Modern Art Prints and Multiples

Lithograph and stencil on vélin papier a la cuve du Moulin Richard de Bas spécialement filigrané pour cette édition paper. Signed in the plate and unnumbered, as issued. Good conditi...

Salvador Dali (1904-1989) Purgatory 15 - The Envy From the "Divine Comedy" Wood engraving from "Divine Comedy" with the signature printed in the plate 1960/63 Printed on paper Vél...

A woman with flowing gold hair kneels before a unicorn. The horse theme was frequently used by Dali throughout his career. The horse is seen as a symbol of beauty and elegance as wel...

And then, and then and then and then (Hello), 2008 by Takashi Murakami Offset print, numbered and signed by the artist 19 11/16 × 19 11/16 in 50 × 50 cm Edition 100/300 About the A...

Alexander Calder, American (1898 - 1976) - La Galerie Maeght presente Maeght Editeur. Year: 1971, Medium: Lithograph Poster, Size: 31 in. x 19 in. (78.74 cm x 48.26 cm)

Signed, lower right, and numbered, lower left, in pencil. Color lithograph on Arches.

Sku: LM411 Artist: after Jean-Michel Basquiat Title: Florence Year: 2002 Signed: No Medium: Offset Lithograph Paper Size: 25.5 x 35.75 inches ( 64.77 x 90.805 cm ) Image Size: 22.5 x 35.75 inches ( 57.15 x 90.805 cm ) Edition Size: 2000 Framed: No Condition: A: Mint Additional Details: Reproduction of a work after Jean-Michel Basquiat published for a retrospective at a museum in Italy in 2002. The image of “Florence, 1983” originally a very large painting...

MORNING OF THE ROOSTER is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, in an edition size of 1...

Pablo Picasso (1881-1973) - La Guerre et la Paix Lithograph from 1954. Dimensions of work: 53 x 35.5 cm. Publisher: Éditions Cercle d'Art, Paris. Each copy of this Lithograph was...

Marc Chagall (1887-1985) Carte de Voeux pour Aime Maeght 1960 Lithograph in Arches paper Signed in stone Image: 22.2 x 29.5 cm Frame: 46.5 x 54.5cm Marc Chagall (1887 – 1985) Russi...

Jacob Lawrence (1917 - 2000) The Capture of Marmelade (from The Life of Toussaint L'Ouverture series), 1987 Color screenprint on Bainbridge Two Ply Rag paper Sheet 32 1/8 x 22 1/16 inches Sight 29 3/4 x 19 1/4 inches A/P 1/30, aside from the edition of 120 Signed, titled, dated, inscribed "A/P" and numbered 1/30 in pencil, lower margin. Literature: Nesbett L87-2. A social realist, Lawrence documented the African American experience in several series devoted to Toussaint L’Ouverture, Frederick Douglass, Harriet Tubman, life in Harlem, and the civil rights movement of the 1960s. He was one of the first nationally recognized African American artists. “If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man’s continuous struggle to lift his social position and to add dimension to his spiritual being.” — Jacob Lawrence quoted in Ellen Harkins Wheat, Jacob Lawrence: The Frederick Douglass and Harriet Tubman Series of 1938 – 40. The most widely acclaimed African American artist of this century, and one of only several whose works are included in standard survey books on American art, Jacob Lawrence has enjoyed a successful career for more than fifty years. Lawrence’s paintings portray the lives and struggles of African Americans, and have found wide audiences due to their abstract, colorful style and universality of subject matter. By the time he was thirty years old, Lawrence had been labeled as the ​“foremost Negro artist,” and since that time his career has been a series of extraordinary accomplishments. Moreover, Lawrence is one of the few painters of his generation who grew up in a black community, was taught primarily by black artists, and was influenced by black people. Lawrence was born on September 7, 1917,* in Atlantic City, New Jersey. He was the eldest child of Jacob and Rosa Lee Lawrence. The senior Lawrence worked as a railroad cook and in 1919 moved his family to Easton, Pennsylvania, where he sought work as a coal miner. Lawrence’s parents separated when he was seven, and in 1924 his mother moved her children first to Philadelphia and then to Harlem when Jacob was twelve years old. He enrolled in Public School 89 located at 135th Street and Lenox Avenue, and at the Utopia Children’s Center, a settlement house that provided an after school program in arts and crafts for Harlem children. The center was operated at that time by painter Charles Alston who immediately recognized young Lawrence’s talents. Shortly after he began attending classes at Utopia Children’s Center, Lawrence developed an interest in drawing simple geometric patterns and making diorama type paintings from corrugated cardboard boxes. Following his graduation from P.S. 89, Lawrence enrolled in Commerce High School on West 65th Street and painted intermittently on his own. As the Depression became more acute, Lawrence’s mother lost her job and the family had to go on welfare. Lawrence dropped out of high school before his junior year to find odd jobs to help support his family. He enrolled in the Civilian Conservation Corps, a New Deal jobs program, and was sent to upstate New York. There he planted trees, drained swamps, and built dams. When Lawrence returned to Harlem he became associated with the Harlem Community Art Center directed by sculptor Augusta Savage, and began painting his earliest Harlem scenes. Lawrence enjoyed playing pool at the Harlem Y.M.C.A., where he met ​“Professor” Seifert, a black, self styled lecturer and historian who had collected a large library of African and African American literature. Seifert encouraged Lawrence to visit the Schomburg Library in Harlem to read everything he could about African and African American culture. He also invited Lawrence to use his personal library, and to visit the Museum of Modern Art’s exhibition of African art in 1935. As the Depression continued, circumstances remained financially difficult for Lawrence and his family. Through the persistence of Augusta Savage, Lawrence was assigned to an easel project with the W.P.A., and still under the influence of Seifert, Lawrence became interested in the life of Toussaint L’Ouverture, the black revolutionary and founder of the Republic of Haiti. Lawrence felt that a single painting would not depict L’Ouverture’s numerous achievements, and decided to produce a series of paintings on the general’s life. Lawrence is known primarily for his series of panels on the lives of important African Americans in history and scenes of African American life. His series of paintings include: The Life of Toussaint L’Ouverture, 1937, (forty one panels), The Life of Frederick Douglass, 1938, (forty panels), The Life of Harriet Tubman, 1939, (thirty one panels), The Migration of the Negro,1940 – 41, (sixty panels), The Life of John Brown, 1941, (twenty two panels), Harlem, 1942, (thirty panels), War, 1946 47, (fourteen panels), The South, 1947, (ten panels), Hospital, 1949 – 50, (eleven panels), Struggle: History of the American People, 1953 – 55, (thirty panels completed, sixty projected). Lawrence’s best known series is The Migration of the Negro, executed in 1940 and 1941. The panels portray the migration of over a million African Americans from the South to industrial cities in the North between 1910 and 1940. These panels, as well as others by Lawrence, are linked together by descriptive phrases, color, and design. In November 1941 Lawrence’s Migration series was exhibited at the prestigious Downtown Gallery in New York. This show received wide acclaim, and at the age of twenty four Lawrence became the first African American artist to be represented by a downtown ​“mainstream” gallery. During the same month Fortune magazine published a lengthy article about Lawrence, and illustrated twenty six of the series’ sixty panels. In 1943 the Downtown Gallery exhibited Lawrence’s Harlem series, which was lauded by some critics as being even more successful than the Migration panels. In 1937 Lawrence obtained a scholarship to the American Artists School in New York. At about the same time, he was also the recipient of a Rosenwald Grant for three consecutive years. In 1943 Lawrence joined the U.S. Coast Guard and was assigned to troop ships that sailed to Italy and India. After his discharge in 1945, Lawrence returned to painting the history of African American people. In the summer of 1947 Lawrence taught at the innovative Black Mountain College in North Carolina at the invitation of painter Josef Albers. During the late 1940s Lawrence was the most celebrated African American painter in America. Young, gifted, and personable, Lawrence presented the image of the black artist who had truly ​“arrived”. Lawrence was, however, somewhat overwhelmed by his own success, and deeply concerned that some of his equally talented black artist friends had not achieved a similar success. As a consequence, Lawrence became deeply depressed, and in July 1949 voluntarily entered Hillside Hospital in Queens, New York, to receive treatment. He completed the Hospital series while at Hillside. Following his discharge from the hospital in 1950, Lawrence resumed painting with renewed enthusiasm. In 1960 he was honored with a retrospective exhibition and monograph prepared by The American Federation of Arts. He also traveled to Africa twice during the 1960s and lived primarily in Nigeria. Lawrence taught for a number of years at the Art Students League in New York, and over the years has also served on the faculties of Brandeis University, the New School for Social Research, California State College at Hayward, the Pratt Institute, and the University of Washington, Seattle, where he is currently Professor Emeritus of Art. In 1974 the Whitney Museum of American Art in New York held a major retrospective of Lawrence’s work that toured nationally, and in December 1983 Lawrence was elected to the American Academy of Arts and Letters. The most recent retrospective of Lawrence’s paintings was organized by the Metropolitan Museum of Art in 2020, and was accompanied by a major catalogue. Lawrence met his wife Gwendolyn Knight...

Medium: pochoir (after the watercolor). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...

Artist: Salvador Dali Medium: Woodblock engraving Title: Purgatory : Canto 29 Portfolio: The Divine Comedy: Purgatory Year: 1963 Edition: 4765 Framed Size: 19 1/8" x 16 5/8" Sheet Si...

Published and printed by te Neues Verlag, Germany. Framed in a white wood framewith a 1.125 inch front profile and a .75 inch side profile. Overall dimensions are approximately 19 x ...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Guéridon et Guitare". The original painting was completed in 1920. In the 1970's after Picass...

Ladies and Gentlemen is a colored screen print realized in 1975 by the Pop artist Andy Warhol.  Mixed colored screenprint Signed, dated and numbered on the reverse. Edition of 204...

Tan Tan Bo, 2003 by Takashi Murakami Offset lithograph in colors on Wove paper 25 7/10 × 39 3/10 in 65.8x99.8cm Edition 98/300 Tan Tan Bo is a "reincarnati...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Jellyfish Eyes - Black 1 by Takashi Murakami (2004) Offset print, numbered and signed by the artist 19 ¹¹/₁₆ × 19 ¹¹/₁₆ in 50 × 50 cm Edition 41/300 Takashi Murakami is best known ...

Title: Golf Players - Limited Edition Textured Canvas Print Immerse yourself in the world of golf with "Golf Players," a limited edition textured canvas print that celebrates the spirit of the sport. This captivating artwork captures the essence of golfing moments...

Musica per el Colom is part of the Suite Musical. Alvar’s creative embossing design exists as a resting place for his subject to recline while playing the flute. An onlooker serenel...

Color lithograph realized by Marc Chagall in 1960 to illustrate "The Bible".  Edition of 6500, published by Tériade in no. 33 and 34 of the Art Magazine Verve. Printed by Mourlot a...

The circa 1960 original poster by Georges Braque, titled Trois Oiseaux, is a classic representation of the artist's distinctive style. Braque, one of the pioneers of Cubism alongside...

Henri de Toulouse-Lautrec's "Jane Avril, Jardin de Paris" poster, created in 1898, is an emblematic piece of poster art at the time. It is part of the "Maîtres de l'Affiche" collecti...

Salomon - Plate from The Bible I is an original artwork realized by Marc Chagall in 1960. Mixed colored lithograph. Mourlot 131 The artwork is from the series "The Bible". In 19...

Image Size: 23" x 13" Unframed Limited Edition Fine Art Print of 195 Hand Signed by Annora Spence

Stunning and iconic portrait of Picasso's wife, Jacqueline Roque, signed in pencil by Picasso and numbered in pencil from the limited edition of 50.

"PEGASUS" (1976) by Norbert Matzdorf Woodcut print on paper Limited Edition, numbered (8.3), dated and hand-signed by the artist 27,9 x 38,3 cm Norbert Matzdorf (1951 – 2013) After ...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le cercle visceral du Cosmos from La Conquete du Cosmos Year: 1974 Medium: Etching with Litho...

This Blue Dog work consists of a blue dog on a tropical background of mountains, sea, sand, and palm trees. There are various colors of butterflies and a single dragonfly. The dog i...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...

Joan Miro, Spanish (1893 - 1983) - Lithograph VIII (Cover), Year: 1972, Medium: Lithograph, Size: 12.75 x 19.5 in. (32.39 x 49.53 cm), Printer: Mourlot, Paris, Publisher: A.C. Mazo, ...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 5-6, 1939. Print...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Published by Fernand Mourlot, ...

Ranchos Winter by American impressionist Robert Daughter shows two women approaching the pueblo with the sun reflecting off the sides of the buildin...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

(Catlett, Elizabeth)illus. FOR MY PEOPLE by Margaret Walker. Linited Editions Club, NY, 1992. Edition of 400 signed by Walker and Catlett, and numbered 204 on the Justification page....

This colorful lithograph is limited and signed in the plate and also pencil signed in the lower right and numbered by the artist. Maurice Savin strived to reduce and synthesize his...

Artist: Erté Title: Aphrodite Year: 1985 Medium: Embossed Serigraph with foil stamping, signed and numbered in pencil Edition: 185/300 Image Size: 32 x 22.5 inches Size: 35.5 x 25.5 ...

Clairvoyance, 2015 by Takashi Murakami Offset print, numbered and signed by the artist Edition 205/300 Takashi Murakami is best known for his contemporary combination of fine art a...

6 colour screenprint with hand applied glitter on Somerset Tub Sized Satin Radiant White 410gsm Edition of 125 Signed and dated by the artist on archival label on the back Mint Sold ...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

Portfolio: Rufino Tamayo 15 aguafuertes 1979 Date: 1979 Etching, signed and numbered in pencil Edition of 61/99 Image Size: 20 x 28 inches Size: 22 x 30 in. (55.88 x 76.2 cm) Printer...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...

Red Grooms “De Kooning Breaks Through” signed and numbered . In good condition measures 47x33

Tracey Emin (born 1963 in Croydon) Choose Love, 2024 Medium: Lithograph on paper Dimensions: 76 × 60 cm (29 9/10 × 23 3/5 in) Edition of 100: Hand-signed, numbered and titled in penc...

Orient Seven-colour aquatint etching on paper, edited in 1974. Limited edition of 245 copies, numbered as 79/245 in lower left corner. Hand-signed by artist in pencil in the lower r...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

Paper Size: 27.5 x 37 inches ( 69.85 x 93.98 cm ) Image Size: 22 x 28.5 inches ( 55.88 x 72.39 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Amador Montes (Mexico, 1975) 'Debajo de la piel I', 2021 Mixed media, etching, aquatint woodcut on paper 49 x 118 in. (124 x 300 cm.) Edition of 30 Ref:...

The old style is an Artwork realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Colored woodcut on paper. Hand-signed on the lower, numbered 4/89 specimens and titled on ...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Marc Chagall (1887-1985) Lovers with a Bouquet, 1984 Original color lithograph Signed with the artist's stamp Justified EA (artist proof) On Arches vellum, 56 x 43 cm (c. 22 x 17 in) Authenticated by the artist's studio dry stamp REFERENCES: Sorlier / Mourlot catalogue raisonné...