Ceramic Sculptures

Frida Espectacular - Amazing Frida Made with natural clay and polychrome painting. Hand-modeled technique and cooked in an oven. LISTING =================================== 1 Ceramic Frida =================================== DETAILS =================================== Time of Preparation: 2.5 months Made: Izuca de Matamoros, Puebla, México. Dimensions: 12" x 16" x 6" in or 30x 40" x 15 cm Artisan: Taller Alfonso Castillo Orta...

Visage Solaire, Picasso, Unique work, Design, 1950's, Sun face, Ceramic Visage Solaire Unique work 27.01.1956 Painted and partially glazed ceramic 20.4 x 20.4 cm Dated and stamped o...

Waylande Gregory (American, 1905-1971) Polo Player, c. 1930s Ceramic Inscribed signature on bottom 11 x 8.5 inches Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's "Nautch Dancer," (fig. 1) and his "Burlesque Dancer," (fig. 2). He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his "Burlesque Dancer" at about the same time as "Nautch Dancer." As with the "Nautch Dancer," he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for "Burlesque Dancer," a clue to her identity is revealed in the sculpture's earlier title, "Shimmy Dance." The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the "Star Spangled Banner" and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the "Burlesque Dancer" sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his "Kansas Madonna" (fig. 3). But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of "Kansas Madonna." The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of "Kansas Madonna" totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture in the article. Gregory was from Kansas, and "Kansas Madonna" should be considered a major sculptural document of Regionalism. Gregory and his wife Yolande moved to New Jersey in the summer of 1933. And the artist began construction on his new home in the Watchung Mountains of Bound Brook (Warren today) in 1938. His enormous, custom kiln was probably constructed at the start of 1938. Gregory's new sculptures were the largest ceramic sculptures in western art, in modern times. To create these works of ceramic virtuosity, the artist developed a "honeycomb" technique, in which an infrastructure of compartments was covered by a ceramic "skin." Science and atomic energy were a theme in Gregory's most significant work, the "Fountain of the Atom" (fig. 4), at the 1939 New York's World Fair. This major work included twelve monumental ceramic figures at the fairground entrance from the newly constructed railway entrance, giving the work great visibility and prominence. The framework of the fountain itself was of steel and glass bricks. It consisted of a bluish green pool which was sixty five feet in diameter. Above it were two concentric circular tiers, or terraces, as Gregory called them; the first wider than the second. On the first terrace were eight "Electrons," comprised of four male and four female terra cotta figures, each approximately 48 inches high. These relate to the valance shell of the atom. Above them on a narrower terrace, were the much larger and heavier terra cotta figures depicting the four elements, each averaging about 78 inches in height and weighing about a ton and a half. Of the four, "Water" and "Air" were male, while "Earth" and "Fire" were female. This terrace represents the nucleus of the atom. In the center of the fountain, above the "Elements," was a central shaft comprised of sixteen glass tubes from which water tumbled down from tier to tier. At the top, a colorful flame burned constantly. The glass block tiers were lit from within, the whole creating a glowing and gurgling effect. Since the fair was temporary, the figures could be removed after its closing. But the credit for the design of the structure of the fountain belongs to collaborator Nembhard Culin, who was responsible for several other structures on the fair grounds as well. Although Gregory created a figure of "Fire" for the "Fountain of the Atom," he also executed a second, slightly smaller but more defined version which he exhibited at various locations (including Cranbrook, Baltimore Museum, etc.) in 1940-1941, during the second year of the fair (fig.5). Measuring 61 inches in height, "Fire" may be a metaphor for sexual energy, as well as atomic energy. Gregory stated, "Fire is represented by an aquiline female figure being consumed in endless arabesques of flame." Portraiture was also a significant focus of Gregory's sculpture. Gregory produced many commissioned portraits of local people as well as celebrities. He created Albert Einstein's portrait from life (fig. 6, ca. 1940) after Einstein had seen Gregory's "Fountain of the Atom." He also sculpted some of the leading figures in entertainment, including 2 sculptures of Henry Fonda, who became a personal friend. Gregory also sculpted a series of idealized female heads, both in terra cotta and in porcelain. These include "Girl with Olive" (ca. 1932) and "Cretan Girl;"(ca. 1937) both are very reductive and almost abstract works that call to mind Constantine Brancusi's "Mademoiselle Pogany" (1912, Philadelphia Museum of Art). But perhaps one of his most original female heads is "Head of a Child" (fig. 7, ca. 1933), a sensitive white glazed terra cotta portrayal with elaborately crafted braded hair, was originally created as one of a pair. Gregory also produced sculptural works for the Works Progress Administration. The WPA was a work relief project that greatly helped artists during the great depression. Founded by the Federal Government in 1935, an estimated 2500 murals were produced. Among these public works were the iconic post office murals. But, among the painted murals were also sculptural relief murals including Gregory's "R.F.D.," 1938, for the Columbus, Kansas Post Office. But, Gregory's largest WPA relief...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown Gallery, she has exhibited at The American Academy of Arts and Letters, the Nassau County Museum of Art, The Cornell Art Museum in Delray Beach, Florida and the New York Artists Equity Gallery. In 2023, she received a 2023 Fellowship from the New Jersey State Council on the Arts in sculpture, and in 2022 was awarded the Alex J...

Unique terracotta sculpture Signed by the artist The contemplative creatures of Nili Pincas, of an extreme refinement, invite silence. This isolation of the sculpted being seizes and soothes, at the same time as it questions. Are we facing the face of anguish or introspection? The white or purple flesh, with a slightly grainy matte appearance, reveals the infinite sensuality of the artist’s touch...

RC Gorman pottery vase signed and numbered “Taos mountain” large. In good condition measures 26 1/2 by 19

The legendary Greek god Perseus is the subject of this elegant half-bust by Ubaldo Gandolfi, a major painter and sculptor from Bologna. The son of Zeus and Danaë, Perseus was the le...

Rashid Johnson, Untitled Anxious Men, 2020 Glazed bone china plate 27.3 x 27.3cm (10.7 x 10.7 in) Edition of 175 Published by Prospect for Coalition for the Homeless, New York R...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

High-temperature glazed refractory and iron sculpture evokes Mediterranean earth and sea through layered blue-green tones and tactile textures. Aldonza’s Head with Bandana (38 × 36 ×...

This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA Please note: The base is not included. We will guide you through a simple installation process for out...

Jeff Koons' Balloon Dog (Orange) is widely regarded as the quintessential work within his celebrated Celebration series of paintings and sculptures, which Koons' first began developi...

The Worry This series began in reaction to photos of politicians and world leaders during any number of the current world crises. As news cycles proliferate, these images swirl past ...

Folding in Motion 11 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 16 × 30 × 12 cm (6.3 × 11.8 × 4.7 in). The sculpture is signed and...

Tête de Faune, Pablo Picasso, Unique piece, Design, Terracotta, Tile, Mythology Tête de faune Unique work 08.08.1956 Painted and glazed terracotta tile...

Hand-pitched chrome metallic glazed ceramic sculpture vessel by Jessamyn Go. Jessamyn Go's work is deeply rooted in the visceral, meditative experience of working with clay. Drawn t...

PABLO PICASSO (Spanish, 1881-1973) Petit visage barbu (A.R. 557) Verso impressed "Madoura Plein Feu" and "Empreinte Originale de Picasso" Hand-numbered "J139A 9/100" Size 17.2 X 17...

This is part of a new collection work that encompasses ceramics and textiles by Ak Jansen. Born in the Netherlands, Jansen’s work occupies queerness on both poetic and political term...

Olga’s artistic approach is centered around the elusive concept of time and its impermanence. Rather than engaging in an ontological reflection on the nature of time, Olga prefers to...

Large Pre Columbian style clay, terracotta sculpture Limited Edition 6/30, signed. Walter Bastianetto, was born in Venice Italy. He graduate of...

This beautiful Buddha sculpture is made of ceramic covered with glossy car paint. It is part of an edition of 25 and comes in other colors as well. Easy to h...

#99 Reflections Series (INV# NP4025) Yih-Wen Kuo clay and glazes 23 x 27.5 x 9” signed Yih-Wen Kuo - Born in Taiwan, Yih-Wen Kuo began his studies at the National Taiwan Normal Uni...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 2 ce...

Porcelain egg inspired abstract sculpture. From FLOWER TO BEE exhibition, Winter 2019. Included in Catalogue.

Artist: Koons, Jeff Title: Service plate 1 Date: 2012 Medium: serigraph on white porcelain Signature: Stamped signature & number on bottom Edition: /2500

Harumi Nakashima is the Director of Tajimi City Pottery Design and Technical Center. Based in the port city of Nagoya Japan, Nakashima creates stunning hand-built porcelain sculptur...

PABLO PICASSO (1881-1973) Jacqueline au chevalet (A.R. 333) stamped, marked and numbered 'Madoura Plein Feu / Empreinte Originale de Picasso / F 219 / 199/200' (underneath) white ear...

Stone sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood years i...

Porcelain egg inspired sculpture. From FLOWER TO BEE exhibition, Winter 2020. Included in the catalogue.

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

Master ceramicist Steven Heinemann continues his exploration of the potential of the vessel, an ancient form, with this series of untitled pieces. The organic oval shape is inspired ...

Pablo Picasso Visage d’homme (Man’s Head), 1968-1969 A.R. 570 showcases the artist’s unrivaled ability to illustrate human nuance. Each aspect of the man’s face, from his furrowed brow to his side gaze is carefully illustrated. The crowding of horizontal lines on his brow and vertical lines on his nose bring a sense of tension to his face, which compounds the furrowed brow.There are only two colors on the plaque, black and red, but the semi circle of hair atop the mans head...

Questa statua in terracotta in eccellente stato conservativo considerata l'età e la fragilità del materiale, raffigura un putto nell'atto di soffiare, colto in una posa di intenso p...

Notable New Orleans artist Sarah House's work centers around what she calls "fractals" - occurrences of order in nature, here appearing as crystal forms juxtaposed with a more amorph...

Balloon Swan (Yellow) - Jeff Koons, 21st Century, Contemporary, Porcelain, Sculpture, Decor, Limited Edition Limoges porcelain with chromatic metalized coating Edition of 999 Signed...

Cerise Niore Ceramics Cherry Fruit Sculpture Modern Still Life New In Stock Giorgio Laveri (Savona Italy, March 3, 1954) is a painter, sculptor, screenwriter, director and actor and...

Ambrogio Pozzi (Italian, 1931-2012) 20K Yellow Gold Glazed Ceramic Sculpture, signed and marked to underside. 36.25" H x 20" W x 6" D. Provenance: From a New York City Collection.

Striking mid century tiger sculpture crafted in terra cotta, hand decorated in vivid colors and glazed. Stamped Italy on the bottom.

PABLO PICASSO (1881-1973) Picador (A. R. 202 Prototype) Terre-de-faïence plate, 1953, unique prototype by Picasso before the edition of 300. With the Madoura Plein Feu and Emprein...

Artist Commentary: Green metallic platter with bronze filigree center. Medium: ceramic porcelain. Size: 14 inch diameter and 2 inches deep (35 cm diameter and 5 cm deep). Made in Cal...

Artist: Jeff Koons Title: Diamond (Red) Year: 2020 Medium: Porcelain with metallic chromatic coating Dimensions: 12 1/5 x 15 7/16 x 12 5/8 inches (31 x 39.2 x 32.1 cm) Edition: 599; ...

Face, Pablo Picasso, 1950's, Earthenware, Decorative Art, Design, Interior, Ed. 500 pcs 1955 White earthenware clay, decoration in engobe, glaze inside Inscribed and stamped on the...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

Taureau gravé, Pablo Picasso, 1940's, plate, Sculpture, Design, Bull Taureau gravé Ed. 84/200 pcs 1947 White earthenware clay, engobe decoration, engrav...

Represented by George Billis Gallery. Alice Federico was born in Selma, Alabama in 1945. She received a BA degree in history from Hollins University (1967), an MFA in ceramics from...

The material of choice for Neil Tetkowski's abstract sculptural work comes directly from the Earth. Most often he uses clay, which he believes is the perfect medium to express his re...

Striking pair of parrot sculptures or figures perched on bases with leaves and berries, crafted in terra cotta in large scale, hand decorated and glazed.

Cube 1 is a unique sculpture by contemporary artist Sharon Brill. This sculpture is made of painted fired clay, dimensions are 19 × 20 × 21 cm (7.5 × 7.9 × 8.3 in). Sharon Brill’s p...

Roby Dwi Antono - KIRA SCULPTURE (BLACK) Date of creation: 2021 Medium: Bronze sculpture with black patina finish and crystal resin tears Edition: 75 + AP Size: 31 x 26 x 23 cm Cond...

Pablo Picasso Tall Dish witth Goat Head, 1952 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu L...

"Grey String" round porcelain vase sculpture with white crackle glaze Size: 4.5 x 6 x.6 inches Porcelain, ceramic, ceramic sculpture, functional sculpture, functional vessel, vessel...

Pablo Picasso A.R. 427 Banderilleros 1959 16” round Edition of 50 White earthenware clay. Ramie 427 is a Madoura ceramic that one rarely sees come on t...

The artist says of her work... Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed. My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion. ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...

This miniature paper sculpture titled "MY WILLY" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, and clay. Through s...

Be-formed is a unique sculpture by contemporary artist Sharon Brill. This is a mixed media wall sculpture (porcelain, wall putty, paint, wooden frame), dimensions are 40 × 40 × 17 cm...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism, and is made of ceramic. Stein's works are in more tha...

Knight of Calm 621 is from Linda Stein’s Knights of Protection series, which she started after being forced to evacuate her New York downtown studio for a year post-9/11. Stein's Kn...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

Recycled textiles, thread, batting, welded steel, found objects, polymer clay, rope, snap hook 48 x 32 x 20 inches Artist Statement I hand-sew compound sculptural forms that are con...