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Style: Naturalistic
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving
An Antique Engraved View of Copper Mining in Sweden in the 17th C. by Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Fodinae aerariae Falunenfis, qui orientem fpectat, delineatio" (Copper mining in Falun), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johannes van den Aveelen (1650-1727), who was an accomplished copperplate engraver who emigrated to Sweden to work on Dahlberg's spectacular book, "Sueciae Antiquae et Hodiernae", which was focused on the views and architecture of Sweden, both in the ancient past and at the time of the publication.
This engraving depicts a very active 17th century working scene...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Laid Paper, Engraving
Dachsunds
Located in Columbia, MO
Dachsunds
1883-84
Chromolithograph
8.5 x 11 inches
Category
1880s Naturalistic Landscape Prints
Materials
Lithograph
Indian Wryneck Birds (Yunx indica): A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Yunx indica" (Indian Wryneck) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The pri...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Cuvier's Sabre-wing Hummingbirds: A 19th C. Hand-colored lithograph by Gould
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Campylopterus Cuvieri" (Cuvier's Sabre-wing Hummingbird) by John Gould, as plate 52 published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London between 1849 and 1861. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two mostly green-colored hummingbirds with brown wings perched on a branch of a tropical long leafed plant, possibly bamboo with ferns in the background.
This beautiful Gould hand-colored hummingbird lithograph is augmented with gum-arabic paint. It is in very good condition, other than some discoloration at the edges of the upper and lower right corners and residual binding material where the print was bound in the 19th century publication. The original descriptive text page from Gould's 19th century publication is included.
There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
18: Fishing Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
An Antique Engraved View of "Romelborg", Sweden in the 17th C. by Erik Dahlberg
Located in Alamo, CA
An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Laid Paper, Engraving
David Roberts "Approach to Alexandria" Original Lithograph w/Hand Coloring
Located in San Francisco, CA
David Roberts "Approach to Alexandria" Original Lithograph w/ Hand Coloring c.1848
Published by F.G. Moon in London, 1848 with Colour Accentuation by D. Leslie, 1976.
Dimensions 20...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
60: Barge, Canal Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
56: The Stern of His Majesty's Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
"Mordon Colledge (the original spelling) Black Heath" from Universal Magazine
Located in Alamo, CA
This beautiful hand-colored copper-plate engraving entitled "The West Prospect of Mordon Colledge (Old English Spelling) Black Heath" was published in the 'The Universal Magazine...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving
Golden Eye Duck: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Golden Eye Duck", No. 82, Plate 406, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female Golden Eye ducks in flight.
This original rare first edition hand colored Audubon bird lithograph is in excellent condition. The sheet measures 6.25" x 10". The original text pages, pages 362-366, from Audubon's publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
Located in Columbia, MO
Amaryllis Waved-flowerd, Amaryllis undulatea Plate 369
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Landscape Prints
Materials
Etching
20: Hatch Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
57: Mud Dredger
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
"Barmaid, " a Dwarf Beagle
Located in Columbia, MO
"Barmaid, " a Dwarf Beagle
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Etching
47: Barges
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
‘Corvids Watching’
Located in Bournemouth, Dorset
‘Corvids Watching’ 2020
Image 49.5 x 44.5 cm
woodcut
(available from edition of 40. 35 prints
Artist’s statement
My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...
Category
2010s Naturalistic Landscape Prints
Materials
Woodcut
$422 Sale Price
20% Off
Tim Southall, Deer in Winter, Contemporary Etching, Animal Print, Affordable Art
By Tim Southall
Located in Deddington, GB
Tim Southall
Deer in Winter
Limited Edition Etching
Edition of 75
Image Size: H 20cm x W 30cm
Sheet Size: H 35cm x W 42cm x D 0.1cm
Sold Unframed
(Please note that in situ images are...
Category
21st Century and Contemporary Naturalistic Landscape Prints
Materials
Paper, Etching
53: Fishing Smack, Schooner, Sloop-rigged Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...
Category
1770s Naturalistic Landscape Prints
Materials
Engraving
36: Brighton Fishing Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
"Coastal Ti Tree" Gums NSW Drypoint Etching in Ink on Paper No. 30/100
Located in Soquel, CA
"Coastal Ti Tree" Drypoint Etching in Ink on Paper No. 30/100
Detailed etching attributed to Ernest Edwin Abbot (British, 1888-1973). Several trees grow along the coast at the edge of the water at Ti Tree, Australia. In the far distance, a mountain range can be seen on the opposite shore.
Titled and numbered "Coastal Ti Tree 30-100" in the left corner.
Signed "G. Cope" in the right corner.
Presented in a new black mat with foamcore backing.
Mat size: 11"H x 14"W
Paper size: 5.5"H x 10.25"W
According to The Centre for Australian Art: Prints + Printmaking, Abbot often produced work under the pseudonym "G. Cope"
Ernest Edwin Abbott was born in 1889 and grew up in Bideford United Kingdom, With his younger siblings Violet, Reginald, Olive and his parents Charles and Sarah Abbott, His Farther worked as a upholsterer.
Abbott decided in 1911 to migrate to Western Australia on the ship Tainui, Settled in Western Australia he then married his wife Florence Radcliffe Olde in 1913 whom also came to Australia in 1912 from Bideford. They had two sons, Reginald Douglas Abbott and Kenneth John Abbott. They moved to South Australia where he taught art at Stott’s for four years. Later in 1920 the family moved to the suburb of Kew in Melbourne Victoria, where he took a studio in Oxford Chambers at 475 Bourke Street. He also built a studio later at his home in Black Rock. In about 1920 or 1930 he took up dry-point etching, and gave up his city studio to concentrate on printmaking at his home. Abbott made his own engraving tools...
Category
Early 20th Century Naturalistic Landscape Prints
Materials
Paper, Ink, Drypoint
55: Hay Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Ninfe Resting - Original Etching by D’apre Diaz de la Pena - 1880 ca
Located in Roma, IT
Ninfe Resting is an original etching artwork realized by Eugène Charvot after Narcisse Diaz de la Pena in 1880 ca.
Signed on the plate.
Titl...
Category
1880s Naturalistic Landscape Prints
Materials
Etching
45: Hog Boat on the Sands at Brighton
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Landscape - Original Etching - 1930 ca.
Located in Roma, IT
Landscape is an original etching print on paper realized in 1930 ca. by an Anonymous artist of the early 20th Century.
Hand-signed on the lower right, illegible, titled on the lowe...
Category
1930s Naturalistic Landscape Prints
Materials
Paper, Etching
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
Located in Columbia, MO
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Landscape Prints
Materials
Etching
Toad-flax Clammy, Antirrhinum viscosum Plate 368
Located in Columbia, MO
Toad-flax Clammy, Antirrhinum viscosum Plate 368
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Landscape Prints
Materials
Etching
Marvel of Peru Common, Mirabilis jalapa Plate 371
Located in Columbia, MO
Marvel of Peru Common, Mirabilis jalapa Plate 371
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Landscape Prints
Materials
Etching
Dora Riparia At Alpignano - Etching - Late 19th Century
Located in Roma, IT
Dora Riparia at Alpignano is an original etching realized in the late 19th Century by the italian painter and engraver Ernesto Rayper (1840-1873).
Ernesto Rayper is known as founder...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Paper, Etching
Boats - Original Etching by Giovanni Fattori - 1895 ca.
Located in Roma, IT
Etching on a zinc plate.
Very Good conditions.
Ref.
- A. Baboni, L'Ottocento: le incisioni di Giovanni Fattori, Pacini Editore, 2001. p. 128, n.106
Giovanni Fattori was an Italian ...
Category
1890s Naturalistic Landscape Prints
Materials
Etching
Color Photography Seascape Print on Canvas, "Little A Frame"
Located in San Diego, CA
This is a printed color photograph of a seascape on canvas out of an edition of 10. Its dimensions are 10x10x2. It comes in a black frame. A certificate of authenticity will follow i...
Category
21st Century and Contemporary Naturalistic Landscape Prints
Materials
Canvas, Archival Pigment
Nature - Original Lithograph - 19th Century
Located in Roma, IT
Nature is an original lithograph realized by an Italian artist in the 19th Century.
Signed on the lower right but illegible.
Good conditions but aged with diffused foxings.
The ar...
Category
19th Century Naturalistic Landscape Prints
Materials
Lithograph
Geneva, Port de la Treille - Lithograph by A. Fontanesi - 1854
Located in Roma, IT
City of Geneva is an original lithograph, realized by Antonio Fantanesi, hand-signed.
Image Dimension: 20.5 x15.5 cm
Included a Passepartout.
In good conditions.
Here the artwor...
Category
1850s Naturalistic Landscape Prints
Materials
Lithograph
51: Peter Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Village House - Original Ink and Watercolor - 1890 ca.
Located in Roma, IT
Village House is an original painting in watercolor realized in 1890 ca. by an anonymous French artist of the end of 19th century. The state of preservation is good.
Included a Pass...
Category
1890s Naturalistic Landscape Prints
Materials
Ink, Watercolor
River - Original Lithograph by Marcel Roche - Early XX century
By Marcel Roche
Located in Roma, IT
River is a superb original lithograph realized at the beginning of the XX century by the French artist Marcel Roche (1890-1959).
The State of preservation is good and aged.
The art...
Category
Early 20th Century Naturalistic Landscape Prints
Materials
Lithograph
Geneva, Cour Du Collège - Lithograph by A. Fontanesi - 1854
Located in Roma, IT
This splendid lithograph Interieur de Geneve. Cour Du Collège is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Font...
Category
1850s Naturalistic Landscape Prints
Materials
Lithograph
"George" and "Romp, " Sussex Spaniels
Located in Columbia, MO
"George" and "Romp, " Sussex Spaniels
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Etching
44: At Brighton, Prawn-boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
30: Collier
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
58: Schooner & Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
38: Lugger on the Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
37: The Stationer's Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
61: H.M.S. Prince
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
49: Dutch Galliots
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
15: West Indiaman
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
10: Thames Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
"Cader, " a Deerhound of the Pure Glengarry Breed
Located in Columbia, MO
"Cader," a Deerhound of the Pure Glengarry Breed
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Etching
28: Thames East Indiaman
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Terriers No. 2
Located in Columbia, MO
Terriers No. 2
1883-84
Chromolithograph
8.5 x 11 inches
Category
1880s Naturalistic Landscape Prints
Materials
Lithograph
25: Crab-boat at Rottingdean
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
"Hermit, " a High-Bred Modern Foxhound
Located in Columbia, MO
"Hermit, " a High-Bred Modern Foxhound
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Etching
48: Gravesend Steam Packet
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
43: Prawn boats, Brighton Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
31: Dutch Galliot
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
26: Billy-Boy unloading, Shoreham Harbour
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
52: Oyster Boats at Billingsgate
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
29: The Discovery, Convict Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Naturalistic landscape prints for sale on 1stDibs.
Find a wide variety of authentic Naturalistic landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, William Curtis, Victor Levasseur, and Isaac Slater. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic landscape prints, so small editions measuring 3.15 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $41,500, while the average work sells for $395.