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Medium: Pigment
"Sacandaga River Landscape IX", Industrial, Abstract Sculpture in Metal & Stone
Located in New York, NY
"Sacandaga River Landscape IX" by John Van Alstine
Stone, pigmented and sealed steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and m...
Category
2010s Abstract Pigment Sculptures
Materials
Stone, Metal, Steel
Light-Glyph (Gold)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Portal Glyph X
Located in Santa Monica, CA
Emerging from a history of innovative West Coast artists, who pioneered the Finish Fetish and Light and Space movements, Casper Brindle has mastered the industrial materials at his d...
Category
2010s Pigment Sculptures
Materials
Gold Leaf
Light-Glyph (Orange)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Vacuum Vertical Light-Glyph (Charcoal)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Vacuum Horizontal Light-Glyph (Silver)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Modern Impressive Super-Flat Sculpture- Series Table on the table No.2
Located in Beijing, CN
About the artwork:
Artist: Yang Dongying
Title: Modern Impressive Super-Flat Sculpture- Series Table on Table No.2
Date:2021
Material: Iron, Pigment
Di...
Category
2010s Modern Pigment Sculptures
Materials
Iron
Please Leave Us Alone (Abstract Minimalist Light Grey 3-D Wall Sculpture)
By Dai Ban
Located in Hudson, NY
Abstract minimalist three-dimensional wall sculpture in light grey and black
"Please Leave Us Alone" by Dai Ban, 2020
29 x 24 x 10 inches
Precision board, Venetian Plaster, Beeswax, Pigment
Lightweight sculpture (weighs about 5 lbs.) and hangs on the wall with a French cleat
Excellent condition and ready to hang as is
Signed, verso
This contemporary, abstract horizontal wall sculpture...
Category
2010s Abstract Pigment Sculptures
Materials
Plaster, Foam Board, Pigment
Spider vase
Located in Ciudad de México, MX
Clay work was essential in the development of Mesoamerican cultures, not only for its utilitarian value but also for its sculpture, loaded with symbolism as a mirror of the worldview...
Category
20th Century Contemporary Pigment Sculptures
Materials
Pigment, Ceramic
Bee bowl
Located in Ciudad de México, MX
Within the framework of a collective and cultural exchange, where the current artistic work needs conscious active voices, Claudio Jerónimo puts on the table an urgent discussion about the sustainability of the vital balance and the essential role of bees to maintain said balance. Communication, relationship, and reciprocal influences of the cycle that sustains life in the world, which in the service of "progress" has been affected by excessive and devastating human activity reaching a point of no return. It is a call to action...
Category
20th Century Contemporary Pigment Sculptures
Materials
Pigment, Ceramic
Soninka
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall.
The artist is represented by galleries in Europe, the US and
Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy.
In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City.
His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Spider vase
Located in Ciudad de México, MX
Clay work was essential in the development of Mesoamerican cultures, not only for its utilitarian value but also for its sculpture, loaded with symbolism as a mirror of the worldview...
Category
20th Century Contemporary Pigment Sculptures
Materials
Pigment, Ceramic
Vacuum Square Light-Glyph (Orange)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Pigment, Acrylic Polymer
"Inside Out Vases", Contemporary, Abstract, Porcelain, Sculpture, Ceramic
By Kyle Johns
Located in St. Louis, MO
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Porcelain, Pigment
Untitled beautiful colorful abstract contemporary sculpture
Located in Palm Desert, CA
A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the 1970s. Referring to his choice of materials, Dill explains: “I was influenced by [Robert] Rauschenberg, Keith Sonnier, Robert Smithson...
Category
21st Century and Contemporary Abstract Pigment Sculptures
Materials
Glass, Wood, Pigment
Vacuum Small Vertical Light-Glyph (Orange)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Paisleys and Thistles Star Flower, Bright Botanical Wall Sculpture in Teal, Pink
By Jill Parisi
Located in Kent, CT
In this bright and colorful paper sculpture, a fantastical botanical form in vibrant teal green, dark magenta with gold and marbled pink, green, yellow and blue is composed of hand-c...
Category
2010s Contemporary Pigment Sculptures
Materials
Handmade Paper, Tissue Paper, Pigment, Pins, Etching
Vacuum Small Vertical Light-Glyph (Blue)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin
Vacuum Square Light-Glyph (Pink)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Vacuum Square Light-Glyph (Green)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Vacuum Small Vertical Light-Glyph (Green)
Located in Santa Monica, CA
With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...
Category
2010s Abstract Pigment Sculptures
Materials
Acrylic Polymer, Pigment
"Y2R" Stack, Contemporary, Ceramic, Sculpture, Colored Porcelain, Abstract
By Kyle Johns
Located in St. Louis, MO
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Porcelain, Pigment
Red Clay Sage (2022), terracotta concrete abstract face sculpture, metal wire
Located in Jersey City, NJ
Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop sculpture. Abstracted face sculpture made with concrete, pigment and wire. The piece is smoot...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Located in Jersey City, NJ
Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, she...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire
Located in Jersey City, NJ
Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire
Biomorphic and earthy yet industrial style wall sculpture, she...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Glow - Fan , Woven mica and bronze wall sculpture by Agneta Hobin
By Agneta Hobin
Located in Wilton, CT
Agneta Hobin of Finland is best known for impressive works in which yellow mica has been woven into metal warp; the technique and materials are the artist...
Category
Early 2000s Contemporary Pigment Sculptures
Materials
Bronze
Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Located in Jersey City, NJ
Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, shel...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
Wristie
Located in New York, NY
Wristie, a small assemblage atop a block of sandstone, is comprised of a sweater sleeve, a fragment of woven basket and a piece of blasted tree bark all cast in concrete or plaster. ...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Sandstone
Whitewashed Sage (2022), gray white concrete face sculpture, metal wire, earthy
Located in Jersey City, NJ
Whitewashed Sage (2022), gray and white concrete abstract face sculpture, metal wire, earthy
Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop s...
Category
2010s Contemporary Pigment Sculptures
Materials
Concrete, Wire
"Sisyphean Circle Beijing Series XXXII", Industrial Abstract Sculpture
Located in New York, NY
"Sisyphean Circle Beijing Series XXXII" by John Van Alstine
Slate, pigmented steel
The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and met...
Category
2010s Abstract Pigment Sculptures
Materials
Stone, Slate, Metal, Steel
Dancing Wire Form (2022), terracotta concrete abstract sculpture, metal wire
Located in Jersey City, NJ
Biomorphic and earthy yet industrial style wall or tabletop sculpture. Abstract wire form with corrugated hydrocal plaster form. The piece is smooth and...
Category
2010s Abstract Pigment Sculptures
Materials
Concrete, Wire
Alexandre the Red - expressive, textured, male, figurative paper mache sculpture
By Paul Duval
Located in Bloomfield, ON
Quebecois sculptor Paul Duval has created a series of expressive paper mache and wire figurative sculptures. Each one exudes a different personality evident in their posture, gesture...
Category
2010s Contemporary Pigment Sculptures
Materials
Wire
"YOR Spectrum Loop Dispersion", Contemporary, Porcelain, Sculpture, Pigment
By Kyle Johns
Located in St. Louis, MO
Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he received his Master of Fine Arts degree from Ohio University. While at Ohio Un...
Category
2010s Contemporary Pigment Sculptures
Materials
Ceramic, Porcelain, Glaze, Pigment
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"To Incite Rain " Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category
2010s Abstract Pigment Sculptures
Materials
Enamel
"Uptown Tapestry " Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category
2010s Abstract Pigment Sculptures
Materials
Enamel, Wire
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Fruit of Poet (Abstract Olive Green Leaf Shaped Minimalist Wall Sculpture)
By Dai Ban
Located in Hudson, NY
"Fruit of Poet" by Dai Ban, 2021
42" X 22" X 12"
Foam Board, Venetian Plaster, Beeswax, Pigment
Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...
Category
2010s Contemporary Pigment Sculptures
Materials
Plaster, Foam Board, Pigment
York St. Pharmacy
By Drew Leshko
Located in Philadelphia, PA
This piece titled "York St. Pharmacy" is an original artwork by Drew Leshko made of painted paper, wire, chain, inkjet prints. It measures 10”h x 0.75”w x 8”d.
Drew Leshko is a Phi...
Category
21st Century and Contemporary Pigment Sculptures
Materials
Wood, Inkjet, Pigment, Paper
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"Wo'ohohe (Ground-burrowing spider)" Natural Ochre on Bark Cloth by Brenda Kesi
Located in London, GB
Brenda was a young girl during the turmoil of World War II and she remembers the 1951 eruption of Dahore Huvaimo (Mount Lamington). Brenda's mother was Go'ovino and her father was Valéla, both Ematé clans people from old Enopé village between the Jordan and Maruma Rivers. It was here that her mother taught her how to sew her grandmother, Munne's, sihoti'e taliobamë'e - designs of the mud. This method of appliquéing mud-dyed barkcloth was first practiced by Suja, the first woman and mother of the world, as told in the Ömie creation story.
Brenda has begun to teach her sister Teresa Kione (Avur'e) to sew the ancestral Ömie sihoti'e designs such as wo'ohohe - ground-burrowing spider and taigu taigu'e - ancestral tattoo designs. Brenda lives happily by the Jordan River...
Category
2010s Contemporary Pigment Sculptures
Materials
Pigment
"Ascension of Weary Bones " Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics."
"Ascension of Weary Bones...
Category
2010s Abstract Pigment Sculptures
Materials
Resin, Wood, Pigment
"Untitled #2 (Tupperware)" Red, Yellow, & White Realistic Beeswax Cup Sculpture
Located in Houston, TX
Modern collection of realistically rendered tupperware cups made out of beeswax and pigment by California artist George Stoll. The piece features a set of...
Category
1960s Pop Art Pigment Sculptures
Materials
Wax, Pigment
Bad Moon Ascending, Abstract Steel Sculpture, 2020
Located in Boston, MA
Artist Commentary:
Bad Moon Ascending is a result of a lyric in the CCR song "Bad Moon Rising", the impact of the Covid-19 pandemic, and my sculptural pursuits of my "Event" series.
Keywords: abstract, welded metal
Artist Biography:
Fred Klingelhofer, a primarily self-taught artist, grew up in a Chicago south side neighborhood. He received a BS degree in physics from Roosevelt University and worked as an engineer for 30 years. During those years he enrolled in art workshops and classes at a nearby community college completing courses in figure drawing, 2D and 3D design, ceramics, sculpting the figure, welding and metal sculpture. His focus has been on creating sculpture since 2006. Fred has exhibited his sculpture in a number of group exhibitions with Chicago Sculpture International, Art Prize (Grand Rapids, Michigan), Sculpture in the Park (St Charles, Illinois), Sculpture Walk Sioux Falls...
Category
21st Century and Contemporary Abstract Pigment Sculptures
Materials
Steel
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Pigment Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
Light-Glyph 62 (Scarlet)
Located in Santa Monica, CA
In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. Light diffuses through their frosted surfaces and softens ...
Category
2010s Abstract Geometric Pigment Sculptures
Materials
Acrylic Polymer, Pigment
"Playground Punching Bag" Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics."
"Playground Punching Bag...
Category
2010s Abstract Pigment Sculptures
Materials
Resin, Wood, Pigment
"Humpty Dumpty Saddle " Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics."
"Humpty Dumpty...
Category
2010s Abstract Pigment Sculptures
Materials
Enamel
"Forked Tongues Consequences " Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...
Category
2010s Abstract Pigment Sculptures
Materials
Resin, Foam, Pigment
"Wet Dreams and Warm Tea " Mixed Media Sculpture
By Duane Paul
Located in West Hollywood, CA
Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and sensual experience of his work covertly explores sexuality, gender traditions, sex, and race. "My artistic mission is to stimulate productive public conversation around these topics."
"Wet Dreams...
Category
2010s Abstract Pigment Sculptures
Materials
Resin, Pigment, Foam
Blank Sign
By Drew Leshko
Located in Philadelphia, PA
This piece titled "Blank Sign" is an original artwork by Drew Leshko made of painted paper, wire, chain, and inkjet prints. It measures 11”h x 0.75”w x 8”d.
Drew Leshko is a Philad...
Category
21st Century and Contemporary Pigment Sculptures
Materials
Paper, Wood, Pigment, Inkjet
8 inch Colored Concrete Figure Planter
By Dez Einswell
Located in Draper, UT
Concrete Sculptural Planter inspired by En Iwamura Vessels
8 inch Tall / Hand casted and pigmented.
1 of 1
(Last picture is not actual vessel, it is a different variant but is pict...
Category
2010s Pigment Sculptures
Materials
Concrete
Light-Glyph 50 (Pink)
Located in Santa Monica, CA
In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. Light diffuses through their frosted surfaces and softens ...
Category
2010s Abstract Geometric Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Disney Church
By Drew Leshko
Located in Philadelphia, PA
This piece titled "Disney Church" is an original artwork by Drew Leshko made of painted paper, wire, chain, inkjet prints. It measures 11”h x 0.75”w x 5”d.
Drew Leshko is a Philade...
Category
21st Century and Contemporary Pigment Sculptures
Materials
Paper, Wood, Pigment, Inkjet
Light-Glyph 16 (Turquoise)
Located in Santa Monica, CA
In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. Light diffuses through their frosted surfaces and softens ...
Category
2010s Abstract Geometric Pigment Sculptures
Materials
Acrylic Polymer, Pigment
Pigment sculptures for sale on 1stDibs.
Find a wide variety of authentic Pigment sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Van Alstine, Casper Brindle, Harold Wortsman, and Gilbert Pauli. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment sculptures, so small editions measuring 0.12 inches across are also available
Read More
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At Waddesdon Manor, artist Joana Vasconcelos has installed a three-tiered patisserie inspired by the narrative tile work of her homeland. We take a look at the cake sculpture and how Portuguese tiles have been used in architecture from the 17th century to today.
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