1945 in Alma-Ata, capital of the Kazakhstan Republic near the Chinese border. His parents were both Russian Army...

Aquatint on Marais wove paper Edition of 25 Signed and numbered 25/25 in pencil lower right Duthuit 794

Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008 Lithograph with collage with offset lithography, hand colouring, hand cutting and pencil F...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

A Womans Strength by Amy Gardner [2021] limited_edition Mono Print/Screen Print Edition number 23 Image size: H:42 cm x W:59.4 cm Complete Size of Unframed Work: H:42 cm x W:59.4 cm...

Screenprint on Somerset Satin Cotton paper with Aluminium frame Edition of 200 + 20 AP 42 x 42 cm - Sheet 51 x 51 cm - Framed hand-signed and numbered by the artist Invader is a French street artist known for his distinctive mosaic art inspired by the pixelated graphics of classic video games, particularly Space Invaders. Since the late 1990s, he has placed his ceramic tile artworks...

Original Lithograph by Theophile Steinlen - Swiss born French Artist (1859-1923). Titled: “Petit Voyage” (Little Journey). Signed “Steinlen” in the stone lower left. The work is in ...

Jean-Pierre Cassigneul was born in 1935 and first exhibited his work at age 17. He went on to participate in various group exhibitions, including the Salon d’Automne in Paris, the Sa...

Alcazar d'Eté, Lidia (Plate 25) is an 1886 lithograph of Jules Chéret's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque poste...

Clint Eastwood Hollywood Legend Movie Star Oscars Academy Awards Litho Western Al Hirschfeld (1903-2003) Clint Eastwood Hand-signed Limited Edition Etching 20/100 14 1/2 x 11 3/4 i...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Robert Riggs, 'Children's Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 11, Bassham 76. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A su...

Alexander Calder Card Players (Derriere le Miroir # 212) Artist: Alexander Calder Medium: Original lithograph in colors Title: Card Players Portfolio: Derriere le Miroir #212 Year: 1...

Original Mudd Club poster, New York 1979: A must have for any true Jean Michel Basquiat, Keith Haring collector - this piece is featured in the 2017 Jean-Michel Basquiat documentary, 'Boom For Real.' Promotional poster. 1979. Artwork Dimensions: 18x24 inches (19x25 inches). Very good overall vintage condition condition; some minor fading consistent with age. Minor wear to frame. Provenance: Obtained directly from the original art designer. The Mudd Club was founded by filmmaker Steve Mass, art curator Diego Cortez, and downtown punk scene figure Anya Phillips...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Medium: Lithograph on vélin paper Year: 1965 Paper Size: 19 x 13 inches Catalogue raisonné reference: Bloch, illustration 1197 Inscription: Signed in the plate and unnumbered, as iss...

Tassow Brhanu (Ethiopian, 1937- ), "Goldy 1" Edition 76/100, Abstract Figurative Woodcut Print numbered and titled in Pencil, signed in Print, 18.50 x 13.25 (Image: 16 x 11.25), Mid ...

Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Original vintage movie poster "PlayTime," directed by Jacques Tati. The artwork is notable for its minimalist and modern design, featuring a stylized depiction of a cityscape with pl...

George Stauch (American b. 1900), " Untitled" Edition 298/300, Abstract Color Lithograph signed in pencil, 24 x 20, Late 20th Century Colors: White, Red, Brown, Yellow, Gr...

After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Pablo Picasso (1881-1973) Naked Seated Women, 1967 Lithograph with stencil after a watercolor (Jacomet technique) Not signed Limited edition of 500 un-n...

Yoshitomo Nara Dream Time Offset lithograph on paper Sheet size: 51.5 x 36.4 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan Sold out edition

"Beautiful Lies" Photography 16" x 24" inch Edition of 15 by Brendan North Available sizes: Edition of 15: 16" x 24" inch Edition of 7: 24" x 36" inch Edition of 3: 40" x 60" inch ...

Artist: Henri Matisse (after) Title: Nus Bleus VIII Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: 20" x 16 3/4" Sheet Size: 14" ...

Artist: Marc Chagall Title: The Clown with Flowers Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/...

This rare 1933 lithograph by renowned modernist artist Arnold Rönnebeck depicts a striking winter scene of a Colorado mountain mine blanketed in snow. Rendered in dramatic black-and-...

Artist: Fritz Scholder (Native American, 1937-2005) Title: "ASU Portrait II" Portfolio: Arizona State University Centennial Portfolio *Signed by Scholder in pencil lower right Year: 1984 Medium: Original Lithograph on Arches Cover buff paper Limited edition: 49/100 Printer: Joseph M. Segura of the Print Research Facility, School of Art, Arizona State University, Tempe, AZ Publisher: the Print Research Facility, School of Art, Arizona State University, Tempe, AZ Reference: "Collaborative Works: Recent Work and Catalogue Raisonné of the Visual Arts Research Institute" - ASU/VARI No. 121, page 98 Sheet size: 20.25" x 15" Condition: Never framed, has been professionally stored away within its original portfolio case for decades. In mint condition Not a single example of this work has ever appeared at auction in over 40 years. Extremely rare Notes: Provenance: one owner ever - private collection - Scottsville, AZ; acquired directly from the publisher the Print Research Facility, School of Art, Arizona State University, Tempe, AZ upon its release in 1984. Numbered by Scholder in pencil lower left. Comes from the 1984 "Arizona State University Centennial Portfolio" of eighteen prints in various mediums by Daniel R Britton, R. E. (Ron) Gasowski, Arthur W. Hahn, James Hajicek, Jules Heller...

Lithograph on vélin d’Arches paper. Paper Size: 19.5 x 14.125 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and ...

Kamal Mitra - Thinker - 16 x 12 inches (unframed size) Etching & Cyanotype on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (P...

MARC CHAGALL, Vitebsk 1887- St.Paul de Vence 1985 Paysage au coq, 1958 Original lithograph in colours. Bibliography: Mourlot 208, Cramer 36. (mm. 380x557). Perfect specimen. Table f...

NORTH Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of four also a...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Note: This is from the hand signed and numbered limited edition of only 50 - extremely scarce collectors item; not to be confused with the larger poster edition signed (but not numbe...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Audrey Flack Une Bouchee D'Amour, 2013 Mixed media: Digitized drawing with silkscreen Signed, titled and numbered recto (front) in graphite pencil Annotated presentation proof Frame included: in elegant vintage wood frame Print Club of New York, Publisher; Printer: Experimental Printmaking Institute, Lafayette College, Easton, PA Digitized drawing with silkscreen Flack's "Une Bouchee d'Amour" was the 2013 presentation print commissioned by The Print Club of New York, and it is accompanied by a COA issued by the Print Club of NY as well as Alpha 137...

Paul KLEE (after) Analysis of Various Evils Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : Thi...

RENOIR, PIERRE AUGUSTE (1841 -1919) "Femme au cep de vigne, 4th variante" Woman by the Grape Vine, 4th variant Delteil 48, Stella 48 Original lithograph in black ink, 1904 -1905 On...

Jacqueline Kennedy I, from 11 Pop Artists I. Screenprint in silver, on wove paper. Artist's stamped signature on the reverse and numbered. From the edition of 200. Published by O...

This one is untitled and depicts a portrait of a young woman in yellow, red and blue with a Maryan like quality to it. Published by Edition Hansjörg Mayer, Stuttgart They published concrete poetry and art books by Mark Boyle, Richard Hamilton, Dorothy Iannone, John Latham, Tom Phillips, Dieter Roth, André Thompkins and Emmett Williams, to name just a few. André Thomkins (1930 - 1985) was a Swiss painter, illustrator, and poet. He attended art-school, taught by Max von Moos, 1947 – 1949 and the Académie de la Grande Chaumière, Paris, France, 1950. From 1952, he lived in Germany and taught at the Kunstakademie Düsseldorf between 1971 and 1973. Thomkins painted and drew ironic and fantastic pictures influenced by surrealism and dadaism. Together with Dieter Roth and Daniel Spoerri he prepared works of Eat Art. He also was a writer of palindromes. His friends and collaborators included Daniel Spoerri, Dieter Roth, George Brecht, Richard Hamilton and Karl Gerstner, Thomkins gained a reputation as an ‘artist’s artist’, and is considered one of the most important Swiss artists of the second half of the twentieth century.He died in 1985. His work is currently represented by Hauser & Wirth Zurich, Switzerland. Select group exhibitions: 2018 Kunsthalle Krems, 'Pablo Picasso. Arshile Gorky, Andy Warhol. Sculptures and Works on Paper. Hubert Looser Collection', Krems, Austria 2017 Kunsthandel Wolfgang Werner, 'Martin Barré, Karl Otto Götz, Ernst Wilhelm Nay, André Thomkins', Berlin, Germany 2013 Fabian & Claude Walter Galerie, 'Schweizer Avantgarde Kunst nach 1940', Zurich, Switzerland 2009 The Modern Institute, 'Thomas Houseago, Dieter Roth, Andre Thomkins', Glasgow, England Museum of Modern Art, 'Compass in Hand: Selections from the Judith Rothschild Collection', NYC 2004 Kunsthandel Wolfgang Werner, 'Arman, Baumeister, Götz, Graubner, Tàpies, Thomkins', Berlin, Germany 1994 Kunstmuseum Solothurn, 'Eine Schenkung. Grafik von Eduardo Chillida, Antoni Tàpies, Alexander Calder, Jean Dubuffet, Ben Nicholson, Giacometti, Tinguely, Thomkins', Solothurn, Switzerland 1992 Galerie Littmann, Tinguely zu Ehren. A Tribute to Jean Tinguely. Hommage à Tinguely, Basel, 1988 Museum Ludwig, 'Uebrigens sterben immer die anderen. Marcel Duchamp und die Avantgarde seit 1950', Cologne, Germany 1987 Aargauer Kunsthaus, 'Otto Grimm. Marc-Antoine Fehr. Christoph Gredinger', Aarau, Switzerland Cercle Municipal, 'Art contemporain suisse. Collection de la Banque du Gothard', Luxembourg, 1985 Centre national d'art et de culture Georges Pompidou, 'Livres d'artistes', Paris, France Rathaus, 'Claude Sandoz – Hans Schärer...

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. This one depicts winged angels. Edition Roman Numeral III Ima...

Edward Giobbi In a Landscape #1, from Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/3...

Francois BOUCHER Mannerist : Lying Nude Etching Unsigned On Vellum 38 x 50 cm (c. 15 x 20 in) Probably edited c. 1950 Excellent condition

"Nauseating Odors" is a provocative and delightfully irreverent work by Pedro Friedeberg, where absurdity takes shape through a detailed aesthetic filled with symbolism, irony, and g...