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Marie Laurencin
Self portrait from the series ‘L’Eventail’ (The Fan)

$442.77List Price

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French early 20th Century woodcut by Jean Emile Laboureur, golden hair mask
Located in Petworth, West Sussex
Jean Emile Laboureur (French, 1877-1943) Masque aux cheveux d'or (1912) Woodcut Signed `J E Laboureur’ (lower right) and stamped `The London Studio’ (l...
Category

20th Century Cubist Portrait Prints

Materials

Woodcut

Salvador Dali, signed and numbered drypoint etching 'The oak and the reed', 1974
By Salvador Dalí­
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904 – 1989) The oak and the reed Drypoint etching with hand coloured pochoir, on Richard de Bas Auvergne, 1974 From the suite Le Bestiaire de la Fontaine pri...
Category

20th Century Modern Figurative Prints

Materials

Drypoint, Etching

Signed and numbered Salvador Dali drypoint and etching on japan paper
By Salvador Dalí­
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904 – 1989) Immortality of the Itinerant Insect, 1973 Signed and numbered ‘XIII / L (lower left) and ‘Dali’ (lower right) Drypoint with etching and heliograv...
Category

20th Century Surrealist Figurative Prints

Materials

Etching, Drypoint

Elisabeth Frink aquatint for 'The Prologue from the Canterbury Tales', signed
By Elisabeth Frink
Located in Petworth, West Sussex
Dame Elisabeth Jean Frink CH DBE RA (British, 1930 – 1993) The Prologue from the Canterbury Tales aquatint signed, numbered and inscribed ‘40/50…. The Prologue…. Frink’ (below the pl...
Category

20th Century Modern Figurative Prints

Materials

Aquatint

Salvador Dali, signed and numbered drypoint etching, Les Coche et la Mouch, 1974
By Salvador Dalí­
Located in Petworth, West Sussex
Salvador Dali (Spanish, 1904-1989) Les Coche et la Mouche (The Coach and the Fly) 1974 Drypoint etching on Japan paper Signed and numbered '79/250' (lower left) and 'Dali' (lower rig...
Category

20th Century Modern Figurative Prints

Materials

Drypoint, Etching

Henry Moore, signed in pencil, soft ground etching of a girl
By Henry Moore
Located in Petworth, West Sussex
Henry Moore (British, 1898-1986) Head of a girl Softground etching signed in pencil `Moore’ (lower right) Conceived in 1983 by the Printmaking Department Trust Fund Appeal, The Roya...
Category

20th Century Modern Figurative Prints

Materials

Etching

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"Mlle Landsberg" (grade planche, pl. 16)
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Located in Missouri, MO
"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...
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Promenade dans la Neige - Etching by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”. Little crack and fold on lower left margin of the sheet. Some small traces of oxidati...
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Femme Affranchie A' Quatorze Heures Chante Midi - Georges Rouault
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"King Pin" Pointillist Lithograph in Ink on Paper Detailed lithograph of a king on a bench by E.B. Rothewell (American, 1926-2011). A stylized portrait of a king, seated on a large bench. He is looking upwards, with a somewhat dejected expression, hands near his mouth. This piece is completely made from small dots (stippling) giving the subject the feel of a fantasy illustration...
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Cléo de Merode - Lithograph after H. de Toulouse-Lautrec - 1970s
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