Modern Art Prints and Multiples

Screen print in colors on paper. Hand signed and numbered lower front by Romero Britto. Edition of 125. Frame size approx 37 x 37 inches. Image size 24.75 x 24.75 inches. Certifi...

Artist: Walasse Ting Title: Lady with Vase  Year: 1979 Medium: Lithograph on Somerset paper   22'' x 30'' Edition: signed and numbered in pencil 136/200 Walasse Ting (DING XIONGQUAN...

Pablo Picasso (after) Cubist Still Life with a Guitar, 1926 Lithograph and stencil (Atelier Ducros et Colas) Printed signature in the plate Dated in the plate 1920 Limited to 750 un...

-- Hunt Rendez Vous by LeRoy Neiman -- Artwork is hand-signed and numbered by the LeRoy Neiman -- Comes with a certificate of authenticity -- Comes with a high quality frame

Lithograph, silkscreen, drypoint, and collage on vélin de Rives BFK paper. Inscription: hand signed and numbered, I-70/250, as issued. Good condition. Notes: From the folio, Imaginat...

Pablo PICASSO (1881-1973) Diurnes, Birdman, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE ...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

18" x 10" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “Being an observational artist of 53 years, I truly understand, only now, life is...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Brice Marden Tiles, 1979 Etching with aquatint, on Somerset satin paper Edition 5 / 50 lower left Hang signed and dated lower right Image size 20 x 20 cm Sheet size 75 x 57 cm Refer...

Salvador DALI Tristan And Iseult (Surrealist Kiss), 1970 Original etching Handsigned in pencil Numbered / 75 On Japan paper 66.5 x 51 cm (c. 26.19 x 20.08 inch) REFERENCES : - C...

"Eduardo ¨Choco¨ Roca Salazar (Cuba, 1949) 'Resumen de noticias', 2004 collagraph on paper Velin Arches 300 g. 35.9 x 47.7 in. (91 x 121 cm.) ID: CHO-115"

"Bronx Zoo" lithograph and silk screen by Larry Rivers from "New York, New York" portfolio published by New York Graphic Society. Numbered 5/250, signed Larry Rivers and dated '83 lo...

"Savoy: Air Steps" Limited edition giclée on fine art paper of a pair of dancers by African American artist Richard Yarde. Part of Yarde's "Savoy Ballroom" series. Hand-dated 10/300,...

This is a tarkay signed and numbered serigraph. In good condition frame has tiny chip on top not noticeable. Measures 43x34 comes with coa

This print is a hybrid relief, with embossing and chine collée on heavy paper. It is edition 14/20, it is signed "Miguel Zapata 88" and the paper size is 32 3/4 x 24 1/4 inches. Th...

Le Buste, from the Series "Faust" (La Nuit de Walpurgis), is an artwork realized in 1968/69. Etching, Drypoint, Watercolor and Roulette on Japon Paper. Hand signed and numbered. Ed...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Jim Dine self portrait in which the artist's face is covered in tulip flowers. This is one of four states: for each successive print he worked i...

Original advertising poster by Philippe Sommer for Champagne Liébart Régnier Propriétaire Récoltant encapsulates the essence of luxury and celebration associated with Champagne. Craf...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Color lithograph, on Magnani-Pescia paper. Paper size 70cmx50cm, work size 42cmx60cm. Excellent condition, no defects. Enrico Benaglia was born in 1938 in Rome, where he lives and w...

Wifredo Lam "El Ultimo Viaje" 1976 Lithograph Edition 61 of 99 30 x 22 in Wifredo Lam was an Afro-Cuban artist best known for his unique Surrealist aesthe...

TECHNICAL INFORMATION Roberto Matta Hours of the Day Series, 8am 1975 Etching with aquatint 25 x 36 in. Edition of 9 Pencil signed and numbered Condition: This work is in excellent condition. It has never been framed and always stored flat for its protection Frame: Unframed The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. As Matta’s work evolved, his key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space. These paintins "are visual analogies for the artist's psyche". During the 1940's and 1950's, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms, known as biomorphism. He was one of the first Surrealists to take this abstract leap, successfully combining the political and the semi-abstract in epic surreal canvases.

Pure Evil is the moniker of British artist Charles Uzzell-Edwards, a prominent figure in the street art scene. His work often features darkly iconic images with a pop-art twist, nota...

in good condition some minor scratching on the plexiglass

Salvador Dalí­ Le Yin et le Yang (Yin and Yan) from Alchimie des Philosophes, 1976 Lithograph and drypoint on parchment Hand signed and Edition 179 ...

An original serigraph by Italian Pop Artist, Mimmo Rotella featuring the lovely Marilyn Monroe. It is hand-signed and numbered in pencil from the edition of 300. The print is in an...

Purgatory Canto 22 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame. Cataloging:...

Susan Davidoff Regiones Botanicas de la Tierra: Antilles No. 2 (Antilles, Botanical Art, Botanical Exploration) Year: 2001 Medium: 5 Color Lithograph with hand applied pigment and co...

Christmas wishes card - is a colored vintage postcard realized in December 1968, for Christmas wishes.  Good conditions and aged. It belongs to a historical and nostalgic album inc...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. The artwork (image) size is 6.75 x 12 inches, framed size is 13.5 x 18.25 inches. Custom framed in silver metal frame, with light grey matting. It is in excellent condition, the frame have some very small minor scratches, barely visible. About the artist: Painter Kenneth Adams (1897-1963) arrived on the Taos art scene in 1924, at the urging of his former instructor Andrew Dasburg. Although Adams had been born and raised less than 700 miles away in Topeka, Kansas, his journey to the Southwest had been years - and countries - in the making. Earlier in his 20s, Adams had embarked on the Midwesterner’s equivalent of a Grand Tour: Chicago, then New York City, and finally, Italy and France. From these sojourns, the artist had absorbed all the lessons in light, color, and form that renowned teachers and rolling countrysides could offer. Now, thanks to Dasburg’s invitation, Adams found he could stop traveling; he had finished honing his craft and found his muse. New Mexico - its people and its land - would be an infinite source of inspiration. Adam’s painterly devotion soon impressed the prestigious Taos Society of Artists...

Artist: Walasse Ting Title: Grape Flavor Year: 1979 Print - Lithograph on Somerset paper   21'' x 28.75'' Edition: Signed in pencil and marked 198/200 Image size: 17.5" x 26" inches ...

Medium: lithograph (after the drawing). Printed in 1953 for the art revue Derrière le Miroir (issue number 52) and published in Paris by Maeght. Sheet size: 15 x 22 inches (378 x 560...

"MOD 24", 2024 Lídia Masllorens is attracted by a moderate abstraction, which allows the observer to interpret the painting with precision and to perceive implicit realities, to rec...

Leon Bibel, 'Clown', color serigraph, 1939, edition 20. Signed, dated, titled, and numbered '/20' in pencil. A fine, richly-inked, painterly impression, with fresh colors, on buff la...

Max Ernst (after) - Blue Bird - Stencil Published in the deluxe art review, XXe Siecle, 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Elephants, 1975 - from Our Unfinished Revolution portfolio Lithograph in colors, on Arches paper, the full sheet Published by Alba Editions, New York, and printed by Mourlot, Paris...

Francis BACON (1909-1992) George Dyer Fixing a Curtain Cord Lithograph in colors, 1966 Unsigned as usual Limited to 150 copies On Rives vellum size 38 x 28 cm (c. 15 x 11 in) Very g...

Salvador Dali Tancreds Oath from Marquis de Sade Suite, 1969 Lithograph Hand signed lower right Edition EA lower left Image size: 53 X 42.5 cm Sheet size: 65 x 50 cm Published by S...

I See I don't See it is an Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an Italian writer, painter, engraver and...

Archival Pigment print on Hahnemuhle museum etching paper edition 11 of 250 printed signature on archival label on verso 30.48 x 30.48 cm Published by Exhibtion A and comes with pub...

Jean Cocteau - Europe's Founders - Original Lithograph Title: Europe's Founders Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sci...

Urbain HUCHET Paris : Quartier Latin & Pantheon , c. 1980 Original lithograph Handsigned in pencil by the artist Numbered / 350 copies On Arches velllum 14 x 18 cm (c. 6 x 7 in) Ex...

Autumn Trees Close Up - Woodblock Print on Paper #12/15 Abstracted landscape detail woodblock by Janet Wheeler (American, 1922-2001). This piece shows abstracted details of trees in autumn. There are branches cutting across the scene, which is full of vibrant yellow and orange. Numbered "12/15" in the lower left corner. Signed "Janet P Wheeler...

The Cornigliano Quay is an artwork realized by Renato Cenni (1906-1977) in 1970s. Original Lithograph. Hand-signed on the lower right. At the bottom a text "the Cornigliano Quay" ...

Original Woodcut in colors on Japanese paper. Carol Summers has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

-- Artwork is hand signed and numbered by LeRoy Neiman -- Artwork comes with a certificate of authenticity -- Comes with a premium quality frame

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 13.75 x 19 inches. Inscription: Signed in the p...

In "Tirant sur le Violet," Kandinsky explores the interplay of geometric shapes and organic forms, using a dominant violet hue as the focal point from which other colors seem to pull...

Répit (Respite) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. U...

The Divine Back of Gala – 15.75 x 12" image size, signed ‘Dalí’ lower right and annotated lower left. Framed in an ornate gold-tone moulding. M...

Player is a print on paper realized by Mirko Tangherlini in 2023. Inkjet prints on Matt Ampa Paper. Hand-signed on the lower and numbered. Edition of 10 Prints. Very good conditio...

The Shining Sun is a print on paper realized by Mirko Tangherlini in 2023. Inkjet prints on Matt Ampa Paper. Hand-signed on the lower and numbered. Edition of 10 Prints. Very good...

Grey Oval is a lithograph realized by Marcello Avenali between the 1960s and 1970s. It is a composition with female legs and shoes and some abstract figures instead of the body.  Ha...

Giclée print on Canvas. After printing on canvas, textured brushstrokes are added by hand, creating depth, dimension, and the effect of an original painting. Rhododendron blooms in M...

Eros and Thanatos is an Etching realized by Sergio Barletta in the Early 1970s. Hand-signed on the lower right in pencil Numbered. Edition of 180 prints. Good conditions.