Outdoors Landscape Prints

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Scene in the Valley of St. Nicholas is an original modern artwork realized in the half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin ...

Der Gollynger Fall is an original modern artwork realized in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower margin: Der Gollynger...

Der Grossglockner is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Der Grossg...

Ancient View of Monte Pellegrino is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lowe...

Ancient Views of Chefoo is a set of five original vintage albumen prints on single cardboard: 34 x 26 cm. They were realized in 1890s. Good conditions. Caption in Italian, in ink ...

"View of the City of Milwaukee" from "Harper's Weekly" is an original hand-colored wood engraving by Theodore R. Davis. It depicts an aerial view of the Wisconsin lakeside city in 1882. 9" x 13 3/8" art 17 5/8" x 21 3/4" frame Theodore R. Davis (1840–1894) was a 19th-century American artist, who made numerous drawings of significant military and political events during the American Civil War and its aftermath. As a child, Theodore R. Davis was taken to Washington D.C. where he graduated from Rittenhouse Academy. When he was fifteen, he moved to New York where studied art under Henry W. Herrick and James Walker. The Training Theodore Davis received under James Walker was informal. Davis typified certain artists as "special artists" was hired by popular magazines and newspapers. He was hired by them to illustrate the Civil War. He was hired by Harpers Weekly in 1861.[ During the Civil War, he served as a captain in the 15th Connecticut Volunteer Infantry. After the war, he became a companion of the New York Commandery of the Military Order of the Loyal Legion of the United States. Some of these drawings include the Battle of Champion Hill, and the most significant sketch of General Joseph E. Johnston and General William T. Sherman meeting at the Bennett Farm near Durham Station to discuss the surrender terms of the remaining Confederate armies in the Southeast. After the war when the Cyclorama in Atlanta was being painted, Davis was asked for his ideas having traveled with Sherman's army. He was later added to the painting. Theodore Davis was a staff artist at Harper's Weekly. Many of his drawings were published as wood engravings in Harper's Weekly. Theodore R. Davis was chosen to create the Haye's China with a chance meeting. Mr. Davis suggested using flora and fauna of the American decor...

Lyon - France Pittoresque is an original lithograph realized by an Anonymous engraver of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in Fr...

Mountains in Canton Grigioni is a beautiful lithograph on ivory-colored paper, realized by Albert Marquet (Bordeaux, 1875 - Paris,1947). Hand-signed in pencil on the lower right mar...

Alger is an original lithograph on paper realized by an Anonymous artist of the 19th Century. Printed in series of "France Pittoresque" at the top center. Titled in France on the ...

Map of Radicofani is an original etching. Hand-signed Ghino (Ghino di Tacco was the pseudonymous of Bettino Craxi). Numbered. Edition 87/125. Image Dimensions: 18 x 47 cm. The st...

Luneburgo is an original etching realized by Georg Braun and Franz Hogenberg, as part of the famous "Civitates Orbis Terrarum". Precious etching, show...

Construction is an original color etching by Antonio de Totero. Numbered, Edition Vi/XXV. Hand-signed. Good conditions. Image Dimensions: 26.5 x 36 cm The artwork represents a sur...

Giorgio Sommer n° 6418, view of Posillipo, is an original albumen print applied on cardboard. Title, catalog number and photographer's name printed on the low edge of print. This b...

Landscape is an original etching artwork by an anonymous artist. Hand-signed on the lower right (illegible) Numbered, edition 20 /99. The state of preservation is very good except...

This View of Namvrcvm (the ancient city of Namur, Belgium) is an original etching realized by George Braun and Franz Hogenberg, as part of the famous Series "Civitates Orbis Terrarum...

Giclee print on archival cold press cotton rag, edition 11 of 25 with 5 APs. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signa...

Untitled (Nr. 0025) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six...

Napoli Landscape is an original etching artwork on paper realized by an Anonymous artist of the XIX century. The State of preservation is good except for diffused foxings. Sheet d...

Image dimensions: 26x36 cm. Landscape is a beautiful artwork realized by an artist of the 20th century. Litoghaph. In very good condition. Signed on the lower margins; on the left 'H.C.' on the right 'none'. This realistic drawing...

Zurich Landscape is an original etching artwork on paper realized by an Anonymous artist of the XIX century. The State of preservation is very good. Included a white Passepartout:...

Alps is an original lithography artwork on paper realized by A. Lauro in the XX century. The State of preservation is very good. Included a white Passepartout: 34 x 49 cm. The ar...

Image dimensions: 15,5x22,5 cm. Veduta del campo generale di Magenta (View of the Military Field in Magenta) is a beautiful artwork realized by Carlo Perrin. litography colored by ...

Deluxe hand embellished enhanced canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 325. Str...

Limited Edition Etching, EA. 15 x 18.5 inches with border. Signed by Artist. Good Condition-shows signs of wear due to age and handling.

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Jennifer Nehrbass paintings speak to forbidden thoughts and desires and suggest that somethings that is denied to the viewer. What the paintings yield is an intimacy of time and plac...

Untitled (Nr. 7201) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...

Interesting b/w etching and drypoint, representing the Parisian foreshortening of a bridge on the Seine. Edition of 50 prints. Signature, date, technique and print run, title handwri...

Tight Rope is a lithograph on paper with an image size of 3 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary si...

Braun G., Hogenberg F., "Calecut", (Kolkata) from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 18.5 x 48 Dim: cm 21.5 x 53 . Very Fine...

Artist's Proof, hand signed.

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Untitled (Nr. 0170) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

The present is one of the many prints John Thomas Smith produced of English cottages and vernacular architecture. This example, a view of a cottage in Edmonton, is closely related to...

Hand signed and numbered. Edition of 150 prints. Image Dimensions : 31 x 78 cm

Frank Taylor- original woodcut. Inscribed, signed and dated (1940) to the lower margin. Presented in a fine black frame with a crisp white mount. On paper.

First Edition lithograph Full plate: 98 Presented in a acid free mount

Archival pigment ink print on canvas Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fas...

Basted Waves is a lithograph on paper with an image size of 2 x 3 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. N...

Edition of 11.

Poster. Measures 13.25 x 17 inches and is Unframed. Good Condition.

Hand Signed. Edition of 42 prints.Original Prints. Catalogue Prouté 1975 n.265. Image Dimensions : 19.5x27 cm This artwork is shipped from Italy. Under existing legislation, any art...

"Road to Cripple Creek, Colo." is an original woodcut print by Gerhardt H. Bakker. Lines full of expression and shape make up every bit of this print, fr...

Untitled (Nr. 0895) Seascape Photography 18" x 24" in Ed. 1/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination o...

Seasons Quartet I Lithograph AP5 The French fine art paper is BFK Rives and is 30 X 22 inches. The image is 17 X 17 inches. This signed Artist Proof 5 depicts Sebastian Spreng's sig...

Untitled (Nr. 0402) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

The large view of St Mark's Square in Venice was created by Federica Galli from five different etched plates and as many points of view of the lagoon city. She overcame these difficu...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Color spitbite aquatint and aquatint with drypoint. Edition of 35

"Scotland 0030" Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture ...

This is a beautiful landscape photography by a rising Chinese photographer. The work centers on the inter-relation in vast expanse of sky, and oc...

"Untitled (Nr. 0737)" Landscape Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmina...

Antarctica #26 is a limited edition photograph which is part of the Antarctica/Patagonia Series by John Conn taken in 2010. The image is 20x30 and it is printed on 24x36 archival pa...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Michael Knigin, American (1942 - 2011) - Effect Unknown, Year: 2004, Medium: Chromogenic Print on Canvas mounted to board, signed, titled, numbered and dated on verso, and signed a...

Michael Knigin, American (1942 - 2011) - Waves MKW4, Year: 2010, Medium: Chromogenic Print on Canvas, signed, dated and titled in pen, Size: 24.5 x 39.5 in. (62.23 x 100.33 cm), Fra...

Michael Knigin, American (1942 - 2011) - Chosen Journey II, Year: 2004, Medium: Chromogenic Print on Canvas mounted to board, signed and dated lower left and signed, titled, numbere...

Detailed hand colored landscape lithograph of a stone bridge in the countryside by an unknown European artist. Signed "Clym" in the lower right corner. Nu...

Carmel Canyon is a serigraph on paper with an image size 31.5 x 29.5 inches, signed 'Ricker' lower right and annotated lower left. From the edition of 500, numbered 125/200 (there were also 50 Roman on paper, 200 Arabic on canvas and 50 AP on canvas). Framed in a contemporary black moulding. Bruce Ricker...