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Early 2000s Prints and Multiples

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Period: Early 2000s
Silver Poppies, Aug 17, 2022 (Ed: 22/50)
Located in Los Angeles, CA
Donald Sultan is an American painter, sculptor, and printmaker. He is particularly well-known for large-scale still life paintings, and one of the first to employ a wide range of ind...
Category

Abstract Early 2000s Prints and Multiples

Materials

Screen

Nude with Stockings (BU 04)
Located in New York, NY
Iris print on heavy white wove paper. Signed and numbered 42/50 in pencil by Ruff.
Category

Contemporary Early 2000s Prints and Multiples

Materials

Color

The Last Supper
Located in Brooklyn, NY
Tom Everhart is known for his vibrant and energetic works featuring the beloved "Peanuts" characters, particularly Snoopy. He’s famous for bringing a dynamic, almost abstract style t...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Offset

Flowers for Algernon. Limited Edition (print) by Takashi Murakami signed
Located in Hong Kong, HK
Flowers for Algernon 2009 by Takashi Murakami Offset print, cold stamp and high gloss varnishing with silver ink signed, numbered and stamped by the Artist 27 7/8 in diameter 71 cm d...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Offset

Confident - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Mikio Watanabe created "Confident", a side view of a sensuous female nude, exclusiv...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Mezzotint

Sex in the City
Located in Hollywood, FL
Artist: Al Hirshfeld Title: Sex in the City Size: 20 x 20 Inches Medium: 5-Color Lithograph on Fine Art Paper Edition: 223/300 Year: Hand Pulled in 2002 Notes: Hand Signed a...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

And Then, When That's Done... Limited Edition (print) by Takashi Murakami (DOB)
Located in Hong Kong, HK
And Then, When That's Done...... I Change. What I Was Yesterday Is Cast Aside, Like An Insect Shedding Its Skin, 2009 by Takashi Murakami Offset print, numbered and signed by the art...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Offset

Kaikai Kiki Homage to Francis Bacon (Study of George Dyer)
Located in Vancouver, CA
Takashi Murakami: Kaikai Kiki Homage to Francis Bacon (Study of George Dyer), 2004 Immerse yourself in the dynamic world of contemporary art with this remarkable piece by Takashi Mu...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Archival Paper, Offset

Rock N' Roll Guitar II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Rock N' Roll Guitar II Year: 2003 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 4.12 x 2.43 inches Condition: Excellen...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Alex Katz '75 Years of American Dance' 2008- Serigraph
Located in Brooklyn, NY
Paper Size: 51.5 x 35 inches ( 130.81 x 88.9 cm ) Image Size: 50 x 33.5 inches ( 127 x 85.09 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Screen

Ruben Rodriguez Cuban Artist Original Hand Signed collagraph 2001
By Ruben Rodriguez
Located in Miami, FL
Ruben Rodriguez (Cuba, 1959) 'Untitled', 2001 collagraph on paper Velin Arches 300 g. 29.6 x 21.5 in. (75 x 54.5 cm.) Edition of 8 ID: ROD-301 Hand-signed by author
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Engraving, Screen

Large Robert Longo TILLMAN Lithograph, 70"H (JAMES also available, priced each)
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Robert Longo (American, b. 1955) Marking(s); notes: signed, blind stamp; ed. HC 1/10 aside from edition of 50; 2000 Materials: lithograph on Arches wov...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Prince William
Located in New York, NY
This bold color lithograph is signed, dated and numbered in pencil by Peyton, from an edition of 350. Published by the Public Art Fund, New York.
Category

Contemporary Early 2000s Prints and Multiples

Materials

Color, Lithograph

Self Portrait by Chuck Close
Located in New York, NY
Self Portrait, 2007 9 color screen print on Somerset Satin paper 38 x 30 inches Edition of 118 Printed at Watanabe Press Publisher: Lincoln Center for the Performing Arts Chuck Clos...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Lithograph, Screen

Christmas print, hand coloring in oil stick, Signed, Framed
Located in New York, NY
Jim Dine The Christmas Print (Burg, 26), 2001 Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Oil Crayon, Drypoint, Etching, Offset

Lafitte's Blacksmith House (a bar named for a pirate on Bourbon St, New Orleans)
Located in New Orleans, LA
Lafitte's Blacksmith Shop is a New Orleans landmark at 941 Bourbon St. Like most New Orleans legends, history of Lafitte's Blacksmith Shop is a gumbo of tru...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Mezzotint, Aquatint

Thorns - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. This is impression #12 of 35 impressions Born in Charleroi, Belgium, Ravaux is an ...
Category

Modern Early 2000s Prints and Multiples

Materials

Mezzotint

Cosmic Sailboat, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Cosmic Sailboat Year: 2003 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscripti...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Two Reclining Nude Girls - Lithograph - 2007
Located in Roma, IT
Two Reclining Nude Girls  is a beautiful lithograph from the portfolio " Erotica " by Egon Schiele. 50 X 64 cm. It is a reproduction of the homonym pencil...
Category

Modern Early 2000s Prints and Multiples

Materials

Lithograph

Picasso 'Flowers in Vase' 2003- Vintage First Edition
Located in Brooklyn, NY
This is a first edition release of Flowers in Vase, a poster created for the Nasher Sculpture Center in Dallas. Published with the approval of the Artists Rights Society, this editio...
Category

Cubist Early 2000s Prints and Multiples

Materials

Offset

Double Level I
Located in Saint Louis, MO
Richard Serra Double Level I, 2009 Etching 67 1/2 x 65 inches (171.5 x 165.1 cm) Edition of 12/22 Signed
Category

Contemporary Early 2000s Prints and Multiples

Materials

Etching

Mexican Artist signed limited edition original art print silkscreen collage n2
Located in Miami, FL
Cisco Jimenez (Mexico, 1959) 'Pañito', 2006 silkscreen, collage on paper 23.7 x 31.5 in. (60 x 80 cm.) Edition of 99 Unframed ID: JIM1752-001-109 Hand-signed by author in pencil
Category

Contemporary Early 2000s Prints and Multiples

Materials

Color, Screen

Jellyfish Eyes - Black 1. Limited Edition (print) by Takashi Murakami signed
Located in Hong Kong, HK
Jellyfish Eyes - Black 1 by Takashi Murakami (2004) Offset print, numbered and signed by the artist 19 ¹¹/₁₆ × 19 ¹¹/₁₆ in 50 × 50 cm Edition 41/300 Takashi Murakami is best known ...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Offset

MAN Signed Woodcut, Ethnic Face Portrait, Standing Figures, Mexican Culture
Located in Union City, NJ
MAN is a hand pulled, original limited edition relief print created using woodcut and serigraphy(silkscreen) printmaking techniques on white archival heavyweight paper, 100% acid fre...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Woodcut

Sage, Sailboat, and Vase II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Sage, Sailboat, and Vase II Year: 2000 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7.375 x 8.25 inches Condition: Ex...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Cash Cow
Located in Greenwich, CT
Cash Cow is a lithograph on paper, 7.5 x 9" image size. From the edition of 395, numbered XXXVIII/C (there were also 275 arabic and 20 AP). Robert Deyber...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Paper, Lithograph

Liberty Head IV, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Liberty Head IV Year: 2001 Edition: 454/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscripti...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Liberty Head on Blends, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Liberty Head on Blends Year: 2005 Edition: 452/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Untitled
Located in Sag Harbor, NY
JOHN CHAMBERLAIN Untitled, 2006 Digitally manipulated and assembled images, monoprint on canvas and mounted on wood. Unsigned. W 81 1⁄2” x H 90 1⁄2” Chamberlain began to explore p...
Category

Abstract Expressionist Early 2000s Prints and Multiples

Materials

Canvas, Digital

Tan Tan Bo (2003) Limited Edition (print) by Takashi Murakami, signed
Located in Hong Kong, HK
Tan Tan Bo, 2003 by Takashi Murakami Offset lithograph in colors on Wove paper 25 7/10 × 39 3/10 in 65.8x99.8cm Edition 98/300 Tan Tan Bo is a "reincarnati...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Offset

Les Senteurs II, Mixed Media on Paper by Pierre Marie Brisson
Located in Long Island City, NY
Les Senteurs II by Pierre Marie Brisson, French (1955) Date: 2002 Mixed Media Print on Handmade Paper, signed and numbered in pencil Edition of 30/30 Image Size: 30.5 x 30.5 inches S...
Category

Modern Early 2000s Prints and Multiples

Materials

Mixed Media, Handmade Paper

Dot's Diner, Bisbee, Arizona - American Color Photography
Located in Cambridge, GB
'Dot's Diner' part of Richard Heeps 'Dream in Colour' Series, featuring a classic American Diner has gorgeous colours of the glowing neon lights in the twilight and a cool vibe remin...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

"Paricutin (Volcano in Michoacan, Mexico)" Woodcut & Monotype signed by Summers
Located in Milwaukee, WI
"Paricutin (Volcano in Michoacan, Mexico)" is a woodcut and monotype signed by Carol Summers. In the image, an abstracted volcano erupts in a joyous burst of purples and oranges. The playfulness of the image is enhanced by Summers' signature printmaking technique, which allows the ink from the woodblock to seep through the paper, blurring the edges of each form. Art: 8 x 11 in Frame: 17 x 19 in Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts. In 1954, Summers received a grant from the Italian government to study for a year in Italy. Woodcuts completed soon after his arrival there were almost all editions of only 8 to 25 prints, small in size, architectural in content and black and white in color. The most well-known are Siennese Landscape and Little Landscape, which depicted the area near where he resided. Summers extended this trip three more years, a decision which would have significant impact on choices of subject matter and color in the coming decade. After returning from Europe, Summers’ images continued to feature historical landmarks and events from Italy as well as from France, Spain and Greece. However, as evidenced in Aetna’s Dream, Worldwind and Arch of Triumph, a new look prevailed. These woodcuts were larger in size and in color. Some incorporated metal leaf in the creation of a collage and Summers even experimented with silkscreening. Editions were now between 20 and 50 prints in number. Most importantly, Summers employed his rubbing technique for the first time in the creation of Fantastic Garden in late 1957. Dark Vision of Xerxes, a benchmark for Summers, was the first woodcut where Summers experimented using mineral spirits as part of his printmaking process. A Fulbright Grant as well as Fellowships from the Louis Comfort Tiffany Foundation and the Guggenheim Foundation followed soon thereafter, as did faculty positions at colleges and universities primarily in New York and Pennsylvania. During this period he married a dancer named Elaine Smithers with whom he had one son, Kyle. Around this same time, along with fellow artist Leonard Baskin, Summers pioneered what is now referred to as the “monumental” woodcut. This term was coined in the early 1960s to denote woodcuts that were dramatically bigger than those previously created in earlier years, ones that were limited in size mostly by the size of small hand-presses. While Baskin chose figurative subject matter, serious in nature and rendered with thick, striated lines, Summers rendered much less somber images preferring to emphasize shape and color; his subject matter approached abstraction but was always firmly rooted in the landscape. In addition to working in this new, larger scale, Summers simultaneously refined a printmaking process which would eventually be called the “Carol Summers Method” or the “ Carol Summers Technique”. Summers produces his woodcuts by hand, usually from one or more blocks of quarter-inch pine, using oil-based printing inks and porous mulberry papers. His woodcuts reveal a sensitivity to wood especially its absorptive qualities and the subtleties of the grain. In several of his woodcuts throughout his career he has used the undulating, grainy patterns of a large wood plank to portray a flowing river or tumbling waterfall. The best examples of this are Dream, done in 1965 and the later Flash Flood Escalante, in 2003. In the majority of his woodcuts, Summers makes the blocks slightly larger than the paper so the image and color will bleed off the edge. Before printing, he centers a dry sheet of paper over the top of the cut wood block or blocks, securing it with giant clips. Then he rolls the ink directly on the front of the sheet of paper and pressing down onto the dry wood block or reassembled group of blocks. Summers is technically very proficient; the inks are thoroughly saturated onto the surface of the paper but they do not run into each other. The precision of the color inking in Constantine’s Dream in 1969 and Rainbow Glacier in 1970 has been referred to in various studio handbooks. Summers refers to his own printing technique as “rubbing”. In traditional woodcut printing, including the Japanese method, the ink is applied directly onto the block. However, by following his own method, Summers has avoided the mirror-reversed image of a conventional print and it has given him the control over the precise amount of ink that he wants on the paper. After the ink is applied to the front of the paper, Summers sprays it with mineral spirits, which act as a thinning agent. The absorptive fibers of the paper draw the thinned ink away from the surface softening the shapes and diffusing and muting the colors. This produces a unique glow that is a hallmark of the Summers printmaking technique. Unlike the works of other color field artists or modernists of the time, this new technique made Summers’ extreme simplification and flat color areas anything but hard-edged or coldly impersonal. By the 1960s, Summers had developed a personal way of coloring and printing and was not afraid of hard work, doing the cutting, inking and pulling himself. In 1964, at the age of 38, Summers’ work was exhibited for a second time at the Museum of Modern Art. This time his work was featured in a one-man show and then as one of MoMA’s two-year traveling exhibitions which toured throughout the United States. In subsequent years, Summers’ works would be exhibited and acquired for the permanent collections of multiple museums throughout the United States, Europe and Asia. Summers’ familiarity with landscapes throughout the world is firsthand. As a navigator-bombardier in the Marines in World War II, he toured the South Pacific and Asia. Following college, travel in Europe and subsequent teaching positions, in 1972, after 47 years on the East Coast, Carol Summers moved permanently to Bonny Doon in the Santa Cruz Mountains in Northern California. There met his second wife, Joan Ward Toth, a textile artist who died in 1998; and it was here his second son, Ethan was born. During the years that followed this relocation, Summers’ choice of subject matter became more diverse although it retained the positive, mostly life-affirming quality that had existed from the beginning. Images now included moons, comets, both sunny and starry skies, hearts and flowers, all of which, in one way or another, remained tied to the landscape. In the 1980s, from his home and studio in the Santa Cruz mountains, Summers continued to work as an artist supplementing his income by conducting classes and workshops at universities in California and Oregon as well as throughout the Mid and Southwest. He also traveled extensively during this period hiking and camping, often for weeks at a time, throughout the western United States and Canada. Throughout the decade it was not unusual for Summers to backpack alone or with a fellow artist into mountains or back country for six weeks or more at a time. Not surprisingly, the artwork created during this period rarely departed from images of the land, sea and sky. Summers rendered these landscapes in a more representational style than before, however he always kept them somewhat abstract by mixing geometric shapes with organic shapes, irregular in outline. Some of his most critically acknowledged work was created during this period including First Rain, 1985 and The Rolling Sea, 1989. Summers received an honorary doctorate from his alma mater, Bard College in 1979 and was selected by the United States Information Agency to spend a year conducting painting and printmaking workshops at universities throughout India. Since that original sabbatical, he has returned every year, spending four to eight weeks traveling throughout that country. In the 1990s, interspersed with these journeys to India have been additional treks to the back roads and high country areas of Mexico, Central America, Nepal, China and Japan. Travel to these exotic and faraway places had a profound influence on Summers’ art. Subject matter became more worldly and non-western as with From Humla to Dolpo, 1991 or A Former Life of Budha, 1996, for example. Architectural images, such as The Pillars of Hercules, 1990 or The Raja’s Aviary, 1992 became more common. Still life images made a reappearance with Jungle Bouquet in 1997. This was also a period when Summers began using odd-sized paper to further the impact of an image. The 1996 Night, a view of the earth and horizon as it might be seen by an astronaut, is over six feet long and only slightly more than a foot-and-a-half high. From 1999, Revuelta A Vida (Spanish for “Return to Life”) is pie-shaped and covers nearly 18 cubic feet. It was also at this juncture that Summers began to experiment with a somewhat different palette although he retained his love of saturated colors. The 2003 Far Side of Time is a superb example of the new direction taken by this colorist. At the turn of the millennium in 1999, “Carol Summers Woodcuts...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Monotype, Woodcut

CRUSADERS FOR JUSTICE Commemorative Art Poster, Thurgood Marshall, Civil Rights
Located in Union City, NJ
CRUSADERS FOR JUSTICE is a rare commemorative fine art poster designed by the renown woman artist, Elizabeth Catlett featuring a portrait of the iconic 20th century civil rights advo...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Linocut

Abstract Flowers II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Abstract Flowers II Year: 2007 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 8 x 6 inches Condition: Excellent Inscription:...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

Liberty Head X, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Liberty Head X Year: 2004 Edition: 679/700, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 7 x 6.87 inches Condition: Excellent Inscripti...
Category

Pop Art Early 2000s Prints and Multiples

Materials

Lithograph

The Gourd Tree
Located in New York, NY
In 2002, Jamie Wyeth created a richly detailed image titled, The Gourd Tree. Known for his realistic style, Wyeth’s work consists largely of landscapes-- like this unusual tree-- and portraiture. Although closely associated with the rural landscape of Chadds Ford Pennsylvania and the rugged coast of Maine, Jamie Wyeth spent part of his early career in New York City, where he was mentored by New York City Ballet founder Lincoln Kirstein...
Category

Photorealist Early 2000s Prints and Multiples

Materials

Screen

The Gourd Tree
The Gourd Tree
$1,440 Sale Price
20% Off
THE DOOR OF JUSTICE Rare Poster Edition Lithograph, Black Lawyers, People
Located in Union City, NJ
THE DOOR OF JUSTICE is a rare poster edition lithograph printed in seven colors using traditional hand lithography techniques (not a photo reproduction or digital print) on heavyweig...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Lithograph

Sosa by Phillip Graybill, Horse Photography
Located in Los Angeles, CA
Artist: Phillip Graybill Title: Sosa Edition: Signed and numbered in the margin, archival pigment prints on 100% cotton rag paper with a Baryta finish. Edition as follows: 24X24 from an edition of 25 36c36 from an edition of 10 Remastered and printed at FATHOM Los Angeles Frame: FATHOM solid hardwood frames are sourced from managed forests that meet or exceed FSC certification standards. The shadow box style frame is 1 1/4 in high by 3/4 in wide with premium plexiglass. Phillip Graybill is from Atlanta, Georgia. He moved to NYC in 1996 where he lived for 20 years and now splits his time between NYC and Venice, Ca.  He has exhibited with celebrated artist Julian Schnabel. He has also exhibited alongside such photographic luminaries as Peter Lindbergh and Nigel Barker...
Category

Naturalistic Early 2000s Prints and Multiples

Materials

Archival Pigment

Monroe Doctrine
Located in New York, NY
ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...
Category

Early 2000s Prints and Multiples

Materials

Photographic Paper

Kaikai Kiki, Homage to Francis Bacon (Study of Isabel Rawsthorne)
Located in Vancouver, CA
Takashi Murakami: Kaikai Kiki, Homage to Francis Bacon (Study of Isabel Rawsthorne), 2004 Experience a striking example of Takashi Murakami’s innovative artistry with "Kaikai Kiki, ...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Archival Paper, Offset

Sam Francis 'Untitled 1985' 2002- Serigraph
Located in Brooklyn, NY
"Untitled Yellow Streak" by Sam Francis is a striking artwork that exemplifies the artist's signature style and mastery of color. Created in 1985, this piece showcases Francis's expl...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Screen

Le Petit Prince En Grand Manteau - Antoine De Saint-Exupéry
Located in Sint-Truiden, BE
Color lithograph after the watercolor illustrations by Antoine de Saint-Exupéry from his beloved masterpiece "The Little Prince". This lithograph was printed and published in 2009 ...
Category

Early 2000s Prints and Multiples

Materials

Lithograph

Andy Warhol in Drag (hand signed with drawing to Warhol estate curator Tim Hunt)
Located in New York, NY
Douglas Gordon Andy Warhol in Drag, for the VANITY of Allegory (hand signed with drawing and warmly inscribed to Tim Hunt, Warhol Foundation curator), 2005 Offset lithograph poster (...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Lithograph, Offset

Topkapi
Located in New York, NY
ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...
Category

Early 2000s Prints and Multiples

Materials

Photographic Paper

Klapheck 'Roland Garros French Open' 2009- Vintage
Located in Brooklyn, NY
Official event poster designed and created by Konrad Klapheck for the version of Roland Garros French Open 2009 held in Paris. The 2009 Roland Garros poster by Konrad Klapheck is a r...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Offset

Joe Raedle 'Barack Obama: Yes We Can (Crowd)' 2008- Offset Lithograph
Located in Brooklyn, NY
Paper Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Image Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...
Category

Early 2000s Prints and Multiples

Materials

Offset

Portrait of a Cheetah
Located in Philadelphia, PA
LeRoy Neiman's art style is a blend of impressionism, expressionism, and realism, with elements of Pop Art. His work is known for its vibrant colors, spontaneous brushstrokes, and dy...
Category

American Impressionist Early 2000s Prints and Multiples

Materials

Screen

Roy Lichtenstein 'Post Visual' 2004- Poster
Located in Brooklyn, NY
Paper Size: 11 x 9.25 inches ( 27.94 x 23.495 cm ) Image Size: 11 x 9.25 inches ( 27.94 x 23.495 cm ) Framed: Yes Frame Size: H: 12 x W: 10.25 x D: .875 in. Condition: A: Mint Addit...
Category

Early 2000s Prints and Multiples

Materials

Offset

Daniel Humair 'Roland Garros French Open' 2004- Poster
Located in Brooklyn, NY
Galerie Le Long Paris, 2004 French Open Paper Size: 29.5 x 23.25 inches ( 75 x 59 cm ) Image Size: 29.5 x 23.25 inches ( 75 x 59 cm ) Framed: No Condition: A: Mint Shipping an...
Category

Abstract Expressionist Early 2000s Prints and Multiples

Materials

Offset

Henri Silberman 'WTC Moon' 2003- Offset Lithograph
Located in Brooklyn, NY
Paper Size: 23.5 x 31.5 inches ( 59.69 x 80.01 cm ) Image Size: 19 x 28 inches ( 48.26 x 71.12 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping...
Category

Early 2000s Prints and Multiples

Materials

Offset

2002 Unknown 'American Dance Festival- 25 Years'
Located in Brooklyn, NY
Paper Size: 12.25 x 34 inches ( 31.115 x 86.36 cm ) Image Size: 12.25 x 34 inches ( 31.115 x 86.36 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Offset

Red Room (Parents) detail, coveted limited edition double sided pillowcase art
Located in New York, NY
Louise Bourgeois Red Room (Parents) detail (double sided work), 2009 Screenprint and embroidery on two sided pillowcase with plate signature, artist's copyright and printed name 21 ×...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Textile, Screen

Solar Imp
Located in New York, NY
Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...
Category

Abstract Expressionist Early 2000s Prints and Multiples

Materials

Screen, Color

Blue Vase on Hand Made Paper, Gorgeous Pochoir and Relief Signed Ed of 3, Framed
Located in New York, NY
Ed Baynard Blue Vase on Antique Paper, 2002 Pochoir and relief in colors on vintage handmade paper Signed, dated and numbered lower right ‘AP 3/4 Ed Baynard 02’. This work is artist'...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Color, Stencil, Lithograph

A Ticket to Ride
Located in Palm Springs, CA
Signed and numbered fro the edition of 30. Satire on the follies lead to conflict. Avery's signature surreal take on a knight on the charge against his own reflection. David Avery c...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Etching

The Next Wave, by John Van Hamersveld
Located in Palm Springs, CA
Title: “THE NEXT WAVE” Artist: JOHN VAN HAMERSVELD Medium: 4 color SERIGRAPH Substrate: COVENTRY RAG 320 GSM Edge: DECKLED Paper Size: 44″ x 34.25” Image Size: 40” x 30” Signed and N...
Category

Contemporary Early 2000s Prints and Multiples

Materials

Screen

Philippe Halsman 'Dali's Moustache' 2005- Poster
Located in Brooklyn, NY
This reproduction of Dali's Moustache by Philippe Halsman is an iconic image that captures the surreal essence of Salvador Dalí, focusing only on his eye and his trademark eccentric ...
Category

Early 2000s Prints and Multiples

Materials

Offset

Mostly Mozart Festival (Hand Signed)
Located in New York, NY
Terry Winters Mostly Mozart Festival (Hand Signed), 2009 Silkscreen poster on wove paper Hand signed by the artist on the lower right front in 2016 39 4/5 × 30 1/4 inches Unframed This hand signed silkscreen was created on the occasion of Lincoln Center's Mostly Mozart Festival in 2009 and features one of Terry Winters' iconic silkscreens titled, "Illustrated Set". This work was created in 2009 and signed by the artist 2016. Terry Winters signed it for the present owner, so provenance is direct. The regular (unsigned) edition was 800; however, this work is uniquely signed by hand. In very good condition; the only gentle handling marks were caused by Terry Winters when signing. Terry Winters biography Over the last four decades, Terry Winters has expanded the concerns of abstract painting by engaging contemporary concepts of the natural world. Many of his earliest paintings depict organic forms reminiscent of botanical imagery. Over time, his range of themes expanded to include the architecture of living systems, mathematical diagrams...
Category

Abstract Early 2000s Prints and Multiples

Materials

Screen

Still Life with Goldfish
Located in Brooklyn, NY
This stunning exhibition poster was created for Louis Comfort Tiffany – Artist for the Ages, a show honoring the visionary craftsmanship of one of America’s most celebrated designers...
Category

American Modern Early 2000s Prints and Multiples

Materials

Offset

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