1950s Prints and Multiples

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Erotic Scene is a fun and pleasant drypoint realized by the French painter, illustrator, and writer Amandine Doré around the mid-20th century. The state...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 74-75-76, 1955. Published b...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Medium: original lithograph. This lithograph is from the rare 1951 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1951 Spr...

In the realm of artistic mastery, Marc Chagall emerges as a luminary, renowned for his ethereal and enchanting creations. Born in Vitebsk, Russia, in 1887, Chagall's artistic journey took him from the bohemian streets of Montmartre to the global stage. A trailblazer in the world of modern art, Chagall's work is characterized by a harmonious blend of whimsy, symbolism, and a deep connection to his Jewish heritage. The 1956 Kunsthalle Bern poster...

Lithograph on paper realized by Dubuffet in 1958. Artist proof, hand signed and dated in pencil lower right. Very good condition.

Milton Avery. Dancer, 1954. Woodcut. Signed, dated, and numbered in pencil. A fine impression, on cream wove Japan paper, with full margins (7/8 to 3 1/8 inches); in good conditio...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

Paper Size: 25.5 x 18.25 inches ( 64.77 x 46.355 cm ) Image Size: 16.5 x 12.5 inches ( 41.91 x 31.75 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supple...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Bernard Klein, éditeur, Paris, February 26, 1954. Notes: ...

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This ...

Artist: After Pablo Picasso Medium: Lithographic Poster, 1954 Dimensions: 27.5 x 18.7 in / 70.5 x 48 cm Classic Poster Paper - Excellent Condition A+ A classic silhouette of two ...

Medium: lithograph (after the drawing). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 38...

Jean-Gabriel Domergue created this colorful vintage poster circa 1950. The poster was for Monte Carlo, where the artist lived. He rubbed elbows with high-society, organized formal ba...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

The 1958 original poster by Roger Excoffon for Air France: Paris-Tokyo par le Pôle is a masterful example of mid-20th century graphic design and a celebration of Air France's pioneer...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Beautiful exhibition poster for the Maison de la pensée française by Pablo Picasso in 1954. Works from 1900 to 1914 from the museums of Leningrad and Moscow and some Parisian collect...

Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art Manuel Bruker, Paris; printed by Ateliers Rigal, Paris, January 30, 1953. Excerpted from the volume (translated from French), The present portrait of Albert Decaris was completed to print on January 30, 1953 for typography by Zichieri; for engraving by Rigal. The edition has been set at 250 on vélin de Rives. The first twenty examples are suites on annam of all the engravings. ALBERT DECARIS (1901-1988) was a French artist, engraver, painter and Olympic Gold Medallist. Decaris was the first illustrator of luxury art books such as Le Chant de Mon Voyage vers la Grèce by Léon Cathlin, Combourg by Chateaubriand, Les Discours des Misères de ce Temps by Ronsard and Les Destinées by Alfred de Vigny. Decaris joined the infamous group called FVHJ at age 24. In the 1930s, Decaris began engraving postage stamps, resulting in more than 500 such designs, for various postal services, notably French and African. Stamp collectors...

The A Londra con la Sabena travel poster, created by G. Vanden Heynde in 1951, serves as a captivating representation of mid-20th century air travel, promoting London as an enticing destination. This poster was part of Sabena’s marketing efforts to attract travelers to experience the convenience and excitement of flying to one of Europe’s most iconic cities. During the 1950s, international air travel was becoming more accessible, though it still retained an aura of luxury and adventure. Sabena, the national airline of Belgium, was at the forefront of this burgeoning industry, offering routes that connected major European cities. The slogan A Londra con la Sabena encapsulates the promise of a seamless and sophisticated travel experience, highlighting the airline's ability to transport passengers to the heart of the United Kingdom. London, as depicted in the promotional materials of the era, symbolized a blend of historical grandeur and modern vitality. Post-World War II, the city was undergoing significant reconstruction and revitalization, which made it an attractive destination for tourists and business travelers alike. Sabena’s campaign aimed to capture the imagination of those eager to explore London’s rich cultural heritage, iconic landmarks, and bustling urban life. Sabena’s promotional posters from this period often emphasized the comfort and efficiency of their services. By flying with Sabena, travelers were assured of a journey marked by high standards of hospitality and safety, which was an essential selling point in the early days of commercial aviation. The tagline A Londra con la Sabena directly appeals to the Italian-speaking market, indicating the airline’s effort to reach diverse audiences across Europe. The messaging of the poster aligns with Sabena’s broader branding strategy, which was to present air travel as not only a practical means of transportation but also an exciting and upscale experience. By associating the airline with a world-class city like London, Sabena positioned itself as a premium carrier that could offer both adventure and reliability. In the context of the 1950s, traveling to London would have been seen as an opportunity to engage with a city that was a global center of finance, culture, and politics. The allure of London’s theaters, museums, shopping districts, and historic sites would have been a significant draw for potential travelers. Sabena’s role was to make this journey possible, providing a bridge between the traveler’s home and the vibrant streets of London. G. Vanden Heynde’s involvement in creating the A Londra con la Sabena poster...

The 1951 recruitment message Make a Modern Career in the RAF Ground Trades reflects the post-war era’s focus on modernization and the appeal to a new generation seeking opportunity a...

Georges Braque, French (1882 - 1963) - La Theogonie d'Hesiode Frontispiece, Year: 1953, Medium: Etching, Image Size: 14.5 x 11.5 inches, Size: 17.5 x 13.5 in. (44.45 x 34.29 cm), Pr...

This original Chinese poster is an iconic depiction of a historic moment that celebrates the founding of the People’s Republic of China. With its vivid colors, meticulous detail, and...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on...

Original vintage poster: Portugal and Spain by Pan American World Airways Clipper, Artist: Jean Carlu. Pan American original vintage poster large travel size format 27.5" x 41.1" Earliest version (the 1950s) of the poster for travel by Constellation aircraft. Original linen-backed, Pan American World Airways by Clipper vintage poster for travel to Portugal and Spain. Wear and stress marks in the top and bottom dark area but are not tears.. Small touch-up on the left white border. In the middle of this image, it features a matador with a cape hanging off his shoulder. Surrounding the image in vignettes of cut-out windows showing typical landscape scenes and castles. A great smaller format original for "The World's Most Experienced Airline". One of the windmills shown in this image has cloth sails. Trimming the sails allowed the windmill to turn at near the optimal speed in a large range of wind velocities. Pan American World Airways by Clipper. Pan American a.k.a. Pan Am Airlines posters are very collectible and rare year to year. This a great design opportunity for a home with a European flair. The Pan Am Clipper...

Lithograph on vélin bouffant d'Alfa paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Le Dur Désir de Durer, illustré par Marc Chagall, ...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...

Medium: serigraph (after Magnelli). Printed in Paris in 1952 and published by Editions d'Art d'Aujourd'hui, of Boulogne. Image size: 8 1/2 x 7 inches (216 x 177 mm). Sheet size: 12 x...

Medium: lithograph (after the painting). Published in Paris by Maeght for the back cover of Derriere le Miroir (issue No. 115) in 1959. The image measures 8 x 7 inches and the full s...

Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...

Medium: lithograph (after the the sketch). Executed as a sketchbook drawing during the middle 1950's and subsequently made available by Picasso for publication as a lithograph. This ...

Women at the Fountain is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in 1950. Black and white Etching. Hand-signed, titled and numbered ( 17/50 )...

Pierre Tal-Coat (French 1905-1985) "Derriere Le Mirroir (Transhumance), Framed Abstract Unsigned Lithograph, 14.50 x 28 (In Frame), Mid 20th Century, 1959 Colors: Black, White, Grey...

Elephant Engraing, 1957, printed 1988 Signed, dated, and titled in pencil by the artist Dedicated: "For Jon From Ray" Edition: 100 in two printings This is an artist's proof from th...

Henri Matisse (1869-1954) - Décoration - Fruits Lithograph from 1958. Dimensions of work: 78 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this Lithograph was originally pu...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Original lobby card for the film "The Human Jungle" (1954) featuring Gary Merrill and Jan Sterling. This vintage cinema memorabilia piece depicts a dramatic struggle scene where Jan ...

Original poster of the airline company Air France, designed by Renluc in 1953 to promote the link between Paris and Buenos Aires Airline - Aviation - Tourism Madrid - Dakar - Recif...

Joan Miro, Spanish (1893 - 1983) - A Toute Epreuve (D 221) Avant la lettre, Year: 1958, Medium: Woodcut on Arches, Edition: 130, Size: 13 x 10 in. (33.02 x 25.4 cm), Printer: Jacque...

Original Durham, England 1953 British Railways vintage poster. Conservation linen backed in excellent condition; it is ready to frame. This vintage poster features a modern mid-century design that adds nostalgia and charm to any space. The image on the poster is an original 1953 artwork by Anthony Frank Kersting, showcasing two women sitting under a tree by the river, engaged in fishing. Durham England Theme: The poster highlights the beauty of Durham, England, with the iconic Durham cathedrals showcased prominently in the center of the image, surrounded by white clouds. Perfect for Decoration: This vintage poster is perfect for decorating any space, whether it's your home, office, studio, or any other area that could benefit from a touch of vintage charm. Unique Collectible: As an original vintage poster, this unique collectible can add value to any vintage art collection...

Medium: lithograph (after the drawing). Printed in 1952 by Mourlot Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'O...

Artist: Raoul Dufy Medium: Lithographic Poster, 1959 Dimensions: 19.2 x 26 in, 49 x 67 cm Classic Poster Paper - Perfect Condition A+ This colorful lithographic poster was create...

Medium: lithograph (after the colored pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 1/8 x 9 1/4 i...

Medium: lithograph (after the colored pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 1/8 x 9 1/4 i...

The 1956 lithography by Jean-Gabriel Domergue La femme d'État, part of the renowned La Parisienne portfolio, stands as an elegant representation of post-war French art and a celebrat...

In 1959, Marc Chagall, one of the most celebrated artists of the 20th century, created a striking lithographic poster to promote his exhibition at the Musée des Arts Décoratifs, a branch of the Palais du Louvre in Paris. This poster, like much of Chagall's work, is a dreamlike exploration of color and whimsical imagery, inviting viewers into a world where reality and fantasy blend effortlessly. Chagall’s unmistakable style, with its vivid use of color, ethereal figures, and playful compositions, is fully on display in this piece. The poster, dominated by a striking red background, features an intimate arrangement of black line drawings that depict an array of elements central to Chagall’s thematic universe: the human figure, animals, and symbols of both folklore and the circus. A delicate face, rendered with flowing lines, is paired with a central figure of a child joyously balancing on a horse, a nod to Chagall's fascination with circus life, which he often saw as a metaphor for the artist’s own role in society — balancing the highs and lows of life. The poster’s composition feels almost spontaneous, as if Chagall’s hand sketched these figures in a dreamlike reverie. The flowing lines capture both movement and emotion, while the bold red background evokes passion, intensity, and warmth, which are central to Chagall’s painterly language. His characteristic inclusion of whimsical figures and fantastical creatures contributes to the overall sense of wonder. This exhibition poster is an artwork in its own right. Chagall had a unique relationship with posters and printmaking; he understood the power of these mediums not just as functional tools for advertisement but as an extension of his creative vision. As such, this poster doesn’t merely promote the exhibition—it embodies the playful, imaginative spirit of the works that were on display within the museum’s walls. Chagall’s work often blurred the boundaries between fine art and folk art, drawing from Russian and Jewish traditions, as well as modernist movements. His use of bold color and fantastical imagery placed him in a unique position within the world of modern art, earning him international acclaim. The Musée des Arts Décoratifs exhibition poster...

Original THOMSON Gyrathomic. Horizontal format original French vintage lithograph poster. Artist: Guy Georget. C. 1955. Archival linen backed. Very good condition. A fun...

Lithograph on vélin paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the album, Les Cavaliers d'Ombre; Sous le Manteau de Feu, 1956. Pub...

Medium: original lithograph. Printed in Paris in 1958 at the Mourlot atelier, and published by Andre Sauret in an edition of 2000. Size: 9 1/2 x 12 1/4 inches (242 x 310 mm). Signed ...