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Style: Old Masters
Medium: Laid Paper
Two Cavaliers (after Herman Swanevelt)
Located in Middletown, NY
Etching on cream laid paper with a large foolscap watermark, 5 5/8 x 7 7/8 (150 x 200 mm), thread margins. In excellent condition with a light pencil inscription and an inventory num...
Category
17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Study of a Head
Located in Middletown, NY
By Wenceslaus Hollar, after Jan Van Bylert (Biler)
Etching on cream laid paper, 3 7/16 x 2 3/4 inches (87 x 70 mm), thread margins. Lacking the inscription in the plate; "Felix Bil...
Category
17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Farmers enjoying a barn dance with a violinist and a bagpiper.
Located in Middletown, NY
Etching on cream laid paper mounted to a cream laid paper support, 9 x 12 7/8 inches (230 x 327 mm), thread margins. Three small areas of light skinning with one extremely small hole...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Etching, Laid Paper
Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighti
Located in Middletown, NY
Bruyn, Abraham de (after). Court wrestlers of the Sultan of Turkey-dressed for outdoors, resting and fighting. 1577. Engraving on hand made laid paper, 10 5/8 x 6 7/8 inches (268 x 1...
Category
16th Century Old Masters Laid Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Engraving
Hercule Gaulois, ou L’Éloquence
By Charles-Nicolas II Cochin
Located in Middletown, NY
A classical chiaroscuro woodcut after Raphael executed by Charles Nicolas Cochin Père (1688-1754) & Vincent Le Sueur (1668-1743) . Printed from two bloc...
Category
Early 18th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Woodcut
The Spectacle Seller
By Adriaen Jansz van Ostade
Located in Middletown, NY
Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
Cainus fratri necem molitur (Cain kills his brother), Plate I Battles from Old T
Located in Middletown, NY
Rome: Nicolas van Aelst, 1613.
Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins. Scattered expert repairs including minor pu...
Category
Early 17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
Carolus de Mallery, by Lucas Vorsetman the Elder after van Dyck
Located in Middletown, NY
An exalted portrait of fellow Flemish engraver and publisher Karel van Mallery.
Lucas Vorsterman the Elder (after Anthony van Dyck).
Carolus de Mallery, from Icones Principum Viror...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Little Girl Playing with a Baby in its Mother's Arms
Located in Middletown, NY
Deuchar, David, (after van Ostade). Little Girl Playing with a Baby in its Mother's Arms; Mother with Two Children. Edinburgh: c 1800. Etching on cream laid paper, 3 3/4 x 2 3/4 inch...
Category
19th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Portrait of Marquard Freher, aged forty-nine
Located in Middletown, NY
Engraving on hand made laid paper, 8 1/2 x 5 7/8 inches (210 x 148 mm), thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center ...
Category
Early 17th Century Old Masters Laid Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Engraving
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87)
Portfolio: Vitruvius Britannicus; or The British Architect, Co...
Category
1710s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio, Etching
To Drink in Excess
By Cornelis Visscher
Located in Middletown, NY
Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Elderly Shepherd Leaning on a Staff (after Parmigianino)
Located in Middletown, NY
A lovely chiaroscuro woodcut by Antonio Maria Zanetti the elder after a work by Parmigianino (Girolamo Francesco Maria Mazzola). Printed on cream laid paper, laid down to a cream lai...
Category
Early 18th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Woodcut
Maximilien de Bethune, Duc de Sully
By (After) Frans Pourbus the Younger
Located in Middletown, NY
A portrait of Maximilien de Bethune, Duc de Sully, the Ambassador from Henry IV of France to James I of England; by Gerard Edelinck, after Franz Pourbus the Younger
Etching on fine ...
Category
Late 17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Louis XI, Roi de France
By Jean Morin
Located in Middletown, NY
Etching, engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center, 11 15/16 x 8 3/16 inches (302 x 207 mm), trimmed at the plate mark. A very g...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Etching
Peasant with a Crooked Back
Located in Middletown, NY
Etching on on laid paper, adhered along left sheet edge to archival wove paper. A rich inking impression in very good condition. From the Picart Edition of 1710.
- Ex-collection Fer...
Category
Late 17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
The Quacksalver
Located in Middletown, NY
Etching on cream laid paper. 1/4 inch to 1/2 inch margins. In good condition with a band of minor discoloration along top and bottom sheet edge verso. One circular 1.5 inch- sized ar...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
A study of whimsical architectural elements: Satyr's, Torch, Sphynx, Sea Monster
Located in Middletown, NY
Etching on handmade laid paper with a large, indiscernible heraldic watermark, , trimmed inside platemark. Several light spots of foxing along right edge, verso, one area of light th...
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]
Located in Middletown, NY
A beautiful Arcadian landscape after Johannes Glauber.
Amsterdam: 1721.
Etching on handmade laid paper with an intact fleur-de-lis watermark. 203 x 275 mm; 8 x 10 7/8 inches, trimm...
Category
18th Century Old Masters Laid Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
![Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]](https://a.1stdibscdn.com/adolf-van-der-laan-prints-works-on-paper-arcadian-riverscape-with-different-figures-by-a-tree-arcadisch-rivierlandschap-for-sale/a_19792/1654896344262/280_master.jpg?width=240 "1721 arcadian st")
The Pig Killers, by David Deuchar after Ostade
Located in Middletown, NY
Deuchar, David (after van Ostade). Les paysans tuant un porc.
Edinburgh: c1800.
Etching on thin cream laid paper, 4 11/16 x 4 11/16 inches (117 x 117 mm), narrow margins. Horizontal edge tear extending approximately 1-inch into the image area at the center left sheet edge. Skinning at the bottom-center sheet edge, verso, and adhesive residue at the top two corners, verso. Etched by David Deuchar after van Ostade, from A Collection of Etchings After the Most Eminent Masters of the Dutch and Flemish Schools particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Edinburgh: 22 December, 1803.
"The pig killers is one of van Ostade’s most striking, both for its circular format and unusual lighting. Pictorial representations of pig slaughtering were known in medieval book illumination where they were incorporated into depictions of activities relating to the month of November or December. In this intimate, nocturnal scene, illuminated by torchlight, van Ostade combines coarse, barnyard realism with tender observation as a peasant family gathers round to witness the slaughter of a pig, which presumably will feed the large family during the long winter months. As the eldest son kneels on the animal, the farmer’s wife collects the blood in her long handled pan...
Category
19th Century Old Masters Laid Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
Study of a Priestess holding a Caduceus
Located in Middletown, NY
Brown ink and wash on laid paper with a grapes and vine watermark, 6 5/8 x 6 1/2 inches (168 x 164 mm). Laid down to Fellows watermarked wove paper, with uniform age tone, areas of light discoloration, and attenuation of pigment. Unevenly trimmed margins, and paper tape remnant from having been tipped-into a scrap book...
Category
Early 19th Century Old Masters Laid Paper Prints and Multiples
Materials
Ink, Watercolor, Laid Paper
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state)
Located in Chicago, IL
Bearded Man with Shadowed Face, Wearing a Scarf and a Plumed Hat, (3rd state), 1645-50
Etching on laid paper
152 x 184 mm.; 6 x 7 1/4 inches
References:
Bellini 45
Bartsch 52
Note...
Category
17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
La Messe (The Mass), after Caravaggio
Located in Middletown, NY
Chiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...
Category
Mid-18th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Woodcut
Study of an architectural devotional with a Sacred Heart and three Putti
Located in Middletown, NY
Etching on light cream laid paper, 8 x 5 1/2 inches (200 x 138 mm), 1/8-inch margins. Minor repairs, including expertly repaired lower right corner, and minor light in-painting at l...
Category
Mid-18th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
The South West Prospect of St. Mary's Church in the Strand /// William Maitland
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783)
Title: "The South West Prospect of St. Mary's Church in the Strand"
Portfolio: The History and Survey of London from its Foundation to t...
Category
1750s Old Masters Laid Paper Prints and Multiples
Materials
Engraving, Laid Paper, Intaglio, Etching
The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
By Johannes Kip
Located in Saint Augustine, FL
Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722)
Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31)
Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne
Year: 1715-1724 (Third edition)
Medium: Original Engraving and Etching on cream laid paper
Limited edition: Unknown
Printer: Joseph Smith, London, UK
Publisher: Joseph Smith, London, UK
Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264
Sheet size: 19.25" x 24.19"
Image size: 16.75" x 22.5"
Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition
Rare
Notes:
Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black.
Biography:
Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses.
Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip".
His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists.
The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91)
Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
Category
1710s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Départ Pour La Pêche (Maison de Campagne des Environs de Naples) /// Old Masters
Located in Saint Augustine, FL
Artist: Jean Daullé (French, 1703-1763)
Title: "Départ Pour La Pêche (Maison de Campagne des Environs de Naples)"
Circa: 1740
Medium: Original Engraving on watermarked laid paper
Lim...
Category
1740s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
York, from near the Confluence of the Rivers Ouse and Foss /// Francis Drake Art
Located in Saint Augustine, FL
Artist: Francis Drake (English, 1696-1771)
Title: "York, from near the Confluence of the Rivers Ouse and Foss" (Plate 20)
Portfolio: Eboracum: or The History and Antiquities of the City of York
Year: 1736 (First edition)
Medium: Original Engraving on light laid paper
Limited edition: Unknown
Printer: William Bowyer...
Category
1730s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
Vesuvs im Winter (Vesuvius in Winter) /// Mount Vesuvius Volcano Campania Italy
Located in Saint Augustine, FL
Artist: (after) Pierre-Jacques Volaire (French, 1729-1799)
Title: "Vesuvs im Winter (Vesuvius in Winter)" (Plate 9)
*Issued unsigned, though signed by Richter in the plate (printed s...
Category
1790s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching, Aquatint
A View of the House of Commons /// George II English Parliament London England
Located in Saint Augustine, FL
Artist: Benjamin Cole (English, c. 1697-1783)
Title: "A View of the House of Commons"
Portfolio: The History and Survey of London from its Foundation to the Present Time
Year: 1756 (...
Category
1750s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Etching
The Royston Crow (Hooded Crow) /// Thomas Pennant Ornithology Bird Animal Art
By Thomas Pennant
Located in Saint Augustine, FL
Artist: Thomas Pennant (Welsh, 1726-1798)
Title: "The Royston Crow (Hooded Crow)" (Plate D1)
Portfolio: The British Zoology, Class II: Birds
Year: 1761-1766 (First edition)
Medium: O...
Category
1760s Old Masters Laid Paper Prints and Multiples
Materials
Watercolor, Engraving, Laid Paper
Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844)
Title: "Benevolent Cottagers"
Year: 1816
Medium: Original Etching and Engraving on laid paper
Limited edition: Unknown...
Category
1810s Old Masters Laid Paper Prints and Multiples
Materials
Engraving, Etching, Laid Paper, Intaglio
Ardea, Stellaris (Eurasian Bittern) /// Dutch Ornithology Bird Animal Engraving
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Stellaris (Eurasian Bittern)" (Plate 41)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original H...
Category
1770s Old Masters Laid Paper Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category
1780s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
William the Conqueror Giving a Charter to his Nephew Alan Earl of Britain
Located in Saint Augustine, FL
Artist: Francis Drake (English, 1696-1771)
Title: "William the Conqueror Giving a Charter to his Nephew Alan Earl of Britain" (Plate 12)
Portfolio: Eboracum: or The History and Antiquities of the City of York
Year: 1736 (First edition)
Medium: Original Engraving on watermarked light laid paper
Limited edition: Unknown
Printer: William Bowyer...
Category
1730s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
Ahorn auf Kos (Vue de la Place Publique de Cos) /// Plane Tree of Hippocrates
Located in Saint Augustine, FL
Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828)
Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3)
*Issued unsigned, though signed by Richter in the plate (...
Category
1790s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching, Aquatint
Shepherd talking to a young shepherd on a donkey
Located in Middletown, NY
Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....
Category
Mid-17th Century Old Masters Laid Paper Prints and Multiples
Materials
Handmade Paper, Laid Paper, Etching
"Cockersand Abbey" and "Sandal Castle" from "Buck's Antiquities" /// British Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Cockersand Abbey" (Plate 148) and "Sandal Castle" (Plate 340...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.25" x 16.63"
Image size (each): approx. 7" x 12"
Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition
Notes:
Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV".
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42)
Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category
1710s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "Plan of the Principal Floor of Wilberry House" (Vol. 1, Plate 51) and "Wilberry House in the County of Wilt" (Vol. 1, Plate 52)
...
Category
1710s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Het leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard
By Dirk Stoop
Located in Saint Augustine, FL
Artist: Dirk Stoop (Dutch, c.1615-1686)
Title: "Het leeuwendeel (The Lion's Share)"
Portfolio: The Fables of Aesop
Year: 1665 (an earlier state of unknown states)
Medium: Original Et...
Category
1660s Old Masters Laid Paper Prints and Multiples
Materials
Etching, Laid Paper, Intaglio, Gesso
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.88"
Image size (each): approx. 8.13" x 12.63"
Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition
Notes:
Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall".
"PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio, Etching, Aquatint
"Moor Tower" and "Kirkham Priory" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328)
Portfolio: Buck's Antiquities or Venerable R...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Conisborough Castle" and "Morlashe Castle" from "Buck's Antiquities" /// UK Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Three Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.75"
Image size (each): approx. 7" x 11.88"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV".
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Laid Paper Prints and Multiples
Materials
Engraving, Laid Paper
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some O...
Category
1740s Old Masters Laid Paper Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
"Pendragon Castle" and "Lincoln Castle" from "Buck's Antiquities" /// British UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170)
Portfolio: Buck's Antiquities or Vener...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Oakham Castle" and "Nottingham Park/Castle" from "Buck's Antiquities" /// UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11" x 18.25"
Image size (platemark) (each): approx. 7.75" x 14.75"
Condition: "Nottingham Park" has light soiling in margins and scattered light foxmarks across sheet. They are both otherwise strong impressions in very good condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "Oakham Castle" and "Nottingham Park/Castle" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Oakham Castle is a historic building in Oakham, Rutland. The castle is known for its collection of massive horseshoes and is also recognised as one of the best examples of domestic Norman architecture in England. It is a Grade I listed building. Owned and managed by the Rutland County Council, Oakham Castle is licensed for civil...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Louth Park Abbey" and "Easby Abbey" from "Buck's Antiquities" /// Architecture
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324)
Portfolio: Buck's Antiquities or Venerabl...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Knaresborough Castle" and "Sawley Abbey" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Welbeck Park Belongs to the Marquis of Newcastle /// Equestrian Horse Old Master
Located in Saint Augustine, FL
Artist: William Cavendish (English, 1593-1676)
Title: "Welbeck Park Belongs to the Marquis of Newcastle" (Plate 38, Page 263)
Portfolio: Methode et Invention Nouvelle de Dresser Les Chevaux (New Method and Invention of Dressing Horses)
Year: 1737 (Second edition)
Medium: Original Hand-Colored Engraving and Etching on watermarked laid paper
Limited edition: Unknown
Printer: Jean Brindley, London, UK
Publisher: Jean Brindley, London, UK
Reference: Brunet I, 1699; Graesse II:93; Lowndes VI:1663; Mellon/Podeschi 26, page 34-35; Mennessier de la Lance II, page 246-247; Nissen ZBI 848; Huth page 21
Sheet size: 17" x 21.25"
Image size: 15" x 20"
Condition: Toning to sheet and some edgewear in right margins. Centerfold is separated at very top and bottom in margins. It is otherwise a strong impression in good condition with strong colors
Notes:
With overlapping centerfold as issued. Engraved by Dutch artist Theodor van Kessel (1620-1696) after a drawing by Dutch artist Abraham van Diepenbeeck...
Category
1730s Old Masters Laid Paper Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio, Etching
Honden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape
By Abraham Hondius
Located in Saint Augustine, FL
Artist: Abraham Hondius (Dutch, c.1625-1691)
Title: "Honden Jagen Op Een Beer (Hounds Hunting a Bear)"
*Signed and dated by Hondius in the plate (print...
Category
1670s Old Masters Laid Paper Prints and Multiples
Materials
Etching, Laid Paper, Intaglio
"St. Martin's Abbey" and "Lady's Chappel" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11.13" x 18.25"
Image size (platemark) (each): approx. 7.5" x 14.5"
Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "St. Martin's Abbey" and "Lady's Chappel" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Saint Martin's Abbey is a community of Roman Catholic Benedictine monks who follow the Rule of St Benedict...
Category
1720s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Laid Paper prints and multiples for sale on 1stDibs.
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