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Early 2000s Prints and Multiples

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Period: Early 2000s
Luis Miguel Valdés ¨Venus flotante¨, 2005, Woodcut, 39.4x27.6 in
Located in Miami, FL
Luis Miguel Valdes (Cuba, 1949) 'Venus flotante', 2005 woodcut, manual intervention, silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 99 ID: VAL-132 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Screen, Woodcut

Nelson Dominguez, ¨Martí¨, 2005, Engraving, 14.6x14.6 in
Located in Miami, FL
Nelson Dominguez (Cuba, 1947) 'Martí', 2005 engraving on paper Velin Arches 300 g. 14.6 x 14.6 in. (37 x 37 cm.) Edition of 50 ID: DOM-108 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Screen, Engraving, Etching, Aquatint

Billabong (Abstract print)
Located in London, GB
Billabong (Abstract print) Etching. Aquatint with spitbite and drypoint. Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, wri...
Category

Abstract Early 2000s Prints and Multiples

Materials

Etching

Vicente Rojo, ¨Lí­rica Sacra, Moral y Laudatoria¨, 2009, 5.9x19.7 in
Located in Miami, FL
Vicente Rojo (Mexico, 1932-2021) 'Lí­rica Sacra, Moral y Laudatoria', 2009 book, mixed media on paper Guarro Biblos 250g. 6 x 19.7 in. (15 x 50 cm.) Edition of 50 ID: ROJ-131 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Mixed Media

Copper Plate Print-- BichoCreatures Series 3 (Collage)
By Cynthia Capriata
Located in Troy, NY
This copper plate print with collage on paper has insect-like creatures that swirl around the composition. The washes of goldenrod, cadmium red, an...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Mixed Media, Pigment

Copper Plate Print-- BichoCreatures Series 3 (Red)
Located in Troy, NY
This copper plate print on paper has insect-like creatures that swirl around the composition. The washes of ochre, ultramarine and aqua blues, and ...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Pigment

Copper Plate Print-- BichoCreatures Series 3 (Blue)
Located in Troy, NY
This copper plate print on paper has insect-like creatures that swirl around the composition. The washes of cerulean, ultramarine, and aqua blues g...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Pigment, Paper

KCHO (Alexis Leyva Machado), ¨Canaima II¨, 2003, Silkscreen, 27.2x39.4 in
Located in Miami, FL
Alexis Kcho Leiva (Cuba, 1970) 'Canaima II', 2003 silkscreen on paper Canson 320 g. 27.2 x 39.4 in. (69 x 100 cm.) Edition of ID: KCH-117 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Etching, Aquatint, Screen

KCHO (Alexis Leyva Machado), ¨La Jungla 5¨, 2003, Aquatint, 24x29.1 in
Located in Miami, FL
Alexis Kcho Leiva (Cuba, 1970) 'La Jungla 5', 2003 aquatint on paper Guarro Biblos 250g. 24.1 x 29.2 in. (61 x 74 cm.) Edition of 50 Unframed ID: KCH-106 Hand-signed by author
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Screen, Etching, Aquatint

Night Call : Gorgeous work by Amitaha Banerjee in Etching on paper
Located in Kolkata, West Bengal
Amitabha Banerjee - Night Call - 12.5 x 15.5 inches ( unframed size) Etching on paper Inclusive of shipment in roll form. About the Artist and his work : Born : In 1929 born in Bari...
Category

Modern Early 2000s Prints and Multiples

Materials

Paper, Etching

Love Me Tender (Abstract print)
Located in London, GB
Etching - Unframed. Printed in an edition of 30 by Sue Oehme for Riverhouse Editions; this print is 3/30. Melissa Meyer has created a diverse oeuvre that includes oil paintings, dr...
Category

Abstract Expressionist Early 2000s Prints and Multiples

Materials

Etching

"Red No. 8"
By Zhang Peng
Located in Astoria, NY
Zhang Peng (Chinese, b. 1981), "Red No. 8", Chromogenic Print in Colors, 2007, numbered edition "2/8", together with Certificate of Authenticity, white wood frame. Image: 32.5" H x 7...
Category

Contemporary Early 2000s Prints and Multiples

Materials

C Print

Swimmer - Lithograph by Kim Hyang - 2008
Located in Roma, IT
Swimmer is a contemporary artwork  realized by Kim Hyang in 2008 Mixed colored lithograph Hand signed and numbered on the lower margin Realized in occasion of the Olympic Games in...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Lithograph

Jose Luis Cuevas, 'Suite Sobre la Vida VIII', 2005, Woodcut, 22x29.9 in
Located in Miami, FL
Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida VIII', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Woodcut

Jose Luis Cuevas, 'Suite Sobre la Vida VI', 2005, Woodcut, 22x29.9 in
Located in Miami, FL
Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida VI', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Woodcut

Jose Luis Cuevas, 'Suite Sobre la Vida IV', 2005, Woodcut, 22x29.9 in
Located in Miami, FL
Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida IV', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Woodcut

Jose Luis Cuevas, 'Suite Sobre la Vida III', 2005, Woodcut, 22x29.9 in
Located in Miami, FL
Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida III', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Woodcut

Jose Luis Cuevas, 'Suite Sobre la Vida II', 2005, Woodcut, 22x29.9 in
Located in Miami, FL
Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida II', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Woodcut

Daybed Daydream
Located in Phoenix, AZ
copper etching with aquatint The power of memory and how it recalls individuality begins in such basic experiences as the ability to link internal ideas to external manifestations of those ideas. Memories as simple as an old toy or a street can set off a chain reaction of thoughts that snowball into issues as broad as nationalism, identity politics or a body politic to name a few. Hector Ruiz’s works encompass the broad, complex and often painful world particular to the Arizona and neighboring Mexican landscape. United States and Mexican border...
Category

Outsider Art Early 2000s Prints and Multiples

Materials

Copper

'Narcissus Braziliana' original woodcut & monotype signed by Carol Summers
Located in Milwaukee, WI
The present artwork is a vibrant and colorful example of the woodcut prints of Carol Summers. The image is dominated by the form of a red tropical flower, closely cropped around the petals like in the photographs of Imogen Cunningham and the paintings of Georgia O'Keeffe. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. 9.63 x 11.63 inches, artwork 21 x 23 inches, frame Edition 16/50 in pencil, lower right Titled in pencil, lower right Signed in pencil, lower center Framed to conservation standards using archival materials including 100 percent rag matting, Museum Glass to inhibit fading, and housed in a modern profile gold gilded wood moulding. Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MoMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and non-western as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Monotype, Woodcut

"Leger", Pop Art Print by Erró
Located in Long Island City, NY
Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Leger Year: 2005 Medium: Lithograph, signed and numbered in pencil Edition: 100 Image Size: 18 x 24 inches Size: 23 x 31.5 in. (58....
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

"Skippy", Pop Art Print by Erró
Located in Long Island City, NY
Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Skippy Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 24 x 18 inches Size: 30 x 22 in. (76.2...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Oh my God and for those really stubborn stains
Located in Boston, MA
Artist: Hirst, Damien Title: Oh my God and for those really stubborn stains Series: In a Spin Volume 1 Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions...
Category

Young British Artists (YBA) Early 2000s Prints and Multiples

Materials

Etching

America, Surrealist Screenprint by Mark Kostabi
Located in Long Island City, NY
America Mark Kostabi, American (1960) Date: 2002 Screenprint, signed, numbered, and dated in pencil Edition: 100 (Roman Numerals) Size: 27.5 x 35.5 inches
Category

Pop Art Early 2000s Prints and Multiples

Materials

Screen

Abecedario (Red), Abstract Etching and Digital Print by Sandro Martini
Located in Long Island City, NY
Artist: Sandro Martini, Italian (1941 - ) Title: Abecedario (Red) Year: 2009 Medium: Digital Print and Etching, signed and numbered in pencil Edition: PA Size: 23.5 in. x 31.5 in. (5...
Category

Abstract Expressionist Early 2000s Prints and Multiples

Materials

Digital, Etching

Orpheus. Drypoint print, Black & white, Blue, Polish artist
Located in Warsaw, PL
Contemporary figurative monochromatic mezzotint print by Polish artist Ewa Kutylak. Print depicts a wanderer with a lantern going down the road. On the left there is a mysthical crea...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Drypoint

Bode-Museum, Berlin (Suite of Rooms with Portals)
Located in Los Angeles, CA
Bode-Museum, Berlin 62 1/2 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 1/2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, ...
Category

Conceptual Early 2000s Prints and Multiples

Materials

Lambda

Just Love Me, Pop Art Screenprint by Mark Kostabi
Located in Long Island City, NY
Chance Encounter Mark Kostabi, American (1960) Date: 2021 Screenprint, signed and numbered in pencil Edition: AP 50 Image: 19.75 x 29.5 inches Size: 27.5 x 35.5 inches
Category

Pop Art Early 2000s Prints and Multiples

Materials

Screen

Noshi & Meg on Earth Year 2036 (2005) Offset print by Aya Takano signed
Located in Hong Kong, HK
Noshi & Meg on Earth, Year 2036 (2005). Offset print by Aya Takano Offset print, numbered and signed by the artist 58 x 51 cm 22 4/5 × 20 1/10 in Edition 151/300
Category

Pop Art Early 2000s Prints and Multiples

Materials

Offset

Friday’s Claim (Abstract print)
Located in London, GB
Etching. White ground with chine colle on Magnani Pescia White. Unframed. Jill Moser is an American abstract artist whose work explores the intersection of “painting, writing and t...
Category

Abstract Early 2000s Prints and Multiples

Materials

Etching

Swimmer - Lithograph by Kim Hyang - 2008
Located in Roma, IT
Swimmer is a contemporary artwork  realized by Kim Hyang in 2008. Mixed colored lithograph Hand signed and numbered on the lower margin Realized in occasion of the Olympic Games i...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Lithograph

Encaustic Artwork --"r"
Located in Troy, NY
This work combines relief printmaking, inkjet and encaustic on lauan panel in pastels. The artist is interested in the themes of childhood and play. In this edition-of-one piece, a child a wistful child in muted tones is featured on the right, while the letter "r" holds the center. This piece is very appropriate for a child's room. The artist's signature is on the back. Mariana Depetris is an artist who focuses on printmaking techniques, many of which she learned from master printmakers in her native Argentina and Italy, as well as from an MFA from the Georgia Southern...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Mixed Media, Wax, Wood Panel

Guggenheim Bilbao, Architectural Screenprint on Aluminum by Richard Haas
Located in Long Island City, NY
Artist: Richard Haas, American (1936 - ) Title: Guggenheim Bilbao Year: 2000 Medium: Lithograph and Silkscreen on Aluminum, signed and numbered Edition: 15...
Category

American Realist Early 2000s Prints and Multiples

Materials

Lithograph, Screen

"Savoy: Saturday Midnight" signed, framed print by artist Richard Yarde
Located in Boca Raton, FL
Framed "Savoy: Saturday Midnight" limited edition giclée print on fine art paper of dancers at the Savoy by African American artist Richard Yarde. Part of Yarde's "Savoy Ballroom" se...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Giclée

Storm Approaching XIV
Located in Toronto, ON
10.5" x 10.5" Unframed Limited Edition Serigraph of 1 Hand Signed by Mark Kellett 2007
Category

Early 2000s Prints and Multiples

Materials

Screen

Israel 20 Shekel 1998 Circulated Bank Note
Located in Hollywood, FL
Artist: Steve Kaufman Title: 20 Shekel 1998 Circulated Bank Note Medium: Screenprint on Canvas Size: 14 x 27.5 Inches Edition: 28 of 50 Year: 2007 Notes: Israel 20 Shekel 1998 Circul...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Canvas, Screen

Unique Print - bright, colourful, abstract, one of, framed monoprint
Located in Bloomfield, ON
This compelling singular signed print–one of a kind was created by the Czech born artist Joseph Drapell. The form is reminiscent of the popular sixties’ art game called Spirograph. B...
Category

Abstract Early 2000s Prints and Multiples

Materials

Monoprint

Text - Whistle 9/36 - colorful, calligraphic gestures, serigraph on paper
Located in Bloomfield, ON
In a symphony of colour and form, Alice Teichert created more than 40 black ink and acrylic drawings on mylar which she transferred to silk screens. ‘The Text is Still Unwritten’ is ...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Archival Ink, Archival Paper

Woodstock Ticket
Located in Hollywood, FL
Artist: Steve Kaufman Title: Woodstock Ticket Medium: Screenprint on Canvas Size: 17 x 14 inches Edition: 32 of 50 Year: 2000-2010 Notes: Hand Sign...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Canvas, Screen

"Incoming Tide, " Woodblock Print signed by Hiroki Morinoue
Located in Milwaukee, WI
"Incoming Tide" is an original woodblock print by Hiroki Morinoue. it is signed and dated in the lower right, titled lower center, and editioned (48/120) in the lower left. This prin...
Category

Early 2000s Prints and Multiples

Materials

Woodcut

After T.S. Eliot's Wasteland, Pop Art Digital Pigment Print by Nalini Malani
Located in Long Island City, NY
Artist: Nalini Malani Title: After T.S. Eliot's The Wasteland Year: 2008 Medium: Digital Pigment Print, signed, numbered, and dated in pencil Image Size...
Category

Abstract Early 2000s Prints and Multiples

Materials

Digital Pigment

Jim
Located in Kansas City, MO
Mike Lyon Jim Year: 2008 Lithograph Edition: 26 Paper: Rives BFK, White Paper: Rives BFK, Tan Paper Size: 43.75 x 30 inches Image Size: 37.5 x 26 inches (irregular) Signed and number...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Lithograph

Cities Services Building, Photorealist Architectural Etching by Richard Haas
Located in Long Island City, NY
Artist: Richard Haas, American (1936 - ) Title: Cities Services Building Year: 2005 Medium: Etching, signed and numbered in pencil Edition: 20 Image Size: ...
Category

American Realist Early 2000s Prints and Multiples

Materials

Etching

Solar Imp 2001, Lincoln Center New York City Ballet Honorary Silkscreen Poster
By (after) Helen Frankenthaler
Located in New York, NY
Medium: Silkscreen on extra-thick Somerset paper Poster Size: 45 in. High x 30 in. Wide (114.3 cm x 76.2 cm) Framed Size: 52.5"H x 37.5" W Signed: Facsimile Signature Framing Options...
Category

Abstract Expressionist Early 2000s Prints and Multiples

Materials

Screen

Shok-1 Graffiti Show Poster "X-Rainbow" Solo Show Dec. 5th - 19th
Located in Draper, UT
Lithograph on thick art paper 23 × 15 in 58.4 × 38.1 cm Solo Show December 5th-19th Medium Print Condition Print is in good condition and has been stored flat since 2013. 8/10 Si...
Category

Street Art Early 2000s Prints and Multiples

Materials

Lithograph

Juicy Little Passion (Blue)
Located in New York, NY
Paul Henry Ramirez has shown throughout the United States and Europe. He has had numerous one-person museum exhibitions including the Contemporary Arts Center in Cincinnati, the Whit...
Category

Abstract Early 2000s Prints and Multiples

Materials

Etching

Kastani III (Chestnuts)
Located in Palm Springs, CA
Surreal composition of Kastani (chestnuts) with a floating tree limb suspended above. Chestnuts are a comman subject for Sietins, and the level of detail he creates in his mezzotints...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Mezzotint

Swimmer - Lithograph by Kim Hyang - 2008
Located in Roma, IT
Swimmer is a contemporary artwork  realized by Kim Hyang in 2008. Mixed colored lithograph. Hand signed and numbered on the lower margin. Realized in occasion of the Olympic Games...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Lithograph

Omaggio a Bunes Jones (Tribute to Burne Jones)-Lithograph by Adolfo Loreti-2001
Located in Roma, IT
Lithographic reproduction of the original etching. Hand signed. Passepartout included. Edition of 25 prints in Roman Numerals.
Category

Contemporary Early 2000s Prints and Multiples

Materials

Lithograph

French Modern Art by James Coignard - Red
Located in Paris, IDF
Engraving with carborandum & collages, ed. 12/30 + white frame James Coignard (1925-2008) was a well known French artist/printmaker recognised for his colourful, geometric abstracti...
Category

Abstract Geometric Early 2000s Prints and Multiples

Materials

Engraving

Winter Garden (Portfolio of 8) by Marc Quinn
Located in Zug, CH
Marc Quinn Winter Garden (Portfolio of 8) 2004 Pigment Print 83.6 × 124 cm (32.9 × 48.8 in) Signed, numbered, and dated Edition of 59 In excellent condition PLEASE NOTE: Edition num...
Category

Early 2000s Prints and Multiples

Materials

Pigment

"Marilyn", Pop Art Lithograph by Erró
Located in Long Island City, NY
Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Marilyn Year: 2005 Medium: Lithograph, signed and numbered in pencil Edition: 180 Image Size: 17.5 x 24 inches Size: 23 x 31.5 in. ...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

"Silver Saber", Pop Art Print by Erró
Located in Long Island City, NY
Artist: Gudmundur Erro, Icelandic (1932 - ) Title: Silver Saber Year: 2001 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 24 x 17 inches Size: 30.5 x 22 i...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Festival No. 6
Located in Fairlawn, OH
Festival No. 6 Color woodblock, 2002 Signed, titled and numbered in pencil (see photos) Edition: 50 (10/50), see photo Provenance: Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014 Reference: Hamanishi Small 98 Condition: Excellent Sheet: 12 1/4 x 9 1/8"; Image 10 1/2 x 7 1/2" Katsunori Hamanishi Born: 1949, Hokkaido Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker...
Category

Abstract Early 2000s Prints and Multiples

Materials

Woodcut

Ross Bleckner Etching
Located in Astoria, NY
Ross Bleckner (American, b. 1949), "Insertion Sequence", Etching and Aquatint in Colors on Paper, 2002, marked "AP4" lower left, signed in pencil and dated lower right, part of a lim...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Etching, Aquatint

Wallflower 29
Located in Washington, DC
Artist: Donald Sultan Title: Wallflower 29 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Screen

Girl and Boy Shopping, Carved Wood Wall Sculpture by David Bromley
Located in Long Island City, NY
Artist: David Bromley, British/Australian (1960 - ) Title: Girl and Boy Shopping Year: circa 2010 Medium: Wood Collage Multiple, signed in pencil Edition: AP Size: 11.5 x 15.5 in. ...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Acrylic, Wood

The Awakening, abstract monotype, earth tones
Located in Brooklyn, NY
Statement-The emphasis in the work is on color ,motion and emotion. I make paintings that are inspired by aspects of life thus transforming color and movement into their own visual ...
Category

Abstract Expressionist Early 2000s Prints and Multiples

Materials

Archival Ink, Archival Paper, Monotype

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