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Medium: Laid Paper
"Faded Jeans + Stuff" - Surrealist Colored Etching #10/20, 1976
Located in Soquel, CA
"Faded Jeans + Stuff" - Surrealist Colored Etching #10/20, 1976
Surrealist landscape with creatures by James C. Crabb (American, b. 1947). There is a low horizon, with objects that ...
Category
1970s Surrealist Laid Paper Prints and Multiples
Materials
Laid Paper, Pigment, Lithograph
"ssssch" - 1975 Surrealist Lithograph on Paper
Located in Soquel, CA
"ssssch" - 1975 Surrealist Lithograph on Paper
1975 surrealist lithograph on paper titled "ssssch" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with a...
Category
1970s Surrealist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
$580 Sale Price
20% Off
Benton, Mabel Loomis Todd, monoprint with Chine collé, Pioneer Activist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
1990s Feminist Laid Paper Prints and Multiples
Materials
Gold Leaf
“Innocent Captivation Amusement Pastorale”
By Anthony Cardon
Located in Southampton, NY
Original stipple engraving on a verge type of hand laid paper. The overall size of the engraving is 15.75 inches by 12.75 inches The image size of the engraving is 14 inches by 12 i...
Category
Early 1800s Academic Laid Paper Prints and Multiples
Materials
Engraving, Laid Paper
$950 Sale Price
36% Off
"Triangular Sunset Situation" - Surrealist Colored Lithograph #15/16 1978
Located in Soquel, CA
"Triangular Sunset Situation" - Surrealist Colored Etching #15/16, 1978
Surrealist landscape with creatures by James C. Crabb (American, b. 1947). There is a low horizon, with objects that resemble mushrooms, coral, and trees growing from the ground. In the sky, there are other objects and creatures, some of which are recognizable as biological.
Titled, numbered, signed, and dated along the bottom edge:
Triangular Sunset Situation 15/16 J Crabb...
Category
1970s Surrealist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
The Golden Gate, Jerusalem
Located in London, GB
First Edition lithograph
Half plate: 15
Presented in a acid free mount
Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land.
Published by F.G. Moon ...
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Upper Fountain of Siloam
Located in London, GB
First Edition lithograph
Half plate: 17
Presented in a acid free mount
Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land.
Published by F.G. Moon ...
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
Located in Saint Augustine, FL
Artist: Lambrecht Hopfer (German, Active c. 1525-1550)
Title: "The Crucifixion (Christ on the Cross)"
Portfolio: (after) The Engraved Passion
*Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right
Circa: 1530 (second state of three, published c. 1690)
Medium: Original Etching on laid paper
Limited edition: Unknown
Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany)
Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II
Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass
Framed size: 14.88" x 13.88"
Sheet size: 5.5" x 3.63"
Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition
Very rare
Notes:
Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74).
"The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK
Biography:
Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...
Category
16th Century Old Masters Laid Paper Prints and Multiples
Materials
Etching, Laid Paper
18th Century Engraved Portrait of George Savile, Marquis of Halifax by Houbraken
Located in Alamo, CA
A superb 18th century engraved portrait of George Savile, Marquis of Halifax, Plate 82 in "The Heads of Illustrious Persons of Great Britain", written by...
Category
Mid-18th Century Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.88"
Image size (each): approx. 8.13" x 12.63"
Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition
Notes:
Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall".
"PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio, Etching, Aquatint
"Facade" - Intaglio Etching of a Brick Building with Trees by Ron Blumberg
By Ron Blumberg
Located in Soquel, CA
"Facade" - Intaglio Etching of a Brick Building with Trees
This etching by Ron Blumberg (b. 1908 d. 2002), features the outside facade of a brick building which is obscured by tree ...
Category
1970s American Impressionist Laid Paper Prints and Multiples
Materials
Etching, Laid Paper, Intaglio
$1,160 Sale Price
20% Off
"Some Town without a Name" - Signed Screen Print
Located in Soquel, CA
"Some Town without a Name" - Signed Screen Print Exhibition Poster
Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under.
Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle
Presented in a white mat.
Mat: 36"H x 28"W
Paper: 26"H x 21"W
Image: 25 1/2"H x 19 1/2"W
Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...
Category
1960s Pointillist Laid Paper Prints and Multiples
Materials
Screen, Laid Paper
Botanical Still-Life with House Plants & Red Roses
Located in Soquel, CA
Botanical Still-Life with House Plants & Red Roses
Dramatic abstracted botanical still life of house plants and red roses Lithograph by Sidney Jonas Budnick (American, 1921-1994), 19...
Category
1970s Post-War Laid Paper Prints and Multiples
Materials
Ink, Laid Paper, Lithograph
"Kitty Cat" - 1979 Abstract Expressionist Lithograph on Paper
Located in Soquel, CA
"Kitty Cat" - 1979 Abstract Expressionist Lithograph on Paper
Blue and purple abstract expressionist lithograph by Sidney Jonas Budnick (1921 - 1994) depicting an outline of a cat....
Category
1970s Post-War Laid Paper Prints and Multiples
Materials
Laid Paper, Acrylic, Lithograph
Ostrich, Porcupine and Hedgehog Engraving
Located in New York, NY
Original engraving with later hand-coloring from "Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historia...
Category
1730s Laid Paper Prints and Multiples
Materials
Laid Paper
$875 Sale Price
27% Off
An Antique Engraved View of "Waterfalls in Smoland", Sweden by Erik Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Delineatio Cataractae" (Waterfalls in Smoland), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlber...
Category
Early 18th Century Naturalistic Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
An Antique Engraved View of Waterfalls in Sweden in the 17th C. by Erik Dahlberg
Located in Alamo, CA
Two antique engraved views on one sheet of "Cataractae Albi Gothicead Trollhaettan" and "Cataractae Albi Gothici ad Pontiff Raunum" (Waterfalls Near Trollhaettan and Raunum), Sweden ...
Category
Early 18th Century Naturalistic Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
An Antique Engraved View of Copper Mining in Sweden in the 17th C. by Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Fodinae aerariae Falunenfis, qui orientem fpectat, delineatio" (Copper mining in Falun), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johannes van den Aveelen (1650-1727), who was an accomplished copperplate engraver who emigrated to Sweden to work on Dahlberg's spectacular book, "Sueciae Antiquae et Hodiernae", which was focused on the views and architecture of Sweden, both in the ancient past and at the time of the publication.
This engraving depicts a very active 17th century working scene...
Category
Early 18th Century Naturalistic Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
'The South of France', MMA Paris, Pompidou, Ecole des Beaux-Arts, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left, 'Epr. d' Artist' (Epreuve d'Artist / Artist's Proof); also indistinctly inscri...
Category
1970s Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
'Woman Sleeping', New York, London, San Francisco Museum of Fine Arts, SFMoMA
Located in Santa Cruz, CA
Signed lower left, 'R. Carruthers' for Roy Carruthers (American, 1938-2013), inscribed lower right, 'Presentation Proof' and created circa 1983. This is a proof apart from the editio...
Category
1980s Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Antique Lithograph Shakespeare's "The Taming Of The Shrew" Character Petruchio
Located in Soquel, CA
"The Smoker" After Shakespeare's "The Taming Of The Shrew" Petruchio - Antique Lithograph
Lithograph titled "The Smoker," after the character ...
Category
Mid-19th Century Tonalist Laid Paper Prints and Multiples
Materials
Ink, Laid Paper
Benton, Catherine Marya Sedgewick, monoprint with Chine collé, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
2010s Feminist Laid Paper Prints and Multiples
Materials
Gold Leaf
"Pond" Original Lithograph by Sally Warner 1988
Located in Soquel, CA
Detailed lithograph of a California Sierras pond and reflections by California author and artist Sally Warner (American, B- 1946). Sally Warner grew up in Connecticut and Californi...
Category
1980s Modern Laid Paper Prints and Multiples
Materials
Printer's Ink, Laid Paper, Lithograph
An Antique Engraved View of "Romelborg", Sweden in the 17th C. by Erik Dahlberg
Located in Alamo, CA
An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...
Category
Early 18th Century Naturalistic Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving
Interior of the Mosque of the Sultan Hassan
Located in London, GB
David Roberts RA
Interior Of The Mosque Of The Sultan Hassan
1796 - 1864
Subscription & First Edition lithographs
Full plate: 220
Presented in a acid free mount
Open media 1 in moda...
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Benton_Mary Church Terrell Over Time_monoprint and collage, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Mary Church Terrell Over Time, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights.
Terrell’s parents were freed slaves who grew to become financially successful.
A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I
In 1884, she graduated from Oberlin College...
Category
2010s Feminist Laid Paper Prints and Multiples
Materials
Laid Paper, Monoprint
"Floating Stones" Monoprint in Ink on Heavy Paper
Located in Soquel, CA
"Floating Stones" Monoprint in Ink on Heavy Paper
High-contrast composition by California artist Stacey Pollard (American, b. 1962). Although primarily abstract in nature, there are...
Category
Early 2000s Post-War Laid Paper Prints and Multiples
Materials
Ink, Laid Paper, Lithograph
Set of Two Leaves from "Missale Frisingense" /// German Catholic Incunabula 15th
Located in Saint Augustine, FL
Artist: Erhard Ratdolt (German, 1442-1528)
Title: "Preface Page" and "Page CVI - 106"
Portfolio: Missale Frisingense
Year: 1492 (First edition)
Medium: Set of Two Original Incunabula Leaves on watermarked laid paper
Limited edition: Unknown
Printer: Erhard Ratdolt, Ausburg, Germany
Publisher: Sixtus of Tannberg, Freising, Germany
Reference: Hain No. 11303; Weale/Bohatta No. 396; Schreiber No. 4699; Pell No. 7944
Sheet size (each): approx. 11.94" x 8.13"
Condition: "Preface Page" has the occasional wormhole. Remnants of tape, a tape and a paper clip stain along its edge. Minor foxing and soiling mainly in margins. "Page CVI - 106" has remnants of tape and a small stain along its left edge. Light foxing and soiling about its sheet with some general edge wear. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition with strong colors
Very rare
Notes:
Comes from Ratdolt's one volume "Missale Frisingense", (1492) (First edition), which consists of 576 pages of Gothic texts in Latin with red rubricated initials, music, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on March 17, 1492. "Preface Page" has a bull's head and cross watermark in the upper center of its sheet. Some information and old prices inscribed in pencil to their sheets.
A missal is a book that contains the prayers, chants, biblical readings, and rubrics for celebrating Mass. The first missals were found in monasteries in the 12th and 13th centuries. The term missale is Latin for "Mass book".
Biography:
Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...
Category
15th Century and Earlier Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Woodcut
Karnak - View Across The Hall of Columns
Located in London, GB
David Roberts RA
Karnak – View Across The Hall Of Columns
1796 - 1864
Subscription and first edition lithograph in stock
Full plate: 182
Presented in a acid free mount
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Benton, Ida Gibbs Hunt, Class of 1884, monoprint with Chine collé, Oberlin
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
1990s Feminist Laid Paper Prints and Multiples
Materials
Gold Leaf
Portrait de Mlle L... (Portrait of Miss L...) /// Old Masters Figurative Lady
Located in Saint Augustine, FL
Artist: Paul Rodolphe Joseph Dujardin (French, 1843-1913)
Title: "Portrait de Mlle L... (Portrait of Miss L...)"
Portfolio: Gazette des Beaux-Arts
*Signed by Dujardin after Lehmann i...
Category
1890s Victorian Laid Paper Prints and Multiples
Materials
Etching, Laid Paper, Intaglio
Part Of The Ruins Of A Temple On The Island Of Bigge – Nubia
Located in London, GB
David Roberts RA
Part Of The Ruins Of A Temple On The Island Of Bigge – Nubia
1796 - 1864
First Edition lithograph
Half plate: 183
Presented in a acid free mount
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...
Category
1710s Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
General View of Ruins of Karnak, from the West
Located in London, GB
David Roberts RA
General View Of Ruins Of Karnak, From The West
1796 - 1864
First Edition lithograph
Full plate: 163
Presented in a acid free mount
Stunning sunset over the ruins, c...
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Passages - A Suite of 16 Prints by Patricia Pearce and other artists
Located in Soquel, CA
Passages - A Suite of 16 Prints by Patricia Pearce and other artists
A set of lithographs by College of San Mateo class of 1992, instructed by Patricia A. Pearce (American, b 1948). Each print is on laid paper, meaning they all have ragged edges. Presented in a black folio with title sheet, table of contents, and ties. Includes protective tissue paper dividers between each piece.
Each piece is numbered, titled, and signed by the artist.
Patricia Pearce is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions: Montalvo, California Center for the Arts; Pacific Prints, Palo Alto.
Other artists in the collection include:
Tom Attix
Donna Catalini
I. Colon
Nancy Conner
Judith Gaulke (American, b. 1946) is originally from Hood River, Oregon. Gaulke has been working in oils on canvas most of her life, painting seriously since 1988 when she had her first showing, then her first gallery representation in 1990. She is attracted to lone objects and scenes not yet populated — table settings, chairs, boats — all interpreted to give the viewer a sense of calm. Gaulke now resides in Atherton, California with her husband Michael. Together they created the Michael and Judith Gaulke Chair of Electrical Engineering and Computer Science at Oregon State University, an endowment for the College of Engineering.
Exhibitions:
“Varied Visions” - Main House at Holbrook-Palmer Park, Atherton, CA - 1998
Solo Show - Wente Vineyards, Livermore, CA - 1998
Atherton Arts Foundation Show - Jennings Pavilion, Holbrook-Palmer Park, Atherton, CA - 2006, 2009-2011
Pacific Art League 95th Anniversary Exhibition - Palo Alto, CA - 2016
Betty Gong
M. A. Gothan
Gretel Hadland
Tokuko Ikeda
Michelle P. Kern (American, 20th C) has lived and worked in Northern California all her life. Educated in art in the Bay Area, she has worked in art and arts education for several decades. She has a BFA and MFA in Ceramics from California College of the Arts. Kern has taught ceramics for the College of San Mateo since 2006. She has also taught for the Summer Enrichment Program for California College of the Arts, the Richmond Art Center, the California State Summer School for the arts, and for the summer program for the Crystal Springs Uplands School. Kern was the recipient of the Ernie Kim...
Category
1990s Contemporary Laid Paper Prints and Multiples
Materials
Mixed Media, Laid Paper, Lithograph
Benton, Carrie Chapman Catt, monoprint with Chine collé, Pioneer Activist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992
(1859 – 1947)
The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt.
Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage.
Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900.
Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920.
Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War.
The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...
Category
1990s Feminist Laid Paper Prints and Multiples
Materials
Gold Leaf
Benton, Anna Julia Cooper, monoprint with Chine collé, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Anna Julia Cooper, monoprint with Chine collé, 27 x 19 3/4 inches, 2020
1858-1964
An educator, administrator, and social reformer, Anna J. Haywood Cooper was born a slave in Raleigh, North Carolina, and spent fourteen years fighting to gain access to Latin and Greek classes reserved for men at St. Augustine's Normal School and Collegiate Institute, from which she graduated in 1877. She married the Reverend A. C. Cooper at St. Augustine's, where each taught, but after his death in 1881, she began the second phase of her education at Oberlin. That year she joined Mary Eliza Church (Terrell) and Ida A. Gibbs Hunt in the "gentleman's"
collegiate course and graduated in 1884. One of the pioneer African-American women who earned a B.A., she returned to Oberlin for an M.A. in Mathematics, which she received in 1887.
Continuing her trailblazing for race and gender issues, Cooper wrote the feminist manifesto, A Voice from the South, spoke at feminist and educational conferences, and achieved many honors such as membership in the American Negro Academy. She was a leader in the National Association of Colored Women. Aligned with DuBois's philosophy, she spoke at the
1900 Pan African Conference in London, arguing for self-determination for African-Americans and an end to colonialism in Africa and apartheid in South Africa.
Anna Cooper received a Ph.D. at the Sorbonne in 1925 after a decade of study while she also maintained a full-time teaching load. Her thesis was on French policies during slavery. She had been shaping Frelinghuysen University in Washington, D.C., an interdenominational Bible college, and became its president in 1930, at the age of 72. She died in 1964 at the age of 105.
In preparation for this ongoing series the artist received images from Legacy Magazine’s photo archive of 19th Century women writers, understanding that she’d obtain permission from each source to use the photos in her artworks. Permissions were received and she began the series in 1992. The Harvard/Radcliffe Schlesinger library then offered Suzanne access to relevant microfiche images that were employed in subsequent works. In addition, the library exhibited the in 1992. The collector Vivien Leone purchased and donated one to the library, and the library subsequently purchased two more.
The Women’s Rights Historical Park in Seneca Falls, NY, exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...
Category
2010s Feminist Laid Paper Prints and Multiples
Materials
Monoprint, Laid Paper
Flamingo Engraving
Located in New York, NY
Original engraving, hand-colored at publication, after the work of Mark Catesby by Johann Michael Seligmann from "Sammlung verschneider auslandischer und seltener Vogel." Nuremberg:...
Category
Mid-18th Century Laid Paper Prints and Multiples
Materials
Laid Paper
View Under The Grand Portico of The Temple, Philae
Located in London, GB
David Roberts RA
View Under The Grand Portico of The Temple, Philae
1796 - 1864
First Edition lithograph
Full plate: 126
Presented in a acid free mount
One of the grander temple com...
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Engraving of a Female Sculpture
Located in New York, NY
Original engraving by Francesco Piranesi from "Raccolta di Statue Antiche." Rome, 1780-1792.
Category
Late 18th Century Laid Paper Prints and Multiples
Materials
Laid Paper
Abstract Geometric Screen Print -- "Construction Over Yellow Sky"
By Margo Hoff
Located in Soquel, CA
Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and signed lower right. Unframed. Presented on mat. Image size: 22"H x 30"W.
Margo Hoff was born in Tulsa, Oklahoma, in 1912—the second oldest of eight children. Stricken with typhoid fever in 1923, she was bedridden for a summer and amused herself by drawing and making paper cutouts. Her formal studies began in high school and continued during two years at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago where she took classes at Hull House, the National Academy of Art and, later, the School of the Art Institute of Chicago. She remained in Chicago until 1960 and the city’s vibrant mid-century art scene profoundly shaped the first half of her artistic career.
Hoff’s Chicago paintings were almost entirely figurative and evidence a classic mid-century modern urbanism informed by Matisse, the Mexican muralists, and other artists of the local milieu. Hoff traveled extensively throughout her life, in the United States, Central and South America, the Middle East, Asia, Africa and Europe. When asked about the influences on her work Hoff stated “Almost anything except the work of other artists.” She cited the sources of her inspiration in “rocks, weeds, views from airplanes, rivers, subways, forests, machines, kinds of lights, red...
Category
1980s Abstract Geometric Laid Paper Prints and Multiples
Materials
Ink, Laid Paper
$3,000 Sale Price
20% Off
“Returning Home”
By Hermanus Jan Hendrik Rijkelijkhuysen
Located in Southampton, NY
Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector.
Biography:
Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...
Category
1870s Academic Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
$520 Sale Price
20% Off
Chapel of the Convent of St Catherine
Located in London, GB
David Roberts RA
Chapel of the Convent of St. Catherine
1796 - 1864
First Edition lithograph
Full plate: 112
Presented in a acid free mount
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Afterglow; Geddington, England.
Located in Middletown, NY
Etching on antique Emberlin 1846 cream laid paper with a parial watermark of Britannia, or Seated Victory, set in a cartouche, surmounted by the Crown of England, 3 1/4 x 5 1/2 inche...
Category
Mid-20th Century American Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
King Henry VII /// Old Masters Royal Family British Portrait Face Engraving Art
Located in Saint Augustine, FL
Artist: George Vertue (English, 1684-1756)
Title: "King Henry VII"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Ver...
Category
1730s Baroque Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
King Richard II /// Old Masters British Royal Family Portrait Engraving Art
Located in Saint Augustine, FL
Artist: George Vertue (English, 1684-1756)
Title: "King Richard II"
Portfolio: The Heads of the Kings of England, Proper for Mr. Rapin's History
*Issued unsigned, though signed by Ve...
Category
1730s Baroque Laid Paper Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Two Cavaliers (after Herman Swanevelt)
Located in Middletown, NY
Etching on cream laid paper with a large foolscap watermark, 5 5/8 x 7 7/8 (150 x 200 mm), thread margins. In excellent condition with a light pencil inscription and an inventory num...
Category
17th Century Old Masters Laid Paper Prints and Multiples
Materials
Laid Paper, Etching
Purple Kimono with Red Stripes
Located in Soquel, CA
Purple and red kimono by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of Pearce's work. No frame.
Image, 27.5"H x 22.5"W
Patrici...
Category
1980s Contemporary Laid Paper Prints and Multiples
Materials
Paper, Ink, Laid Paper, Gouache
$559 Sale Price
20% Off
Le Canard a Longue Queue (The Long Tailed Duck) /// Ornithology Martinet Bird
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800)
Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954)
Portfolio: Histoire Naturelle Des Oiseaux
*Signed by Martin...
Category
1770s Old Masters Laid Paper Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
"Head of Batista", Miniature Mid Century Modern Abstract Etching, Proof III
Located in Soquel, CA
"Head of Batista", a mid-century modern miniature abstract etching by California artist Richard W. Downs (American,b-1934). This delicate, small-scale etching, dated 1965, was submitted to the Seattle Art Museum for the Northwest Printmakers 36th International Exhibition.
Numbered "Proof III", titled "Head of Batista", signed "RW Downs" and dated "1/65" lower edge.
Submission label attached to verso for the Northwest Printmakers 36th International Exhibition 1965, with information about the artist and piece.
"RW Downs / San Jose California" written on verso.
Displayed in a new beige mat, unframed.
Image size: 3.25"H x 3.25"W.
Paper size: 6"H x 5.5"W.
Mat size: 13.75"H x 11.5"W
RICHARD W. DOWNS was born in Los Angeles and received a Bachelor of Arts degree from the University of California and Master of Arts from San Jose State College where he taught one year as faculty assistant. He was a member of the Drake...
Category
1960s Abstract Expressionist Laid Paper Prints and Multiples
Materials
Printer's Ink, Laid Paper, Etching
The Tragedy /// Modern Female Artist Children Child Cute Toy Childhood Etching
By Eileen Soper
Located in Saint Augustine, FL
Artist: Eileen Alice Soper (English, 1905-1990)
Title: "The Tragedy"
*Signed by Soper in pencil lower right
Year: 1922
Medium: Original Etching on cream laid paper
Limited edition: 264
Printer: Likely printed by Eva Soper, London, UK
Publisher: H C Dickens, London, UK
Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 31, page 111, 141, 155
Sheet size: 9.13" x 5.5"
Image size: 3.88" x 6"
Condition: Remnants of previous mounting tape at right edges. In excellent condition
Notes:
Provenance: private collection - Boulder, CO.
Biography:
Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...
Category
1920s Modern Laid Paper Prints and Multiples
Materials
Laid Paper, Etching, Intaglio
'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky
Located in Milwaukee, WI
'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300)
Image Size: 7 1/2" x 5 inches
Frame Size: 22 1/4" x 18 3/4"
Ref. Roethel 124
Artist Bio:
The Museum of Modern Art described 'Klänge (Sounds)' as follows:
Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book.
Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...
Category
1910s Blue Rider Laid Paper Prints and Multiples
Materials
Woodcut, Laid Paper
"Extrusive" Abstract Op-Art Serigraph
By Roy Ahlgren
Located in Soquel, CA
Beautiful multi color serigraph by Roy Ahlgren (American, 1927-2011). This piece transitions from a dark magenta to a silvery blue, passing through warm grey shades in between. The s...
Category
1980s Op Art Laid Paper Prints and Multiples
Materials
Ink, Laid Paper, Screen
Ardea, Nycticorax (Black-crowned Night Heron) /// Dutch Ornithology Bird Animal
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Nycticorax (Black-crowned Night Heron)" (Plate 78)
Portfolio: Nederlandsche Vogelen (Dutch Bird...
Category
1770s Old Masters Laid Paper Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Vintage Silkscreen Abstract -- The Wheely Whirly Steps
By Alice Aycock
Located in Soquel, CA
Expressive vintage silkscreen on black paper by Alice Aycock (American, 20th Century). Hand signed and dated "Alice Aycock 1990" with hand written ...
Category
1990s American Modern Laid Paper Prints and Multiples
Materials
Screen, Laid Paper
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History
Year: 1743-1764
Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers
Limited edition: Unknown
Printer: C. Rickaby, London, UK
Publisher: William Gardiner and Messrs. Robinson, London, UK
Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198
Sheet size (each): approx. 11.25" x 9"
Image size (each): approx. 8.63" x 7.38"
Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors
Notes:
Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included.
Biography:
George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...
Category
1740s Old Masters Laid Paper Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Snapdragons and Carnation by Michael Bernhard Valentini, 1719
Located in New York, NY
Pair of original engravings with later hand-coloring from Viridarium Reformatum Seu Regnum Vegetabile... by Michael Bernhard Valentini.
Tab. XXVII [Snapdragons and Throatwort] and ...
Category
1710s Laid Paper Prints and Multiples
Materials
Laid Paper
Portion of the Eastern Portico, Baalbec
Located in London, GB
David Roberts RA
Portion of the Eastern Portico, Baalbec
1796 - 1864
Subscription and first Edition lithographs
Full plate: 83
Presented in a acid free mount
Original hand coloured ...
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
The Entrance to the Citadel of Cairo
Located in London, GB
David Roberts RA
The Entrance to the Citadel of Cairo
1796 - 1864
Subscription & first edition lithographs in stock
Full plate: 228
Presented in an acid free mount
The viewpoint is ...
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
General View of Tyre
Located in London, GB
David Roberts RA
General View of Tyre
1796 - 1864
Subscription edition and First edition
Full plate: 69
Presented in an acid free mount
Available in original hand coloured subscript...
Category
1840s Realist Laid Paper Prints and Multiples
Materials
Laid Paper, Lithograph
Laid Paper prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Laid Paper prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, green, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Taylor Arms, Suzanne Benton, Francisco Goya, and Samuel & Nathaniel Buck. Frequently made by artists working in the Old Masters, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Laid Paper prints and multiples, so small editions measuring 0.01 inches across are also available
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