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Pablo Picasso
Pablo Picasso, "Scène bacchique au Minotaure" from La Suite Vollard, etching

1933

$55,000List Price

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Marc Chagall, Plate 11 from Celui Qui Dit Les Choses San Rien Dire, etching
By Marc Chagall
Located in Chatsworth, CA
This piece is an original color etching and aquatint by Marc Chagall, done in 1975-76. From the album titled "Celui Qui Dit Les Choses San Rien Dire", co...
Category

1970s Surrealist Figurative Prints

Materials

Etching, Aquatint

Pablo Picasso, "Sculpteur et Modele debout, " etching, hand signed
By Pablo Picasso
Located in Chatsworth, CA
Artist: Pablo Picasso Title: Sculpteur et Modele debout Year: 1933 Medium: Original etching Edition: hand signed in pencil from an edition of 250 on small margins Size: Frame: 27 x 2...
Category

1930s Surrealist Figurative Prints

Materials

Etching

Dalí­, "Le Creuset philosophal" from Alchimie des Philosophes, mixed media
By Salvador Dalí­
Located in Chatsworth, CA
Salvador Dalí­ "Le Creuset philosophal" from Alchimie des Philosophes Mixed media, from original gouache by Dalí­, printed with lithography, etching and sil...
Category

1970s Surrealist Figurative Prints

Materials

Engraving, Lithograph

Pablo Picasso, "Carnet de la Californie", original lithograph
By Pablo Picasso
Located in Chatsworth, CA
This piece is an original crayon lithograph on transfer paper created by Pablo Picasso in 1959. The zinc in this piece has been re-worked with crayon marks and this composition was u...
Category

1950s Surrealist Figurative Prints

Materials

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Salvador Dalí­, "L'amour sacré de Gala", original etching, hand colored, signed
By Salvador Dalí­
Located in Chatsworth, CA
Salvador Dalí "L'amour sacré de Gala" (The Sacred Love of Gala) from After 50 Years of Surrealism Original etching with hand coloring, ha...
Category

1970s Modern Figurative Prints

Materials

Etching

Pablo Picasso, Le Repos du Sculpteur II, from La Suite Vollard, hand signed
By Pablo Picasso
Located in Chatsworth, CA
Pablo Picasso Le Repos du Sculpteur II, from La Suite Vollard Hand signed by Picasso in pencil in the lower right, Watermark "Vollard" Reference: Bloch 172; Baer 325 Original etching...
Category

1930s Modern Figurative Prints

Materials

Etching

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'Fantasia Americana, 1880' — Mid-Century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...
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Located in Myrtle Beach, SC
Léopold Survage, 'Le Cheval' (The Horse), color etching, edition 60, 1953. Signed and numbered '46/60' in pencil. Initialed in the plate, lower right. A superb, richly-inked impressi...
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We're All Here
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Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
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Interiors VI: Soundings
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Located in New York, NY
Contemporary artist Peter Milton created this etching and engraving entitled "Interiors VI: Soundings" in 1989. The printed image size is 29 7/8 x 23 13/16 and paper size is 36 x 29 inches. This impression is signed, dated, and titled in pencil and inscribed “93/175” – the 93 impression of 175. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul." – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...
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If Ever I should...
Located in Palm Springs, CA
Signed and numbered etching by Donald J. Handel, executed mid‑20th century, possibly part of a larger thematic portfolio. His work often combines allegorical subject matter with tech...
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The Raven and the Fox - Etching - 1974
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Located in Roma, IT
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