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Medium: Pigment
John Van Alstine, Twister '23 II, Sculpture 2023
Located in Greenwich, CT
Twister '23 II slate and pigmented and sealed steel 34.5" (height) x 11.5" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Slate, Steel

Art in motion n°16 by Gilbert Pauli - Sculpture concrete 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Sculptures

Materials

Concrete

"Wet Dreams and Warm Tea " Mixed Media Sculpture
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics." "Wet Dreams...
Category

2010s Abstract Pigment Sculptures

Materials

Resin, Pigment, Foam

Double Barrel with Pallets
Located in Philadelphia, PA
This piece titled "Double Barrel with Pallets" is an original artwork by Drew Leshko made of painted paper, inkjet prints, plaster wood, glue, plaster. I...
Category

21st Century and Contemporary Pigment Sculptures

Materials

Wood, Inkjet, Pigment, Paper

"RAKU RED AND WHITE", wheel formed white glaze, copper red, gold leaf, sculpture
Located in Toronto, Ontario
"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Gold, Gold Leaf

Art in motion n°11 by Gilbert Pauli - Concrete sculpture 96x64 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Sculptures

Materials

Concrete

Art in motion n°15 by Gilbert Pauli - Sculpture concrete 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...
Category

2010s Abstract Pigment Sculptures

Materials

Concrete

Art in motion n°6 by Gilbert Pauli - Concrete sculpture 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Sculptures

Materials

Concrete

Double Barrel
Located in Philadelphia, PA
This piece titled "Double Barrel" is an original artwork by Drew Leshko made of painted paper, inkjet prints, plaster wood, glue, plaster. It measures 5”...
Category

21st Century and Contemporary Pigment Sculptures

Materials

Paper, Inkjet, Pigment, Wood

Blank Sign
Located in Philadelphia, PA
This piece titled "Blank Sign" is an original artwork by Drew Leshko made of painted paper, wire, chain, and inkjet prints. It measures 11”h x 0.75”w x 8”d. Drew Leshko is a Philad...
Category

21st Century and Contemporary Pigment Sculptures

Materials

Paper, Wood, Pigment, Inkjet

John Van Alstine, Lunge 2-20, Sculpture 2020
Located in Greenwich, CT
Lunge 2-20 Slate/pigmented and sealed steel 14" (height) x 27" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Slate, Steel

Adaptation II
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category

2010s Contemporary Pigment Sculptures

Materials

Silicone, Wood, Mixed Media, Pigment

Art in motion n°8 by Gilbert Pauli - Concrete sculpture 96x64 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Sculptures

Materials

Concrete

John Van Alstine, Pyxis (Tower), Sculpture 2012
Located in Greenwich, CT
Pyxis Bronze and Red Pigment 13" x 14" x 9" Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a ma...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Bronze

Art in motion n°17 by Gilbert Pauli - Sculpture concrete 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Sculptures

Materials

Concrete

John Van Alstine - Schaats V, Photography 2020
Located in Greenwich, CT
Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level, the work ...
Category

2010s Contemporary Pigment Sculptures

Materials

Stone, Steel

Art in motion n°5 by Gilbert Pauli - Concrete sculpture 64x96 cm
Located in Geneva, CH
"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...
Category

2010s Abstract Pigment Sculptures

Materials

Concrete

Farbenlichthaut no. 140 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 140 is a contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from a few hundred of hand-cut two mi...
Category

2010s Contemporary Pigment Sculptures

Materials

Silicone, Plate Glass, Pigment

Farbenlichthaut no. 160 - contemporary modern organic sculpture painting relief
Located in Doetinchem, NL
Farbenlichthaut no. 160 is a brand new unique small size contemporary modern organic sculpture painting relief by German artist Freddie Michael Soethout. The relief is made from doze...
Category

2010s Contemporary Pigment Sculptures

Materials

Silicone, Plate Glass, Pigment

HiCy
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category

2010s Abstract Pigment Sculptures

Materials

Acrylic Polymer, Pigment

"Abstract Arrangement - Cement, Resin, Plastic, Zip-ties, Industrial Strapping
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category

2010s Abstract Pigment Sculptures

Materials

Resin, Plastic, Wood, Pigment

Untitled contemporary sculpture
Located in Palm Desert, CA
A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptu...
Category

21st Century and Contemporary Abstract Pigment Sculptures

Materials

Glass, Wood, Pigment

"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"Sisyphean Circle 8-14-17", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sisyphean Circle 8-14-17" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone...
Category

2010s Abstract Pigment Sculptures

Materials

Stone, Granite, Metal, Steel

"Playground Punching Bag" Mixed Media Sculpture
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics." "Playground Punching Bag...
Category

2010s Abstract Pigment Sculptures

Materials

Resin, Wood, Pigment

"Inside Out Vases", Contemporary, Abstract, Porcelain, Sculpture, Ceramic
Located in St. Louis, MO
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...
Category

2010s Contemporary Pigment Sculptures

Materials

Ceramic, Porcelain, Pigment

"QUILL II (Slate Rocker)", Industrial Abstract Sculpture in Metal & Stone
Located in New York, NY
"QUILL II (Slate Rocker)" by John Van Alstine NY State slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone a...
Category

2010s Abstract Pigment Sculptures

Materials

Stone, Slate, Metal, Steel

Joel Urruty - Free form #5, Sculpture 2024
Located in Greenwich, CT
Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...
Category

2010s Contemporary Pigment Sculptures

Materials

Steel

"Sisyphean Circle (diagonally down)", Industrial, Abstract Sculpture
Located in New York, NY
"Sisyphean Circle (diagonally down)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone...
Category

2010s Abstract Pigment Sculptures

Materials

Stone, Slate, Metal, Steel

"Abstract Arrangement #14"- Hydrocal Gypsum Cement, Resin, Plastic, Zip-ties
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category

2010s Abstract Pigment Sculptures

Materials

Resin, Plastic, Wood, Pigment

"Abstract Arrangement "Cement, Resin, Plastic, Zip-ties scuplture
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category

2010s Abstract Pigment Sculptures

Materials

Resin, Plastic, Wood, Pigment

"Toy Train, Broken Tracks" resin, pigment, enamel paint and wood sculpture
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category

2010s Abstract Pigment Sculptures

Materials

Enamel

"Forked Tongues Consequences " Mixed Media Sculpture
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category

2010s Abstract Pigment Sculptures

Materials

Resin, Foam, Pigment

"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Levan Mindiashvili, 'Untitled (Unintended Archeology)', 2017, Plaster, Wood
Located in Darien, CT
Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...
Category

2010s Abstract Pigment Sculptures

Materials

Wood, Neon Light, Plaster, Pigment

Roots #3 - Jean-Paul Réti, 21st Century, Contemporary metal sculpture
Located in Paris, FR
Wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...
Category

2010s Contemporary Pigment Sculptures

Materials

Steel

"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Joel Urruty - Rouge, Photography
Located in Greenwich, CT
"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Wood, Lacquer, Pigment

Asterie
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category

2010s Abstract Pigment Sculptures

Materials

Acrylic Polymer, Pigment

Joel Urruty - Free form #1, Sculpture 2024
Located in Greenwich, CT
Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...
Category

2010s Contemporary Pigment Sculptures

Materials

Steel

"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Limestone

"Egg Canoes: Duck #5-8", reconstructed egg assemblage
Located in Philadelphia, PA
This piece titled "Egg Canoes: Duck #5-8" is an original piece by Kate VanVliet and is made from eggshell, mica, 3-D printed PETG, acrylic, and pine. This piece measures 4”h x 10”w x...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Wood, Found Objects, Acrylic, Mica, Organic Material

"Peck", reconstructed egg assembly
Located in Philadelphia, PA
This piece titled "Peck" is an original piece by Kate VanVliet and is made from eggshells (bantam), mica, and PVA. This piece measures 3”h x 9”w x 7”d. Kate VanVliet is a sculptor a...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Mica, Organic Material, Acrylic

"Roly-poly", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Roly-Poly" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 4”h x 3.5”w x 2.5”d. Kate VanVliet is a sculptor a...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Organic Material, Glue, Found Objects, Acrylic, Mica

"Chimaera: White #2", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: White #2" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3”h x 3”w x 2.5”d and ships with the pictu...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Mica, Organic Material, Acrylic

"Chimaera: White #1", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: White #1" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the p...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Mica, Organic Material, Acrylic

"Chimaera: Green #9", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: Green #9" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.5”h x 2”w x 2”d and ships with the pictu...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Mica

"Chimaera: Green #15", reconstructed egg sculpture
Located in Philadelphia, PA
This piece titled "Chimaera: Green #15" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 2.25”h x 2”w x 2”d and ships with the pic...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Mica, Organic Material, Acrylic

"Chimaera: Green #7", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Chimaera: Green #12" is an original piece by Kate VanVliet and is made from eggshells, mica, and PVA. This piece measures 3.5”h x 2.5”w x 2.5”d and ships with the ...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Mica, Organic Material, Acrylic

"Day in the Life: Green #22", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #22" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Acrylic, Mica, Organic Material

"Day in the Life: Chimaera #12", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Chimaera #12" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is ...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Mica, Acrylic

"Day in the life: Green #25", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the life: Green #25" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Acrylic, Mica

"Day in the Life: Green #33", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #33" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Acrylic, Mica, Organic Material

"Day in the Life: Green #41", Found Object Sculpture, Egg Motif
Located in Philadelphia, PA
This piece titled "Day in the Life: Green #41" is an original piece by Kate VanVliet and is made from eggshell, mica, and acrylic. This piece measures 4”h x 2.5”w x 2.5”d, and is shi...
Category

21st Century and Contemporary Contemporary Pigment Sculptures

Materials

Glue, Found Objects, Acrylic, Mica, Organic Material

Katherine Jackson, Little Oil 19, 2020, Photograph on aluminum
Located in Darien, CT
There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...
Category

2010s Conceptual Pigment Sculptures

Materials

LED Light, Pigment, Glass

Red Indian #3 (Tomahawk) by Yoram Wolberger, 2008
Located in Orange, CA
Red Indian #3 (Tomahawk) by Yoram Wolberger, 2008 Additional information: Medium: Reinforced cast fiberglass composite and pigmented resin Dimensions: 84 × 65 × 29 in (213.4 × 165....
Category

21st Century and Contemporary Pigment Sculptures

Materials

Fiberglass, Pigment, Resin

Honfleur
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category

2010s Abstract Pigment Sculptures

Materials

Acrylic Polymer, Pigment

Joel Urruty - Free form #2, Sculpture 2024
Located in Greenwich, CT
Medium: oak As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figur...
Category

2010s Contemporary Pigment Sculptures

Materials

Steel

Pigment sculptures for sale on 1stDibs.

Find a wide variety of authentic Pigment sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Van Alstine, Casper Brindle, Harold Wortsman, and Gilbert Pauli. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment sculptures, so small editions measuring 0.12 inches across are also available

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