Outdoors Prints and Multiples

Landscape is a lithograph on paper, realized by E. Laport in about 1860. The state of preservation is good except for some diffused stains. Hand-colored. Plate no.5 Sheet dimens...

Eight Scenic Spots along Sumida River is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hi...

Abstract Composition is an original Lithograph on paper realized After Godefroy Jadin in the Late 19th Century. Good conditions. Signed on the plate. The artwork is depicted throu...

Ancient View of the Castle of Spiez is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin: Castle...

La Gardeuse D'Oies is an original print in etching technique on ivory paper, realized by by Ch. Bourgeat, engraver and sculptor, after Constant Troyon (French Painter; 1810-1865) . Very good conditions. This etching realized by Constant Troyon and Bourgeat shows the sculptor's signature on the bottom right and the painter's signature on the bottom left. The title of the work is shown on the lower center. Image Container: 35 x 32 cm On the bck of the artwork, news about different artists. Constant Troyon (French Painter; 1810-1865): He was a French painter, belonging to the Barbizon School. Son of the decorator Jean-Marie-Dominique (1780-1817) and of a worker, Jeanne Pracht, he made his first painting studies with Denis-Desiré Riocreux, curator of the Sèvres museum, and with Camille Roqueplan...

Landscape is a lithograph attributed to Nicholas Verrall (1945) in the Late 20th Century. Hand-signed on the right corner. Numbered, Edition, 13/99, on the left margin. On the back...

Calm - Rain on Pond. Fine Art Print "From my studio in the woods, on the Niagara Escarpment, located in Ontario, Canada. I have always loved the moment that a raindrop hits the su...

The Interior of Geneva is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. The signature is engraved on the ...

Porta Pertusa is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1710 -...

Ancient View of Hallstadt is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in capital Letter...

Seascape With Monument and Figures is an Etching realized by Francesco Cepparuli (1750-1767). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original...

Mary- Port Pier is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautifully...

Image dimensions: 15 x 22 cm. This splendid lithograph Interieur de Geneve. Porte Neuve is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the ...

The Well is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through...

Image dimensions: 30 x 30 cm. Zitouna Mosque - D'Aprés Lumière is a wonderful black and white photolithograph on parchment, realized in 1996 by the Italian politician Bettino Craxi....

Sigle unique variant, hand colored by the Artist, of the edition of 50 prints by Giacomo Porzano. Hand signed and dated by artist with pencil.

"Clock" is a painting realized by Indian Artist Vagaram Choudhary in 2024. Painting Medium : Natural pigment on wasli paper Painting backside Hand sign with years Painting style ...

Grand Hôtel Regoledo is a colored lithographed original manifesto on cardboard, realized around 1914 by the Italian artist Aldo Mazza. This modern artwork ...

"Landscape" is an original drawing in etching, realized by Edwin Edwards. The state of preservation of the artwork is very good. Sheet dimension: 18.5 ...

Radicofani is a contemporary artwork realized by Bettino Craxi in the first years of the 1980s.  Original Etching on cardboard.  Good conditions.  Beautiful etching depicting the ...

Environs de Chateau Gontier is a black and white etching realized by Tancrède Abraham in 1870s. Titled in the lower. Image size: 32.5cmx17cm. Good condition. Signed on the lower ...

Landscape is an original etching artwork by an anonymous artist. Hand-signed on the lower right (illegible) Numbered, edition 20 /99. The state of preservation is very good except...

Bridge and waterfall of the River of the Rocks is a lithograph made by Auguste Wahlen in 1844. Good condition. At the center of the artwork is the original title "Ponte e cascata d...

Radicofani is an original contemporary artwork realized by Bettino Craxi in the first years of the 1980s. Original Etching. Good conditions. Beautiful etching depicting the Ita...

The Mill is an etching realized by Paul Emile Colin in the Mid-20th Century. hand-signed. Numbered.Edition, 1/30. Good conditions with slight foxing. The artwork is realized thro...

Tunisian is a photolithograph realized in 1996 by the Italian politician Bettino Craxi. Hand-signed in on the lower right "Craxi d'après Lumieère", Numbered, edition of 120 prints. ...

Ancient view from the Karmel Mountains is an original modern artwork realized in the mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower margin in C...

Lonely Man is an original etching on paper, realized by unknwon master, signed but not readable and numbered, edition of 86/160 prints. The state of preser...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.5 x 11.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fol...

Devonshire Bullocks 1982 Lithograph on Rives BFK Mould-Made Paper (Edition of 58) 47.5 x 35 inches $5,500 This work is offered by ClampArt in New York City.

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

RENÉ MAGRITTE Lessines 1898 - Brussels 1967) La Bataille de l'Argonne, 1959 Lithograph d'après signed in plate (mm.380x460). Perfect specimen, exclusive and limited edition of 275 n...

Original ski poster in Savoie by Madelon. Savoie is a department of the Auvergne-Rhône-Alpes region, in the south-east of France located in the Al...

Nice original poster of NWA for its trips to Japan. Northwest Airlines Corp (NWA) was a major U.S. airline founded in 1926 and absorbed by Delta Air Lines, Inc. through a merger. The merger, approved on October 29, 2008, made Delta the largest airline in the world until the American Airlines-US Airways merger on December 9, 2013. Northwest continued to operate under its own name and brand until the integration of the carriers was completed on January 31, 2010. Airline - Japan - Tourism Northwest Airlines - Mont Fuji

C-print on argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees will be requested in this type of shipping + frame or not Hugo Pondz...

After the storm Uwe Werner, German/American (1942) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 19 in. x 25 in. (48.26 cm x 63....

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

Original poster on the theme of winter sports. Made by Machatchek in 1952, this poster was intended to promote different ski sites in France. Indeed we can appreciate a view of the ...

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 9 3/8 x 13 3/4 inches (238 x 3...

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 8 1/4 x 13 3/4 inches (210 x 3...

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 8 1/4 x 13 3/4 inches (210 x 3...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.77 x 11.85 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Beth Ganz, 'Adam's Peak, Sri Lanka', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. Archivally sleeved, unmatted. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Adam's Peak is a 2,243 m (7,359 ft) tall conical mountain located in the southern reaches of the Central Highlands of Sri Lanka. Revered as a holy site by Buddhists, Hindus, Muslims, and Christians, it is well known for the Sri Pada, "sacred footprint," a 1.8 m (5 ft 11 in) rock formation near the summit, which in the Buddhist tradition is held to be the footprint of the Buddha, in Hindu tradition that of Hanuman or Shiva, i.e., "Mountain of Shiva's Light." Some Muslims and Christians in Sri Lanka ascribe it to where Adam, the first ancestor, set foot as he was exiled from the Garden of Eden. The legends of Adam are connected to the idea that Sri Lanka was the original Eden, and in the Muslim tradition, Adam was 60 cubits tall. A shrine to Saman, a Buddhist "deity" (seekers who have devoted their lives to spiritual values are deified by Sri Lankan Buddhists) charged with protecting the mountaintop, can be found near the footprint. A bell lies on top of the temple, and tradition holds that pilgrims ring it as many times as they have achieved the pilgrimage to the top of the peak. Sri Pada is first mentioned (as Samanthakuta) in the Deepawamsa, the earliest Pali chronicle, (4th century), and also in the 5th-century register Mahawamsa, where it is stated that the Buddha visited the mountain peak. The log Rajavaliya records that King Valagamba (1st century BCE) had taken refuge in the forests of Adam's Peak against invaders from India, and later returned to Anuradhapura. The Mahawamsa again mentions the visit of King Vijayabahu I (1058–1114) to the mountain. The famous Chinese pilgrim and Buddhist traveler Fa Hien stayed in Sri Lanka in 411–12 CE and mentions Sri Pada. The Italian merchant Marco Polo in his Travels of 1298 CE, noted that Adam's Peak was an important place of pilgrimage. The Arab traveler Ibn Battuta climbed to the summit, which he called Sarandīb, in 1344 CE. In his description, he mentions a stairway and iron stanchions with chains to aid pilgrims in the climb. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape S...

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The...

Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...

Héliogravure, collotype vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 12.28 x 12.09 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Artist: Terry Allen, American (1943 - ) Title: China Night Year: 1985 Medium: Lithograph, signed and numbered in pencil Edition: 75 Size: 23 x 30 in. (58.42 x 76.2 cm)

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From...

Arthur Kolnik was born in Stanislavov, a small town in Galicia, which was then part of the Austro-Hungarian Empire. His father, who was originally from Lithuania, worked as an accoun...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the volume, Vlaminck, 1958; published by Éditions André Sauret, Paris, and Universe Books...

Medium: original lithograph. Printed in 1959 for the art revue Derriere le Miroir (issue number 116) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 560 mm)...

By Joaquim Torrents Llado 30" x 34" Serigraph on Paper Signed, Edition 3/90 A serene contemporary impressionist painting of a peaceful forest with a gazebo. About the Artist: Joa...

This stunning vintage travel poster, produced by Intourist in the 1970s, showcases the breathtaking beauty of Lake Baikal, often referred to as the "Blue Pearl of Siberia." The tranq...

Star Wars: The Empire Strikes Back 1980 Vintage Lobby Card #11 Original Star Wars lobby card of Leia and Han Solo Framing options available: Black, brown, white and perspex Cond...

DAILY CHORES is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Sally Caldwell-Fisher, printed using hand lithography techniques on archival Arches paper 100% acid free. DAILY CHORES by Ms. Caldwell-Fisher presents a nostalgic look back at New England life - a refreshing seaside summer landscape featuring a brick red colored house and quintessential white light house set atop a lush green seaside overlook. A lone woman stands shading her eyes, looking toward the sea dressed in Victorian clothes...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Artist: Percy John Delf Smith (English, 1882-1948) Title: "Scythers Resting" *Signed by Delf Smith in pencil lower right. It is also signed in the plate (printed signature) lower lef...