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Medium: Laid Paper
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

A Wooded River Landscape; Entry into the Wood
A Wooded River Landscape; Entry into the Wood

A Wooded River Landscape; Entry into the Wood

By Anthonie Waterloo

Located in Middletown, NY

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

The Flight into Egypt
The Flight into Egypt

The Flight into Egypt

By Hans Lautensack

Located in Middletown, NY

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Entombment; Plate 2 from The Passion of the Christ
Entombment; Plate 2 from The Passion of the Christ

Entombment; Plate 2 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Engraving, Laid Paper

'Floating Bento', Hawaii, Art Center, Los Angeles, Reclining Woman
'Floating Bento', Hawaii, Art Center, Los Angeles, Reclining Woman

'Floating Bento', Hawaii, Art Center, Los Angeles, Reclining Woman

Located in Santa Cruz, CA

Signed in graphite, lower right, 'Pegge Hopper' (American, born 1936) with number and limitation, lower left, '235/300' and created circa 1985. Sheet dimensions: 47 H x 35.5 W inches...

Category

1980s Modern Laid Paper Prints and Multiples

Materials

Silk, Laid Paper, Screen

Old man with a long beard and cap - After Rembrandt, copy
Old man with a long beard and cap - After Rembrandt, copy

Old man with a long beard and cap - After Rembrandt, copy

By Ferdinand Bol

Located in Middletown, NY

Etching on cream laid paper, 3 x 2 1/4 inches (76 x 57 mm), margins. In very good condition with some minor losses at the extreme lower right corner. Pencil inscriptions on the ver...

Category

Mid-17th Century Flemish School Laid Paper Prints and Multiples

Materials

Laid Paper

La Lecture
La Lecture

La Lecture

By Charles-Emile Jacque

Located in Middletown, NY

Paris: 1846. Delâtre. Etching on delicate cream laid Japon paper with a deckle edge, 7 x 4 3/4 inches (178 x 122 mm); sheet 11 1/4 x 9 inches (280 x 230 mm), full margins. An impres...

Category

Mid-19th Century French School Laid Paper Prints and Multiples

Materials

Handmade Paper, Etching, Laid Paper

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper
Woman Waving - 1991 Abstract Expressionist Lithograph on Paper

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper

By Sidney Budnick

Located in Soquel, CA

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper 1991 black and yellow abstract expressionist lithograph depicting a woman by Sidney Jonas Budnick (1921 - 1994). The w...

Category

1990s Post-War Laid Paper Prints and Multiples

Materials

Acrylic, Laid Paper, Lithograph

"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)
"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)

"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)

By Tracey Emin

Located in New York, NY

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Category

2010s Contemporary Laid Paper Prints and Multiples

Materials

Cotton, Screen, Mixed Media, Laid Paper

The Windmill by François Vivares, after Rembrandt
The Windmill by François Vivares, after Rembrandt

The Windmill by François Vivares, after Rembrandt

By Rembrandt van Rijn

Located in Middletown, NY

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Category

Mid-18th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

The Three Oaks
The Three Oaks

The Three Oaks

Located in Middletown, NY

A well-inked impression of Ruisdael's finest Haarlem-period etching. Amsterdam: Franz van Wyngaerde, 1649. Etching on buff cream laid paper, 5 1/8 x 6 inches (130 x 153 mm), the ful...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

By Colen Campbell

Located in Saint Augustine, FL

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Category

1710s Old Masters Laid Paper Prints and Multiples

Materials

Engraving, Etching, Laid Paper, Intaglio

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper
God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper

By Leopoldo Méndez

Located in Soquel, CA

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper Leopoldo Méndez (Mexico City, Mexico, 1902–1969) "Fool's Concert" (from the portfolio "25 Prints of Leopoldo ...

Category

1940s Symbolist Laid Paper Prints and Multiples

Materials

Linocut, Printer's Ink, Laid Paper

Fording a River (Le gue)
Fording a River (Le gue)

Fording a River (Le gue)

By Alphonse Legros

Located in Middletown, NY

Etching on cream laid watermarked Finch 1794 paper, 4 1/4 x 5 3/4 inches (109 x 147 mm); sheet 6 1/2 x 9 inches (165 x 229 mm), full margins. Signed and titled in pencil in the lower...

Category

Mid-19th Century French School Laid Paper Prints and Multiples

Materials

Handmade Paper, Etching, Laid Paper

The Lych Gate; Little Church Around the Corner - New York

The Lych Gate; Little Church Around the Corner - New York

Located in Middletown, NY

Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Etching, Laid Paper

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...

Category

1780s Victorian Laid Paper Prints and Multiples

Materials

Intaglio, Engraving, Laid Paper, Watercolor

The Anglers
The Anglers

The Anglers

By Herman van Swanevelt

Located in Middletown, NY

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

Category

Early 17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Le Chapeau Épinglé Etching, Impressionist Style, Signed, 1890s, Framed
Le Chapeau Épinglé Etching, Impressionist Style, Signed, 1890s, Framed

Le Chapeau Épinglé Etching, Impressionist Style, Signed, 1890s, Framed

By Pierre-Auguste Renoir

Located in Naples, Florida

Etching and drypoint in black on laid paper, with wide margins Signed in the plate From La Vie Artistique by Gustave Geffroy Literature: Delteil 8; Stella 8 Le Chapeau...

Category

1890s Impressionist Laid Paper Prints and Multiples

Materials

Drypoint, Laid Paper, Etching

Sleeping Herdsman by Charles Amand-Durand
Sleeping Herdsman by Charles Amand-Durand

Sleeping Herdsman by Charles Amand-Durand

By Rembrandt van Rijn

Located in Middletown, NY

A an impression after Rembrandt's only state of this image. Paris: 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches (124 x 114 mm); sheet 12 5/8 x 1...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching, Engraving

Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed
Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed

Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed

By Anne Youkeles

Located in New York, NY

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Category

1960s Abstract Geometric Laid Paper Prints and Multiples

Materials

Paper, Mixed Media, Laid Paper, Screen

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt

By Rembrandt van Rijn

Located in Middletown, NY

Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...

Category

18th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Etching, Laid Paper

John Knox House in Edinburgh
John Knox House in Edinburgh

John Knox House in Edinburgh

Located in Middletown, NY

London: Fine Art Trade Guild, c1900. Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...

Category

Early 20th Century English School Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

San Marino (Sketch)
San Marino (Sketch)

San Marino (Sketch)

By John Taylor Arms

Located in Middletown, NY

A demonstration print executed in front of a live audience in New York City in 1933. Etching on cream laid paper, 6 7/8 x 4 7/8 inches (178 x 127 mm); sheet 11 7/8 x 8 3/16 inches (...

Category

Mid-20th Century American Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Flamingo Engraving
Flamingo Engraving

Flamingo Engraving

Located in New York, NY

Original engraving, hand-colored at publication, after the work of Mark Catesby by Johann Michael Seligmann from "Sammlung verschneider auslandischer und seltener Vogel." Nuremberg:...

Category

Mid-18th Century Laid Paper Prints and Multiples

Materials

Laid Paper

Ponte della Trinità, Florence
Ponte della Trinità, Florence

Ponte della Trinità, Florence

By David Young Cameron

Located in Middletown, NY

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 20th Century Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

King Richard II /// Old Masters British Royal Family Portrait Engraving Art
King Richard II /// Old Masters British Royal Family Portrait Engraving Art

King Richard II /// Old Masters British Royal Family Portrait Engraving Art

By George Vertue

Located in Saint Augustine, FL

Artist: George Vertue (English, 1684-1756) Title: "King Richard II" Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History *Issued unsigned, though signed by Ve...

Category

1730s Baroque Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Laid Paper Prints and Multiples

Materials

Engraving, Laid Paper

Bowling on the Green (from the Bicentennial Pageant of George Washington)
Bowling on the Green (from the Bicentennial Pageant of George Washington)

Bowling on the Green (from the Bicentennial Pageant of George Washington)

By Childe Hassam

Located in Soquel, CA

Bowling on the Green (from the Bicentennial Pageant of George Washington) 'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...

Category

1930s American Impressionist Laid Paper Prints and Multiples

Materials

Ink, Etching, Laid Paper

Billingsgate
Billingsgate

Billingsgate

By James Abbott McNeill Whistler

Located in Middletown, NY

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

Category

Mid-19th Century Impressionist Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed
Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed

Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed

By Mickalene Thomas

Located in New York, NY

Mickalene Thomas Portrait de Priscilla Le Petit Chien, 2012 Pigment print on 100% cotton rag paper Edition 141/150 Frame included with official COA affixed to the back Hand numbered ...

Category

2010s Realist Laid Paper Prints and Multiples

Materials

Laid Paper, Permanent Marker, Digital Pigment

The Last Civil War Veteran limited edition signed mixed media silkscreen collage
The Last Civil War Veteran limited edition signed mixed media silkscreen collage

The Last Civil War Veteran limited edition signed mixed media silkscreen collage

By Larry Rivers

Located in New York, NY

Larry Rivers The Last Civil War Veteran, 1970 Silkscreen and mixed media collage on paper 29 × 19 3/4 inches Hand signed and numbered 55/100 in graphite pencil lower front Provenance...

Category

1970s Pop Art Laid Paper Prints and Multiples

Materials

Mixed Media, Laid Paper, Pencil, Graphite, Screen

Joel Shapiro - Woodcut on laid paper, published by PACE Editions Signed/N Framed
Joel Shapiro - Woodcut on laid paper, published by PACE Editions Signed/N Framed

Joel Shapiro - Woodcut on laid paper, published by PACE Editions Signed/N Framed

By Joel Shapiro

Located in New York, NY

Joel Shapiro Woodcut (butternet and cherry) on Crown & Sceptre laid paper, 1987 Pencil signed and numbered 18 of 27 on the front Published by PACE Editions, NY (with original label v...

Category

1980s Minimalist Laid Paper Prints and Multiples

Materials

Laid Paper, Woodcut

Kehinde Wiley - Passing/Posing Paintings & Faux Chapel, 18 prints in bespoke box
Kehinde Wiley - Passing/Posing Paintings & Faux Chapel, 18 prints in bespoke box

Kehinde Wiley - Passing/Posing Paintings & Faux Chapel, 18 prints in bespoke box

By Kehinde Wiley

Located in New York, NY

Kehinde Wiley Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints), 2004 Portfolio of 18 Separate Color offset lithographs in original black paste board portfoli...

Category

Early 2000s Contemporary Laid Paper Prints and Multiples

Materials

Ink, Mixed Media, Board, Laid Paper, Lithograph, Offset

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall
"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall

By Marc Chagall

Located in Soquel, CA

"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...

Category

1940s Post-War Laid Paper Prints and Multiples

Materials

Ink, Laid Paper

The Triumph of Caesar: Plate IV

The Triumph of Caesar: Plate IV

By Andrea Mantegna

Located in Middletown, NY

Andreani, Andrea (Italian, about 1558–1610), after Andrea Mantegna (Italian, 1431-1506) Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Ink, Handmade Paper, Laid Paper, Woodcut

Cathedral de Saint Julien le Mans
Cathedral de Saint Julien le Mans

Cathedral de Saint Julien le Mans

By John Taylor Arms

Located in Middletown, NY

Etching on antique cream laid paper with a deckle edge, 9 1/8 x 9 3/4 inches (232 x 248 mm); sheet 12 1/8 x 12 3/4 inches (307 x 323 mm), full margins. Signed and dated in pencil in ...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Joel Shapiro - Woodcut on Crown & Sceptre paper, Signed/N, PACE Editions. Framed
Joel Shapiro - Woodcut on Crown & Sceptre paper, Signed/N, PACE Editions. Framed

Joel Shapiro - Woodcut on Crown & Sceptre paper, Signed/N, PACE Editions. Framed

By Joel Shapiro

Located in New York, NY

oel Shapiro Woodcut (butternet and cherry) on Crown & Sceptre laid paper, 1987 Pencil signed and numbered 18 of 29 on the front Published by PACE Editions, NY (with original label ve...

Category

1980s Abstract Laid Paper Prints and Multiples

Materials

Laid Paper, Woodcut

The Three Graces, from Publius Maro Vergil: Les Géorgiques

The Three Graces, from Publius Maro Vergil: Les Géorgiques

By Aristide Maillol

Located in Middletown, NY

Woodcut printed in black on buff laid paper, 4 1/2 x 5 3/8 inches (113 x 135 mm), full margins. Scattered minor foxing in the lower right sheet quadrant, recto, and with the lower sh...

Category

Mid-20th Century French School Laid Paper Prints and Multiples

Materials

Laid Paper, Woodcut

"Iris" Botanical Etching on Heavy Paper
"Iris" Botanical Etching on Heavy Paper

"Iris" Botanical Etching on Heavy Paper

Located in Soquel, CA

"Iris" Botanical Etching on Heavy Paper Realistic etching of an iris by Nancy Nevin (American, b. 1963). An elegant bearded iris is shown against a white background, in the style of...

Category

Late 20th Century Photorealist Laid Paper Prints and Multiples

Materials

Ink, Laid Paper, Etching

Saint Catherine's Belfry, Honfleur
Saint Catherine's Belfry, Honfleur

Saint Catherine's Belfry, Honfleur

By John Taylor Arms

Located in Middletown, NY

Etching on elaborately watermarked, antique, cream laid Dard Hunter paper, 13 5/8 x 7 1/78 inches (347 x 181 mm), full margins. Signed, titled, dated and inscribed "Ed. 100 II." From...

Category

Mid-20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

The Triumph of Caesar: Plate IV of IX

The Triumph of Caesar: Plate IV of IX

By Andrea Mantegna

Located in Middletown, NY

Andreani, Andrea, after Andrea Mantegna The Triumph of Caesar: Plate IV of IX 1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Ink, Woodcut

Notre Dame de Paris
Notre Dame de Paris

Notre Dame de Paris

By John Taylor Arms

Located in Middletown, NY

A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...

Category

1920s American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Grim Orvieto
Grim Orvieto

Grim Orvieto

By John Taylor Arms

Located in Middletown, NY

Etching on watermarked FJ Head cream laid paper with a deckle edge, 11 1/8 x 8 3/4 inches (283 x 223 mm); sheet 14 3/4 x 11 1/2 inches (374 x 292 mm), full margins. Signed and dated ...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Etching, Laid Paper

"Conception" - Portrait of a Native American on a Vision Quest
"Conception" - Portrait of a Native American on a Vision Quest

"Conception" - Portrait of a Native American on a Vision Quest

Located in Soquel, CA

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Category

1990s Surrealist Laid Paper Prints and Multiples

Materials

Laid Paper, Screen

Provence, France Fine Art Aquatint Etching - “Legendary Provence"
Provence, France Fine Art Aquatint Etching - “Legendary Provence"

Provence, France Fine Art Aquatint Etching - “Legendary Provence"

Located in Soquel, CA

Fine Art Aquatint Etching of Gordes, in Provence, France - "Legendary Provence" by Ronald Stephen Riddick Beautiful aquatint etching of a sunset over iconic Provence French town, Go...

Category

1970s American Modern Laid Paper Prints and Multiples

Materials

Aquatint, Laid Paper

The Birth of Adonis; Plate 1 from The Story of Adonis
The Birth of Adonis; Plate 1 from The Story of Adonis

The Birth of Adonis; Plate 1 from The Story of Adonis

By Herman van Swanevelt

Located in Middletown, NY

Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...

Category

Early 17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Etching

Le Sire De Lumey

Le Sire De Lumey

By Félicien Rops

Located in Middletown, NY

Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing....

Category

Late 19th Century Symbolist Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Etching, Aquatint

Red Grooms - Mr. Chuck Berry - Silkscreen with 3-D collage on paper, signed/n
Red Grooms - Mr. Chuck Berry - Silkscreen with 3-D collage on paper, signed/n

Red Grooms - Mr. Chuck Berry - Silkscreen with 3-D collage on paper, signed/n

By Red Grooms

Located in New York, NY

Red Grooms Mr. Chuck Berry, 1978 Original silkscreen in colors with 3D construction and die-cut collage on paper Signed and numbered 9/25 AP in graphite pencil on the front Pencil si...

Category

1970s Pop Art Laid Paper Prints and Multiples

Materials

Mixed Media, Laid Paper, Screen

La diligence de Beaucaire
La diligence de Beaucaire

La diligence de Beaucaire

By Félix Hilaire Buhot

Located in Middletown, NY

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Category

1880s French School Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching, Aquatint

El reposo

El reposo

By Manuel Mendive

Located in Miami, FL

Beautiful Serigraph print on paper by the Cuban artist Manuel Mendive. El Reposo, 2021 Lithograph 23,5 x 29 in Ed. 10 of 100 Signed and numbered by the artist. Manuel Mendive is an ...

Category

21st Century and Contemporary Contemporary Laid Paper Prints and Multiples

Materials

Laid Paper, Screen

Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art
Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art

Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art

By François Nicolas Martinet

Located in Saint Augustine, FL

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...

Category

1770s Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Watercolor, Intaglio, Engraving

The Spectacle Seller

The Spectacle Seller

By Adriaen Jansz van Ostade

Located in Middletown, NY

Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
Beggar man and woman coming from behind a bank – after Rembrandt van Rijn

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn

By Charles Amand Durand

Located in Middletown, NY

Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...

Category

17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Two Goats, from "Daphnis & Chloe"

Two Goats, from "Daphnis & Chloe"

By Aristide Maillol

Located in Middletown, NY

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

Category

Mid-20th Century French School Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Woodcut

Persian Garden, Op Art 3D Color Silkscreen w/ Arches paper backing Signed/N '70s
Persian Garden, Op Art 3D Color Silkscreen w/ Arches paper backing Signed/N '70s

Persian Garden, Op Art 3D Color Silkscreen w/ Arches paper backing Signed/N '70s

By Anne Youkeles

Located in New York, NY

Anne Youkeles Persian Garden, ca. 1970 3D Color Silkscreen w/ Arches paper backing Hand-signed by artist in pencil, titled and numbered 37/100 on backing sheet of Arches paper. 23 x ...

Category

1970s Abstract Geometric Laid Paper Prints and Multiples

Materials

Screen, Laid Paper

Umbrian Street; An Assisi Street
Umbrian Street; An Assisi Street

Umbrian Street; An Assisi Street

By John Taylor Arms

Located in Middletown, NY

Etching on cream laid watermarked FJ Head paper with a deckle edge, 10 1/4 x 5 3/8 inches (262 x 137 mm); sheet 18 1/8 x 10 1/4 inches (457 x 260 mm), full margins. Signed, titled, d...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Etching, Laid Paper

Antique Rooster Woodblock Print circa 1910 by Prosper Alphonse Isaac
Antique Rooster Woodblock Print circa 1910 by Prosper Alphonse Isaac

Antique Rooster Woodblock Print circa 1910 by Prosper Alphonse Isaac

Located in SANTA FE, NM

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

Category

1910s Art Nouveau Laid Paper Prints and Multiples

Materials

Ink, Laid Paper

'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky
'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky

'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky

By Wassily Kandinsky

Located in Milwaukee, WI

'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300) Image Size: 7 1/2" x 5 inches Frame Size: 22 1/4" x 18 3/4" Ref. Roethel 124 Artist Bio: The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...

Category

1910s Blue Rider Laid Paper Prints and Multiples

Materials

Woodcut, Laid Paper

Ruff's Farm
Ruff's Farm

Ruff's Farm

By Sidney Mackenzie Litten

Located in Middletown, NY

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Drypoint, Etching

Laid Paper prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Laid Paper prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Taylor Arms, Suzanne Benton, Francisco Goya, and Samuel & Nathaniel Buck. Frequently made by artists working in the Old Masters, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Laid Paper prints and multiples, so small editions measuring 0.01 inches across are also available