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Original Wine Country, Napa Valley, California vintage poster created by the artist Earl Thollander. Archival linen backed in excellent, Grade A condition, ready to frame. This vintage poster, "Original Wine Country Napa Valley, California," captures the essence of Napa Valley's famous vineyards and wineries. Created by artist Earl Thollander, the poster showcases the stunning landscapes and renowned vineyards that make this region a premier wine destination. Perfect for wine enthusiasts or as a decorative piece for your home, this vintage poster celebrates the rich history and natural beauty of Napa Valley's wine country. The sun is peaking out of the upper left corner, and in the golden sky, you can see hot air balloons and a plane towing a glider. The rest of the design features vineyards and wineries situated along hill lines, with grapes and trees. Most of the famous vineyards are also shown in this design. A great wine room or bar with an original vintage California poster...

Roy Lichtenstein, American (1923 - 1997) - As I Opened Fire, Year: 1964 (printed circa 1990), Medium: Three Offset Lithograph Posters, Image Size: 24 x 19.5 inches, Size: 25 x 2...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953. Limited edition of 1,000 copies, most of which lost or...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Shock and awe! Original Counselor at Crime vintage movie poster. 'Good with the Law, Better with a Gun! Paper, original theater fold. Very good condition without any paper loss or tears. 1973 When the godson of San Francisco's crime lord asks permission to leave "the business," Don Antonio (Martin Balsam) agrees, but reluctantly. Such behavior by either one is a violation of the code, and a bloody mob war breaks out. It is only through the strong support of his family connections in Sicily that Don Antonio is able to survive the melee and come out on top. Aghast at the situation he has caused, the godson (Tomas Milian) becomes his leader's "consigliere," or Counselor at Crime. This Italian movie was filmed in English in San Francisco, California, and Palermo, Sicily. This is a man-cave vintage poster, one that you very seldom see or have the chance to purchase. Printed in black and white with red to grab your attention. Italian movie in English. The poster was originally folded, like all early movie posters, so that it could be sent to the movie theater. Original fold marks. Some small scuff marks at the fold marks. No tears. The original fold marks are not classified as flaws in old movie posters...

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

Original Fly TWA India vintage travel poster. Artist: David Klein. Archival linen backed in very fine condition, ready to frame. This poster features a...

Matisse Exhibition poster is a contemporary artwork realized in 1978. Mixed colored offset poster realized in the occasion of the exhibition of Henry Matisse...

Sean Scully Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001 Offset lithograph poster (hand signed by Sean Scully) 29 3/4 inches (vertica...

Original excellent condition, linen backed United Airlines: Seattle, the 1968 airplane airline aviation travel poster promoting travel to Seattle, Washington aboard United Airlines and featuring art of a Native American Indian totem pole...

Original Las Vegas, Nevada American Airlines travel poster. Archival linen backed in very good Condition Grade A-. The post...

Original The Rocky Horror Picture Show vintage movie poster, professionally linen backed with original fold marks restored, The Rocky Horror Picture Show. A different set of jaws. ...

Original vintage poster of the exhibition of the italian photographer Luigi Ghirri (1943-1992) held in Rome, Galleria Rondanini, in 1976. Offset print, in excellent conditions, publ...

Original poster: BATMAN - Museo Dell'Automobile Torino Artist: after Andy Warhol. Size 27.25" x 37" Printed: 1996 in Milan, Italy. Excellent condition. This pop art Italian poster in perfect condition, ready to frame. This is the original first printing of the Museo Dell'Automobile Torino (Italy) Batman, Andy Warhol. 'Viaggio in Italia'. This poster features the artwork for Warhol’s unauthorised 1964 film “Batman Dracula”. Excellent condition. Certificate of Authenticity. Printed in Italy. The exhibition poster was for Nov. 30, 1996 - March 9, 1997. This BATMAN - Museo Dell'Automobile Torino is an Original Vintage Poster, not a reproduction. This poster is in excellent condition. This is an Original Lithograph Vintage Poster; it is not a reproduction. This is an Original Lithograph Vintage Poster; it is not a reproduction. Free Continental USA shipping included (saves $69 1st Dibs...

Adolph Gottlieb Guild Hall is for Everyone, 1970 Rare Abstract Expressionist Offset Lithograph poster Vintage metal Frame included Rare vintage, limited edition, offset lithograph ...

Original factory issue Porsche racing poster: Six Hours of Watkins Glen July 11, 1970, Porsche. Linen backed in very fine condition. Photo by Reichert...

Original factory-issued, acid-free archival linen backed: Very fine condition. Porsche Targa Florio 1965 Classifica Assoluta Categoria Prototipi 2 litr...

Original Come to Monte Carlo, Principality of Monaco vintage poster. Come to paradise on earth! A black and white vintage poster for Monte Carlo wi...

Linen backed original post-World War II military poster "First Class Soldier and Citizen, U.S.A." Original fold marks have been restored during linen backing. The poster features a smiling Army soldier in his khaki uniform. A rare original military poster to find today. (The poster was documented as being printed in a larger size.). R-224-RPB-2-1-47 A military recruitment poster for young men to join the military post World War 2. The poster features a clean-cut, handsome man in his military uniform with crossed arms smiling at you. Artist: Glass. No known biography of this artist. This is an original 1947 vintage American poster...

Rare and giant vintage poster of Pablo Picasso Exhibition Milan, Palazzo Reale, 1953.  Limited edition of 1,000 copies, most of which lost or badly damaged overtime. Mounted on canv...

Original Vultee "Vengeance" World War II, 1942, vintage spotter airplane poster. Original linen-backed U. S. Naval Aviation Training Division, Nov.,...

Original Aspen Colorado town and mountain scene printed in 1975. Artist: Jim Ford. This poster is archivally linen-backed in excellent condition, Grade A, and ready to frame. No...

Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...

Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Original 1964 Los Angeles, California vintage travel poster. Professionally archivally linen-backed in mint condition. This is one of four ...

Enrico Baj- Poster Exhibition is a mixed colored offset print realized in 1975. This print was realized on the occasion of the exhibition dedicated to the artist and held in Studio ...

Original poster commemorating Rene Ricard's 1990 exhibition Mal de Fin: Paintings 1989-1990 at the Petersburg Press Gallery, New York. The image reproduces his painting, Mal de Fin, ...

Lichtenstein Exhibition Poster is a very colorful poster realized in occasion of the artist's exhibition at Leo Castelli Gallery New Yor...

Original California Wine Country vintage poster by Earl Thollander. Archival linen backed in very fine condition, ready to frame. Earl Thollander was an American artist, illustr...

Original poster commemorating Rene Ricard's 1990 exhibition Paintings 1989-1990 at the Petersburg Press Gallery, New York. The poster is folded as it was sent out for the original ex...

Frank Stella at Leo Castelli (Hand Signed and Dated), 1969 Offset Lithograph Invitation Boldly signed and dated 2014 in black marker; Stella signed this f...

Original LONDON FLY TWA vintage European travel poster created by the artist David Klein. Professional acid-free archival linen backed, excellent condition; no restoration; full boa...

Franz Graw Bull Color Offset Lithograph Year: 2023 Size: 11.81 x 15.74 inches (30 x 40 cm) Edition: 100 Signed and numbered in pencil COA provided Franz Graw (b. 1964) is a Düsseld...

Georg Baselitz (German, b. 1938) Der Berg, 1991/93 Medium: Color offset print Dimensions: 100x 63.5 cm Edition size: Undisclosed (presumably 100-200) Markings: Hand-signed and dated ...

Original linen backed vintage travel poster on United Air Lines to Washington D. C. Artist: Jebary. Linen backed vintage poster. Ve...

Original WW1 poster. Is Your Trip Necessary? Original American military poster: Millions of troops are on the move... Is YOUR trip necessary? ...

Original exhibition poster for Ruckus Manhattan by Red Grooms and the Ruckus Construction Company, 1975. Presented by Creative Time, Inc. Lithograph with offset lithographic photo elements, sheet measures 23 x 29 inches; 24 x 30 inches framed. Design by M. Samuels. Produced by Polychrome Lithography Co., Inc, NYC. Condition is outstanding with no damage or conservation. No creasing, staining, toning or fading. A rare poster from an early show produced by Creative Time Inc. while only in their 2nd season. A lovely document of NYC art history. Ruckus Manhattan was a multimedia, three-dimensional representation of Manhattan on display on the ground level of 88 Pine Street. The out-of-scale model, constructed of papier-mâché, wood, plastic, fiberglass, and vinyl, was designed to conform to Manhattan’s psychic dimensions, rather than its physical ones, and included such landmarks as the Apollo Theatre, the Brooklyn Bridge, Central Park, the Chrysler Building, the Stock Exchange floor, Trinity Church, and the World Trade Center. Finding inspiration in sources as diverse as cubism and newspaper comics, Red and Mimi Gross Grooms...

Silhouetted by the night sky, a brimmed hat perches on its stand, hovering above red-speckled ground like an aircraft. The moon shines bright white, and subtle clouds gather at the h...

Set of 3 color offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. This is a reproductio...

Original vintage poster: Chicago to Europe Fly SAS. Book your trip - NOW! Scandinavian Airlines System. Original linen-backed, excellent condition. This early SAS poster features the Eiffel Tower; the Roman Colosseum, the Arch of Triumph...

Original Einstein vintage poster. “Hair. It’s not the style that counts, it’s what’s under it.” A black and white image of Einstein with his hair messed me. Linen-backed in excellent condition, ready to frame. From a series of portraits with inspirational quotes from The Equitable Life Assurance Society of the United States. Photo from Bettmann Archive. The poster is a variation of the original photo with the quote “It’s not the style that counts, it’s what’s under it”. This quote is a play on words emphasizing substance's importance over style. The poster reminds us that actual value lies in what is inside a person rather than their outward appearance. About Equitable Life. After closing to new business in 2000, parts of the business were sold off, and the remainder of the company became a subsidiary of Utmost Life and Pensions in January 2020. The Equitable Life Assurance Society (Equitable Life), founded in 1762, is a life insurance...

Linen-backed original “ Suddenly Last Summer “ vintage movie poster. Excellent condition with restored original fold marks as issued during conservation linen-backing. NSS 60/4. ...

Original Victor Victoria vintage movie poster. Professional archival linen backed and in very good condition, ready to frame. NSS: 820018 • Original 1982 release poster • Size...

Vintage 1960s Chile Travel Poster – Mid-Century Modern Wall Art Print Showcasing Historic Architecture and a Fountain Scene. Archival linen backed and in Grade A condition, ready to frame. Transport yourself to the scenic beauty of Chile with this authentic 1960s travel poster...

A very good impression of this scarce offset lithograph on cream wove paper. Artist's proof, aside from the edition of 100. Signed in ink, lower right, and inscribed "A/P" in pencil,...

Original small-format Bantam Pocket Hat. Artist: Gino Boccasile. Italian Size: 9" x 13". Behind the silhouette of the man wearing his Bantam hat is another stick figures foldi...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

"De Haan Kiss" from "A Portfolio of Landscapes and Figures" offset lithograph. Image of swimmers in pool under dome. Massimo Vitali Steidl Verlag, Götting...

Original ROSE BOWL STORY authentic 1952 vintage movie poster. Archival linen-backed vintage theater used film poster. Very fine condition, ready to frame. Original story and screenplay by Charles R. Marion. Actors: Marshall Thomas; Vera Miles; Natalie Wood; Keith Larsen; Thom Harmon; Ann Doran; James Dobson; Jim Backus; Clarence Kolb; Barbara Woodell; Bill Welsh; Jean Andren; Gertrude Astor; Lela Bliss; Herbert Brackett; Oran Breeland; Paul Bryar; Willam Cabanne; Richard...

Original linen-backed vintage poster "DISQUES IMPORT CLEMENTINE". Excellent condition. The image with the psychedelic look of the two records that create the eyes and the rest...

Blindspot Richard Serra, American (1938–2024) Date: 2003 Poster, signed in marker lower right Size: 35 x 40.5 in. (88.9 x 102.87 cm) Printer: Anthony McCall...

Original “The Joe Louis Story” vintage movie poster (United Artists, 1953). One Sheet (27" X 41"). Sports. Archival linen backed. Starring: Coley Wallace, Hilda Simms, Paul Stewart, James Edwards, John Marley, Dots Johnson, Evelyn Ellis, Carl 'Rocky' Latimer, John Marriott, Ike Jones, P. Jay Sidney, Royal Beal, Ruby Goldstein, Max Baer...

Takashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi): This Takashi Murakami designed cover & record album is for Kids See Ghosts and is the only studio album by t...

Original World War 2 vintage poster: YOU CAN'T AFFORD TO MISS EITHER! BUY BONDS EVERY PAYDAY. Linen-backed, fine condition, ready to frame. Great ...

This collectible work on paper by Murakami is edition # 78 of 300. It comes unframed. One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for h...

Original factory issue, Porsche Wins Road America Can-Am, 1973 vintage poster. Photo by Reichert. Reference page 74, Porsche die Rennplakate. Arc...

Original Italian movie poster: American Graffiti - Italian style. Anche Tu negli anne '60's Linen-backed offset lithograph. A great George Lucas film. American Graffiti, voted in 1998 to the American Film Institute's list of 100 superlative films. This one should be in your collection. This original Italian size (39.5" x 54.75') is ready to frame. Original movie poster theatrical issued fold marks restored during linen backing. Overall condition is very good with very minor printing flaws. The vintage poster features a silhouette of a football jersey with a big glass of Coca-Cola balanced as the head of the image. This was a George Lucas film with Richard Dreyfuss and Ron Howard. A Francis Ford Coppola production. This is a genuine Italian one-sheet ORIGINAL MOVIE POSTER issued by the studio when the film was released and meant for theatrical display. (Italian posters of this size may also be referred to as a 2-sheet because of their size; it is, however, printed on a single sheet.) a.k.a. (an Italian duo foglio.) This is an Original Lithograph Vintage Italian Poster...

Printed in chartreuse, dark green, bright yellow, orange, and brown, this surreal scene features a grey-walled room populated with strange machinery and a red chair. Paolozzi creates...

Avraham Inlender Stones III Color Offset Lithograph Year: 2003 Size: 5.9 x 5.5 inches (15 x 14 cm) Signed in pencil COA provided Avraham Inlender (1932–2003) was a Polish-born arti...