1970s Prints and Multiples

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2 x 19 1/4 inches (320 x 490 mm). This work was published as a folded ...

Francisco Corzas (Mexico, 1936-1983) 'Nezahualcoyotl - The First Constructor 1', 1975 lithograph on paper Velin Arches 300 g. 25.8 x 19.3 in. (65.5 x 49 cm.) Edition of 200 ID: COZ-2...

Poster Giorgio De Chirico Exhibition is an offset print artwork representing the exhibition of the painter in Marino Gallery in Rome in Navona's square, held in 1973. Very good cond...

Original The Pit and the Pendulum “Il Pozzo e Il Pendolo” vintage Italian movie poster. Linen backed in very good condition, ready to fr...

Antoni Tapies (Spain, 1923-2012) 'Varations V: Chaussure sur chaise', ca. 1970-1975 lithograph on paper 29.6 x 41.4 in. (75 x 105 cm.) Edition of 90 Unframed ID: TAP1162-022 Hand-sig...

Hilliard Dean, '#5', color lithograph, 1970, edition not stated but small. Signed, titled, and annotated 'AP' in pencil. Dated 'June 11, 70' in pencil in...

Richard Hunt Paper piece V, Terracotta Voyage, 1978 Artwork made exclusively from colored paper pulps, formed, handmade Twinrocker paper made by hand utilizing stencils to apply the wet colored paper pulp to the wet backing layer of pulp for the main image, in order to keep it consistent. The colored washes of pulp vary slightly with each print - similar to ones that are hand colored with watercolor washes. Signed and numbered 12/50 in graphite front; bears Lakeside Studio blind stamp 18 31/50 × 23 1/2 × 1/5 inches Unframed Formed, handmade Twinrocker paper Signed and numbered 12/50 on the front Published and printed by Lakeside studio, Lakeside, Michigan with blind stamp Also accompanied by gallery issued Certificate of Guarantee Richard Howard Hunt...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Hand signed and numbered. Limited edition of 350 prints. From the suite “Alphabet”. Near perfect condition. Lithograph/Screen print.

" Hölderlin: Poèmes " is a hand-signed etching realized by Max Ernst  in 1961. It presents very good conditions. Passepartout included: 49 x 34 cm. Bibliography: Catalog Brusberg n....

Untitled (Mirror) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

Silkscreen on wove paper Signed in plate at lower right. 24.75"W x 1.5"D x 32.25"H visible , scuffs, chips, nicks and marks throughout moulding, and unsealed backingJacques Soisson ...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Art ‘78 - Washington D.C. Armory Show Fritz Scholder Native American (1937–2005) Date: 1978 Screenprint Poster Size: 32 x 30 in. (81.28 x 76.2 cm)

Artist: Robert Rauschenberg, American (1925 - 2008) Title: The Most Distant Visible Part of the Sea Year: 1979 Medium: Lithograph and Screenprint, Signed and numbered in pencil Editi...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Egg 2 (Purple) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 45 Image Size: 20 x 26 inches Size: 2...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Great American Perspective Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition Size: 60 Size: 20.5 x 20.5 in. (52....

ARTIST: Salvador Dali TITLE: La Joie de Vivre MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions d'Art de Francony EDITION NUMBER: 75/150 MEASUREME...

This 1973 Dutch political poster was created for Jongerenfront, a radical youth movement advocating anti-imperialism and revolutionary solidarity. The bold imagery and striking color...

Simon Dittrich Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924802-918

color lithograph , Edited in 1976 Limited edition , numbered as 20/100 in lower left corner.
 Hand-signed by artist in pencil in the lower right Paper size: 52 x 72 cm Excellent cond...

Artist: Rita Simon, American (1938 - ) Title: Spacescape II Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 30 Size: 25.5 in. x 36 in. (64.77 cm ...

Richard LINDNER Lovers with a Tiger Original lithograph, 1977 Printed signature in the plate On heavy paper 76 x 56 cm (c. 30 x 22 inch) Created for the artist exhibition in Maeght ...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

The Coach and the Flies is an artwork realized in 1974. Etching and drypoint with stencil. 59 x 79 cm. Printed by Atelier Rigal. Edition XIV/CXX on Auvergne paper. It belongs to...

Camille HILAIRE Ther Sluice Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

Nikolaus von Georgi Untitled (Geometric Composition, Vasarely, Op-Art) Color Offset Lithograph Year: 1978 Size: 19.7×23.6 on 23.6×27.6in Edition: 180 Signed, numbered and dated by ...

Love Dove Earl Klein American (1915–1993) Screenprint, signed, titled and numbered in pencil Edition of 40/75 Image Size: 18 x 22.5 inches Size: 24.5 x 29...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe II Year: 1975 Edition: 5,000 Image Size: 10" x 1...

Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...

Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriques, VIII, ...

1960s Joan Miró vinyl album art: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for t...

Signed lower right, 'K. Ogata' with number and limitation, 120/275, lower left. Accompanied by a Certificate of Authentication from the Societe de Verification de la Nouvelle Gravure...

Watermelon is a mixed colored lithograph by the Sicilian artist Renato Guttuso in 1982 The artwork is from XXeme Siècle Paris/New York; Printer Graphis Arte Livorno/Roma. Referenc...

Heinz Wehlisch Building Color etching Signed by hand Size: 15.2 × 22.4 on 20.1 × 26.9 inches COA provided Heinz Wehlisch was a modern artist of the late 20th century and worked in Berlin. He was a member of the professional association of visual artists in Berlin from 1946-1980; his specialty were etchings but also watercolors based on old postcard...

The frame is included. Art size: 25" x 19" This is an original and very rare vintage art poster from a Jacques VILLON's exhibition. It took place ...

ARTIST: Salvador Dali TITLE: Florals Rose MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 99/350 MEASUREMENTS: 21.6" x 29.4" Framed: 33" x 41" YEAR: 1972 FRAMED: Yes CON...

Andy Warhol's Chelsea Girls: Rare 1971 invite published on the occasion of a screening of Andy Warhol's Chelsea Girls in Oxford, England: “Admit one to: Andy Warhol's THE CHELSEA GI...

Abstract Composition is an original colored lithograph realized in the half of XX century. The artwork is hand signed on the lower right margin. Numbered on the lower left. Edition...

Original France travel by bicycle vintage serigraph poster, excellent condition, ready to frame. These images are of the exact rare poster you will receive. Archivally linen-back...

Double Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters and took part in the struggle by working in a munitions factory. The violence of the struggle inspired his painting La Guerra Civil. In 1938, Lam left Spain for Paris. Shortly before leaving, he met Helena Holzer, who would become his wife in 1944. His meeting Picasso in his studio on the Rue des Grands Augustins proved decisive. Picasso introduced his new “cousin” to his painter, poet and art critic friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Kahnweiler, Zervos. Lam also met Pierre Loeb, the owner of the Galerie Pierre in Paris, which hosted Lam’s first solo exhibition in 1939. Shortly before the Germans arrived, Lam left Paris for Bordeaux and then Marseille, where many of his friends, for the most part surrealists, had gathered around André Breton in the Villa Air Bel: Pierre Mabille, René Char, Max Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret. In the Villa Air Bel, a meeting place for creativity and experimentation, Lam worked and produced, most notably, a series of ink drawings that set the tone for what would become his signature style of hybrid figures, a vocabulary he would develop more fully during his years in Cuba from 1941 to 1947. In January and February 1941, Lam illustrated Breton’s poem Fata Morgana which was censored by the Vichy government. On March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Martinique, in the company of some 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss among them. Upon arrival, the passengers were interred at Trois Îles. It was during this forced passage in Martinique and before leaving for Cuba that Lam and Aimé Césaire met for the first time to become life-long friends. Newly settled in his native land after almost twenty years, Lam delved deeper into his artistic investigations, finding nourishment for his ideas in the surroundings of his childhood and youth. His sister Eloisa, whom he was closest to, explained to him in much detail the workings of Afro-Cuban rituals and he began attending ritual ceremonies with some of his friends. This contact with Afro-Cuban culture brought new impetus to his art. He painted over one hundred canvases, most notably La Jungla, making the year 1942 his most productive of this period. Over the next few years, a number of exhibitions followed in the United States, at the Institute of Modern Art of Boston, at the MoMA of New York, at the Galerie Pierre Matisse, where La Jungla was presented and created a scandal. In 1946, Lam and Helena travel to Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton. Talking about his experience in Haiti, Lam said, “It is often assumed that my work took its final form in Haiti, but my stay there, like the trips I made to Venezuela, Colombia or to the Brazilian Mato Grosso only broadened its scope. I could have been a good painter from the School of Paris, but I felt like a snail out of its shell. What really broadened my painting is the presence of African poetry.” Picasso_Lam_Vallauris_1954_vignette Wifredo Lam et Pablo Picasso, Vallauris, 1954 Lam then went on to New York where he renewed contact with Marcel Duchamp and made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Gorky, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo, Jesse Fernández, John Cage, Sonia Sekula and Yves Tanguy. By the end of the 1940s, Lam divided his time between Europe, Havana and New York, where they stayed with Pierre and Teeny Matisse...

This lithograph by Bernard Buffet, titled Bouquet de Fleurs, was printed by Mourlot. Produced in 1973, this print was used recurrently across various exhibitions throughout the year ...

Artist: Joan Miro Title: Plate XIII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 19 3/4" x 17" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2"...

Medium: offset lithograph (after the watercolor). Printed in 1970 on velin bouffant paper from the Papeteries Casteljoux and published in France by Edito-Service Geneve. This reprodu...

Tramatura is an original print realized by Emilio Scanavino in 1971 Black screen print on paper. Hand-signed in pencil on the lower margin. Artist's proof. Edited by Grafica d'Ar...

Color lithograph on Japanese paper, edited in 1971 Limited edition of 10 copies on Japanese paper Hand signed by Joan Miró in pencil in the lower right margin , and numbered in roman...

John Plumb 'Colour Step C' 1971 Medium Type: Screen Print Size-Width Size-Height: 22'' x 30'' Signed Edition Size: Signed in pencil, titled and marked 18/75 John Plumb is one o...

La litografia va firmada a mano por el artista en la parte inferior Es una prueba de artista P/A Año: 1976 Titulada "Piensas de las mujeres" Medidas de la litografía (solo imagen...

Joan MIRO Le Marteau sans Maitre XX, 1976 Original etching and aquatint From a limited edition of 175 copies (+ 25 Hors Commerce) On Arches vellum With the editor watermark "Au vent...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Artist Name: Peter Max Space Rainbow Year: 1978 Medium Type: Silkscreen, on Arches Paper Size-Width Size-Height: 22” x 30” inches Signed Edition Size: signed in pencil and marked ...

Oil on on cardboard, realized by Antonio Sanfilippo in 1971. Not signed. Published in the Catalogue Raisonné, no. 913

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 221,...

Hans BELLMER (1902-1975) Fantastic Creature Original etching, 1973 Handsigned in pencil by the artist On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the Portfolio "Les Mys...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Artist: Salvador Dali Title: The Lovers Condemned Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4" ...

Red and blue linear print that is signed by Marianni. The work is similar to the style of famous artist Bernett Newman who painted strickly colorful paintings with a "zip" that broke...

Medium: original lithograph. Catalogue reference: Galfetti 408a. Executed for Derriere le Miroir (issue No. 210) in 1974, and published in Paris by Maeght. Size: 15 x 11 inches (380 ...

Robert Smith (United States, 1944) 'Changes with the wind', 1972 Engraving 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 ID: SMI1158-003-075 Hand-signed by author