Early 2000s Still-life Prints

Dining Room with Horse Painting Aquatint on Hahnemuhle Copperplate paper, 2008 Signed in pencil and numbered lower left Published by the Print Club of Cleveland, Publication No.88, 2...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Medium: Etching,Aquatint Image size: 12 × 11 Sheet size: 22 × 18 in Edition of 30 Year: 2008 Signed and titled by the artist While inspired by flowers, the blossom series shows th...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "San Francisco Museum of Art (Pepper Pot)" Year: 2004 Medium: Original (double-sided) Offset-Lithograph on Vinyl, Museum Street Banner...

Whimsical print of a big blush brush, created by the artist as a Valentines Day card, enclosed in a handmade card. The print is separate from the card. Groenig often combines digita...

Kansei: Like The River's Flow 2010 by Takashi Murakami Offset print, cold stamp and high gloss varnishing with silver ink signed, numbered and stamped by the Artist 27 7/8 in diamete...

Signed, titled and numbered from the edition of 50. Most of his mezzotints are tiny, and his subjects are the simplest of everyday objects: an egg, seashell, carrot, potatoes. Simil...

Jasper Johns Sun on Six, 2000 Color linoleum cut on Gampi Torinoko paper Pencil signed, dated and numbered 4/26 on the front Published by Z Press, Calais, Vermont Frame included: ele...

"Moms Pitcher" - Giclee Print on Canvas Giclee still life titled "Moms Pitcher," depicting a blue and white pitcher next to a bundle of freshly cut sunflowers by Coraly Hanson (American, b. 1950). A white and blue table cloth lays under the freshly cut flowers, with red handled snips next to them. A deep purple encapsulates the background. Signed "Coraly '05 1/6" lower right. Presented in a giltwood frame. Frame: 16"H x 18"W Image: 7.5"H x 9.5"W Coraly Hanson (American, b. 1950) loved drawing from early childhood, and began painting in the 1970s, moving on to oil in 2000. Hanson was invited to paint in New Zealand with Kevin MacPherson for his documentary “Passports and Palettes” on PBS. Hanson also studies with Scott Christiansen, Matt Smith, Laurie Kersey, Brian Blood, C. W. Mundy, Ronaldo Macedo, John Cosby, Ray Roberts, Calvin Liang, Randall Sexton, Bill Cramer, John Burton, Jesse Powell...

Archival Pigment Print near Lake Baikal, Russia All available sizes & editions for each size of this photograph: 40" x 30” - Edition of 5 + 2 Artist Proofs 50" X 40"- Edition of 5 ...

Signed, numbered and titled by the artist.. Edition of 75 Medium: mezzotint Image size 9.8 x 11.5 inches The handsome stone facade of a building in a garden setting. This is a signe...

Donald K. Sultan (b. 1951) Untitled, from Wallflowers Screenprint in colors on wove paper, 2008 24-1/4 x 21-5/8 inches (61.6 x 54.9 cm) (sheet) Ed. 53/190 Initialed, numbered, date...

This digital pigment print is hand signed in pencil by the artist "Christo" at the upper right corner. It is also hand numbered in pencil, from the edition of 200 beside the signatur...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

THOMAS NOZKOWSKI Mostly Mozart (Hand signed and inscribed), 2007 Offset Lithograph. Hand signed dated 2016 and inscribed to Kevin 29 × 35 inches Personally signed and dedicated by No...

A limited edition mixed media print on canvas mounted to wood by American artist and educator Michael Knigin (1942 - 2011). Knigin's art incorporates his photography, collage and his...

For more than thirty years, Donald Sultan has experimented with and expanded still life painting. He takes familiar objects such as flowers, fruits, playing cards, and factory sites,...

'Banksy vs. Bristol Museum: Copper's ' by Banksy, 2009 Original promotional poster for the artist's show, from a set of 4. 16.5 x 23.5 Inches Offset lithograph on white satin poster ...

Includes a Certificate of Authenticity

Kiki Smith Toxicology, 2009 Linotype and engraving in black, gray, and yellow on white wove paper. Printed from a magnesium engraving on Vandercook cylinder presses. Hand signed by ...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

MORNING This hand crafted Giclee print on canvas, 'Morning', by Boris Chetkov, provides the opportunity to own and enjoy a Chetkov masterpiece at a very affordable price. Produced to the exact size of the original work and beautifully textured with a clear gesso finish following Chetkov’s distinctive brushwork, this reproduction was exclusively authorized by the artist and is currently available only on 1stDibs. "In the last years of his life, Chetkov conveyed through his paintings a certain clarity and vision, with his works evolving up to the very last day, as is evident in 'Morning', a musical explosion of color harmony, unbounded with light and brilliance and the hopeful expectations of a new day." From 1995 until 2014 when Russian invaded Crimea (at which time cultural exchange largely came to an end) the Pushkin Gallery...

Artist: Donald Sultan Title: Wallflower 3 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sign...

Artist: Donald Sultan Title: Wallflower 14 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 71/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sign...

Artist: Donald Sultan Title: Wallflower 22 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Artist: Donald Sultan Title: Wallflower 24 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 1/2" x 27" Sheet Size: 24 1/4" x 21 1/2" Sig...

Artist: Donald Sultan Title: Wallflower 23 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Sheet Size: 24 1/4" x 21 1/2" Signature: Signed and numbere...

Artist: Donald Sultan Title: Wallflower 31 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Sheet Size: 24 1/4" x 21 1/2" Signature: Signed and numbere...

Artist: Donald Sultan Title: Wallflower 29 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Sheet Size: 24 1/4" x 21 1/2" Signature: Signed and numbere...

Artist: Donald Sultan Title: Wallflower 2 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sign...

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sig...

Artist: Donald Sultan Title: Wallflower 27 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sig...

Artist: Donald Sultan Title: Wallflower 19 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Sheet Size: 24 1/4" x 21 1/2" Signature: Signed and numbere...

Artist: Donald Sultan Title: Wallflower 21 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Artist: Donald Sultan Title: Wallflower 5 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 71/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Signa...

Artist: Donald Sultan Title: Wallflower 10 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Sheet Size: 24 1/4" x 21 1/2" Signature: Signed and numbere...

Untitled (Still Life) Etching, aquatint and soft ground, 2001 Signed in pencil (see photo) Edition: 260 Published by the Print Club of Cleveland, Publication 80, 2002 Printed by Felix Harlan at Harlan and Weaver, New York William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.” William Harrison Bailey was born on Nov. 17, 1930, in Council Bluffs, Iowa. His father, Willard, worked in radio advertising and moved the family from city to city in the Midwest. Bill was in his early teens when his father died. His mother, Marjorie (Cheyney) Bailey, was a homemaker who later worked as an accountant for her second husband, Fred...

Soup Cans, 2005
 Offset lithograph on paper, mounted to aluminium Annotated with the artist's signature stamp, lower right on recto Presented in bespoke persp...

A colorful arrangement of pink, red and purple flowers. Note: This screen print is unframed. An image of a framed impression is for reference only. Gary Bukovnik is an internationa...

Yayoi Kusama Night Flowers (2003) Screenprint [23 screens, 24 colors, 24 runs] image 28 x 66.3 cm sheet 42.8 x 80 cm framed 51 x 89 x 5 cm ed. 120, AP 12, PP5 paper Kakita-shi printer Okabe Tozuko Provenance: Mainichi Auction Tokyo Japan Publications: A specimen of the same edition is represented in full page at plate 314 of the Catalogue Raisonné of Kusama's prints: "Yayoi Kusama Prints 1979...

Carol Wax deconstructs a Singer sewing machine in this mezzotint created in an edition of 75. The image gives equal weight to the steel of the machine and the silk of the fabric. It...

Artist: Ana Mercedes Hoyos, Colombian (1942 - ) Title: Porcelana del Carbe Year: circa 2005 Medium: Lithograph, signed and numbered in pencil Edition: 75 Size: 30 x 20 in. (76.2 x ...

Unknown (In the style of Barry McGee) Judas and Jesus (The last Supper) Lithograph Edition: 4/8 Signed, numbered, dated and inscribed by the artist Size: 3...

Signed, titled and numbered by the artist. This intaglio print shows a plum tree in full bloom, with the architectural details that often accompany Smith-Harrison's portraits of trees. David Smith...

Large botanical print of sunflowers by Trevor Southey. Beautiful blues and yellow predominate in this large print, which also includes some vers...

Signed and numbered from the edition of 20. trompe l'oeil illusion - the abstract image of cardboard. Born in Memphis, Tennessee to a French mother and Belgian father, Anne Heyvaert...

Signed, titled and numbered from the edition of 50. This is an etching with gold leaf background. It shows Viramontes' mother, brother and two sisters. It is a salute to motherhood. ...

Art: 16"x 15-3/4" Frame: 18-3/4"x 18-3/4" Giclee print on board after 1998 photograph

Lithograph on thick art paper 23 × 15 in 58.4 × 38.1 cm Solo Show December 5th-19th Medium Print Condition Print is in good condition and has been stored flat since 2013. 8/10 Si...

La Paire Amarette by Judith Rothchild - 2001 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Lang...

Signed, titled and numbered by the artist. This intaglio print shows an orchard combined with the classical architectural imagery that often accompany Smith-Harrison's portraits of ...

Image: 2 1/2"x2 3/4" Paper: 4 1/2"x4 1/4" Frame: 9 1/2"x9 1/2" Archival inkjet print Signed in pencil lower right. David Barnett, an artist, collector, appraiser and gallerist ha...

2000 Tony Awards Poster Signed by Celebrity Presenters Autographed Broadway Offered is the 2000 Tony Awards poster signed by the presenters, including: Matthew Broderick, Kristen Chenoweth, Kelsey Grammer, Jane Krakowski, Bernadette Peters, Ann Reinking...

Sevillian Bowl by Judith Rothchild - 2001 Judith Rothchild is an American born artist, having grown up in Boston, Massachusetts. She now lives in the Languedoc region of France, wh...

This artwork, titled "Tulips in a Round Vase" and dated 2000, is an original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is signed and numb...