Bird Prints and Multiples

Wild Goose is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stut...

This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

This edition is available in multiple sizes. Contact us to order your preferred size from the following additional options: 48 x 72 in. $ 2,700 36 x 48 in. $ 1,800 30 x 40 in. $ 1...

Daniella Dooling Untitled 1996 Signed and numbered Lithograph (Edition of 50) 12 x 9 inches

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

Lithograph on vélin pur fil Lafuma Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: From the album, Mystification ou l'Histoire des po...

Lice (Mallards grooming themselves) Drypoint, 1927 Signed and dated lower right (see photo) Titled lower left corner Condition: Excellent Image/Plate size: 6 7/8 x 10 3/4 inches Shee...

Ancient Roman Statues of Sheep, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Anonymous Artist in the 18th century. Monogrammed on the pl...

Corneille Woman with a bird, 2003 Original lithograph Printed signature in the plate On heavy paper 88 x 62 cm (c. 35 x 24 in) Excellent condition

Bernicle Goose is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print on ivory-colored paper. Hand-colored, published by Lo...

The artwork will be sent unframed Linocut print „Murmurations 10 i ” 2022 Linocut colorful print technique Linocut from 2 matrices Limited edition, print unique number 1/1 Paper Fabr...

The 1952 propaganda poster "Les Deux Pigeons", issued by the French anti-communist organization Paix et Liberté, captures a pivotal moment of Cold War tension in France with wit and ...

In 1963, the Bibliothèque littéraire Jacques Doucet in Paris hosted an exhibition titled Livres Gravures Manuscrits Documents, a collaboration between two prominent figures in 20th-century art and literature: the painter Georges Braque and the poet René Char. The exhibition, which showcased their shared interest in the intersections of visual art and written word, was accompanied by a distinctive original poster that has since become a celebrated piece of design in its own right. The Livres Gravures Manuscrits Documents exhibition focused on the works Braque created alongside René Char, combining Braque’s renowned printmaking and visual art with Char's literary texts. Braque, best known for his role in the development of Cubism alongside Pablo Picasso, had a lifelong interest in the integration of text and image, often producing works that bridged the gap between painting, collage, and typography. René Char, a highly respected poet and close collaborator of Braque, shared this interest in the relationship between the visual and the verbal, and their combined works formed a powerful dialogue between the two mediums. The exhibition highlighted a selection of Braque’s engravings and lithographs, many of which were created in collaboration with Char’s poetry. These works, which included books, manuscripts, and documents, displayed the seamless fusion of language and image, where the words were not simply illustrations or captions but were integral parts of the compositions themselves. The exhibition provided an opportunity for visitors to experience how the two artists blurred the boundaries between their respective disciplines. The original exhibition poster for Livres Gravures Manuscrits Documents exemplified the spirit of the exhibition itself. While the exact design details may vary in interpretation, the poster captured the essence of Braque’s and Char’s collaboration—combining elements of the written word with visual art in a way that resonated with the avant-garde movement of the time. The poster, much like the exhibition, served as an invitation to explore the creative synergy between two masters of their respective fields, inviting the viewer to reflect on the interplay of language and visual expression. The Bibliothèque littéraire Jacques Doucet, the venue for this important exhibition, was an ideal setting for showcasing this unique collaboration. As a repository of rare manuscripts...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

'Pterodroma Brevirostris (Kerguelen Pulmar)' Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Norfolk and Lord Howe...

Rocca Luis César Al unísono (In Unison) [triptych], 2022 Serigraph in five colors Each of the three pieces is 15.75 x 15.75 in Edition of 15 This serigraph (silkscreen or screen pri...

"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition. The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left. There are four additional listings of David Roberts engravings of Egypt...

Carlos Rene Aguilera (Cuba, 1965) 'La fruta perdida', 2001 monotype on paper Deponte 300 g. 26 x 19.7 in. (66 x 50 cm.) ID: AGC-302 Unframed

Letter A is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Barbara Jones...

Around 1900, Swiss artist Mary Golay created a stunning lithograph titled Le Paon (The Peacock), a vivid example of Art Nouveau's fascination with nature, beauty, and flowing organic...

Medium: etching and aquatint Edition of 250 Year: 2014 Image Size: 9 x 12 inches Signed, titled and numbered by the artist. Inspired by a scene of seven Canadian Geese in Lake Padde...

Thin Poster Paper - Excellent Condition A+ This rare lithographic poster is part of a long and storied tradition. In 1949, poet Louis Aragon chose Picasso...

Dennis Oppenheim Color applications for Chandra (hand signed limited edition), 1977 Color lithograph and photo lithograph on wove paper Signed and dated 1977 in graphite pencil on th...

Artist: John Gould (English, 1804-1881) Title: "Grus Cinerea (Common Crane)" (Vol. 4, Plate 19) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 14.75" x 21.57" Image size: 12.75" x 20.13" Condition: Has been professionally stored away for decades. In excellent condition with strong colors Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were John Gould and English artist Henry Constantine Richter (1821-1902). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The common crane, also known as the Eurasian crane, is a bird of the family Gruidae, the cranes. A medium-sized species, it is the only crane commonly found in Europe besides the demoiselle crane and the Siberian crane that only are regular in the far eastern part of the continent. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".

This artwork titled "A Tire d'Aile" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 3/8 *Should you w...

French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of birds. 195mm by 265mm (sheet)

The Guardian is an original Contemporary artwork realized in the 1980s by the italian artist Leo Guida. Original Etching on paper. Numbered, titled and hand-signed in pencil on th...

This artwork "Two Horsemen" c.1960 is an original woodcut by noted Japanese artist, Tomikichiro Tokuriki, 1902-1999. It is hand signed and numbered 38/100 in pencil by the artist. The image (Block mark) size is 15.25 x 20.5 inches, sheet size is 16.5 x 21.15 inches. It is in very good condition, hanging tape remaining on the back. About the artist: Print artist. Tokuriki was born in Kyoto, where he has always worked. The last of a long line of traditional-style painters, he turned early to woodblock prints and became a leader of the Kyoto 'Sosaku Hanga'. He graduated from the Kyoto City School of Fine Arts and Crafts and then from the Kyoto City Specialist School of Painting in 1924. In 1928 he studied 'Nihonga' painting under Tsuchida Bakusen (1887-1936) and Yamamoto Shunkyo (1871-1933) and exhibited with Kokuga Sosaku Kyokai, but about the same time in 1929 he changed to woodblock printing under the influence of Hiratsuka Un'ichi and began to contribute to the early print magazine 'Han'. He was a member of Nihon Hanga Kyokai from 1932, and active in promoting 'Sosaku Hanga' in Kyoto. He was a co-founder of the Kyoto magazine 'Taishu hanga' in 1932, which helped create the sense of a local school of the Creative Print Movement much encouraged by Hiratsuka. He produced many sets of prints before and during the Pacific War based on traditional subjects, such as 'Shin Kyoto fukei' ('New View of Kyoto', 1933-4), which also included designs by Asada Benji (q.v.) and Asano Takeji (b.1900), and 'Tokyo hakkei' ('Eight Views of Tokyo', 1942). Most of these were published by Uchida of Kyoto, but after the war Tokuriki set up his own publishing company called Matsukyu, which also began to teach block-carving to artisans and artists, in later years many of them foreigners. In 1948 he also set up a sub-company called Koryokusha consisting of artists who would produce their prints under the financial umbrella of Matsukyu. Later sets include 'Hanga Kyoto hyakkei' ('One Hundred Print Views of Kyoto', 1975). Tokuriki has continued to be active in teaching and writing, producing a long series of articles on print techniques in 'Hanga geijutsu' magazine during the 1970s. Bibliography Smith, Lawrence, 'Modern Japanese Prints 1912-1989: Woodblocks and Stencils', BMP, London, 1994, p. 36 and no. 50.Statler, Oliver, 'Modern Japanese Prints: An Art Reborn', Turtle, Rutland, Vermont, and Tokyo, 1956, pp. 118-22.Tokuriki, Tomikichiro (trans. Arimatsu, Teruko), 'Woodblock Printing', Arimatsu Color Book Series no. 14, 8th English edn, Hoikusha, Osaka, 1977.Kanagawa Prefectural Museum of Modern Art, 'Kindai Nihon no mokuhanga-ten', exh. cat., 1990.Merritt, Helen, 'Modern Japanese Woodblock...

Paper Size: 18.5 x 14.5 inches ( 46.99 x 36.83 cm ) Image Size: 18.5 x 14.5 inches ( 46.99 x 36.83 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Trailer Bathroom, interior photography by Richard Heeps part of his Dream in Color series. The artwork has a soft pink color palette and a vintage style with a hint of flamingo kitsc...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie ...

Salvador Dali - The Grand Inquisitor - Original Signed Engraving Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - ...

Vanneux et Sarcelles is a black and White etching realized by Félix Bracquemond in the Late 19th Century.  Titled in the lower Image Size: 35x24 Very good impression. Realized ...

This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artwork: This artwork required 3 different carved wood blocks and 7 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

Bird is a lithograph by Aldo Turchiaro, realized in 1980. Hand-signed on the lower right. Numbered, edition XIV/XXV. Good conditions except for aged margins. The artwork represen...

Skein Flock, by Kelvin Mann Medium: Woodblock with silk screen and flock fibers Image size: 29.5 x 29 inches Edition of 50 Kelvin Mann's "Flock" prints are made by screen printing ...

Ferruginous Duck is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by Lo...

MARY TRAVIS (1893-1976)) LOTUS FLOWER c. 1935-40 White line color woodcut. Signed and titled in pencil. Small edition. 9 ¾” x 7 7/8”. Full sheet. Some creasing in the margins. Travis worked in Berkeley, California and was probably a follower of William S...

This is a contemporary photograph of an American Bald Eagle 36x48 Printed on archival paper and using archival inks Framing available. Inquire for rates. Shane Russeck has built ...

“Memento Mori” by Pedro Friedeberg is a captivating piece that blends surrealism, symbolism, and architectural whimsy in a way that few artists can achieve. Known for his intricate, ...

Bear with Predella (from Rubber Stamp Portfolio), 1976 Rubber Stamp Print on Arches Satine with Envelope 8 × 8 inches Edition of 1000 Unframed -...

The circa 1918 original poster by Raoul Dufy, titled "La Fin de la Grande Guerre" (The End of the Great War), is a significant historical artifact commemorating the conclusion of Wor...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

This vintage poster was made to advertise Winchester rifles by displaying game in its natural habitat, in this case a pheasant. It was one of a series of four posters designed by gra...

This is an original 19th century John James Audubon hand-colored 1st octavo edition lithograph entitled "Hudsonian Godwit, 1. Male, 2. Female, Summer Plumage", No. 70, Plate 349 from...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

'Yellow-Hammer' Colour plate mounted on card with a printed border from 'The Detmold Nature Pictures', published circa 1919. Edward J Detmold (1883-1957) was an important early 20th century...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

"Strepsilas Interpres." John Gould Turnstone lithograph c.1850 by John Gould (England, 1804-1881). Print by J. Gould & H.C. Richter, hand colored lithograph...

Color lithograph after the 1950 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Mag...

'Gypoictinia Decepta - Northern Buzzard' Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Australia...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegorical representation for mankin...

Lithograph on papier bouffant des Papeteries de Casteljoux paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Eaux-fortes originale pour des textes de ...

Aditya Dicky Singh, Untitled, photograph on fine-art Hahnemuhle archival paper 28" x 42" unframed (71cm x 107cm) 2022 Edition 1/10 *Should you wish the photographs to be printed...

Letter A is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

John McNulty, Irish/American (1949 - ) - Eagles I, Year: 1983, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 175, Size: 22 x 3...