1930s Prints and Multiples

Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 9 x 6 inches ( 22.86 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: This piece derives from the 19...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

Riccobaldi's 1936 travel poster for 'Riva Torbole Lago di Garda' is a captivating glimpse into the serene beauty of Italy's Lake Garda. Created in collaboration with ENIT (Ente Nazionale Italiano per il Turismo), Italy's National Tourist Board, this poster evokes the tranquil allure of a lakeside getaway. Riccobaldi, a visionary travel artist, transported viewers to far-off destinations through his art. His depiction of Lake Garda's pristine shores, with sailboats and sunbathing figures, captures the essence of this idyllic retreat. The poster's color palette mirrors...

Paul VERA Laure : Model with Tall Eyes, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellen...

Conversation is a splendid etching engraved by Anonymous Artist, in 1930 ca. The state of preservation of the artwork is good except for a folding. This original etching represent...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Folk Dancers, Skansen Image: 24.6 x 19.0 cm Mount: 37.3 x 31.0 cm Wood engraving 1932 One of Fourteen Wood Engravings, from drawings made on Orient Line Cruises by Robert Gibbings...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

Jongleur Georges Rouault, French (1871–1958) Portfolio: Le Cirque de l'Etoile Filante Date: 1936 Woodcut, initialed in the stone Size: 3 x 2 in. (7.62 x 5.08 cm) Frame Size: 9.5 x 8....

Edgar DEGAS (after) Whorehouse Scene : In the Intimacy of the Room Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (t...

Classic American Depression-Era subject meets the French landscape? Clearly the Guyer was looking at both Jean-Francois Millet and Vincent Van Gogh, who together informed this image....

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published by Aux Éditions Jeanne Bucher, Paris, 1933; printed by F. Duval, February 20, 1933. Notes: Fr...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Raoul DUFY Woman with Funny Hat, 1930 Original stone lithograph Unsigned On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...

Travel back in time to 1932 with Falcucci's vintage poster for PLM, an invitation to explore Auvergne Chatel Guyon. This poster is a masterpiece, transporting viewers to a time when travel was an experience. Falcucci's artistry shines as the poster captures the scenic beauty of Auvergne Chatel Guyon, with rolling hills and soothing waters. What makes this poster special is its ability to evoke the spirit of the past. It transports us to an era when travel was leisurely and full of anticipation. The aesthetics and typography reflect the elegance of the early 20th century. Today, Falcucci's 1932 poster...

"Ex Libris P. De Sanctis"  is a woodcut on ivory-colorated paper by Michel Fingesten,  Early 20th Century. Hand signed in pencil. In excellent conditions: As good as new. Michel Fin...

Les Visages Georges Rouault (After), French (1871–1958) Date of original: 1932 Lithograph, signed in the plate Image Size: 6 x 8 inches Size: 9 x 12 in. (22.86 x 30.48 cm)

Benedictus, Edouard. Relais. Plate 1. Paris, Éditions Vincent, Fréal et Cie, 1930. Original pochoir, printed by J. Saudé.

The 1932 original poster Premier Toast Champagne is a captivating example of early 20th-century advertising that blends elegance with emotional appeal. This poster, evocative in its ...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

Untitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...

The Funnel is an original modern artwork realized in 1930s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original colored Lithograph on paper. Hand-signed in penci...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on t...

Il Cavallaro di Montemario is an original artwork realized by the Italian artist and engraver Luigi Bartolini in 1939. Original Etching on china paper applied on Neptunia sheet. Im...

Composition Andre Beaudin, French (1895–1972) Date: 1934 Etching on Arches, signed and numbered in pencil Edition of 81/100 Image Size: 11.75 x 9.25 inches Size: 24.25 x 18.25 in. (6...

Mily POSSOZ Flowers MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 35 copies PAPER : Rives vellum SIZE : 20 x 15" INFORMATIONS : Bears the blind stamp of the editor "Marcel Guio...

Georges Rouault, French (1871 - 1958) - Christ Au Faubourg, Year: 1939, Medium: Aquatint and Etching, signed and dated in the plate, Image Size: 11.5 x 7.75 inches, Size: 20 x 15.7...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

"First Steps" is an original lithograph created by Jean Charlot. This is a wonderful piece with hispanic styling, showing a mother teaching her child how to walk. The mother is shown standing behind the child holding it in a fabric sling. The child is shown in the foreground leaning into the fabric sling as it starts to take its first steps. The artist signed this work in the lower right. Image Size: 13 7/8" x 9 3/4" Paper Size: 17 1/2" x 12 5/8" Frame Size: 23" x 19" Artist Bio: Louis Henri Jean Charlot was a French-born American painter and illustrator, active mainly in Mexico and the United States. Charlot’s mother’s family originated from Mexico City, and the artist was fascinated with Mexican manuscripts and pre-Columbian artifacts...

Pal Molnar C.'s circa 1930 original travel poster, depicting Budapest and the majestic Danube River, stands as a captivating testament to the allure of the ...

Plate 5. "Terrasse propriete a Cannes" from "Décoration moderne dans l'intérieur" bu Henry Delacroix. Paris, ca. 1930. Pochoir with hand-coloring. Mild yellowing at edges.

Ossip Zadkine, Russian/French (1890 - 1967) - from 23 Gravures, Year: 1935, Medium: Etching, signed and numbered in pencil, Edition: 42/50, Image Size: 9.75 x 6.75 inches, Size: 13 ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Original poster, in an Art Deco style, was made in 1936 by Francis Bernard 🇫🇷 (1900-1979) to promote the Olympia typewriter. Francis Bernard is a...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

The poster "L'Empire au Service de la France - Vision Saharienne," crafted by Albert Briol in 1939 under the direction of George Letourneur, stands as a poignant representation of the colonial aspirations and identity during a crucial period. Sponsored by the youth of the French Empire and its president, Jean Daladier, the poster is a visual narrative set against a tricolor backdrop. At the forefront is a compelling portrait of a Black soldier from the French colonial troops...

Edgar DEGAS (after) Whorehouse Scene : Briefing with Madam Mother Etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great ...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis It Is Better To Return Early Lithographic poster 102 x 61 cm Printed by Waterlow & Sons Ltd for London Transport. This original vintage poster was designed for London Transport and encourages shoppers to head home earlier in the day to avoid congestion on the London Underground and buses. The well-heeled customers in the poster sport smart 1930s shoes, and jostle against their purchases (a Father Christmas puppet and red-berried holly leaves mark the design as published in time for Christmas). The pinstripe-suited gentleman's newspaper serves as the background for the first line of the poster's text, which is slanted in the synthetic cubist style (synthetic cubists were keen to explore collage in their work, often employing collage, especially of newsprint). London Transport was the forerunner of London Underground. During the 1930s London...

In this striking Art Deco poster designed by the French duo Pierre & Jacques Bellenger, the luxury shoe brand Bally is elevated—quite literally—via a cleverly structured composition ...

The Rest and Wait is a woodcut print on ivory-colored paper realized by Paul Baudier (1881-1962) in the 1930s. Good conditions. Paul Baudier, (born October 18, 1881 in Paris and di...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Original Vintage Swiss Avantgarde Poster created in 1933 by Walter Herdeg (1908 – 1995) and printed in 1934 by the Art. Institut Orell Füssli in Zurich as an intaglio to promote the ...

Poster produced by the OFALAC, (the Algerian Office of Economic and Tourist Action of the General Government of Algeria), around the years 1955, in order to make the promotion of the...

Colour stencil with dense gouache inks on wove paper. Unsigned and unnumbered with printed title-heading designed by Delaunay, upper left, as issued. Good Condition; never framed or ...

This vintage poster for Cordial Medoc liqueur is a nod to the famous Pierrot of Cointreau clown. The brand exhibits its own version of the infamous Commedia Dell'Arte character to pr...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...

L'Amour de l'Art is an artwork realized by Constant Le Breton (1895 - 1985) in 1930s. Woodcut print. Good condition. Constant Le Breton (1895 - 1985) devoted to painting his entir...

An incredible photo-realist drypoint etching of a Native American man by Gilbert Adam Shoenbrod (American, 1903-1996), 1937. Titled "The Hunter", this hyper detailed portrait depicts...

This original Art Deco lithograph from the 1930s captures the elegance and dynamism of tennis during the golden age of the sport. The artwork, crea...

Ex Libris - In Memoriam Dr. Th. Simon is a woodcut print created by Michel Fingesten in 1935. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was...

Mily POSSOZ (1888-1967) The cat on the table, 1930 Original etching Handsigned in pencil by the artist Blind stamp of the editor Marcel Guiot (Paris) On vellum 46 x 32 cm (18.1 x 12...

Wagon is an original etching on paper realized in 1940 ca. by an Anonymous Artist of the 20th Century. The state of preservation is very good. Passepartout included: 30 x 40 The ...