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Style: Naturalistic
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
1810s Naturalistic Landscape Prints
Materials
Engraving
St Paul's School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'St Paul's School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an early 20th century printmaker who sp...
Category
Early 20th Century Naturalistic Landscape Prints
Materials
Etching
L'Herault, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Saone et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is home to a wide variety of vineyards a...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
1760s Naturalistic Landscape Prints
Materials
Engraving
10: Thames Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
53: Fishing Smack, Schooner, Sloop-rigged Barge
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Conway, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Conway'
Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland'...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
West View of St Nicholas Chapel, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832).
Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...
Category
Early 19th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
Lozere, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de La Lozere', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This remote mountainous part of Languedoc is rural, s...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Saone and Loire, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Saone et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
The French department of Saone et Loire is at the ...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Paris - Parc de Monceaux, French lithograph, 1861
Located in Melbourne, Victoria
'Parc de Monceaux', tinted lithograph by Felix Benoist (1818-1896).
From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Na...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Lithograph
La Gironde, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'La Gironde', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This coastal department is the seat of the Bordeaux wine regi...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Hautes Pyrenees, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. des Hautes Pyrenees', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is home to the wine producing region, ...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Northamptonshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved view of 'Peterborough...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Cumberland, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Loir and Cher, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Loir and Cher', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is mainly known for its production of Sel...
Category
19th Century Naturalistic Landscape Prints
Materials
Engraving
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving, Mezzotint
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Landscape Prints
Materials
Engraving
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Engraving
Ninfe Resting - Original Etching by D’apre Diaz de la Pena - 1880 ca
Located in Roma, IT
Ninfe Resting is an original etching artwork realized by Eugène Charvot after Narcisse Diaz de la Pena in 1880 ca.
Signed on the plate.
Titl...
Category
1880s Naturalistic Landscape Prints
Materials
Etching
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category
Early 17th Century Naturalistic Landscape Prints
Materials
Engraving
Canada Pouched Rat: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canada Pouched Rat", No. 9, Plate XLIV from John James Audubon's Quadrupeds of North America, published in Ph...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Heart Spotted Woodpeckers: A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Hemicircus Cordatus" (Heart Spotted Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Boats - Original Etching by Giovanni Fattori - 1895 ca.
Located in Roma, IT
Etching on a zinc plate.
Very Good conditions.
Ref.
- A. Baboni, L'Ottocento: le incisioni di Giovanni Fattori, Pacini Editore, 2001. p. 128, n.106
Giovanni Fattori was an Italian ...
Category
1890s Naturalistic Landscape Prints
Materials
Etching
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Photogravure
"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
"Prairie Wolf": An Original Audubon 19th Century Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Prairie Wolf", No. 15, Plate LXXI, 71 from Audubon's "Quadrupeds of North America". It was drawn...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
1820s Naturalistic Landscape Prints
Materials
Engraving
Common Scaup Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right.
This original hand-colored Common Scaup Duck lithograph...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Cynthia MacCollum, Bishop's Lace, 2020, Monotype and Paint, Naturalistic
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Landscape Prints
Materials
Printer's Ink, Acrylic, Rag Paper
"White American Wolf" an Audubon Hand Colored by J.T. Bowen Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "White American Wolf", No. 15, Plate LXXII, from Audubon's "Quadrupeds of North America...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving, Mezzotint
Flame-bearer Hummingbirds: A 19th C. Gould Hand-colored "Selasphorus Scintilla"
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication.
There are several other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Indian Wryneck Birds (Yunx indica): A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Yunx indica" (Indian Wryneck) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The pri...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
"The Cougar, Female and Young": Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Female and Young", No. 20, Plate XCVII, 97 from Audubon's "Quadrupeds of North Ameri...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
Category
1810s Naturalistic Landscape Prints
Materials
Engraving
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
1810s Naturalistic Landscape Prints
Materials
Engraving
Greenland Falcon "Falco Candicans": A 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Falco Candicans" (Greenland Falcon Light) by John Gould, from his "Birds of Great Britain", published i...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
"Pinnated Grouse", an Original Audubon Hand-colored First Edition Lithograph
Located in Alamo, CA
An original extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "Pinnated Grouse", No. 60, Pl. 296, from Audubon's "Birds of A...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well.
This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category
1820s Naturalistic Landscape Prints
Materials
Engraving
Cynthia MacCollum, Ephemeral 2, 2020, Wet Cyanotype Painting, Naturalistic
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Landscape Prints
Materials
Printer's Ink, Acrylic, Rag Paper, Photogram
Flying Squirrels: An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand colored lithograph entitled "Severn River Flying Squirrel & Rocky Mountain Flying Squirrel", No. 29, P...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
Flowering Lyons' Chelone Botanical: A 19th C. Hand-colored Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Chelone Major" (Flowering Lyons' Chelone plant), plate 1864, published in London in 1816 in Will...
Category
1810s Naturalistic Landscape Prints
Materials
Engraving
Golden Eye Duck: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Golden Eye Duck", No. 82, Plate 406, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female Golden Eye ducks in flight.
This original rare first edition hand colored Audubon bird lithograph is in excellent condition. The sheet measures 6.25" x 10". The original text pages, pages 362-366, from Audubon's publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Lithograph
An Icelandic GyrFalcon: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Landscape Prints
Materials
Engraving
Flowering Air Plant: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Pendulous-flowered Bryophyllum", plate 1409, published in London in 1809 in William Curtis’s 'The Botanical Magazine, or Flower-Garden Displayed'. Bryophyllum pinnatum, also known as the air plant...
Category
Early 1800s Naturalistic Landscape Prints
Materials
Engraving
A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...
Category
1770s Naturalistic Landscape Prints
Materials
Engraving
An Antique Engraved View of "Waterfalls in Smoland", Sweden by Erik Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Delineatio Cataractae" (Waterfalls in Smoland), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlber...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Laid Paper, Engraving
"Mordon Colledge (the original spelling) Black Heath" from Universal Magazine
Located in Alamo, CA
This beautiful hand-colored copper-plate engraving entitled "The West Prospect of Mordon Colledge (Old English Spelling) Black Heath" was published in the 'The Universal Magazine...
Category
Mid-18th Century Naturalistic Landscape Prints
Materials
Engraving
An Antique Engraved View of Copper Mining in Sweden in the 17th C. by Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Fodinae aerariae Falunenfis, qui orientem fpectat, delineatio" (Copper mining in Falun), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johannes van den Aveelen (1650-1727), who was an accomplished copperplate engraver who emigrated to Sweden to work on Dahlberg's spectacular book, "Sueciae Antiquae et Hodiernae", which was focused on the views and architecture of Sweden, both in the ancient past and at the time of the publication.
This engraving depicts a very active 17th century working scene...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Laid Paper, Engraving
‘Corvids Watching’
By Sasa Markinkov
Located in Bournemouth, Dorset
‘Corvids Watching’ 2020
Image 49.5 x 44.5 cm
woodcut
(available from edition of 40. 35 prints
Artist’s statement
My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...
Category
2010s Naturalistic Landscape Prints
Materials
Woodcut
$425 Sale Price
20% Off
"Rough" and "Puck, " Dandies
Located in Columbia, MO
"Rough" and "Puck, " Dandies
1887
Etching
3 x 5
Category
Late 19th Century Naturalistic Landscape Prints
Materials
Etching
An Antique Engraved View of Waterfalls in Sweden in the 17th C. by Erik Dahlberg
Located in Alamo, CA
Two antique engraved views on one sheet of "Cataractae Albi Gothicead Trollhaettan" and "Cataractae Albi Gothici ad Pontiff Raunum" (Waterfalls Near Trollhaettan and Raunum), Sweden ...
Category
Early 18th Century Naturalistic Landscape Prints
Materials
Laid Paper, Engraving
Stow Wengenroth, Lock House, Lambertville, New Jersey
Located in New York, NY
Signed, numbered, and with extensive dedication to the artist Norman Kent. Titled in lower margin in another hand. Really, no one could draw on a lithograp...
Category
Mid-20th Century Naturalistic Landscape Prints
Materials
Lithograph
25: Crab-boat at Rottingdean
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
20: Hatch Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
1820s Naturalistic Landscape Prints
Materials
Etching
Stow Wengenroth, Friendly Neighbors (Birds)
Located in New York, NY
Edition of 80. Signed and numbered in pencil. Really, no one could draw on a lithographic stone like Stow Wengenroth. He drew many animals and birds...
Category
Mid-20th Century Naturalistic Landscape Prints
Materials
Lithograph
Naturalistic landscape prints for sale on 1stDibs.
Find a wide variety of authentic Naturalistic landscape prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, William Curtis, Victor Levasseur, and Isaac Slater. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic landscape prints, so small editions measuring 3.15 inches across are also available. Prices for landscape prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $41,500, while the average work sells for $395.