Framed Figurative Prints

This artwork titled "Waiting Game" 1991 is a color offset lithograph by noted African/American artist Yvonne Cole Meo, 1923-2016. It is hand signed, da...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le Legacy from Historia de Don Quichotte de la Mancha Year: 1981 Medium: Etching on Arches, signed and numbered in pencil Edition:...

Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings captur...

Artist: Salvador Dali Title: Purgatory: Canto 21 Portfolio: The Divine Comedy: Purgatory Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Siz...

A stallion stooped to graze… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings capture the character and spirit of his subjects....

Vintage chinese woodcut print depicting a theatrical mask. Realized in the mid-20th Century. Framed under glass.

Night Chanters, black and white framed lithograph, kachina, limited edition 100 The Gallery Wall, Inc. now doing business as Glenn Green Galleri...

*HOLIDAY SEASON SUPER SALE UNTIL DECEMBER 31ST.* *This Price Won't Be Repeated Next Year - Take Advantage of It* Introducing the FRAMED and ready for the wall OREO HAPPY HOUR l...

PABLO PICASSO Spanish, 1881 - 1973 La famille du saltimbanque (B. 753; M. 249) signed in black ink "Picasso" (lower right) numbered in pencil "5/50" (lower left) lithograph on Arches...

This artwork titled "Persimmons" 1980, is a colors woodcut on wove paper by noted Korean artist Bong Kyu Ahn, b.1938. It is hand signed, dated, titled, and numbered 10/90 in pencil b...

Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-1741), a G...

Ivan Chermayeff Lincoln Center Film Festival Poster (Hand Signed by Ivan Chermayeff), 1999 Offset Lithograph Poster (Hand Signed) - Framed Boldly ...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-002 Hand-signed by a...

Wise Ass is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 215/275 (there were also 100 Roman and 20 AP). Framed i...

Linocut on Arches wove paper. Hand signed and numbered by the artist in pencil. Image size 25 x 20.75 inches. Sheet size 29.6 x 24.5 inches. Frame size approx 34.5 x 29.5 inches. Pri...

"Cone Shell after Rembrandt AP" (2015) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally k...

Mary Martin & Carol Channing "Legends" Tony Awards Broadway 20th Century Litho Al Hirschfeld (1903-2003) "Legends" starring Mary Martin and Carol Channing Lithograph on heavy paper...

Jacques Villon, pseudonym of Gaston Émile Duchamp, (born July 31, 1875,Damville, Normandy, France—died June 9, 1963, Puteaux,near Paris), French painter and printmaker who was involved in the Cubist movement; later he worked in realistic and abstract styles. Villon was the brother of the artists Suzanne...

This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

Spiaggia detta La Regola is original black and white etching realized by Giuseppe Vasi. Beautiful etching representing a glimpse of Rome. Signed and titled on plate lower margin. ...

Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...

Artist: Salvador Dali Medium: Woodblock engraving Title: Paradise: Canto 32 Portfolio: The Divine Comedy: Paradise Year: 1963 Edition: 4765 Framed Size: 19 1/8" x 16 5/8" Sheet Size:...

This artwork titled "Open Gate" c.1925 is an original color woodcut by renown Australian/British artist John Hall Thorpe, 1874-1947 It is hand signed ...

Richard Lindner Adults-Only, 1979 Offset lithograph poster Plate signature with date, right front Limite Edition of 500 (unnumbered) Frame Included: held in vintage 1970s metal perio...

Royal Palace in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Andy Warhol Flowers, 1980 Enamel on porcelain Edition of 49 51 x 51 x 2 cm (20 x 20 x 0.7 in) In wooden box. Screenprint on porcelain in wooden frame signed in the glazing, numbered on label verso In mind condition. The piece is offered unframed. Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognised. The 1964 Flower series became one of his most iconic and successful works.
 Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colours, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colours of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

The Paint Horse: Magritte is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 241/275 (there were also 100 Roman a...

This artwork titled "Torso de Mujer (Torso de Femmee)" from the suite "The Mujeres File" 1969 is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 26.85 x 21 inches, framed size is 40.75 x 33 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #108 page 107. Custom framed in a wooden gold frame, with gold bevel and light beige fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics...

Lithograph in colours based on the cut-out of the same title, 1952 From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54' Pr...

Robert Indiana Four Winds, from the Deluxe edition of the 1 Cent Life Portfolio (with Robert Indiana's blind stamp, #85/100, acquired from the Estate of Robert Indiana), 1964 Lithograph on wove paper (bears Robert Indiana's embossed stamp) Artist's distinctive embossed blind stamp for 1964 on the lower left front which Robert Indiana used as his signature for this portfolio Frame Included: Elegantly floated and framed in a museum quality wood frame with UV plexiglass Bears Robert the artist's distinctive blind stamp on the lower left front which Robert Indiana used as his signature for this portfolio This Robert Indiana is a rare stamped...

Large, attractive color linocut by Pablo Picasso from a limited edition of 50. Signed by Picasso and numbered in pencil. Printed by Arnéra, Vallaur...

Artist: Salvador Dali Title: Inferno: Canto 10 Portfolio: The Divine Comedy: Inferno Medium: Woodblock engraving Year: 1963 Edition: 4765 Framed Size: 19 1/4" x 16 3/4" Sheet Size: 1...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.138 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

Titled and numbered from the edition of 200 on the front in pencil, additionally dated and numbered on the reverse and signed by Julia Gruen, the executor of the Keith Haring Foundation and Anthony Shriver Best Buddies...

A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Fursten zu Oettingen-Wallerstein, Lugt 2715a, verso (see photo) Condition: Excellent Printed on 18th century laid paper Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...

Raul Anguiano (Mexico, 1915-2006) 'Ninfa y fauno', 2003 sugarlift on paper 19.3 x 15 in. (49 x 38 cm.) ID: ANG-107 Hand-signed by author

In this 1979 lithograph, Deborah Garber creates an unexpected scene where dinosaurs engage in a chess game, blending the animal kingdom's wildness with the chessboard's strict rules....

This beautifully harmonized and intriguing Mid-Century Modernist Lithograph entitled Les Deux Personnages (The Two Characters) is by the Russian artist Mihail Chemiakin and originate...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

From Interior Series. Woodcut and screen print in colors on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles.. Corlett 247...

Artist: Marc Chagall Title: The Circus Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2" x 9 1/2" ...

Introduced in 2006 "Time Bokan - green" 2006 by Takashi Murakami Offset print, numbered and signed by the artist 19 11/16 × 19 11/16 in 50 × 50 cm (image and sheet) Framed dimensions...

This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...

Artist: Henri Matisse (after) Title: Nus Bleus VII Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: 22" x 18" Sheet Size: 14" x 10 ...

Pas de Deux I (David Salle and Janet Leonard) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 110/150. From the edition of 17...

Smillie, James and Robert Hinshelwood and Alfred Jones. THE CAPTURE OF MAJOR ANDRE. Engraving after the painting by Asher B. Durand, 1845. Printed on cream-colored wove paper. 13 1/8 x 17 inches 333 x 431 mm.(image). In the margin, just under the image, left: "Painted by A.M. Durand," center: "Figures engr'd by Alfred Jones," right: "Landscaped engr'd by Smillie & Hinshelwood." Ttiled "The Capture of Major Andre" in the margin, Center, and further annotated "From a painting by A. B. Durandin the possession of the Honble James K.Paulding / Published by the American Art Union...

Marc Chagall (French/Russian, 1887-1985) "Dédicace" 1968 Color lithograph signed and numbered ##/50 in pencil Image: 17 7/8 x 15 1/4 inches. Framed: 38 x 34 1/4 x 2 1/4 inches. ...

The memories, notes and photographs that Rolf Weijburg takes with him from his distant travels are the sources of inspiration for his work. The etchings ...

Donald Baechler The Benefit Mummy, 2005 Linoleum print, one color, with chine colle, on Rives BFK paper Rare print from an edition of only 17, with documentation sheet from Artist's ...

Screenprint in colors on wove paper. Hand signed, dated and numbered 'AP' by the artist (main edition of 150 plus 10 artist proofs made). Image size 19.5 x 37 inches. Sheet size 25.7...

Screenprint on paper , edited in 1975 Limited edition of 150 copies Current copy numbered: 143/150 on the verso Initialed in pencil by artist lower right Blindstamp on the verso: spe...

Attesa di Maja is an original Contemporary artwork realized in 1973 by the italian artist Leo Guida (1992 - 2017). Original Print: Aquatint and Etching on paper with Black Ink. Edi...

Artist: Marc Chagall Title: Woman Juggler Portfolio: Mourlot Lithographe I Medium: Lithograph Year: 1960 Edition: Unnumbered Framed Size: 21 7/8" x 18 7/8" Image Size: 12 1/2" x 9 1/...

Marlene Dietrich Legendary Film Star 20th Century Litho NYT Published Mid-Centuy Al Hirschfeld (1903-2003) "Marlene Dietrich at the Palace, 1967" Hand-sign...

Ting Shao Kuang (1939, Chengdu, China) “Harp” Serigraph, 1999 Image size is 31” height by 18” wide (78.74 cm x 45.72 cm). Signed on the lower right corn...

Limited Edition Print of Brooklyn Bridge New York City NYC Skyline United States of America. This painting captures the New York Skyline with ...

Framed print of May 15, 1934, "Vogue" magazine cover by Alix Zeilinger for the Summer Travel issue depicting a woman in a yellow hat and black and yellow stripes looking at a butterf...

Artist: Henri Matisse (after) Title: Nus Bleus VIII Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: 20" x 16 3/4" Sheet Size: 14" ...