Skip to main content

Laid Paper Prints and Multiples

621 Results
to
97
431
150
33
19
3
Overall Width
to
Overall Height
to
149
90
23
22
16
12
7
5
2
1
1
1
48
46
14
13
13
263
144
211
18
7
2
18
11
2
5
9
38
31
15
166
365
265
5
339
139
123
96
95
81
50
45
43
40
35
32
31
30
26
25
25
21
20
19
1,253
35,982
20,538
18,743
10,615
63
60
574
62
Medium: Laid Paper
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

'From Picasso's Sketchbook', Abrams Inc, New York, Carnet De La Californie
'From Picasso's Sketchbook', Abrams Inc, New York, Carnet De La Californie

'From Picasso's Sketchbook', Abrams Inc, New York, Carnet De La Californie

By Pablo Picasso

Located in Santa Cruz, CA

A stone lithograph from Picasso's Sketchbook (Carnet de la California, 1955-1956) which was limited to 1000 copies. Dated, in the design, November 1, 1955 and numbered 13. Different lithograph printed verso, as issued. Unsigned. Accompanied with a copy of the inside cover page and colophone with publishing information. Around 1959, Editions Cercle d’Art published Carnet de la Californie, a facsimile of a sketchbook that Picasso worked on at his house in Cannes, La Californie. Printed at Mourlot Studios in Paris, this edition was prepared for the American market by publisher Harry N. Abrams, New York (1960). With thanks to Claire Lui and the Guggenheim for the below: Carnet de la Californie sheds light on Picasso’s interests and focus at the time. Over and over he returned to the same themes—copies of Old Masters, and drawings of a woman in Turkish clothing...

Category

1950s Cubist Laid Paper Prints and Multiples

Materials

Laid Paper, Lithograph

'Floating Bento', Hawaii, Art Center, Los Angeles, Reclining Woman
'Floating Bento', Hawaii, Art Center, Los Angeles, Reclining Woman

'Floating Bento', Hawaii, Art Center, Los Angeles, Reclining Woman

Located in Santa Cruz, CA

Signed in graphite, lower right, 'Pegge Hopper' (American, born 1936) with number and limitation, lower left, '235/300' and created circa 1985. Sheet dimensions: 47 H x 35.5 W inches...

Category

1980s Modern Laid Paper Prints and Multiples

Materials

Silk, Laid Paper, Screen

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise
De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

By Jacob de Gheyn II

Located in Middletown, NY

A 16th century image from the state-sponsored military manual that revolutionized European warfare tactics. Leiden: 1599. Engraving on laid paper with a partial chalice and grapes ...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Laid Paper Prints and Multiples

Materials

Engraving, Laid Paper

Entombment; Plate 2 from The Passion of the Christ
Entombment; Plate 2 from The Passion of the Christ

Entombment; Plate 2 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

16th Century Old Masters Laid Paper Prints and Multiples

Materials

Engraving, Laid Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

1790s Northern Renaissance Laid Paper Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

"Conception" - Portrait of a Native American on a Vision Quest
"Conception" - Portrait of a Native American on a Vision Quest

"Conception" - Portrait of a Native American on a Vision Quest

Located in Soquel, CA

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Category

1990s Surrealist Laid Paper Prints and Multiples

Materials

Laid Paper, Screen

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise
Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

By Jacob de Gheyn II

Located in Middletown, NY

An image from a 17th-century military drill manual depicting techniques for handling muskets and pikes. De Ghen II, Jacques / Jacob Wapenhandelinghe van Roers, Musquetten ende Spies...

Category

Early 17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

Slapende jonge kat (Sleeping kitten)
Slapende jonge kat (Sleeping kitten)

Slapende jonge kat (Sleeping kitten)

Located in Middletown, NY

Lithograph on cream wove paper with a large, modern geometric watermark, 10 x 9 5/8 inches (255 x 245 mm), the full sheet. Signed, dated and numbered 4/25 in pencil in the lower right.

Category

Late 19th Century Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

The Windmill by François Vivares, after Rembrandt
The Windmill by François Vivares, after Rembrandt

The Windmill by François Vivares, after Rembrandt

By Rembrandt van Rijn

Located in Middletown, NY

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Category

Mid-18th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

By Colen Campbell

Located in Saint Augustine, FL

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Category

1710s Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio, Etching

Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed
Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed

Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed

By Anne Youkeles

Located in New York, NY

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Category

1960s Abstract Geometric Laid Paper Prints and Multiples

Materials

Paper, Mixed Media, Laid Paper, Screen

Au Bord de la Mer (At the Sea Side)
Au Bord de la Mer (At the Sea Side)

Au Bord de la Mer (At the Sea Side)

By James Jacques Joseph Tissot

Located in Middletown, NY

An exotic hashira-e shaped work, an homage to the heavy influence Japanese printmaking had on the artist. London: 1880 Etching with drypoint on cream laid Van Gelder Zonen paper wit...

Category

Late 19th Century Realist Laid Paper Prints and Multiples

Materials

Etching, Handmade Paper, Laid Paper, Drypoint

A Wooded River Landscape; Entry into the Wood
A Wooded River Landscape; Entry into the Wood

A Wooded River Landscape; Entry into the Wood

By Anthonie Waterloo

Located in Middletown, NY

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Château de Chaumont
Château de Chaumont

Château de Chaumont

By Maxime Lalanne

Located in Middletown, NY

Etching with drypoint on cream laid paper 4 x 6 1/2 inches (102 x 166 mm); sheet 5 1/8 x 7 5/8 inches (130 x 194 mm), full margins with a deckle edge. In good condition with light ye...

Category

Late 19th Century French School Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

The Anglers
The Anglers

The Anglers

By Herman van Swanevelt

Located in Middletown, NY

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

Category

Early 17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Etching

The Holy Family (after Bartelomeo Schedoni)
The Holy Family (after Bartelomeo Schedoni)

The Holy Family (after Bartelomeo Schedoni)

By William Baillie

Located in Middletown, NY

Mezzotint on cream wove paper, 13 7/8 x 10 inches (353 x 254 mm); sheet 14 1/2 x 10 1/4 inches (368 x 261 mm), narrow margins. In good condition with some minor uniform toning and ag...

Category

Mid-18th Century English School Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Mezzotint

'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky
'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky

'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky

By Wassily Kandinsky

Located in Milwaukee, WI

'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300) Image Size: 7 1/2" x 5 inches Frame Size: 22 1/4" x 18 3/4" Ref. Roethel 124 Artist Bio: The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...

Category

1910s Blue Rider Laid Paper Prints and Multiples

Materials

Woodcut, Laid Paper

Paysage, Saules
Paysage, Saules

Paysage, Saules

By Charles-Emile Jacque

Located in Middletown, NY

Etchings with drypoint on laid Japon paper, 5 x 6 3/4 inches (128 x 172 mm); sheet 9 x 11 3/8 inches (230 x 290 mm), full margins. In very good condition with some minor uniform toni...

Category

Mid-19th Century French School Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Drypoint, Etching

Joel Shapiro - Woodcut on laid paper, published by PACE Editions Signed/N Framed
Joel Shapiro - Woodcut on laid paper, published by PACE Editions Signed/N Framed

Joel Shapiro - Woodcut on laid paper, published by PACE Editions Signed/N Framed

By Joel Shapiro

Located in New York, NY

Joel Shapiro Woodcut (butternet and cherry) on Crown & Sceptre laid paper, 1987 Pencil signed and numbered 18 of 27 on the front Published by PACE Editions, NY (with original label v...

Category

1980s Minimalist Laid Paper Prints and Multiples

Materials

Laid Paper, Woodcut

Le Cours La Reine, from the series Rouen Illustré
Le Cours La Reine, from the series Rouen Illustré

Le Cours La Reine, from the series Rouen Illustré

By Maxime Lalanne

Located in Middletown, NY

Paris: A. Salmon, 1883. Etching with engraving on white laid paper, 6 1/8 x 9 3/4 inches (156 x 247 mm); sheet 9 1/4 x 12 1/2 inches (235 x 318 mm), full margins. In very good condi...

Category

Late 19th Century French School Laid Paper Prints and Multiples

Materials

Laid Paper, Etching, Engraving

Red Grooms - Mr. Chuck Berry - Silkscreen with 3-D collage on paper, signed/n
Red Grooms - Mr. Chuck Berry - Silkscreen with 3-D collage on paper, signed/n

Red Grooms - Mr. Chuck Berry - Silkscreen with 3-D collage on paper, signed/n

By Red Grooms

Located in New York, NY

Red Grooms Mr. Chuck Berry, 1978 Original silkscreen in colors with 3D construction and die-cut collage on paper Signed and numbered 9/25 AP in graphite pencil on the front Pencil si...

Category

1970s Pop Art Laid Paper Prints and Multiples

Materials

Mixed Media, Laid Paper, Screen

Le Chapeau Épinglé Etching, Impressionist Style, Signed, 1890s, Framed
Le Chapeau Épinglé Etching, Impressionist Style, Signed, 1890s, Framed

Le Chapeau Épinglé Etching, Impressionist Style, Signed, 1890s, Framed

By Pierre-Auguste Renoir

Located in Naples, Florida

Etching and drypoint in black on laid paper, with wide margins Signed in the plate From La Vie Artistique by Gustave Geffroy Literature: Delteil 8; Stella 8 Le Chapeau...

Category

1890s Impressionist Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Molly /// Antique Victorian Etching Portrait Figurative British Children Child
Molly /// Antique Victorian Etching Portrait Figurative British Children Child

Molly /// Antique Victorian Etching Portrait Figurative British Children Child

By Sidney Tushingham

Located in Saint Augustine, FL

Artist: Sidney Tushingham (English, 1884-1968) Title: "Molly" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) upper right Cir...

Category

1920s Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching, Intaglio

Conversation d'étudiant
Conversation d'étudiant

Conversation d'étudiant

By Félicien Rops

Located in Middletown, NY

Brussels: Uylenspiegel, 1859. Lithograph on lightweight cream wove paper, 13 7/8 x 10 1/2 inches (352 x 265 mm), the full sheet. In good condition with a soft horizontal fold, and s...

Category

Late 19th Century French School Laid Paper Prints and Multiples

Materials

Laid Paper, Lithograph

The Birth of Adonis; Plate 1 from The Story of Adonis
The Birth of Adonis; Plate 1 from The Story of Adonis

The Birth of Adonis; Plate 1 from The Story of Adonis

By Herman van Swanevelt

Located in Middletown, NY

Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...

Category

Early 17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Etching

La Lecture
La Lecture

La Lecture

By Charles-Emile Jacque

Located in Middletown, NY

Paris: 1846. Delâtre. Etching on delicate cream laid Japon paper with a deckle edge, 7 x 4 3/4 inches (178 x 122 mm); sheet 11 1/4 x 9 inches (280 x 230 mm), full margins. An impres...

Category

Mid-19th Century French School Laid Paper Prints and Multiples

Materials

Handmade Paper, Etching, Laid Paper

Ponte della Trinità, Florence
Ponte della Trinità, Florence

Ponte della Trinità, Florence

By David Young Cameron

Located in Middletown, NY

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 20th Century Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle
Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle

Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle

Located in Middletown, NY

Woodcut on laid paper, 8 3/8 x 9 1/8 inches (212 x 233 mm), the full sheet. In excellent condition with text and portraits of Empedocles, Sapho, Zeuxis and others on the verso, as is...

Category

15th Century and Earlier Old Masters Laid Paper Prints and Multiples

Materials

Ink, Handmade Paper, Laid Paper, Woodcut

Abstract Geometric Screen Print -- "Construction Over Yellow Sky"
Abstract Geometric Screen Print -- "Construction Over Yellow Sky"

Abstract Geometric Screen Print -- "Construction Over Yellow Sky"

By Margo Hoff

Located in Soquel, CA

Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and sig...

Category

1980s Abstract Geometric Laid Paper Prints and Multiples

Materials

Ink, Laid Paper

Wolfdietrich - Original leaflet from Johann Prüss' Das Heldenbuch
Wolfdietrich - Original leaflet from Johann Prüss' Das Heldenbuch

Wolfdietrich - Original leaflet from Johann Prüss' Das Heldenbuch

Located in Soquel, CA

Original leaflet from Johann Prüss' 1479 printing of "Das Heldenbuch." The Heldenbücher is the title given to a group of late medieval/early renaissance Germanic manuscripts primari...

Category

15th Century and Earlier Medieval Laid Paper Prints and Multiples

Materials

Paint, Laid Paper, Woodcut

Rue De Toiles, Bourges
Rue De Toiles, Bourges

Rue De Toiles, Bourges

By Charles Meryon

Located in Middletown, NY

Etching with drypoint in blackish brown ink on antique cream laid paper with a large crown and crescent moon watermark, 8 1/2 x 4 3/4 inches (215 x 119 mm); sheet 14 1/2 x 10 3/4 inc...

Category

Mid-19th Century French School Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

Two Goats, from "Daphnis & Chloe"

Two Goats, from "Daphnis & Chloe"

By Aristide Maillol

Located in Middletown, NY

Woodcut on hand made laid paper with the publisher's watermark designed by the artist, full margins. From the special suite of 53 woodcut illustrations which were laid in loose to t...

Category

Mid-20th Century French School Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Woodcut

"Pomme d' Amour" Mid-Century Modern Aquatint  Floral Original by Anne Walker
"Pomme d' Amour" Mid-Century Modern Aquatint  Floral Original by Anne Walker

"Pomme d' Amour" Mid-Century Modern Aquatint Floral Original by Anne Walker

By Anne Walker

Located in Soquel, CA

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

Category

Mid-20th Century Post-War Laid Paper Prints and Multiples

Materials

Laid Paper, Aquatint, Woodcut

Spring Song /// Antique Female Artist Children Child Etching British Art
Spring Song /// Antique Female Artist Children Child Etching British Art

Spring Song /// Antique Female Artist Children Child Etching British Art

By Eileen Soper

Located in Saint Augustine, FL

Artist: Eileen Alice Soper (English, 1905-1990) Title: "Spring Song" *Signed by Soper in pencil lower right Year: 1924 Medium: Original Etching on cream laid paper Limited edition: 178 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Sheet size: 8.13" x 10.13" Image size: 6.63" x 9.63" Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157 Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Category

1920s Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching, Intaglio

Amiens; The Cathedral of Notre Dame, from the Lower Town
Amiens; The Cathedral of Notre Dame, from the Lower Town

Amiens; The Cathedral of Notre Dame, from the Lower Town

By John Taylor Arms

Located in Middletown, NY

A superb impression from the artist's own collection. Etching with drypoint on watermarked FJ Head & Co. handmade laid paper, 10 3/4 x 9 7/8 inches (272 x 252 mm); sheet 18 1/8 x 14 ...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching, Drypoint

Dans La "Pusta"
Dans La "Pusta"

Dans La "Pusta"

By Félicien Rops

Located in Middletown, NY

Paris: L'Artiste, 1879. Etching with drypoint on cream laid paper, 9 3/4 x 4 1/2 inches (248 x 115 mm), full margins. In good condition with some uniform age tone, light mat tone, an...

Category

Mid-19th Century French School Laid Paper Prints and Multiples

Materials

Engraving, Etching, Laid Paper

Sleeping Man
Sleeping Man

Sleeping Man

Located in Middletown, NY

A superb impression from an important mid-19th century collection. Etching on white laid paper with a partial crown and shield watermark, 4 x 2 7/8 inches (102 mm x 73 mm), margins....

Category

17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Steps to the Grand Canal, St. Mark's in the distance, Venice.

Steps to the Grand Canal, St. Mark's in the distance, Venice.

By Donald Shaw MacLaughlan

Located in Middletown, NY

A lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

"Iris" Botanical Etching on Heavy Paper
"Iris" Botanical Etching on Heavy Paper

"Iris" Botanical Etching on Heavy Paper

Located in Soquel, CA

"Iris" Botanical Etching on Heavy Paper Realistic etching of an iris by Nancy Nevin (American, b. 1963). An elegant bearded iris is shown against a white background, in the style of...

Category

Late 20th Century Photorealist Laid Paper Prints and Multiples

Materials

Ink, Laid Paper, Etching

Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon

Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon

By Georges-Louis Leclerc, Comte de Buffon

Located in Saint Augustine, FL

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300) Portfolio: Histoire Nature...

Category

1740s Old Masters Laid Paper Prints and Multiples

Materials

Watercolor, Laid Paper, Engraving, Intaglio

"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)
"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)

"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)

By Tracey Emin

Located in New York, NY

Tracey Emin I Love You/I Love Your Soul/I Love Your Smile, ca. 2010 100% Cotton Beach Towel 60 × 70 inches (folded it's 25 x 30 inches) Signed in plate, authorized printed...

Category

2010s Contemporary Laid Paper Prints and Multiples

Materials

Cotton, Screen, Mixed Media, Laid Paper

Alexander Calder - rare Maeght sculpted holiday card - collectors item, 1960s
Alexander Calder - rare Maeght sculpted holiday card - collectors item, 1960s

Alexander Calder - rare Maeght sculpted holiday card - collectors item, 1960s

By Alexander Calder

Located in New York, NY

Alexander Calder rare Maeght sculpted holiday card, 1968 Hand made sculpted paper collage on paper with embossing Embossed artist's monogram 10 × 7 × 6 1/2 inches This rare, fold-ou...

Category

1960s Contemporary Laid Paper Prints and Multiples

Materials

Paper, Mixed Media, Laid Paper, Lithograph, Offset

MOCA Chicago Lithograph, first North American building Christo wrapped Signed/N
MOCA Chicago Lithograph, first North American building Christo wrapped Signed/N

MOCA Chicago Lithograph, first North American building Christo wrapped Signed/N

By Christo

Located in New York, NY

This is a truly historic limited edition hand signed museum print from the 1960s - of the first North American building the legendary artists Christo ever wrapped: Christo Wrap In Wr...

Category

1960s Pop Art Laid Paper Prints and Multiples

Materials

Offset, Lithograph, Laid Paper, Pencil

The South East Prospect of Westminster Bridge
The South East Prospect of Westminster Bridge

The South East Prospect of Westminster Bridge

By Alfred Benjamin Cole

Located in Middletown, NY

After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...

Category

Mid-18th Century English School Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving, Watercolor

The Bridge of Sighs, Venice, by Walter Henry Sweet & John Shapland
The Bridge of Sighs, Venice, by Walter Henry Sweet & John Shapland

The Bridge of Sighs, Venice, by Walter Henry Sweet & John Shapland

By John Shapland

Located in Middletown, NY

Etching with engraving on cream laid paper with a partial watermark, 12 x 8 1/4 (305 x 210 mm); sheet 16 3/4 x 11 inches (425 x 280 mm), full margins. Signed by both Sweet and Shapla...

Category

Early 20th Century American Modern Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching, Engraving

Sleeping Herdsman by Charles Amand-Durand
Sleeping Herdsman by Charles Amand-Durand

Sleeping Herdsman by Charles Amand-Durand

By Rembrandt van Rijn

Located in Middletown, NY

A an impression after Rembrandt's only state of this image. Paris: 1644. Etching and engraving on high quality buff wove paper 4 7/8 x 4 1/2 inches (124 x 114 mm); sheet 12 5/8 x 1...

Category

Mid-17th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Etching, Engraving

Head of a Laughing Peasant
Head of a Laughing Peasant

Head of a Laughing Peasant

By Cornelis Bega

Located in Middletown, NY

Etching on white laid paper, 1 5/8 x 1 1/2 inches (41 x 38 mm), thread margins. In excellent condition with a light pencil inscription on the verso. [Hollstein 6]

Category

17th Century Old Masters Laid Paper Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

View of Resolution Bay, in the Marquesas
View of Resolution Bay, in the Marquesas

View of Resolution Bay, in the Marquesas

By William Hodges

Located in Middletown, NY

An image after the draftsman who accompanied Captain James Cook, R. N. on his second voyage of exploration to the South Pacific aboard the Resolution (1772–75). London: Hogg, Alexan...

Category

Mid-18th Century Old Masters Laid Paper Prints and Multiples

Materials

Laid Paper, Engraving

Tigre couché à l'entrée de son antre  (Tiger Lying at the Entrance to its Lair)

Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)

By Eugène Delacroix

Located in Middletown, NY

Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...

Category

Early 19th Century Realist Laid Paper Prints and Multiples

Materials

Laid Paper, Drypoint, Etching

"Etch A Sketch Sampler" - 1989 Multimedia on Paper
"Etch A Sketch Sampler" - 1989 Multimedia on Paper

"Etch A Sketch Sampler" - 1989 Multimedia on Paper

By Lilya Vorobey

Located in Soquel, CA

"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...

Category

1980s Post-Modern Laid Paper Prints and Multiples

Materials

Oil, Laid Paper, Pencil, Lithograph

Union - Whom --- Has Join'd, Let No Man put Asunder!
Union - Whom --- Has Join'd, Let No Man put Asunder!

Union - Whom --- Has Join'd, Let No Man put Asunder!

Located in Middletown, NY

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

Category

Late 18th Century English School Laid Paper Prints and Multiples

Materials

Watercolor, Handmade Paper, Laid Paper, Etching

Old Houses, Byres Road, Partick (Scotland)

Old Houses, Byres Road, Partick (Scotland)

By Sir David Young Cameron, R.A.

Located in Middletown, NY

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 1900s Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

San Marino (Sketch)
San Marino (Sketch)

San Marino (Sketch)

By John Taylor Arms

Located in Middletown, NY

A demonstration print executed in front of a live audience in New York City in 1933. Etching on cream laid paper, 6 7/8 x 4 7/8 inches (178 x 127 mm); sheet 11 7/8 x 8 3/16 inches (...

Category

Mid-20th Century American Modern Laid Paper Prints and Multiples

Materials

Laid Paper, Etching

Laid Paper prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Laid Paper prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Taylor Arms, Suzanne Benton, Francisco Goya, and Samuel & Nathaniel Buck. Frequently made by artists working in the Old Masters, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Laid Paper prints and multiples, so small editions measuring 0.01 inches across are also available